signed

Hardcover. London, Constable & Co., 1st UK, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bight, unclipped dust jacket. SIGNED BY AUTHOR on title page ("Rodney Wingfield 1990"). The first of the author's Inspector Frost mysteries, originally written in 1972 at the prompting of Macmillan (and spurred on by a non-refundable advance of GBP50), the manuscript was promptly rejected, before eventually being published in Canada in 1984. This UK edition followed some five years later and the Yorkshire Television adoptions staring David Jason appeared soon after. Bright, clean copy.

Hardcover. New York, Mysterious Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 295 pages. SIGNED BY AUTHOR on title page. Lovely copy with only minor edgewear to dust jacket spine.

Hardcover. New York, Mysterious Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 295 pages. SIGNED BY AUTHOR on title page. Lovely copy with only minor edgewear to dust jacket spine.

Hardcover. NY, Knopf, 2nd printing, 1985-10-12, Book: Very Good, Dust Jacket: Very Good, Hardcover, 122 pages, illustrated with b&w photos. INSCRIBED BY AUTHOR on front end paper. Light edgewear to dust jacket, else a clean, tight copy.

Softcover. San Francisco , Apex Novelties, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, stapled, single-issue anthology underground comic created by Robert Crumb and a collection of other artists. Spiegelman's first appearance of Maus, his Pulitzer Prize winning graphic novel of the holocaust. SIGNED BY SPIEGELMAN on top page of his story. 7 x 10 comic book in color wraps with other art, cover by Crumb. Unique and rare.

Hardcover. Hanover NH, University Press of New England, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 121 pages. INSCRIBED BY AUTHOR on the half-title page. Clean copy.

Hardcover. Cambridge MA, Zoland Books, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY CORBETT on the dedication page. A memoir by poet William Corbett recounts the story of his relationship with his father whose sudden and peculiar abandonment of his family in 1965 left numerous unanswered questions. Clean copy.

Softcover. Montpelier VT, Laughing Bear, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 48 pages, color photos throughout. A collection of various artworks, collages, sculptures and constructions by the artist. INSCRIBED BY LEVIN on the title page. Clean copy.

Hardcover. Monte-Carlo, Andre Sauret, 1st, 1967, Book: Good, Dust Jacket: Very Good, INSCRIBED BY AUTHOR. French text. 156 pages, b&w and color illustrations throughout. Slightly warped. Foxing to top edge. Light edge wear to dust jacket; in brodart. Else a clean, tight copy.

Hardcover. N. Ireland, Laurel Cottage Ltd., 1st, 2002, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, oblong format, 92 pages, color illustrations by Derek Biddulph. SIGNED BY BOTH AUTHORS AND ARTIST on the title page. The combination of Derek Biddulph's delightful paintings and the fascinating history, stories and anecdotes from Peadar and Dick make this handsome guided tour of Galway City and the surrounding area. Clean copy.

Hardcover. London, JR Books, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 202 pages. Hardcover. B/w illustrations throughout. Signed personal letter from author enclosed. Dust jacket unclipped. Dust jacket has small repaired rip on spine, otherwise very good. Gilt title on spine. There a small bit of staining (food) to a couple of the pages. Binding tight and in excellent shape.

Hardcover. Boston, Houghton Mifflin, reprint, 1993, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcvoer with dust jacket. Black & white illustrations by Van Allsburg. SIGNED by Van Allsburg. Tight copy. Light rip on back of dust jacket.

Hardcover. Boston, Houghton Mifflin , 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Illustrated with full color woodcuts by Mary Azarian. SIGNED BY AZARIAN. Clean, tight copy. Revealing the variety of life underground, the bright comfort of a greenhouse on a winter's day, or the anticipation of starting seeds indoors in early spring, this striking alphabet book celebrates the simple joys of gardening. Without neglecting the frustrations--the nibbling critters and the toil--or wry, humorous moments spent in the garden. Mary Azarian's spare words and lovely woodcuts capture the essence of turning a bare plot of ground into fragrant flowers and lush vegetables and trees. Her depictions of insects, manure, and compost piles are as delightful as her fountains, pumpkins, and Queen Anne's lace. Whether we are young or old, our gardens both exhaust and renew us. They are our source of magic and wonder and perhaps our best way to live closer to the land and to the rhythm of the seasons.

Hardcover. New York, Harper and Row, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 66 pages, in a bright unclipped dust jacket. INSCRIBED BY ORR on the title page. Black and white drawings by Brad Holland. The poet's second book.

