England

Softcover. New Haven CT, Yale University Press, reprint, 1999, Book: Very Good, Dust Jacket: None, Softcover, 436 pages, b&w illustrations. Eighteenth-century women have long been presented as the heroines of traditional biographies, or as the faceless victims of vast historical processes, but rarely have they been deemed worthy of historical inquiry. "The Gentleman's Daughter" provides an account of the lives of genteel women - the daughters of merchants, the wives of lawyers and the sisters of gentlemen. Based on a study of the letters, diaries and account books of over 100 women from commercial, professional and gentry families, mainly in provincial England, "The Gentleman's Daughter" challenges the view that the period witnessed a new division of the everyday worlds of privileged men and women into the separate spheres of home and work. Amanda Vickery invokes the women's own accounts of their lives to argue that in the course of the 18th and early 19th centuries the scope of female experience did not diminish - in fact, quite the reverse. Contrary to orthodoxy, in the 18th century there was neither a loss of female freedoms, nor a novel retreat into the home. In their own writing, genteel women throughout the Georgian era singled out their social and their emotional roles: kinswoman, wife, mother, housekeeper, consumer, hostess and member of polite society. Clean copy.

Hardcover. NY, Brentano's, 1st, 1930, Book: Very Good, Dust Jacket: None, Hardcover, original publisher's blue cloth, lettered silver on spine and on front cover. Signed presentation from Stephen Wise on front fly leaf. 294 pages. A critique of the White Paper of Lord Passfield and the charges of betrayal hurled at the British Labor Government by Jews regarding British-Zionist relations. Mild shelf wear, clean copy. Remnants of dj laid in.

Hardcover. London, Oxford University Press, 1st, 1948, Book: Very Good, Dust Jacket: None, Two hardcover volumes, light tan cloth with silver lettering on spines, 379 +438 pages, b&w illustrations. The first biography of Burney to be published after his daughter's 3-volume memoirs appeared in the 19th century. Endpaper maps. Clean copies.

Hardcover. London, The Folio Society, reprint, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 261 pages indexed, with black slipcase. Striking Folio Society edition of Bell's revised 1952 account of the Great Fire of London, describing the state of the city prior to the inferno; the cause of the blaze and accounts of its spread throughout London, as well the immediate and long term aftermath. With color images and maps to end-papers.

Hardcover. Hoboken NJ, John Wiley, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 294 pages. The tragic story of the disastrous London fire is told here from both a human and architectural point of view, as the fire destroyed lives along with buildings such as the original St. Paul's cathedral. The Great Fire of London depicts the heartfelt and inspiring human dramas that unfolded, drawing on firsthand accounts of aristocrats, tradesmen, and servants. It reveals the stories of many compelling figures, including diarist Samuel Pepys, who saw the early hours of the fire from the Tower of London, as well as Charles II and his brother, who helped the commoners thwart the flames. In an era when structures were built of wood with thatched roofs, before organized fire departments and insurance, the Great London Fire left in its aftermath a devastated population of homeless, poverty-stricken people who nevertheless found the strength and courage to rebuild their city from ashes. Light bump to bottom rear cover, clean copy.

Hardcover. NY, Viking Press, 2nd pr., 1968, Book: Very Good, Dust Jacket: Good, Hardcover in an unpriced ($3.50) dust jacket that has chipping and edgewear. The Guard Mouse tells the story of Clyde, a mouse who works as a King's Guard outside Buckingham Palace. Upon stepping down from his position one day, the Guard Mouse hears his name being called - his long-lost cousins from abroad have come to visit him. The story follows the mice on the adventures they get up to in the night, including a detour to Covent Garden Market and a ride on the top of a double-decker tour bus, before duty calls the Guard Mouse back to his sentry box in front of Buckingham Palace the next morning. Inscription on front fly leaf otherwise clean.

