Hardcover. Cambridge MA, The Belknap Press of Harvard University, 7th pr., 1979, Book: Very Good, Dust Jacket: None, Three uniform volumes in original red slipcase, 1266 pages. Gray cloth covers with black and gilt stamping to titles on spines. Interest in Emily Dickinson has grown throughout the years until, now, in this three-volume edition Thomas Johnson presents the entire body of poems she is known to have written, 1775 in all. Here are the familiar "I never saw a Moor" and "Because I could not stop for Death," along with other less well-known poems, including forty-three never before published. Casual notes to friends and relatives which frequently accompany scraps of verse help to reveal the poet's enigmatic character. After keen analysis of the manuscripts, Johnson has arranged the poems in what is believed to be their chronological order, with variations and rejected versions of each poem following .No dust jackets. Ink notations to about 15 pages in the 3 volumes, Otherwise clean and tight.
Hardcover. NY, E.P. Dutton, 1891, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt decoration and lettering, 352 pages. Frontispiece portrait of poet, other b&w illustrations. Previous owner's notation on blank prelim page otherwise clean.
Hardcover. London, Hodder & Stoughton, 1st thus, 1916, Book: Very Good, Dust Jacket: None, Hardcover, original black lettered grey cloth, 179 pages, illustrated with 10 color plates by Claude Allin Shepperson tipped-in to tan pages. Light foxing to text pages. Edge-block foxed. Bringing together the best of Keats' poetry, this beautifully illustrated volume includes a critical essay by Robert Bridges, Poet Laureate.
Hardcover. London, Macmillan and Co., 1878, Book: Very Good, Dust Jacket: None, Hardcover, bound in 3/4 leather over marbled boards, spine with raised bands and ornate gilt design, title in gilt on red leather label. All edges with marble design, marbled endpapers, 625 pages. The Globe Edition of this work. With an introduction by David Masson. Illustrated with a couple of in-text engravings. A collection of the poetry of John Milton, including his best known 'Paradise Lost'.
Hardcover. NY, Frederick A. Stokes Company, 1st thus, 1890, Book: Very Good, Dust Jacket: None, Four hardcover volumes. All volumes have marbled bindings with maroon leather spines and corners and gold lettering on spines. All have gilded top page edgings. 292, 319, 326, 287 pages. Volume I contains a black and white frontispiece bearing a portrait of Robert Browning. Six pages in Vol 3 have some rough edges otherwise a clean, bright set.
Softcover. Seattle, Wave Books, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 219 pages. A collection of essay/talks that the poet Rachel Zucker, expanded from lectures presented for the Bagley Wright Lecture Series in 2016. Devastating in their revelations, yet hopeful in their endurance, these are lectures of protest and reckoning. Zucker declares 'I write against. My poetics is a poetics of opposition and provocation that I never outgrew. Against the status quo or the powers that be, writing out of and into wrongness.' Thus, Zucker deftly dismantles the outdated paradigms of motherhood, aesthetics, feminism, poetics, and politics. Bringing Bernadette Mayer, Marina Abramovic, Alice Notley, Adrienne Rich, Audre Lorde-among many others-into the conversation, Zucker questions the categories that have been imposed on poetry, as well as a poet's need to speak, and the resulting responsibilities. Clean copy.
Softcover. Berkeley CA, University of California Press, 1st, 1951, Book: Very Good, Dust Jacket: None, Softcover, 165 pages. Examining 20 poets and their poetry of the 1940s with relation to the prose of that period. Clean copy. University of California Publication Vol. 19 No. 3.
Hardcover. NY, Random House, reprint, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 245 pages illustrated in color and b&w by Arnold Lobel. The Random House Book of Poetry for Children offers both funny and illuminating poems for kids personally selected by the nation's first Children's Poet Laureate, Jack Prelutsky. Featuring a wealth of beloved classic poems from the past and modern glittering gems, every child who opens this treasury will finda world of surprises and delights which will instill a lifelong love of poetry. Featuring 572 unforgettable poems, and over 400 one-of-a-kind illustrations from the Caldecott-winning illustrator of the Frog and Toad series, Arnold Lobel, this collection is, quite simply, the perfect way to introduce children to the world of poetry. Clean copy.
