signed

Softcover. Cellar Book Shop, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 100 pages. For six months in 1983, Tim Bascom lived with a family in the Tatalon slum, Quezon City, Philippines, sharing their day-to-day struggles. There the seed was planted for this novel--a story that would reveal the lives of the Filipino poor in their suffering and dignity. SIGNED BY AUTHOR.

Hardcover. New York, Viking Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, NON-PAGINATED, HARDCOVER WITH DUST jacket. SIGNED BY SCIESZKA AND SMITH on dedication page. Color illustrations by Lane Smith. Designed by Molly Leach.

Hardcover. Boulder CO, self-published, reprint, 1957, Book: Good, Dust Jacket: None, Hardcover, beige cloth with red decoration, 544 pages.Comprehensive look at 240 mining camps across the state of Colorado, with black-and-white sketches made from photos & 18 maps drawn by the author. Unfortunately, while the book is in very good condition, it does have a noticeable MUSTY smell.

Hardcover. self-published, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket with a faded spine. WWII novel made up of Buck's memories and presented in a consequential narrative/vignette format. INSCRIBED BY AUTHOR opposite the title page. Many b& photos and illustrations. Clean copy.

Hardcover. London, Jonathan Cape, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, SIGNED. Doyles's hastily scrawled signature on title page. Clean, unmarked copy with only minor wear to dust jacket.

Softcover. Iowa City, University of Iowa Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 91 pages. INSCRIBED BY HULL on the title page. Previous owner's name on the front fly leaf. Clean, bright copy.

Hardcover. Prague, SNDK, 1st, 1958, Book: Very Good, Dust Jacket: None, SIGNED BY WENIG. Czech language. Black & white pen-line drawings in color by Mikolase Alse. Red cloth with gilt decoration.

Hardcover. Boston, Little, Brown, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-Paginated. SIGNED BY NANCY WILLARD AND JERRY PINKNEY ON TITLE PAGE. 1st edition/1st printing. Full color illustrations by Jerry Pinkney. Not ex-library. A bright, clean copy.

Hardcover. New Milford CT, Roaring Brook Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover. SIGNED BY AUTHOR/ILLUSTRATOR AMY SCHWARTZ ON TITLE PAGE. Full color illustrators. Bright, clean copy.

Hardcover. Kansas City, Andrew McMeel Publishing, 2nd, 1998, Book: Very Good, Dust Jacket: Very Good, 159 pages. Hardcover with dust jacket. SIGNED BY SCOTT HAMILTON ON BOOKPLATE OPPOSITE Title Page. Dust jacket shows light rubbing and edge wear, internally tight and crisp. Color photographs throughout.

Hardcover. US, Farrar Straus & Giroux (T), 1st US, 1985, Book: Very Good, Dust Jacket: Good, 123 pages. SIGNED AND DATED BY AUTHOR on front end paper. Light shelf-wear and sun-fade to dust jacket spine. Faint foxing to edges, otherwise a clean, tight copy.

Hardcover. New York, Michael di Capua Books/HarpersCollins Publishers, 1st, 1992, Book: Near Fine, Dust Jacket: Near Fine, SIGNED BY ILLUSTRATOR ON BLANK PRELIM PAGE. Story retold by Tor Seidler. Maroon boards with gilt titles, color illustrated dust jacket, gorgeous full-page color illustrations by Fred Marcellino. No signs of wear, dust jacket, covers and pages clean, crisp and unmarked; a beautiful children's book in superb condition.

Hardcover. New York , Dutton, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 32 pages illustrated in color by Wolff. INSCRIBED BY WOLFF with her color rubber stamps of a rabbit and turtle on title page, dated 1994.

Hardcover. Franklin Center PA, Franklin Library, Ltd. Ed., 1985, Book: Very Good, Dust Jacket: None, Hardcover, full red leather binding with 3 raised bands on the spine. Gilt stamped boards and page edges. Includes the Franklin Library supplement sheet.

