signed

Hardcover. New York, Viking, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED BY SMITH WITH QUICK SKETCH OF PINOCCHIO. Covers and dust jacket compelely illustrated, beautiful full-page color illustrations by Smith. Spine stiff and tight, dust jacket, covers and pages clean, crisp and unmarked; a beautiful book in excellent condition.

Hardcover. Washington DC/Canberra, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket with light edgewear, fading to spine. 334 pages, b&w illustrations. INSCRIBED BY MYERS on the front fly leaf. The Pintupi are a hunting-gathering people of Australia's Western Desert. They were among the last Aborigines to come into contact with white society. This book presents a comprehensive ethnographic interpretation of the ways in which Pintupi politics, cosmology, kinship systems, nomadic patterns and social values reinforce and sometimes contradict each other.

Hardcover. NY, Rinehart & Co., 1st, 1947, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with black lettering. SIGNED BY DEAN on the half-title page. 246 pages, a adventure story featuring pirates by this Vermont author. Clean copy, no dust jacket.

Hardcover. San Diego, Harcourt Children's Books, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED BY AUTHOR Nancy Willard AND ILLUSTRATORS THE DILLONS on title page. Very clean and tight copy. Funny picture book about how the housekeeper of Bosch deals with his crazy personality & art. A witty tale by Willard with amusing color illustrations by the award-winning husband and wife team.

Hardcover. NY, Viking Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 194 pages, in a bright, unclipped dust jacket. INSCRIBED BY LEAVITT on title page. Pristine copy.

Hardcover. Minneapolis, Coffee House Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 163 pages, SIGNED BY AUTHOR on the title page. Very clean and tight copy.

Hardcover. New York , HarperCollins , 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 311 pages. SIGNED BY AUTHOR. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. New York, Greenwillow Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. SIGNED BY AUTHOR WITH A SKETCH on title page. Very clean and tight copy.

Softcover. Berkeley, University of California Press, 1st pbk, Book: Very Good, Dust Jacket: None, Softcover, 362 pages. INSCRIBED BY BURGOS on the title page. Although largely ignored by historians of both baseball in general and the Negro leagues in particular, Latinos have been a significant presence in organized baseball from the beginning. In this benchmark study on Latinos and professional baseball from the 1880s to the present, Adrian Burgos tells a compelling story of the men who negotiated the color line at every turn-passing as "Spanish" in the major leagues or seeking respect and acceptance in the Negro leagues. Burgos draws on archival materials from the U.S., Cuba, and Puerto Rico, as well as Spanish- and English-language publications and interviews with Negro league and major league players. He demonstrates how the manipulation of racial distinctions that allowed management to recruit and sign Latino players provided a template for Brooklyn Dodgers' general manager Branch Rickey when he initiated the dismantling of the color line by signing Jackie Robinson in 1947. Burgos's extensive examination of Latino participation before and after Robinson's debut documents the ways in which inclusion did not signify equality and shows how notions of racialized difference have persisted for darker-skinned Latinos like Orestes ("Minnie") Minoso, Roberto Clemente, and Sammy Sosa. Clean copy.

Hardcover. NY, Morrow, 1st US, 2004, Book: Very Good, Dust Jacket: Very Good, 354 pages. Hardcover with dust jacket. SIGNED BY ROBINSON on title-page. Tight copy with only minor wear to edges.

Hardcover. Berkeley, University of California, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 292 pages. Hardcover with sunned dust jacket. INSCRIBED BY AUTHOR ON FRONT FLY LEAF. Clean and tight copy. Color and black and white photographs throughout.

Hardcover. NY, Farrar Straus & Giroux , 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 228 pages. INSCRIBED BY AUTHOR on title page. Light shelf-wear to dust jacket, else a clean, tight copy.

Softcover. Buffalo NY, White Pine Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 181 pages. INSCRIBED BY AUTHOR on the title page. Immigrant writer Novakovich records his journeys to find his roots, some to his native Croatia, some no farther than Cleveland, where he searches for the grave of his grandmother, who refused to return to Croatia with the rest of her family. This moving collection reflects the joys and the difficulties in returning to a homeland left behind. Clean copy.

Hardcover. New York, William Morrow, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, SIGNED BY AUTHOR on title page. Spotless and tight, It's as if Raymond Carver were still alive and living in the Deep South. Or, imagine a world created by Jim Harrison and Cormac McCarthy and plunk it down in the woods of southern Alabama, where emotions run as raw as moonshine.Tom Franklin's eloquent deceptively simple prose evokes a world of hunting and fishing, shotgun shacks and trailer parks, poachers, and lawmen, factory workers, poor white trash, and bucket-o-'blood boozers. His stories are laced with naked violence, hot food, and the ever bitter sweat and tears of human relationships.