Softcover. Middletown CT, Wesleyan University Press, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 72 pages. A lovely copy of this vintage book of Edson's landmark prose poetry. The author's 7th collection. Clean copy.
Softcover. Chicago, University of Chicago Press;, reprint, 2009, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 123 pages. SIGNED BY AUTHOR on title page and INSCRIBED by him on front fly leaf. Poems inspire our trust, argues James Longenbach in this bracing work, because they don't necessarily ask to be trusted. Theirs is the language of self-questioning--metaphors that turn against themselves, syntax that moves one way because it threatens to move another. Poems resist themselves more strenuously than they are resisted by the cultures receiving them. But the resistance to poetry is quite specifically the wonder of poetry. Considering a wide array of poets, from Virgil and Milton to Dickinson and Gluck, Longenbach suggests that poems convey knowledge only inasmuch as they refuse to be vehicles for the efficient transmission of knowledge. In fact, this self-resistance is the source of the reader's pleasure: we read poetry not to escape difficulty but to embrace it. An astute writer and critic of poems, Longenbach makes his case through a sustained engagement with the language of poetry. Each chapter brings a fresh perspective to a crucial aspect of poetry (line, syntax, figurative language, voice, disjunction) and shows that the power of poetry depends less on meaning than on the way in which it means--on the temporal process we negotiate in the act of reading or writing a poem. Readers and writers who embrace that process, Longenbach asserts, inevitably recoil from the exaggeration of the cultural power of poetry in full awareness that to inflate a poem's claim on our attention is to weaken it.
Hardcover. NY, Moffat, Yard and Company , 1st, 1909, Book: Very Good, Dust Jacket: None, Hardcover, 56 pages, illustrated endpapers. Beige linen cloth over boards. Previous owner gift inscription on verso of frontispiece. No bumping or soiling. Bright gold foil titling, and double circle with illustration pasted on front cover. images by Jessie Willcox Smith on each page plus a color frontispiece and six color plates all by Smith.
Softcover. Madison MN, Seventies Press Spring , 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 95 pages. Poems translated mostly by Bly (in two cases with James Wright) of Federico Garcia Lorca, Cesar Vallejo, Blas de Otero, Pablo Neruda, Robert Bly, Tomas Transtromer, Allen Ginsberg, Gary Snyder, John Wieners, Jerome Rothenberg, Philip Lamantia, et al. Name on front fly leaf otherwise clean.
Hardcover. UK, Carcanet Press, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 41 pages. SIGNED BY LEARY on the title page. Also inscribed by author on the front fly leaf.
Hardcover. NY, Cady & Burgess, 2nd Ed., 1852, Book: Very Good, Dust Jacket: None, Hardcover, small format, dark blue cloth with gilt design, lettering on the spine. 126 pages. This collection brings together the best-known songs and ballads of G.P. Morris, one of the most popular American writers of the 19th century. First edition with "First Complete Edition" stated on title page. Includes 68 "Melodies" (including "woodman, Spare That Tree") and 10 "Songs and Duets, from the Opera of The Maid of Saxony". scattered foxing to the text, endpaper paste-downs worn, otherwise clean.
Hardcover. Albuquerque NM, University of New Mexico Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 217 pages. Includes essays on William Everson, Robert Duncan, Gary Snyder, Kenneth Rexroth, Michael McClure, Nathaniel Tarn, Thom Gunn and more. Notes, bibliography. Clean copy.
Hardcover. NY, Farrar, Straus, and Giroux, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with minor edgewear, unclipped, 334 pages. Poet/critic's posthumously published third volume of essays, here mostly writer's he loved, including: Stead, Frost, Stevens, Kipling, Auden, Graves and Chekov and other Russians. Name on blank prelim page, otherwise clean.
Hardcover. NY, George Braziller, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket, 191 pages, 74 pages illustrated in color by Chobunsai Eishi. Exquisite illustrations in color throughout connecting beautifully with the text which includes one poem in English and Japanese by each poet. Historical background for each poet. Mild sunning to bottom edge of dust jacket. Clean copy.
