Hardcover. Paris, Editions Jafont, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, French text. 185 pages, illustrated throughout in color and b&w. Grey cloth. Light shelf-wear to dust jacket. Overall, a tight clean copy.

Hardcover. New York, Harry N. Abrams, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, 173 pages, 125 illustrations, including 48 tipped-in color plates. In blue tweed covers with gilt lettering, errata slip laid in. There is a brighter sticker shadow on front panel of dust jacket where the rest of the white has age-toned. A clean, bright copy.

Hardcover. Santa Fe, Twin Palms Publishers, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Large hardcover folio. 180 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Santa Fe, Twin Palms Publishers, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Large hardcover folio. 180 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. New York, Macmillan Company , 1st, 1959, Book: Very Good, Dust Jacket: Good, 122 pages. Hardcover with dust jacket. Illustrations by Ed Fisher. Blacka nd white. Dust jacket has light fraying and rubbing. Cover boards have edge wear. clean copy.

Hardcover. New York, Harry N. Abrams, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 232 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout. Focusing on Ukiyo-e ("pictures of the floating or sorrowful world"), the colourful woodblock prints that are the most popular form of Japanese art, this book introduces the little-seen collection held by the Library of Congress. This collection of prints, drawings and books, one of the largest outside Japan, has never been exhibited and has rarely been handled. The art form of Ukiyo-e first flourished in 17th-century Edo (now Tokyo), depicting landscapes, portraits of courtesans and actors. This book includes known masterpieces by such names as Hokusai, Hiroshige and Kunisada, as well as rare and unusual prints that have not been explored before, and thus serves as a survey of its subject.

Hardcover. NY, Harry N. Abrams, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover 148 pages. Esther Heins' watercolors of leaves and flowers organized by month of bloom, crisp interior. A full color botanical drawing left-hand page is dedicated to each species. On the right page is explanatory text. Free of any markings, not ex-library. INSCRIBED BY THE ARTIST HEINS on the front fly leaf. Otherwise clean.

Hardcover. London, Philip Wilson Publishers, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 336 pages, color and other plates, chronology, catalogue, bibliography, index. Approx. size 11" by 9". Small tape repair to verso of rear panel otherwise excellent condition. Ford Madox Brown had already pioneered a style of painting which came to be known as Pre-Raphaelite before the Pre-Raphaelite Brotherhood was founded in 1848. His beautifully observed landscapes anticipated the open-air effects of the Impressionists. His art was anti-academic, rejecting easy solutions, prettiness, and conventional Victorian formulae. He depicted children without sentimentality and poor people without condescension. This major monograph provides a general introduction to Brown's art based on new research; all of his important paintings are included, and each one is illustrated and described.

Hardcover. Milan, Charta/Deitch Projects, 1st, 2007-08-01, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. Hardcover, 256 pages illustrated in color. Examines the development of early artistic notions rooted in self-fragmentation, a questioning of western rationality, and the refutation of capitalist ideals. With over a hundred works, this survey traces the link between Clemente's ink on paper works and conceptual photographs, heightened exponentially by the transferrence of both styles to canvas.

Hardcover. Milan, Charta/Deitch Projects, 1st, 2007-08-01, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. Hardcover, 256 pages illustrated in color. Examines the development of early artistic notions rooted in self-fragmentation, a questioning of western rationality, and the refutation of capitalist ideals. With over a hundred works, this survey traces the link between Clemente's ink on paper works and conceptual photographs, heightened exponentially by the transferrence of both styles to canvas.

Softcover. Washington DC, Smithsonian Institution, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 187 pages, illustrated throughout in color and b&w. Light edgewear to wrappers, else a clean, tight copy.

Softcover. New Haven, Yale University Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 196 pages, illustrated throughout in color and b&w. Light edgewear to wrappers and slight crease to spine, else a clean, tight copy. A study of an important painter of the mid eighteenth century, who was the teacher of Gainsborough and whose work included conversation pieces, history painting, book illustration and theatrical painting. Also includes the catalogue of the exhibition in 1987.

Hardcover. NY, Doubleday , 1st, 1973, Book: Very Good, Dust Jacket: None, Hardcover in a slipcase. 64 color plates, 100 b&w Illustrations. A compilation of Jaques' work. Gilt flock of geese fying on front board and gilt lettering to spine. Foreword by Roger Tory Peterson. Book and slipcase clean, excellent condition.

