England

Hardcover. NY, Harper & Brothers, 1st, 1868, Book: Good, Dust Jacket: None, 287 pages plus publisher's ads. ...to Which are Prefixed and Added Extracts From the Same Journal Giving an Account of Earlier Visits to Scotland, and Tours in England and Ireland, and Yachting Excursions. B/w illustrations throughout, including two facing frontispieces with tissue guard. Binding still quite good. Tanning and foxing throughout with other agewear appropriate for a book this old. Previous owner's bookplate on front endpapers and ID stamp on preliminary page. Dark red cloth cover boards, gilt title on spine and design on front cover, agewear (see image). From Editor's Preface: "During one of the Editor's official visits to Balmoral, her Majesty very kindly allowed him to see several extracts from her journal relating to excursions to the Highlands of Scotland...It...occurred to her Majesty that these extracts, referring as they did, to some of the happiest hours of her life, might be made into a book,..."

Hardcover. UK, Lee Miller Archives Publishing, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 185 pages. After fashion modeling in New York City in the 1920's, Miller went to Paris, becoming a fashion and fine-art photographer -- in addition to covering World War II. This is a beautifully produced book looking at Lee Miller's extraordinary contributions to the pages of Vogue before becoming a war correspondent. Many of the images have not been seen since they were taken in the 1940's. Clean copy.

Hardcover. Abington UK, Professional Books Ltd., reprint, 1981, Book: Very Good, Dust Jacket: None, Unpaginated, approximately 400 pages. A hardcover reprint of the 1679 London edition published by Sawbridge, et al. Latin text. Clean and tight.

Hardcover. NY, Dodd Mead, 1st US, nd, Book: Good, Dust Jacket: None, Hardcover, blue cloth, gilt lettering on the spine, 320 pages including index. First published in 1888, this work reproduces for the first time in full the letters sent by the English gentlewoman Dorothy Osborne (1627-95) to Sir William Temple (1628-99) during their courtship. Osborne first met Temple on the Isle of Wight in 1648, but both their families opposed the relationship and the couple were not able to marry until 1654. Osborne's letters are highly engaging, especially notable for their political and social commentary as well as for the details they reveal about her daily life and the clandestine courtship. Believed to be the first US edition, no date indicated. Clean copy. Spine cloth worn at top.

Hardcover. London, Staples Press, 1st, 1949, Book: Very Good, Dust Jacket: Good, 463 pages. Hardcover. Dust jacket with light wear, chips & rear cover lightly soiled, now protected with a plastic cover. Light foxing, soiling to edges. Else a clean, tight copy.

Hardcover. London, Methuen & Co. Ltd, 1st, 1912, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt titles, 351 pages. Preliminary pages with foxing, stamp on title page otherwise good plus. Complete with 27 pages of publisher's ads in rear.

Hardcover. London, Reaktion Books, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light wear to bottom of spine. 360 pages, color and b&w illustrations, index. Libertine London investigates the sex lives of women from 1680 to 1830, the period known as the long eighteenth century. It uncovers the various experiences of women, whether mistresses, adulteresses or those involved in the sex trade. From renowned courtesans to downtrodden streetwalkers, Julie Peakman examines the multifaceted lives of these women within brothels, on stage and even behind bars. Based on new research into court transcripts, asylum records, magazines, pamphlets, satires, songs, theatre plays and erotica, we learn of the gruesome treatment of women who were sexually active outside of marriage. Julie Peakman looks at sex from women's points of view, undercutting the traditional image of the bawdy eighteenth century to expose a more sordid side, of women left distressed, ostracised and vilified for their sexual behaviour. Unveils the complex sex lives of libertine women in eighteenth-century London.

Hardcover. New York, Edita Lausanne/Universe Books, 1st U.S.A. Edition, 1973, Book: Very Good, Dust Jacket: Very Good, 345 pages. Hardcover in cardboard slipcase. Color and b/w illustrations throughout. Binding tight, spine straight. Pages and edges clean. Dust jacket price clipped, excellent otherwise, no rips or tears, glossy. Leather bound cover boards, gilt title and decoration on spine and front cover board. Thanks to slipcase in beautiful condition. A passport to our common heritage, which will illuminate and reveal the colorful pageantry of existence in medieval time. A book that links today with the past.

Hardcover. New York, William Jackson, 1st, 1835, Book: Good, Dust Jacket: None, 287 pages. Black & white illustrations. Missing approx. 1/4" of cloth at top and bottom of spine. Covers and spine faded. Clean, unmarked text.

Hardcover. Edinburgh, John Ballantyne and Co., Rebound first edition, 1809, Book: Good, Dust Jacket: None, 281 pages. Hardcover. B/w frontispiece portrait of author. Agewear throughout. Rebound with brown boards, Navy blue quarter cloth, title paste down on spine. Binding good. Spine straight. Edward Herbert, 1st Baron Herbert of Cherbury was an English soldier, diplomat, historian, poet and religious philosopher of the Kingdom of England.