Hardcover. New York, William Morrow, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, SIGNED BY AUTHOR on title page. In a bright dust jacket. An outstanding collection of short fiction about the Deep South. Franklin won an Edgar Award for the title story. The author's first book.

Softcover. New York, William Morrow , uncor. proof, 1999, Book: Very Good, Dust Jacket: None, 192 pages. Softcover with minor wear to paper wrappers. SIGNED BY AUTHOR ON TITLE PAGE.

Paperback. Boston, Houghton Mifflin, 1st wraps, 1977, Book: Very Good, Dust Jacket: None, Dual language edition. Light spotting to spine otherwise VG. Paperback.edition. SIGNED BY KINNELL on front fly leaf.

Hardcover. Cambridge, Mass, The Limited Editions Club, 1st thus, 1966, Book: Very Good, Dust Jacket: None, Hardcover, 337 pages, with illustrations by David Gentleman throughout, SIGNED BY ILLUSTRATOR in rear, number 794 of a limited 1500 copies, introduction by Aileen Ward, leather spine with gilt title and decoration, slipcase included. Very clean and tight.

Hardcover. New York, Norton, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED BY SARTON on half-title page. light soil to rear panel of dust-jacket otherwise VG/VG.

New York, St. Martins, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright unclipped dust jacket. SIGNED BY WRIGHT on title-page.

hardcover. New York, Cambridge University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 314 pages. Hardcover with dust jacket. SIGNED AND INSCRIBED ON FRONT FLY LEAF BY JOOST (AUTHOR) Clean, tight copy with only minor wear to dust jacket. In March 1988, during the Iran-Iraq war, thousands were killed in a chemical attack on a town in Iraqi Kurdistan. Both sides accused the other. Gradually it emerged that Saddam Hussein, with the tacit support of his western allies, was responsible. This book tells the story of the gassing of Halabja, and how Iraq amassed chemical weapons to target Iranian soldiers and Kurdish villagers as America looked the other way. Today, as the Middle East sinks further into turmoil, these policies are coming back to haunt the West.

Hardcover. New York, Viking/Penguin Publishing, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 244 pages. Hardcover. Gilt title on spine. Clean inside and out. From the dust jacket: "(Pearson shows) what life and literature are essentially about. How he can bring that off amidst such hilarity is something of a miracle." SIGNED BY PEARSON on half title page.

Hardcover. NY, Scholastic Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY BOTH AUTHOR & ILLUSTRATOR with a tiny sketch. Another graphically minimalist yet utterly effective picture book for the very young. "Snug inside her warm den, a polar bear cub wakes. Something in the moonlit stillness quietly beckons. What is it?" The tug of this gentle mystery will draw children into Thompson's simple bedtime story, and the hypnotic ebb and flow of her alliterative lines (on a night that's "keen and cold," little cub "sets out for the snow and sky and sea and ice") will keep children immersed as the young explorer encounters floating, dreaming sea creatures, and witnesses a meteor shower that further transforms the already exotic nighttime surroundings. As arresting as Thompson's language are Savage's powerful linocuts, which beautifully reference the textures and forms of Inuit stone carvings and evoke the arctic landscape in a few elemental colors per spread: glacial blues, grays, and sea greens; the pinks and lavenders of the aurora borealis.

Hardcover. NY, Scholastic Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY BOTH AUTHOR & ILLUSTRATOR with a tiny sketch. Another graphically minimalist yet utterly effective picture book for the very young. "Snug inside her warm den, a polar bear cub wakes. Something in the moonlit stillness quietly beckons. What is it?" The tug of this gentle mystery will draw children into Thompson's simple bedtime story, and the hypnotic ebb and flow of her alliterative lines (on a night that's "keen and cold," little cub "sets out for the snow and sky and sea and ice") will keep children immersed as the young explorer encounters floating, dreaming sea creatures, and witnesses a meteor shower that further transforms the already exotic nighttime surroundings. As arresting as Thompson's language are Savage's powerful linocuts, which beautifully reference the textures and forms of Inuit stone carvings and evoke the arctic landscape in a few elemental colors per spread: glacial blues, grays, and sea greens; the pinks and lavenders of the aurora borealis.