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. Very clean, like new copy still in publishers shrink wrap. Over 200 duotone images throughout. Tight copy. Born in Cork, Ireland, Frank Browne (1880-1960) was both a distinguished Jesuit and an accomplished photographer. At age 17, before commencing his studies for the priesthood, he embarked on a tour of Europe armed with a camera. Browne quickly discovered a strong affinity for photography, and continued to take photographs throughout his life. It was not until 1985, however-when Father Edward O'Donnell SJ discovered a large trunk in the Irish Jesuit Provincial's House and found it packed with negatives and photographs-that Browne was catapulted to international fame. Father Browne's remarkable life is recorded in the superb selection of images presented in this book. With wit and a sharp eye, he observed 20th-century Ireland; life as a Jesuit priest; his experience as a passenger on the first leg of the voyage of the Titanic in 1912; and his later travels throughout Europe, Egypt, Yemen, Ceylon, and Australia. This handsome, copiously illustrated volume offers a complete survey of the photographic work of an exceptional man.

Softcover. Chapellier Gallery, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 125 pages, 71 plates, mostly color. Bibliography. Wrapper with light wear.

Hardcover. D Giles Ltd, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrinkwrap. This is the first major publication in more than 30 years devoted to Duveneck, one of the most influential and widely respected late-nineteenth century American artists.Beloved to his students, Duveneck was lauded by many Gilded Age luminaries such as James Abbott McNeill Whistler and Henry James. Yet a century after his death, he is largely known only for asingle, brilliant painting, The Whistling Boy. By contextualizing his work in the artistic, cultural and social milieus of the time, this publication offers diverse perspectives on Duveneck's life, work, subjects and reputation. The essays span his beginnings as a painter of dark realism to his later impressionistic work and examine his significance as a printmaker and draftsman. The lavishly illustrated volume includes a chronology and selected bibliography. irst half of the book consists of essays which detail the artists uneven life. Numerous photos, drawings and a few great close ups. The second half of the book consists of the catalog. 128 catalog images, mostly paintings with some drawings and pastels. All in color.

Softcover. US, Brooklyn Museum Bookshop, 1st, 1992-11-01, Book: Very Good, Dust Jacket: None, Softcover, 176 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages. The color-drenched gardens and sun-dappled nudes by Frederick Carl Frieseke (1874-1939) have long been loved by admirers of American Impressionism, and his paintings are treasured in museum collections across the country. This beautiful and comprehensive volume--with more than one hundred color and almost eighty black-and-white plates--is the most ambitious ever devoted to his work. It is being published in conjunction with a major retrospective of the artist's work.A biographical overview and a detailed chronology by the artist's grandson, including charming vintage photographs, provide much new information and correct several misconceptions about Frieseke's life and career. Three invaluable essays by leading scholars discuss the diverse stages of his work and place it in art historical context, detailing his experience as a student at Whistler's atelier in Paris and as a central member of the group of American expatriates who settled in Giverny, France, near the French master Monet. The book's groundbreaking scholarship casts new light on Frieseke, American Impressionism, and the art world at the turn of the last century.

Hardcover. Louisville KY, Butler Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with wraparound title band. The book measures 13.25x10 inches and has 327 glossy, color and black and white pages. Frederick Hart (1943-1999) was surely among the most profoundly talented sculptors to live in our times. For his work on the Vietnam Memorial, the National Cathedral, and for his careful crafting of scores of more intimate pieces, Hart touched the human soul even as he dazzled the human mind. Art gallery sticker on front fly leaf otherwise clean, like new. DOMESTIC SHIPPING ONLY.

Softcover. Berkeley CA, Snow Lion Graphics, 1st, 1993, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. Color pictures throughout. Light edgewear to wrappers. A volume of the art work of Stanley Mouse, creator of numerous posters for rock venues in the 60's and other counter culture works, as new, full color illustrations.

Hardcover. London, Jonathan Cape, 2nd Printing, 2006, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. 125 full color plates. A rare insight into the mind of the greatest painter of our time. Usually reluctant to speak about his work, Freud has agreed to enter into a conversation on painting with writer Sebastian Smee. Photographs taken by Bruce Bernard and David Dawson.

Hardcover. D.A.P./Distributed Art Publishers,Schirmer/Mosel, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 280 pages. The first 38 pages of this oversized book are devoted to a biography of Frida Kahlo's life and a discussion of some of her most famous paintings. Several vintage color and black & white photos are also included in this section. The remaining pages of this book are the plates...large full page images of her paintings reproduced in full color and detail. Each painting is titled and dated, the medium used and the current whereabouts of the original piece.

