Art Exhibition

Softcover. Boston, Museum of Fine Arts, 1st, 1979, Book: Good, Dust Jacket: None, Softcover, 255 pages, b&w illustrations. Newspaper clippings paper-clipped to front fly leaf. Previous price sticker on back cover. Edge wear, rubbing to wrappers, front cover slightly bent. Light stain to bottom edge. Else pages clean and tight.

Softcover. New York, Queens Museum, 1st, 2015, Book: Very Good, Dust Jacket: None, 152 pages. Softcover. Very clean, like new in publishers shrink-wrap. This volume brings expert opinion and first-hand testimony to bear upon the events surrounding the creation and destruction of Andy Warhol's Thirteen Most Wanted Men at the 1964 New York World's Fair. The complex constellation of art, politics and gay life surrounding Warhol's mural and its painting-over comes alive in 13 interviews-with historian Hilary Ballon, critic Douglas Crimp, poet Diane di Prima, 1964 World's Fair head of television Albert Fisher, poet John Giorno, art historian Anthony Grudin, civil rights historian Felicia Kornbluh, former Warhol assistant and poet Gerard Malanga, filmmaker Jonas Mekas, art historian Richard Meyer, former Warhol assistant and photographer Billy Name, Rockefeller biographer Richard Norton Smith and architect and critic Mark Wigley. The interviews are introduced by the show's co-curator Larissa Harris, and accompanied by reproductions of all of the Thirteen Most Wanted Men; photographs of Warhol and the Fair by Factory regulars and photojournalists; and rarely seen archival documents from Warhol's Time Capsules.

Softcover. New York, Queens Museum, 1st, 2015, Book: Very Good, Dust Jacket: None, 152 pages. Softcover. Very clean, like new in publishers shrink-wrap. This volume brings expert opinion and first-hand testimony to bear upon the events surrounding the creation and destruction of Andy Warhol's Thirteen Most Wanted Men at the 1964 New York World's Fair. The complex constellation of art, politics and gay life surrounding Warhol's mural and its painting-over comes alive in 13 interviews-with historian Hilary Ballon, critic Douglas Crimp, poet Diane di Prima, 1964 World's Fair head of television Albert Fisher, poet John Giorno, art historian Anthony Grudin, civil rights historian Felicia Kornbluh, former Warhol assistant and poet Gerard Malanga, filmmaker Jonas Mekas, art historian Richard Meyer, former Warhol assistant and photographer Billy Name, Rockefeller biographer Richard Norton Smith and architect and critic Mark Wigley. The interviews are introduced by the show's co-curator Larissa Harris, and accompanied by reproductions of all of the Thirteen Most Wanted Men; photographs of Warhol and the Fair by Factory regulars and photojournalists; and rarely seen archival documents from Warhol's Time Capsules.

Softcover. Philadelphia, The Schwarz Gallery, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover. This 130 page catalog is beautifully printed in full color and features still-life paintings from 1795 to 1954. The cover features "Cutlet and Vegetables" by Raphaelle Peale. The cover has a few minor blemishes and the interior pages exhibit slight wear. The book includes the original cover-letter from Robert Schwarz.

Hardcover. London```, Konemann UK Ltd, Reprint, 1995, Book: Very Good, Dust Jacket: Very Good, 2 VOLUME SET. 920 pages. Oversize hardcovers. Both volumes very clean and unmarked. Only minor wear to dust jacket edges. In a unique collection of hundreds of photographs, 150 Years of Photo Journalism gives a visual record of the years 1850 - 1918, the last and greatest period of European dominance of the world in culture, science and weapons of destruction. VERY HEAVY- extra charges for overseas shippimg.

Hardcover. Montreal, Montreal Museum of Fine Arts, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 638 pages. Hardcover with dust jacket. Small stain on fore edge of textblock. Otherwise, a very clean, unmarked copy with minor rubbing and edgewear to dust jacket. Small tear to top edge of rear dust jacket cover. A tight copy. Black & white and color illustrations throughout.

