Hardcover. London, Chatto and Windus, 1st, 1960, Book: Good, Dust Jacket: None, 260 pages. INSCRIBED BY AUTHOR on front flyleaf. Hardcover. Gilt title on spine. Covers bound in purple cloth. Boards have a touch of age wear at edges. Gutter split at title page, otherwise, binding tight. Clean inside. Edges and preliminary pages have some age-yellow and foxing. Still in great shape for its age.
Hardcover. NY, Schocken Books, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 326 pages. Ivan Roots covers the period from 1642-1651, during which the English Civil War took place. The book discusses the causes of the war, the battle of Worcester, the fall of the Protectorate, and the aftermath of the war. Name on front fly leaf, otherwise clean.
Softcover. Los Angeles, Augustan Reprint Society, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 23 and 27 pages, introduction by Claudis Johnson. Facsimile reprints of two pamphlets written to benefit priests who were expelled by the revolutionary French Government. Both authors championed causes to relieve their plight. Clean copy.
Softcover. Toronto CAN, Dundurn Press, 1st, 1997, Softcover, 192 pages, b&w illustrations. The insular character of Britain delayed the creation of professional police until the 19th century. This volume traces the course of British amateur policing until that time, at which point it deals with the foundation of the London Metropolitan Police and efforts to create similar professional urban institutions in New York and Montreal. Due attention is also given to the fact that very different conditions in rural Ireland necessitated the creation of a para-military type of force, which in turn served as the model for police in the countryside throughout the Empire. Clean copy.
Hardcover. San Francisco, Ten Speed, 1st, 2024, Hardcover in pictorial boards, 238 pages, color illustrations. Tom Parker Bowles, award-winning food writer, restaurant critic, and son of Queen Camilla, blends history, monarchy, and gastronomy to provide a fascinating window into the world of royal tastes and traditions as far back as Victorian times. An intimate cookbook exploring 200 years of British royal food, studded with anecdotes, delectable tidbits, and nuggets of history, featuring 100 accessible recipes. Clean, bright copy.
Hardcover. London, Stacey International, 1st US, 2013, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Black and white photographs throughout. Clean, unmarked copy with only minor wear to dust jacket. A treasury of aristocratic photography from the 1850s to 1930s. England's leisured and affluent upper classes made an art form of their new picture-taking toy, creating intimate portraits of stunning beauty. Includes previously unpublished photographs discovered in dusty corners and attics of Britain's grandest houses.
Hardcover. London, Faber and Faber, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 171 pages. The author relates her experiences growing up in the Derbyshire countryside of central England during the late nineteenth century. Her `country' books, beginning with The Country Child and continuing with series of essays on country themes, such as Country Hoard were extremely popular, due to her uncanny ability to remember the smallest details of her Derbyshire childhood and express them with beautiful poeticism. This volume collects a number of her best essays. B&w illustrations by C.F. Tunnicliffe. Previous owner's notation on front fly leaf, otherwise clean.
Hardcover. Princeton, NJ, Princeton University Press, 1st US, 1982, Book: Very Good, Dust Jacket: Good, Hardcover. 360 pages. Dust jacket with edgewear, sun-fading. Clean, tight copy. The first monograph on English medieval county courts, this book provides a major revision of traditional conceptions of the character of these courts and the organization of English society from the twelfth to the fourteenth century. THe county courts have been considered courts of custom dominated by local knights unskilled in the law. By analyzing county peronnel and their role of the courts, Robert C. Palmer shows that these courts were, on the contrary, clearly professional and controlled by the magnates through their lawyers. Nevertheless, as the author demonstrates by his study of the process of jurisdictional change, the county courts were increasingly relegated to lesser roles by changes meant to assure justice to county litigants, while the king's court became the normal court of original jurisdiction for most important cases.
Hardcover. London, Henry Colburn, 1st, 1848, Book: Good, Dust Jacket: None, Two volumes. 1/2 leather bindings with gold marbled covers and end papers. Gilt top edges. Volume 1 - 476 pages plus 16 pages of ads. Raised bands on spine. Rubbing to edges. Clean, unmarked text. Volume 2 - 510 pages. Raised bands on spine. Rubbing to edges. Clean, unmarked text.
Hardcover. Oxford, Clarendon Press, 1st, 1912, Book: Very Good, Dust Jacket: None, 319 pages, illustrated with 2 portrait plates and a diagram. Gilt ruled brick-red cloth with gilt lettering on spine. Edited by Atkinson. Bright, tight copy.