Hardcover. NY, Independent Curators Incorporated, 1st, Book: Very Good, Dust Jacket: None, Board covers with a red label on front. Non-paginated, ca 50 pages. B&w illustrations. Previous owner's signature on front end paper, else a clean, tight copy.

Hardcover. London, Cory, Adams & Mackay, 1st, 1965, Book: Very Good, Dust Jacket: Good, 84 pages. Hardcover with price clipped dust jacket. Dust jacket shows heavy wear and rubbing, laminate is coming off the paper of the dust jacket. Moderately soiled. Cover boards are clean, internally clean and tight. There are 4 color plates tipped in; Black and white illustrations throughout.

Softcover. US, PIE International, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, Clean, unmarked copy with only minor wear to wrappers. Most of text in English and Japanese with portions in Japanese only. 256 pp. ; 200 color illustrations.

Hardcover. New York, Harry N. Abrams , 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 181 pages with 177 illustrations, including 50 plates in full color. Oblong folio. With an introduction by Thomas Hart Benton. Focuses on the life and art of the great American artist, George Caleb Bingham. Green cloth with silver lettering to spine and decoration in silver on front cover. Pictorial dust jacket with minor rubbing to lower edge of front cover. Beautiful copy.

Hardcover. Berkeley, CA, University of California Press, 1st, 1967, Book: Very Good, Dust Jacket: Good, Two hardcover volumes. 339 pages+ plates, 238 pages. 197 illustrations in b&w and color throughout. Red cloth, gilt lettering to spines. Small sealed up tears to front cover of Evolution of an Artist, small chip missing from back dust jacket cover of Catalogue Raisonne. Price clipped. Clean and tight set.

Softcover. US, Yale University Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 60 pages. Like new in publishers shrink-wrap. A canonical figure in American painting, George Inness (1825-1894) is widely admired as the pioneer of the landscape aesthetic known as Tonalism, which is distinguished by soft focus and diaphanous layers of paint. This is the first book about the artist's two Italian sojourns (1851-52 and 1870-74) and their formative impact on his work. Italy--its art and its landscape--offered Inness a font of inspiration as he developed his unique artistic vision. This handsome book presents ten oil paintings surveying Inness's Italian subjects dating from 1850 to 1879, including the Philadelphia Museum of Art's recently restored Twilight on the Campagna, which has not been on view since 1952. This was the first of Inness's works completed in Italy, and its reemergence offers a unique opportunity to reconsider the career of a leading American artist.

Softcover. New York, Abbeville Press, 1st, 1983, Book: Very Good, Dust Jacket: None, Volume of the definitive work of George Segal. Softcover, 128 pages, 118 b&w and color illustrations. In very good condition, shows some rubbing on cover. Chronology. Bibliography. Index. Discusses the full range of Segal's work. Includes photographs of the artist at work. Topics include early cast sculpture, fragments and painted plasters, public commissions, and more. George Segal (1924-2000) was an American painter and sculptor associated with the Pop Art movement.

Hardcover. US, Rizzoli, 1st, 1988, Book: Very Good, Dust Jacket: Good, 319 pages, illustrated throughout with 235 illustrations, including 150 in full color. Faint soil to fore edge. Light edgewear and rubbing to dust jacket. Small tear on front end paper.

Hardcover. Washington DC, National Gallery of Art / Yale University Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Publisher's full red cloth, gilt lettering on spine, gold endpapers. Profusely illustrated with numerous full-color plates (many full-page) as well as B&W illustrations. Published to coincide with the exhibition held at the National Gallery of Art, Washington, and the Kimbell Art Museum, Fort Worth, October 1996 to May 1997. Includes essays by Jean-Pierre Cuzin, Gail Feigenbaum, Patricia Behre Miskimin, Edmund P. Pillsbury, and Leonard J. Slatkes; and also technical essays by Claire Barry, Barbara Berrie, Melanie Gifford, and Michael Palmer. Also includes Bibliography and detailed Index. . Both the volume and the unclipped dust jacket are in pristine condition.

Hardcover. Princeton, Princeton University Press, reprint, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. B&w illustrations. White cloth. beautiful pictorial dust jacket. A lovely copy without tears and bumps. Looks almost brand new.

Hardcover. New Haven, Yale University Press, 1st, 1993, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 226 pages 66 b&w illustrations and 82 plates in full color. White cloth, pictorial dust jacket. Like new, in shrinkwrap.