Hardcover. London, Pavilion, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. A very clean, unmarked copy with minor wear and curling to dust jacket edges. Color photographs throughout. Includes DVD. Genius innovators in haute couture, AP have commissioned Mike Figgis to portray Kate Moss in her first acting role, resulting in four unique films: "Shadows", "Scale", "Exhibitionist and "Narcissus" - "The 4 Dreams of Miss X". Shot in night vision, these films are intensely intimate: a beautiful woman's private dream experiences.

Softcover. Salem MA, Peabody Museum, 1st, 1949, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog. 36 pages illustrated throughout in b&w. Gray paper wrappers. Front cover lightly sunned, slight wear to edges, else a very nice, tight copy.

Hardcover. New York, Robert Miller Gallery, 1st, 1997, Book: Very Good, Dust Jacket: None, Hardcover, 92 pages, still in plastic shrink wrap. Color and b&w illustrations throughout. Beautiful copy.

Softcover. Augsburg GR, Gesellschaft fur Gegenwartskunst, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, red stapled wrappers with black art and lettering, 44 pages, exhibition catalog with color and b&w plates. Text by Stefan Schrammel and Heinrich Heil in GERMAN.

Softcover. Milwaukee WI, Milwaukee Art Museum, 1st, 2012, Book: Very Good, Dust Jacket: None, Folio, softcover, 216 pages. Over 200 color illustrations. Published to coincide with the 2012 showing at the Milwaukee Art Museum of works by 64 self-taught artists in the Anthony Petullo Collection. Foreword by Daniel T. Keegan. Art Brut and "Outsider" Art, essay by Jane Kallir - "It's a Picture Already, essay by Lisa Stone. Like new in publishers shrink-wrap.

Softcover. Newport, California, Newport Harbor Art Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 159 pages. Exhibition catalog featuring the work of Norman Bluhm, Michael Goldberg, Grace Hartigan, Al Held, Alfred Leslie and Joan MItchell. Color illustrated covers with white titles, foreword by Kevin E. Consey, acknowledgments by Paul Schimmel, essays by Paul Schimmel, B.H. Friedman, John Bernard Myers, and Robert Rosenblum, b&w frontispiece, 36 full page color plates, numerous b&w figures throughout, biographical notes. Light rubbing to covers; a very clean, tight copy in great condition.

Hardcover.. Germany, Steidl, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, MAY REQUIRE ADDITIONAL POSTAGE. 2 volume set. Oversize hardcover and softcover in slipcase. Very clean, unmarked copies. Very minor soiling to slipcase. Beautiful color photographs throughout.

Softcover. NY, Babcock Galleries, 1s, 2010, Book: Very Good, Dust Jacket: None, Softcover, 48 pages illustrated in color. Published in conjunction with the exhibition of the same name; Includes images of and images by African-Americans, including William Sidney Mount, Thomas Worth, Edward Mitchell Bannister, Lyell E. Carr, Sol Eytinge, Eastman Johnson, Sheldon Orrin Parsons, and others. Clean copy.

Hardcover. New York, Harry N. Abrams, 1st, 1899, Book: Very Good, Dust Jacket: Very Good, 96 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. In 1952, at the age of 23, Helen Frankenthaler created her legendary painting Mountains and Sea. She poured thinned-down pigment directly onto unprimed canvas to be absorbed into its fibers. This large painting, the first in which Frankenthaler used her soak-stain technique, synthesized the influences that had informed her work to that point and announces her arrival as a mature artist. Published to accompany a 1998 exhibition at the Solomon R. Guggenheim Museum, New York, this book focuses on Mountains and Sea and other groundbreaking paintings of Frankenthaler's early career. In this period, Frankenthaler drew upon Cubism, the abstractions of Arshile Gorky and, especially, those of Jackson Pollock, whose radical technique inspired her to reject easel painting. Frankenthaler herself became associated with the second generation of the New York School and her unique method and experimental use of materials influenced her contemporaries and subsequent generations of artists.