Softcover. NY, Cambridge University Press, reprint, 1960, Book: Very Good, Dust Jacket: None, Softcover, 364 pages. A picture of the daily and yearly round of the English peasant in the Middle Ages. Bennett explains the feudal system which linked the poor man to the soil and to the service of his lord and the church. Since all of the inhabitants of England at that time were countrymen, except for a few large towns, this book is really an introduction to life in Medieval England as a whole. Clean and unmarked wraps in reddish-brown with a woodcut illustration. Name on front fly leaf, otherwise clean.

Hardcover. London, A&C Black Publishers, Ltd., 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. London, Eliot Stock, 1st, 1896, Book: Fair, Dust Jacket: None, AUTHOR'S INSCRIPTION on tipped-in card. 241 pages, b&w illustrations by Alfred Beaver and others. Light green cloth covers w/ gilt lettering and design. Ink markings to first few pages. Wear to cover corners. Hinges cracked. Staining to end papers and some pages.

Hardcover. New York, Aperture, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with price-clipped dust jacket. Black and white photographs by Bill Brandt throughout. Clean, tight copy.

Hardcover. London, George Allen & Unwin Ltd., 2nd pr., 1947, Book: Good, Dust Jacket: None, Hardcover in light tan cloth with red lettering to the spine, 361 pages. Although the life of London runs like a thread through the whole fabric of this book, it is not essentially a book about London. Life in Bloomsbury is but the center of a large circle, the point around which the rest of the book revolves, the origin of a disarming commentary on an infinite variety of topics - on Bloomsbury's squares, on the picturesqueness of London a generation ago, on what is true Cockney, on the differences of English and American humor, on the decay of English wit, on books and authors and publishers and the Press, on the literary lions of the past, on the religion of speed, on the charm of Americans, on how the Victorian age was neither so repressed nor so hidebound as most people today like to believe - and so on, one thing leading to another, like good conversation at a good luncheon overlooking the mellow squares of Bloomsbury. The book is full, too, of good stories and reminiscences, both humorous and pathetic, but there is shrewd comment besides on the deficiencies of contemporary society, not the less effective because the author knows how to soften the blow. Mild soil, sunning to covers, clean copy.

Hardcover. NY, St. Martin's Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 511 pages, b&w illustrations. When Hitler unleashed a fierce barrage of weapons on the defiant capital of England, London's resilient citizens were undaunted. With colorful detail and rich insight, historian Maureen Waller takes readers through London in the last year of war. She reveals the magnificence of human spirit that carried a besieged people through agonizing travails and the long, giddy transformation the metropolis made as it passed through battle, to celebration, and back to life as usual. Clean copy.

Hardcover. Berkeley, CA, University of California Press, 1st Edition, 1975, Book: Very Good, Dust Jacket: Very Good, 424 pages. Hardcover. B/w illustrations throughout. Blue cloth cover boards, gilt title on black on spine. Light tanning to pages. Spine straight. Binding tight. Takes its place in the eight-volume History of London series, but it is a self-contained enquiry into the place of ninth- to twelfth-century London in the history of the City and of the urban renaissance.

Hardcover. New York, Hill and Wang , 1st, 1966, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover. Extensive b&w drawings by Paul Hogarth throughout. Gilt titles on spine. Clean, tight copy.

Hardcover. NY, Hill and Wang, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket, 144 pages. B&w drawings throughout by Paul Hogarth. Small ownership stamp to front fly leaf, otherwise clean.

Hardcover. Loa Angeles, J. Paul Getty Museum, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, 136 pages. Offering a fresh account of developments that have since characterized postwar British painting, this catalogue focuses on Michael Andrews, Frank Auerbach, Francis Bacon, Lucian Freud, R. B. Kitaj, and Leon Kossoff-- artists who worked in close proximity as they were developing new forms of realism. If for many years their efforts seemed to clash with dominant tendencies, reassessment in recent decades has afforded their work a central position in a richer and more complex understanding of postwar British art and culture. Rigorous and gorgeously illustrated, the essays reflect on the parallel yet diverse trajectories of these artists, their friendships and mutual admiration, and the divergence of their practice from the discourse of high modernism. The authors seek to dispel the notion of their work as a uniquely British endeavor by highlighting the artists' international outlook and ongoing dialogue with contemporary European and American painters as well as masters from previous generations.

Hardcover. Cambridge MA, MIT Press , 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 311 pages, b&w illustrations. In the 1930s and 1940s, English fashion houses, spurred by economic and wartime crises, put London on the map as a major fashion city. In this book, Michelle Jones examines the creation of a London-based couture industry during these years, exploring how designer collaboration and the construction of specific networks and narratives supported and shaped the English fashion economy. Haute couture-the practice of creative made-to-measure womenswear-was widely regarded as inherently French. Jones shows how an English version emerged during a period of economic turbulence, when a group of designers banded together in a collective effort to shift power within the international fashion system. Clean, bright copy.

Hardcover. New York, Bulfinch Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, 190 historical photos of London. In a bright, unclipped dust jacket. Clean.

Hardcover. NY, Pantheon, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. A collection of b&w images Brandt made in the 1930s of how the various classes of English society lived their lives. Brandt personally supervised the printing of the plates. In a bright, unclipped dust jacket. Previous owner's signature on front fly leaf, otherwise clean copy.