Hardcover. NY/London, St. Martin's Press/Academy, 1st US, 1972, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket with tape repair to reverse which bleeds through on front panel. A collection of black and white photographs from this early British photographer.
Hardcover. New York, Doubleday, Page & Compnay, reprint, 1902, Book: Very Good, Dust Jacket: None, Hardcover, 425 pages. 8 b&w illustrations. Illustrated frontispiece. Paste down plate on front cover. Previous owner's inscription on front endpaper. Otherwise clean, tight copy.
Hardcover. New York , Nan A. Talese, 1st US, 2014-11-11, Book: Very Good, Dust Jacket: Very Good, 430 pages, illustrations in color and b&w. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. London, The Grolier Society, 1st Thus, ND, Book: Very Good, Dust Jacket: None, 2 Hardcover Volumes. Edition de Luxe - Limited to One Thousand Copies for England and America - this being No. 746. Gray cloth covers. Top edges gilt. Fading to spine labels. Full color and black & white illustrations. Clean, tight copies.
Hardcover. NY/London, Faber & Faber, 1st, 2011, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. 304 pages. This is the first of two titles by the Manic Street Preachers' bassist and lyricist, Nicky Wire. For more than twenty years and from Blackwood, Wales to Tokyo, Japan, Nicky Wire has kept a personal visual history of the band in their various stages from "Generation Terrorists" through "Holy Bible" and right up to last year's remarkable album, "Postcards from a Young Man". Edited down from over 1,000 of Wire's personal polaroid's and with accompanying text by the man himself, "Death of The Polaroid" promises to be a rich, visual biography of one of the most loved and iconoclastic British bands of the past two decades.
Hardcover. NY/London, Faber & Faber, 1st, 2011, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. 304 pages. This is the first of two titles by the Manic Street Preachers' bassist and lyricist, Nicky Wire. For more than twenty years and from Blackwood, Wales to Tokyo, Japan, Nicky Wire has kept a personal visual history of the band in their various stages from "Generation Terrorists" through "Holy Bible" and right up to last year's remarkable album, "Postcards from a Young Man". Edited down from over 1,000 of Wire's personal polaroid's and with accompanying text by the man himself, "Death of The Polaroid" promises to be a rich, visual biography of one of the most loved and iconoclastic British bands of the past two decades.
Hardcover. London, Cassell & Company, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, tan boards stamped in black, 82 pages with dozens of gorgeous b&w pen line drawings by Moreland. "The face of London is changing so rapidly that the time cannot be far distant when much that is recording these pages will have disappeared". As this was written in 1931, the anticipated changes came of course much sooner and much more dramatically than had been anticipated. The author has depicted Dickens' storied locations as they appeared when written. Previous owner's inscription, name stamp on front fly leaf, otherwise clean.
Hardcover. Boston, L. C. Page & Company, 1st US, 1903, Book: Very Good, Dust Jacket: None, Hardcover, gilt-stamped light gray cloth with Dickens' escutcheon in red & gold on cover, top edge gilt, frontispiece photographic profile of Dickens & 18 B&W photographic illustrations. Nice retrospective of London in reference to Charles Dickens life, book provides a brief look at Dickens' literary life, manner and customs, history of the area and more. 300 pages including index,
Hardcover. Woodbridge, Suffolk, Antique Collectors Club Dist, rep, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 455 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. New York , Henry Holt and Company, 1st, 1937, Book: Very Good, Dust Jacket: Good, Hardcover, 151 pages. 81 black-and-white wood engravings by Agnes Miller Parker. Dust jacket with light wear, chipping.on dust jacket. clean, tight copy.
Softcover. Manchester, England, Manchester University Press, 1st Paperback Edition, 1994, Book: Very Good, Dust Jacket: None, 300 pages. Softcover. Color and b/w illustrations throughout. Wrapper very good, has a crease at the top right corner of front cover. Pages clean and unmarked, edges have some light foxing/tanning. Binding tight. In great shape. This superbly-illustrated new book explores English society and its relationship to the landscape, as seen through photography and tourism over the last hundred years.
Softcover. London, Pimlico , reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 570 pages. The life of the painter and designer Duncan Grant spanned great changes in society and art from Edwardian Britain to the 1970s from Alma-Tadema to Gilbert and George. This authoritative biography combines an engrossing narrative with an invaluable assessment of Grant's individual achievement and his place within Bloomsbury and in the wider development of British art.