Hardcover. NY, Norton, 1st, 1997, Hardcover,224 pages, 93 full-color photographs. Much has been written about Alfred Stieglitz and his role in establishing photography as an art. Little attention, however, has been paid to the pictorial photographers who followed Stieglitz, among them Imo Jean Cunningham, Edward Weston, Clarence H. White, and a host of others -- those who, in a widespread movement, approached photography in a painterly fashion, creating beautiful images through the use of careful lighting, manipulated tones, soft focus effects, and artistic compositions. In this important volume, Christian A. Peterson finally gives the pictorialists of the first half of the twentieth century their due. He describes the backgrounds of the movement, their methods, the photo clubs they belonged to, and their work, illustrated here with ninety-three stunning reproductions. The movement seemed to die out, Peterson suggests, with the rising popularity of 35mm photography in mid-century, when the care and slow working procedures required by large-format cameras became unpopular.

Hardcover. Atlanta, High Museum of Art/Yale University Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 272 pages. Hardcover. Full color illustrations. Bright, clean copy. This illustrated book, published to commemorate the centenary of the artist's death, addresses Whistler's extraordinary legacy and establishes his pivotal place in the history of American art. array of pictures by 38 other American painters-including Henry Ossawa Tanner, William Merritt Chase, and John Singer Sargent-to demonstrate how Whistler's American contemporaries were affected by his techniques, colour palette, compositions and subject matter. with American artists and the reception of his work in the United States. The essays that follow discuss Whistler's Venetian sojourn and its effect on the American artists who flocked to that city, his relationship with Philadelphia's art community, the Whistler Memorial Exhibition held in Boston in 1904, and much more. Clean, bright copy.

Softcover. Paris, Gimpel Fils , 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog in red stapled wrappers. 14 pages with 7 color plates. Clean copy.

Softcover. Los Angeles, Frederick S Wight Art Gallery, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. B&w and color illustrations. Issued in conjunction with several 1977-1978 exhibitions featuring the work of Italian artist Alberto Burri (1915-1995). The entire book is an illustrated essay by Gerald Nordland that serves as a good introduction to the man and his craft. Also includes a chronology and an expansive exhibition history. Faint crease to front cover, otherwise a clean, bright copy.

Hardcover. GR, Hirmer/Mdm Salzburg Museum der Moderne, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 240 pages, color illustrations. Text in English and German. This catalogue is published on the occasion of the exhibitions 'Alex Katz. New York/Maine'. Clean, bright copy with minor bump to edges, corner.

Softcover. New York, Marlborough Gallery, Inc., 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog, 38 pages. 16 Color illustrations throughout. Minor wear to cover. Otherwise very tight and clean copy.

Hardcover. Kansas City, Kemper Museum of Contemporary Art , 1st, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, exhibition catalog, unpaginated. New York artist Alex Katz is best known for his eye-catching, large-scale portraits, figures, and landscapes, but in the mid-1950s he painted intimate works, originating the style that would become the hallmark of his mature work. By the early 1960s, he established a procedure of making small sketches using oil paint on Masonite board, which he would enlarge and modify, then make into paper cartoons to transfer to the canvas. He produces one or more small sketches for every large painting. Although Katz considers the large works to be his major productions, small-scale paintings are the underpinning of his work, revealing his initial passion for a subject--a love at first sight before it has fully matured. While his big paintings are akin to a public performance, the small paintings are rehearsals that reveal not only how he works but more importantly why he is interested in a particular subject. This volume focuses on the achievement and significance of Katz's small paintings.

Hardcover. Washington DC, National Gallery of Art, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 367 pages 337 illustrations 267 in color. Foreword by Earl A. Powell III. Published on the occasion of the exhibition from the National Gallery of Art, Washington DC 29 March-12 July 1998. Exhibition History by Alexander S.C. Rower. Selected Bibliography by Alexander S.C. Rower.