Hardcover. London, Faber & Faber, 1st, 2008, Hardcover, 524 pages, b&w illustrations. SIGNED BY BOTH HEANEY & O'DRISCOLL on title page. Widely regarded as the finest poet of his generation, Seamus Heaney is the subject of numerous critical studies; but no book-length portrait has appeared until now. Through his own lively and eloquent reminiscences, Stepping Stones retraces the poet's steps from his early works, through to his receipt of the 1995 Nobel Prize for Literature and his post-Nobel life. It is supplemented with a large number of photographs, many from the Heaney family album and published here for the first time.

Hardcover. New York, Persea Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 228 page. Hardcover with dust jacket. SIGNED BY AUTHOR BELTH ON TITLE PAGE AND DATED August 31, 2007. Otherwise, clean, tight copy with minor rubbing on dust jacket edges.

Softcover. Boulder CO, Colorado Quarterly, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 83 pages. A Bonus Issue of Colorado Quarterly August 1978. INSCRIBED BY BARNSTONE on the title page. Illustrated by Karmen Effenberger. Clean copy.

Hardcover. New York , Farrar Straus Giroux, 1st, 1983, Book: Very Good, Dust Jacket: Good, Hardcover. INSCRIBED BY AUTHOR, AND CONTAINS SIGNED LETTERS AND NOTES. 456 pages. Blue cloth cover, some fading and wear to edges. Dust jacket has bumped bottom edge, small chip missing from top edge of spine. Light foxing on fore edge, but inside is very bright and clean, with b&w illustrations throughout.

Hardcover. London, UK, Secker & Warbug, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, uncipped dust jacket, 584 pages. SIGNED BY AUTHOR in front endpapers. Clean.

Hardcover. NY, St. Martin's/Minotaur Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY TAYLOR on title page. Art history professor Sweeney St. George is in the middle of putting together an exhibit on her specialty, "the art of death," for the university museum when she makes an unusual discovery: A valuable piece of Egyptian funerary jewelry that should be in the museum's collection seems to be missing. Searching for answers, Sweeney learns that a student intern at the museum was the last person to check out the piece, a young woman who died of an apparent suicide soon after she handled the piece, more than twenty-five years ago. Going on with the exhibition without the intricately beaded Egyptian collar, Sweeney can't let it drop altogether. Nor can she forget the student, Karen Philips, who died just a few months after working with the piece. A little digging shows that Karen was working at the museum the night it was robbed, that same year, and Sweeney becomes even more curious. But her interest in mysteries past pales when a present-day murder brings Sweeney and her colleagues at the museum under the Cambridge Police Department spotlight in the person of Detective Tim Quinn, whom Sweeney has worked with before. In the fourth installment in this rich and fascinating series, Sweeney and Tim go after a killer, trying to resolve questions both immediate and decades-old before it's too late.

Hardcover. Chicago, University of Chicago Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 141 pages. INSCRIBED BY PACK on the title page. Clean, bright copy in a dust jacket.

Hardcover. Chicago, University of Chicago Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 141 pages. Clean, bright copy in a dust jacket.

Hardcover. Winnipeg Canada, Blizzard Publishing, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 92 pages. SIGNED BY FINDLEY on title page. Slight wear to dust jacket with old price-sticker to back cover, else a very nice, tight, clean copy.

Hardcover. New York , W. W. Norton & Company, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED BY SMALL on half-title page. David Small, a best-selling and highly regarded children's book illustrator, comes forward with this unflinching graphic memoir. Remarkable and intensely dramatic, Stitches tells the story of a fourteen-year-old boy who awakes one day from a supposedly harmless operation to discover that he has been transformed into a virtual mute-a vocal cord removed, his throat slashed and stitched together like a bloody boot. From horror to hope, Small proceeds to graphically portray an almost unbelievable descent into adolescent hell and the difficult road to physical, emotional, and artistic recovery.