Hardcover. New York, Crown Publishers, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 255 pages, illustrated throughout in color. Light shelf-wear to dust jacket, else a clean, tight copy. "The Guards, a body of some 5500 officers and men whose special task it is to protect the British sovereign are the oldest and perhaps the most unusual military institution in the West. They are not just gorgeously caparisoned performers marching up and down outside the royal palaces in London and Windsor...they are also a highly disciplined and versatile military formation, found wherever the British army is called upon to soldier, from the jungles of Central America to the mean streets of Belfast." Many color photographs.

Hardcover. Newton Abbot UK, David & Charles, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, 127 pages. Hardcover. SIGNED BY AUTHOR ON TITLE PAGE. Illustrated with black & white photographs and drawings. Dust jacket with moderate wear. Clean, tight copy. Hill shepherds are the unsung heroes of British rural life. As indispensable to the nation's economy as the flocks they tend, these tough, gifted men and women deserve our recognition and gratitude. Edward Hart, an ex-farmer, has lived and worked with shepherds for many years. Originator of the idea for a Shepherd of the Year award, he now describes the life of a typical hill shepherd, including the daily round, seasonal changes, home life, hobbies and events. There are practical sections on the shepherd's work, his tools and their uses, whilst entertaining chapters cover the annual sales and shows, crafts such as crook-making and social pleasures.

Hardcover. London, Stevens and Sons, 1835, Book: Good, Dust Jacket: None, Hardcover. 575 pages. Volume Two. Front corners bumped. Some soiling to covers. Light rubbing to spine and corners.

Hardcover. Oxford UK, Clarendon Press, reprint, 1992, Book: Very Good, Dust Jacket: None, Six hardcover volumes. Navy blue cloth with gilt lettering to spines. 1992 reissue of 1888 edition; the book was originally written by Edward, Earl of Clarendon, an advisor to both Charles I and Charles II. One of the most significant histories of the 1642-to-1646 English Civil War, it was the first detailed account from a key player in the events it covered. Written at first as a defense of Charles I, it was extensively revised after 1667 and became far more critical and frank, particularly in its assessments of his contemporaries. Vol. 1 with pencil notations on front fly leaf. Otherwise a clean, bright set. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. New Haven CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Softcover, 339 pages, b&w illustrations. The Hundred Years War (1337-1453) dominated life in England and France for well over a century. It became the defining feature of existence for generations. This sweeping book is the first to tell the human story of the longest military conflict in history. Historian David Green focuses on the ways the war affected different groups, among them knights, clerics, women, peasants, soldiers, peacemakers, and kings. He also explores how the long war altered governance in England and France and reshaped peoples' perceptions of themselves and of their national character. Clean copy.

Hardcover. London, B.T. Batsford, 1st, 1952, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 194 pages. Color frontis plus photographic b&w plates. Clean copy.

Hardcover. Meadville PA, The Chautauqua-Century Press, reprint, 1892, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth with gilt lettering and gilt and white decorations on front cover, beveled edges, top edge gilt. Illustrated with a frontispiece of King George I, and other b&w drawings and decorations by George Wharton Edwards. 211 pages, clean copy.

Hardcover. Oxford UK, Clarendon Press, 1st, 1965, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, 550 pages. Fold-out chart in rear. "Stevens is included in the D.N.B. as a poet; he was much admired and liked by Anna Seward, The Swan of Lichfield. The journal is pre-eminantly a human document, the frank and full account of his meetings with Fanny Coutts and their love for one another. It is a period peice with an unhappy ending". Bookplate inside front cover, light stamp to copyright page.

Hardcover. Chicago, University of Chicago Press, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 275 pages, b&w illustrations. Clean copy.

Hardcover. NY, Funk & Wagnalls, reprint, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 455 pages. Name on front fly leaf otherwise clean.

Hardcover. NY, Funk and Wagnalls, reprint, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in slightly worn dust jacket, 354 pages. Frontis, illustration, footnotes, genealogical table, sources and references, index. Originally published in 1935. Name on front fly leaf, otherwise clean.

