England

Hardcover. Meadville PA, The Chautauqua-Century Press, reprint, 1892, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth with gilt lettering and gilt and white decorations on front cover, beveled edges, top edge gilt. Illustrated with a frontispiece of King George I, and other b&w drawings and decorations by George Wharton Edwards. 211 pages, clean copy.

Hardcover. Oxford UK, Clarendon Press, 1st, 1965, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, 550 pages. Fold-out chart in rear. "Stevens is included in the D.N.B. as a poet; he was much admired and liked by Anna Seward, The Swan of Lichfield. The journal is pre-eminantly a human document, the frank and full account of his meetings with Fanny Coutts and their love for one another. It is a period peice with an unhappy ending". Bookplate inside front cover, light stamp to copyright page.

Hardcover. Chicago, University of Chicago Press, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 275 pages, b&w illustrations. Clean copy.

Hardcover. NY, Funk & Wagnalls, reprint, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 455 pages. Name on front fly leaf otherwise clean.

Hardcover. NY, Funk and Wagnalls, reprint, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in slightly worn dust jacket, 354 pages. Frontis, illustration, footnotes, genealogical table, sources and references, index. Originally published in 1935. Name on front fly leaf, otherwise clean.

Hardcover. UK, Routledge/Thoemmes, reprint, 1992, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering on spine, 260 pages, b&w illustrations. A reprint of the 1949 edition with a new introduction by David Berman. Clean, bright copy.

Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1988, Book: Very Good, Dust Jacket: None, Softcover, 29 pages. A facsimile reprint of a pamphlet published in 1727. The subject was a friend of Samuel Johnson who was pardoned after being sentenced to death for a murder in a coffeehouse altercation. The pamphlet, published anonymously, was a defense of Savage based on his character. Clean copy.

Hardcover. NY, Knopf, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 557 pages, b&w and color illustrations. In this brilliant second and final volume of the definitive biography of Lucian Freud--one of the most influential, enigmatic and secretive artists of the twentieth century--William Feaver, the noted art critic, draws on years of daily conversations with Freud, on his private papers and letters and on interviews with his friends and family to explore the intimate life of Freud, from age forty-five to his death in 2011 at the age of eighty-nine. The final forty years of Freud's life were a period of increasing recognition and fame, and of prodigious output. He was obsessed with his art, and with the idea of producing paintings that "astonish, disturb, seduce, convince." He was equally energetic and ambitious in his private life. This book opens with his dramatic affair with Jacquetta Eliot, which led to some of his most intimate portraits and to the start of two important, lifelong friendships, with Jane Willoughby and Susanna Chancellor. Freud talks about his art at all stages, how it changed in the seventies and his first retrospective in London in 1974. Small remainder dot on bottom edge otherwise clean.

Hardcover. NY, Knopf, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century. Drawn from almost 40 years of conversations with the artist, letters and papers, it is a major work written by a well-known British art critic. This is an extremely intimate, lively and rich portrait of the artist, full of gossip and stories recounted by Freud to Feaver about people, encounters, and work. Freud's art was his life--"my work is purely autobiographical"--and he usually painted only family, friends, lovers, children, though there were exceptions like the famous small portrait of the Queen. With his later portraits, the subjects were often nude, names were never given and sittings could take up to 16 months, each session lasting five hours but subjects were rarely bored as Freud was a great raconteur and mimic.Small remainder dot on bottom edge otherwise clean.

Hardcover. NY, Knopf, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century. Drawn from almost 40 years of conversations with the artist, letters and papers, it is a major work written by a well-known British art critic. This is an extremely intimate, lively and rich portrait of the artist, full of gossip and stories recounted by Freud to Feaver about people, encounters, and work. Freud's art was his life--"my work is purely autobiographical"--and he usually painted only family, friends, lovers, children, though there were exceptions like the famous small portrait of the Queen. With his later portraits, the subjects were often nude, names were never given and sittings could take up to 16 months, each session lasting five hours but subjects were rarely bored as Freud was a great raconteur and mimic.Small remainder dot on bottom edge otherwise clean.

Hardcover. NY/London, Booth-Clibborn, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 300 pages. Basil Hyman, a keen amateur photographer, took hundreds of photographs of everyday life in Britain during the 1950s. The Lost Album is a nostalgic look back at this long-gone era, filled with photographs made during a time of enormous social change--just after World War II and before the "Swinging Sixties"--and a wealth of ephemera: theater tickets and playbills, newspaper advertisements, ration books, and much more. Special inserts include actual facsimiles of some of these now-obscure items--talismans from a slower time, when formality, pride, and courtesy prevailed. There are special sections on two major events: the Festival of Britain in 1951, and the Coronation of Queen Elizabeth II in 1953. With brief, lively introductions and captions, this is a captivating snapshot of how people lived and played in Britain in those years.

Hardcover. London, Mills & Boon], 1st, 1922, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering, 208 pages. 9 b&w photographic plates. Charming guide to this historic section of London. Small ownership stamp to front fly leaf, tiny nicks to cloth corners, otherwise a clean, tight copy.

