Softcover. NY, Holt Rinehart and Winston, 1st, 1971, Book: Very Good, Dust Jacket: None, Softcover, 86 pages. Author's first book. Blurbs by Mark Strand, Robert Pack, John Logan, Michael Benedikt. Stated First Edition, the hardcover was published simultaneously. Name on front fly leaf, otherwise clean.

Hardcover. Nashville TN, Vanderbilt University Press, 1st, 1959, Book: Very Good, Dust Jacket: None, Hardcover, light gray cloth with black and gilt title block on spine. 224 pages, Introduction by Louis D. Rubin Jr. B&w frontis portrait of participants: Allen Tate, Robert Penn Warren,Merrill Moore, and others. The Fugitive was a poetry magazine published in the 1920s and this is a record of their gathering some 30 years later with their commentaries. Small name on front fly leaf, otherwise clean.

Hardcover. Ottawa Ontario, Ru-Mi-Lou Books, 1st, 1928, Book: Good, Dust Jacket: None, Hardcover, pictorial boards stamped in two shades of blue, 79 pages, endpaper illustration and line drawings by the author. Dime-size stain to front cover, two pages with small chips to fore-edge. Otherwise a clean copy.

Hardcover. Hanover NH, University Press of New England, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 121 pages. INSCRIBED BY AUTHOR on the half-title page. Clean copy.

Hardcover. Philadelphia, PA, j.M. Stoddart & Co., 1st Edition, 1873, Book: Good, Dust Jacket: None, 488 pages. Hardcover. "Richly Illustrated with one hundred and fifty steel engravings, executed in the finest style of the art, mostly from original designs by distinguished artists." Light blue, fancy textured endpapers. Previous owner's signature on front endpaper. Cover boards elaborately bound in leather with raised bands and gilt title and decoration on spine. Front cover has engraved decoration in black, with gilt title and design, back cover board has same design without gilt (see image). Boards have some chipping around the corners and edges (see images). Elaborately decorative first title page (see image). All edges gilt (quite bright). Hinge cracked at gutter in one place (second page,--second page), binding remains tight, otherwise. Tanning to pages from age, doesn't affect text or illustrations. Some shadowing on a few pages due to previous owner's pressed flowers (now removed). This beautiful old volume was obviously meant to decorate someone's library, as well as provide some comfort at the beginning of the Twentieth Century.

Hardcover. New York, Harper and Row, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 66 pages, in a bright unclipped dust jacket. INSCRIBED BY ORR on the title page. Black and white drawings by Brad Holland. The poet's second book.

Softcover. Princeton NJ, Princeton University Press, Revised Ed., 1995, Softcover, pictorial wrappers, 296 pages. In this new edition of George Seferis's poems, the acclaimed translations by Edmund Keeley and Philip Sherrard are revised and presented in a compact, English-only volume. The revision covers all the poems published in Princeton's earlier bilingual edition. Clean,bright copy.

Hardcover. Berkshire, England, Golden Cockerel Press, 1st Edition, 1922, Book: Very Good, Dust Jacket: None, 71 pages. Hardcover. "This edition of 750 copies finished March 24th, 1922." With a lithograph portrait of the author by Pamela Bianco (see image) with tissue guard. Bound in green boards (faded), and blue cloth spine, (sunned) with paper paste-down label. Hinge split at gutter on back endpapers and gutter split at pages 48-49 (see image), binding still completely attached and no pages missing. Uncut edges. Light tanning from age throughout. Has clear, plastic mylar cover. Errata insert at contents page (see image). A clean, very good copy. The 8th book published by the Golden Cockerel Press.

Hardcover. Boston, Joseph Knight Company, 1st, 1894, Book: Good, Dust Jacket: None, Non-Paginated. Hardcover. Green cloth with title and decoration in gilt, some spotting/soiling to covers. Front cover Pastedown photograph with light rubbing. Moderate/light foxing to pages throughout. Photographic illustrations by Mrs. N. Gray Bartlett. Scarce.

Hardcover. New York, Dodd Mead, 1st, 1910, Book: Good, Dust Jacket: None, Hardbound, 90 pages. 10 color plates and frontispiece by John Rae. Gold decorations on endpapers. White cover with blue sparkly spine and corners. Color illustration front cover and gold lettering on cover and spine. Spine and edgewear. Soiling to covers.

Hardcover. Dublin, Dolmen Editions, First Edition, 1977, Book: Very Good, Dust Jacket: None, 78 pages. Hardcover. Limited to 650 copies. Black cloth boards with white printed decoration & white titles to spine. Ink paintings by Louis le Brocquy in black & white throughout. Previous owner's bookplate to front endpaper. Clean, unmarked, tight copy. No dust jacket.

Hardcover. Lewisburg, PA, Appletree Allley, 1st, 1982, Book: Very Good, Dust Jacket: None, 32 pages. Hardcover with no dust jacket. Numbered and signed by author #18/55. Linoleum engravings by Barnard Taylor. Tight copy.