Hardcover. UK, Routledge/Thoemmes, reprint, 1992, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering on spine, 260 pages, b&w illustrations. A reprint of the 1949 edition with a new introduction by David Berman. Clean, bright copy.

Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1988, Book: Very Good, Dust Jacket: None, Softcover, 29 pages. A facsimile reprint of a pamphlet published in 1727. The subject was a friend of Samuel Johnson who was pardoned after being sentenced to death for a murder in a coffeehouse altercation. The pamphlet, published anonymously, was a defense of Savage based on his character. Clean copy.

Hardcover. NY, Knopf, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 557 pages, b&w and color illustrations. In this brilliant second and final volume of the definitive biography of Lucian Freud--one of the most influential, enigmatic and secretive artists of the twentieth century--William Feaver, the noted art critic, draws on years of daily conversations with Freud, on his private papers and letters and on interviews with his friends and family to explore the intimate life of Freud, from age forty-five to his death in 2011 at the age of eighty-nine. The final forty years of Freud's life were a period of increasing recognition and fame, and of prodigious output. He was obsessed with his art, and with the idea of producing paintings that "astonish, disturb, seduce, convince." He was equally energetic and ambitious in his private life. This book opens with his dramatic affair with Jacquetta Eliot, which led to some of his most intimate portraits and to the start of two important, lifelong friendships, with Jane Willoughby and Susanna Chancellor. Freud talks about his art at all stages, how it changed in the seventies and his first retrospective in London in 1974. Small remainder dot on bottom edge otherwise clean.

Hardcover. NY, Knopf, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century. Drawn from almost 40 years of conversations with the artist, letters and papers, it is a major work written by a well-known British art critic. This is an extremely intimate, lively and rich portrait of the artist, full of gossip and stories recounted by Freud to Feaver about people, encounters, and work. Freud's art was his life--"my work is purely autobiographical"--and he usually painted only family, friends, lovers, children, though there were exceptions like the famous small portrait of the Queen. With his later portraits, the subjects were often nude, names were never given and sittings could take up to 16 months, each session lasting five hours but subjects were rarely bored as Freud was a great raconteur and mimic.Small remainder dot on bottom edge otherwise clean.

Hardcover. NY, Knopf, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century. Drawn from almost 40 years of conversations with the artist, letters and papers, it is a major work written by a well-known British art critic. This is an extremely intimate, lively and rich portrait of the artist, full of gossip and stories recounted by Freud to Feaver about people, encounters, and work. Freud's art was his life--"my work is purely autobiographical"--and he usually painted only family, friends, lovers, children, though there were exceptions like the famous small portrait of the Queen. With his later portraits, the subjects were often nude, names were never given and sittings could take up to 16 months, each session lasting five hours but subjects were rarely bored as Freud was a great raconteur and mimic.Small remainder dot on bottom edge otherwise clean.

Hardcover. NY/London, Booth-Clibborn, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 300 pages. Basil Hyman, a keen amateur photographer, took hundreds of photographs of everyday life in Britain during the 1950s. The Lost Album is a nostalgic look back at this long-gone era, filled with photographs made during a time of enormous social change--just after World War II and before the "Swinging Sixties"--and a wealth of ephemera: theater tickets and playbills, newspaper advertisements, ration books, and much more. Special inserts include actual facsimiles of some of these now-obscure items--talismans from a slower time, when formality, pride, and courtesy prevailed. There are special sections on two major events: the Festival of Britain in 1951, and the Coronation of Queen Elizabeth II in 1953. With brief, lively introductions and captions, this is a captivating snapshot of how people lived and played in Britain in those years.

Hardcover. London, Mills & Boon], 1st, 1922, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering, 208 pages. 9 b&w photographic plates. Charming guide to this historic section of London. Small ownership stamp to front fly leaf, tiny nicks to cloth corners, otherwise a clean, tight copy.