Hardcover. NY, powerHouse Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 119 pages. SIGNED AND INSCRIBED BY STANLEY BURNS on the title page. Japanese geisha and courtesans intrigue and fascinate Westerners. During the mid-nineteenth century, Japan opened its doors to the world and became an essential destination for travelers. Tourists desired images of landscapes and traditional Japanese culture, which Japanese photographers provided. They created souvenir albums consisting of hand-colored photographs individually chosen by the tourist. Many are so beautifully painted that they challenge modern sensibilities familiar with color photography. The photographic conventions were inspired by the aesthetics of the noted colored woodblock print medium of ukiyo-e and the privately published surimono. These works depicted the "floating world"--courtesans, geisha, and entertainments--which also were intriguing subject matter for tourists. The beautiful, large photos in this volume give a special insight into the old world of geisha. Clean copy.

Hardcover. Middlebury, VT, Middlebury College Press, 1st, 2000, Book: Very Good, Dust Jacket: None, 1182 pages. Hardcover. Author and President of signed, as well as inscribed to Board of Trustees. Alumni record. Super clean inside and out.

Hardcover. New York, Free Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 292 pages, SIGNED BY AUTHOR on title page. Very clean and tight copy.

Hardcover. Ames IA, Iowa State University Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 254 pages. A very clean hardcover edition in dust jacket and INSCRIBED BY HARNACK on the title page. The book 'focuses on the formation in the 1880s of a colony of upper-class British immigrants who viewed Iowa pioneering as a way of perpetuating the Victorian gentleman's code. It covers a broad range of social history of the latter part of the 19th century, from London drawing rooms to Iowa pig farms, and includes a careful scrutiny of Walter and James Cowan, brothers who were typical of Victorian gentlemen in this special venture'.

Hardcover. NY, Random House, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 510 pages, b&w photos. SIGNED BY CLARKE and dated on the front fly leaf. Bright, unclipped dust jacket.

Hardcover. New York , Delacorte Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 386 pages. SIGNED BY AUTHOR on title page. White covers with grey band and silver lettering on spine. Dust jacket pristine. Comes with an acrylic cover for jacket.

Hardcover. London, Hamish Hamilton, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 496 pages. SIGNED BY THEROUX on title page. In 1975 a young and ambitious writer named Paul Theroux made his literary mark by taking the 28,000-mile intercontinental journey via rail from London to Tokyo and back home again. Thirty years later, an older and wiser Theroux decided to retrace his steps. The result is Ghost Train to the Eastern Star, a fascinating account of the places you vaguely knew existed, yet definitely should know something about. Get on board Theroux's fast-moving travelogue, which features some of the most astute commentary on our distorted notions of time, space, and each other in the age of jet speed, broadband connections, and cultural extinction. A railway journey through Eastern Europe, India, and Asia. Clean copy

Hardcover. NY, Harry N. Abrams, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 128 pages, illustrated throughout in color and b&w, INSCRIBED BY AUTHOR on front end paper. Light shelf-wear to dust jacket with small crumbled tear to rear cover. Clean, tight copy.

Hardcover. Beach Lloyd Publishers, 2nd Ed., 2008, Book: Very Good, Dust Jacket: None, Hardcover. pictorial boards, 142 pages. SIGNED BY AUTHOR on the title page. I had all kinds of courage and guts; I don t know where that came from, says Fernande Keufgens Davis ( Freddie ) of the risks that she took as a teenager in the Belgian Resistance of World War II. After the shock of finding her formerly occupied village annexed as part of Germany, Davis was drafted to work in a German munitions factory. Determined not to aid the enemy, she jumped from the train and went underground. Clean copy.

Softcover. Southern Domestic, 1st, 2019, Book: Very Good, Dust Jacket: None, Softcover, 328 pages, b&w illustrations. SIGNED BY RIGBY on the title page. follows one young woman's progression from Elton John fan in the Pittsburgh suburbs to Manhattan art student; from punk show habitue to fledgling musician to cult singer-songwriter who caused a sensation with 1996 debut solo album Diary Of A Mod Housewife. Set in a ramshackle twentieth century New York world of homemade clubs and bands, through love affairs, temp jobs and motherhood, GIRL TO CITY describes the screw-ups and charmed moments it took for a girl in the crowd at CBGB to pick up a guitar and sing her truth on stage, creating an identity as an artist back when female musician role models were still rare. Clean copy.