Softcover. NY, E. P. Dutton & Co., reprint, 1885, Book: Very Good, Dust Jacket: None, Embossed flexible leather covers with a string binding. Gilt script lettering on front. B&w frontispiece and many b&w engravinge throughout, 94 pages. Nice clean copy of this unusual binding.

Hardcover. NY, Oxford University Press, 1st, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped ($4.00) dust jacket, full yellow cloth, black titling. INSCRIBED BY EBERHART and dated on the front fly leaf.

Hardcover. US, W. W. Norton & Company, 1st, 1996-04-01, Book: Very Good, Dust Jacket: Very Good, Hardcover, 61 pages. SIGNED BY AUTHOR on title page. Remainder dot to bottom edge, else a clean, tight copy.

Hardcover. New York, Macmillan Company, 1st, 1916, Book: Very Good, Dust Jacket: None, Non-paginated. Hardcover. Previous owners bookplate on inside front cover. Clean, tight copy.

Boston, Houghton Mifflin, 1st , 1902, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth covers, 143 pages. Black & white pictures by Albert Levering. Tear to top of plate opposite page 24. Spine lettering faded. Some browning to pages. Otherwise clean.

Hardcover. NY, Farrar Straus Giroux , 1st U.S., 1987, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Clean, tight copy. Color illustrations by Errol Le Cain. Dust jacket price clipped.

NY, Farrar Straus Giroux, 2nd pr., 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright price-clipped dust jacket. Color illustrations by Errol Le Cain. Previous owner's inscription front fly leaf. Three poems from Eliot's rollicking ode to felines, Old Possum's Book of Practical Cats, are gloriously and elegantly illustrated by Le Cain. ``Growltiger's Last Stand,'' ``Of the Awefull Battle of the Pekes and Pollicles,'' and ``The Song of the Jellicles'' spring to life with Le Cain's stylish paintings that match and extend each verse of the rich text. Sinister Siamese arranged in triangles represent Growltiger's foe ``armed with toasting forks and cruel carving knives''; chaos reigns as the Pugs and Poms ``Bark bark bark bark/ Bark bark BARK BARK/ Until you can hear them all over the Park''; suave black-and-white cats ``like to practice their airs and graces/ And wait for the Jellicle Moon to rise.'' The clean typeface and layout make Eliot's poetry take center stage framed by the wonderful illustrations.

Hardcover. New York , Random House , 1st, 1963, Book: Very Good, Dust Jacket: None, Hardcover, 79 pages. INSCRIBED BY AUTHOR on front end paper, with signed poem laid in. Black cloth, gilt title to spine, no dust jacket. Clean, tight copy.

Hardcover. NY, Columbia University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 328 pages. William Logan has been a thorn in the side of American poetry for more than three decades. Though he has been called the "most hated man in American poetry," his witty and articulate reviews have reminded us how muscular good reviewing can be. These new essays and reviews take poetry at its word, often finding in its hardest cases the greatest reasons for hope. Logan begins with a devastating polemic against the wish to have critics announce their aesthetics every time they begin a review. "The Unbearable Rightness of Criticism" is a plea to read those critics who got it wrong when they reviewed Lyrical Ballads or Leaves of Grass or The Waste Land. Sometimes, he argues, such critics saw exactly what these books were-they saw the poems plain yet often did not see that they were poems. In such wrongheaded criticism, readers can recover the ground broken by such groundbreaking books. Logan looks again at the poetry of Wallace Stevens, Frank O'Hara, and Philip Larkin; at the letters of T. S. Eliot, Elizabeth Bishop, and Robert Lowell; and at new books by Louise Gluck and Seamus Heaney. Always eager to overturn settled judgments, Logan argues that World War II poets were in the end better than the much-lauded poets of World War I. He revisits the secretly revised edition of Robert Frost's notebooks, showing that the terrible errors ruining the first edition still exist. The most remarkable essay is "Elizabeth Bishop at Summer Camp," which prints for the first time her early adolescent verse along with the intimate letters written to the first girl she loved. Clean, like new.

Hardcover. San Diego, Harcourt Brace Jovanovich, 1st thus, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with a award sticker. An illustrated edition of the classic poem, in which a British soldier recalls his experiences in the army in India and pays homage to the courage of the Indian water carrier Gunga Din. Lovely watercolor art by Robert Andrew Parker. Clean copy.

Softcover. Los Angeles, Black Sparrow Press, 1st, 1969, Book: Very Good, Dust Jacket: None, Softcover, One of 1000 copies in wraps. 62 pages in light brown printed wraps. Clean copy.

Hardcover. NY, Doubleday and Co., reprint, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, illustrations in 2-colors by Leonard Weisgard. Twelve poems reflect the author's feelings about various colors. A nice early printing ($3.95 on flap) of this classic first published in 1961.