Hardcover. NY, C.S. Francis & Co., 1st, 1850, Book: Very Good, Dust Jacket: None, Hardcover, embossed tan cloth with the publisher's Little Library motif on the cover, 160 pages, two illustrated title pages, several b&w line drawings throughout, not credited. Title page dated 1850. Inscription on blank prelim page, otherwise clean with only mild foxing.
Hardcover. Boston, Houghton Mifflin , 1st, 1912, Book: Very Good, Dust Jacket: None, Hardcover, blue publisher's cloth with titles and harp logo in gilt to front and spine, top edge gilt, on laid paper, 112 pages. The Philadelphia-born poet Florence Van Leer Earle Coates (1850-1927) came from a family of abolitionists and philanthropists. This mid-career volume was published in the same period she was regularly contributing to titles such as Atlantic Monthly, The Century Magazine and The Lippincott Magazine. Her family entertained various Roosevelt relatives at their Adirondak summer house. Clean, bright copy.
Hardcover. Hartford, Joel Barlow, 1st, 1787, Book: Very Good, Dust Jacket: None, 258 pages. Red leather covers with gilt lines along cover edges, and decorations on spine. Covers with light rubbing to edges and at corners. Title on spine in gilt on black. Marbled endpapers. Previous owners name on preliminary page and at top of title page. Includes Dedication to The King of France, and Introduction. All edges gilt.
Softcover. Madison WI, Coda Press, 1st, 1979, Book: Very Good, Dust Jacket: None, Square softcover. Two titles bound in one volume, texts in English and French. The Voice in the Closet by Raymond Federman has text in English. Bound upside down at other end of book is La Voix Dans le Cabinet de Debarras by Federman, now in French, plus Echoes by Maurice Roche, also in French. English cover is white; French cover is black. INSCRIBED BY AUTHOR on the title page.
 "The Poems of Emily Dickinson, Including Variant Readings Critically Compared with All Known Manuscripts-3 Volumes by: Dickinson, Emily, Editor: Johnson, Thomas H.")
 "The Poetical Works of Frances Ridley Havergal by: Frances Ridley Havergal")
 "The Poetical Works Of John Keats by: Keats, John /Claude Shepperson")
 "The Poetical Works of John Milton by: John Milton; David Masson")
 "The Poetical Works of Robert Browning (Four Volumes) by: Browning, Robert")
 "The Poetics of Wrongness by: Rachel Zucker")
 "The Primary Language of Poetry in the 1940's by: Josephine Miles")
 "The Random House Book of Poetry for Children by: Jack Prelutsky / Arnold Lobel (Illustrator)")
 "The Reason Why the Closet-Man Is Never Sad by: Russell Edson")
 "The Red Leaves of Night by: David St. John")
 "The Resistance to Poetry (SIGNED COPY) by: James Longenbach")
 "The Seven Ages of Childhood by: Jessie Willcox Smith/Carolyn Wells (verses)")
 "The Seventies: Number 1, Spring 1972 by: Bly, Robert (editor)")
 "The Snake at Saffron Walden (SIGNED COPY) by: Paris Leary")
 "The Songs and Ballads of George P. Morris by: George P. Morris")
 "The Sun Is But a Morning Star: Studies in West Coast Poetry and Poetics by: Lee Bartlett")
 "The Third Book of Criticism by: Jarrell, Randall")
 "The Thirty-Six Immortal Women Poets: A Poetry Album by: Pekarik, Andrew J. (Ed.)/Chobunsai Eishi (Illust.)")
 "The Turtle Dove: and other stories by: Mary Howitt")
 "The Unconquered Air and Other Poems by: Coates, Florence Earle")
 "The Unexpected: Poems Based in the Elements by: Carol Berge")
 "The Voice in the Closet/La Voix Dans Le Cabinet De Debarras Plus Echos Par Maurice Roche (INSCRIBED COPY) by: Federman, Raymond")