Softcover. UK, Pearson Education, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 411 pages. Recounts the development of the nations of England, Scotland, Wales and Ireland from the time of the Anglo-French dual monarchy under Henry VI through the Wars of the Roses, the Reformation crisis, the reigns of Henry VIII and Elizabeth I, the Anglo-Scottish dynastic union, the British multiple monarchy and the Cromwellian Republic, ending with the acts of British Union and the Restoration of the Monarchy. Clean copy.

Softcover. London, The Curtain Press, 1946-48, Book: Very Good, Dust Jacket: None, Softcovers, five stapled pamphlets. 1) Oscar Wilde and the Theatre, 23 pages. Contains eight pages of costume designs by Cecil Beaton four in color, along with other cartoons and drawings and a text by James Agate. 2) Notes on the Verse Drama by Christopher Hassall. 36 pages. With Wood Engravings By Joan Hassall. 3) The Masque of Christmas: Dramatic Joys of the Festival described by Laurence Whistler, 40 pages. 4) The Masque. a Theatre Notebook. the Old Vic. King Lear. Reviewed by Ivor Brown. No. 1 December 1946, 16 pages. 5) Designs for the Theatre by Rex Whistler (Part 1) with color and b&w illustrations, 20 pages. All very good, clean.

Hardcover. UK, Routledge / Thoemmes, reprint, 1995, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth with gilt lettering on spine. 450 pages plus index. A facsimile reprint of the second edition published in 1738. One of 8 volumes in the series History of British Deism. Clean, bright copy.

Hardcover. Boston, Houghton Mifflin , 1st US, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 206 pages. Name on front fly leaf otherwise clean.

Hardcover. NY, Harper and Row, 1st US, 1967, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, lightly worn dust jacket, 355 pages, b&w illustrations. Offers the general reader the complete history of Norman Sicily--"from the first day, in 1016, when a party of Norman pilgrims was accosted in the shrine of the Archangel Michael on Monte Gargano, to the last, a hundred and seventy-eight years later, when the brightest crown of the Mediterranean passed to one of the blackest of the German Emperors." The present volume covers the first hundred and fourteen of those years and is a history of struggles, intrigues, sieges, and insurrections, dominated by the sons and grandsons of Tancred de Hauteville and, above all, by the "gigantic blond buccaneer," Robert Guiscard, one of the most incredible men of the Middle Ages. The Other Conquest is an excellent book distinguished by its Horatian ability to delight as well as teach. Lord Norwich does not pretend to have unearthed any new material or to have put forward any startlingly original conclusions, but he has succeeded admirably in explaining "how the Normans got to Sicily in the first place, what sort of country they made of it, and how they managed to imbue it with a culture at once so beautiful and so unique." Clean copy.

Oxford UK, Penrose and Palmer, 1st, nd, Book: Very Good, Dust Jacket: None, Softcover, light tan stapled wrappers, 64 pages with 100 b&w photos. Center spread map. Bright, unmarked copy with bookseller's small sticker on front.

Hardcover. NY, St. Martin's Press, 1st, 1962, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. A look at Britain in the period before the Battle of Britain - a world of gas masks, blackouts, rationing, evacuations and warnings about what to do if a German parachutist lands on your doorstep - a time when it was an offence to leave a car parked without disabling it and when signpost were torn down to confuse the enemy.

Hardcover. Chicago, University of Chicago Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 178 pages. The drama is the most social of the arts, depending upon physical space, audience, and social factors for its existence. It is no surprise, therefore, that the most successful criticism approaches theater the way Barber and Mullaney do: as historical artifact. Barber is the better known, having authored the classic Shakespeare's Festive Comedy (1959); the present volume is based on his papers and examines three early Elizabethan tragedies"Tamburlaine" and "Dr. Faustus" by Marlowe and "The Spanish Tragedy" by Kyd. Particularly interested in locating these plays in the unstable religious atmosphere of the late 16th century, Barber ably demonstrates his understanding of the social, historical, and economic factors that defined the era. Mullaney takes the novel approach of examining the theater in light of London topography; the title thus refers to the physical location of the playhouses as well as the social importance of the theater. Mullaney points out that the prejudice that forced the great theaters of the age to operate outside the city walls encouraged a drama that was radical and iconoclastichence its greatness. Mullaney's argument is fascinating and thought-provoking, convincingly presented. Clean copy.

Hardcover. London, Macmillan, 1st, 1892, Book: Very Good, Dust Jacket: None, Hardcovers. Vol. 1: 586 pages. Vol. 2: 625 pages. Bright blue cloth covers with gilt lettering. An important historical work, including chapters on the Middlesex elections of 1768-69 (the first great platform campaign), the economy agitation, the legal position of the platform, the French Revolution agitation, Roman Catholic Emancipation, the Reform Bill, Chartism, the Anti-Corn Law League, accounts of notable libel and sedition trials, etc. Clean copies with light shelf wear.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 721 pages, many b&w illustrations, come color. John Brewster's landmark book shows us how British artists, amateurs, entrepeneurs, and audiences created a culture that is still celebrated for its wit and brilliance. Light notations to five pages, otherwise clean.

Hardcover. London, Edward Arnold, reprint, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, maroon cloth with lightly worn dust jacket. St. Martin's Press the US distributor has put their sticker at the bottom of the spine on the jacket.