Hardcover. Kunsthalle Bremen & Verlag Fred Jahn, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Black cloth with dust jacket. Text in German by numerous contributors. illustrated checklist to the exhibition. 170 pages with 69 four-color plates and numerous b/w reference illustrations. GERMAN LANGUAGE.

Hardcover. New York, Museum of Modern Art, 3rd pr., 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 303 illustrations 138 in color. Essay by Robert Storr and with an interview of Richter by Storr as well. Includes numerous color and black and white illustrations, artist chronology, list of previous exhibitions, and a selected bibliography. Published on the occasion of the exhibition from The Museum of Modern Art, New York NY February 14-May 21, 2002. In a bright, unclipped dust jacket.

Softcover. NY, Museum of Modern Art , 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 340 pages illustrated in color and b&w. A survey of works by German artist Gerhard Richter (born 1932), one of the most influential painters working today from every phase of Richter's career. ranging from photography-based pictures to gestural abstraction, and includes a rare interview with the artist. This was the catalog for the traveling exhibit 2002-2003 at The Museum of Modern Art, NY, the Art Institute of Chicago, the San Francisco Museum of Modern Art and the Hirshhorn Museum in Washington DC. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Harry N. Abrams, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 128 pages, illustrated throughout in color and b&w, INSCRIBED BY AUTHOR on front end paper. Light shelf-wear to dust jacket with small crumbled tear to rear cover. Clean, tight copy.

Hardcover. NY, Aperture, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes, 1200 pages. Gilbert & George are among the foremost artists of their generation. A collaborative team, they were early to explore performance as an art form, and early to explore the idea that every aspect of daily life could be classed as such. They were early to mingle photography and graphics in a style reminiscent of advertising, and early to address sexual identity in that work. In fact, they were early to do much that viewers now take for granted. Their work has been exhibited worldwide since the beginning of the 1970s, and is either unusually accessible or completely unpalatable, depending on the viewer's mindset. It has attracted both fierce controversy and enormous acclaim, including the 1986 Turner Prize and the U.K.'s slot at the 2005 Venice Biennale. At last, on the fortieth anniversary of their meeting (September 25, 1967, Saint Martin's, London) and on the eve of a major retrospective that will tour six venues around the world-including Tate Modern, the Brooklyn Museum, the Milwaukee Art Museum and the de Young Museum in San Francisco-here is a book that does justice to the scale, depth and ambition of their artistic achievement. Or rather, here are two books: designed and produced by the artists, this luxurious two-volume hardback set, which comes in a customized carrying case with handles, documents every picture the pair has created over the course of their 35-year career.With details and installation views of many significant pieces, it includes 1500 color illustrations. The Complete Pictures will be the most thorough and extensive publication on the artists' work ever assembled. Copublished with Tate Publishing, London.

Hardcover. New York, Harry N Abrams, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 159 pages, illustrated throughout with 120 plates, including 51 in full color. Minor sunning to dust jacket spine and light wear to edges, else a clean, tight copy.

Hardcover. NY, Guggenheim Museum/Abrams, 1st, 2000, Book: Good, Dust Jacket: Good, Hardcover, 381 pages. A sumptuous photographic essay, which accompanies a new museum exhibition, celebrates the design genius of Armani, discussing his wide influence and the radical changes in fashion that he has inspired, tracing the evolution of his unique artistry. crease/wrinkle to front panel of dj otherwise very good. several pages with creases.

Hardcover. New York, Weybright and Talley, 1st US, 1969, Book: Very Good, Dust Jacket: Very Good, 248 pages. Hardcover. Illustrated with 370 black & white plates and a color frontispiece. Introduction by Henry Moore. Photographs by Ilario Bessi in collaboration with Henry Moore. Brown canvas, spine lettered in gilt, upper cover blocked in gilt with publishers' device, Dust jacket with light surface wear to back cover. Clean, tight copy.

Hardcover. Paris, Editions Gallimard, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, large heavy volume in glossy pictorial boards. 495 pages with index. Accompanying DVD in rear pocket inside cover. Girodet was one of the greatest French painters of the early 19th century. His career reached its height under the reign of Napoleon. Illustrated throughout in color, scholarly essays by various experts, a chronology. No dj issued, minor bump to lower corner of cover, otherwise like new. DOMESTIC SHIPPING ONLY.

Hardcover. Richmond, Va., Candela Books, 1st, 2010, Book: Good, Dust Jacket: None, 100 pages. Hardcover. Extensive b&w photography throughout. Tipped in plate on front cover. Small stain to front cover, otherwise clean, tight copy. Working primarily from the 1940s through the early 1960s, the American photographer Gita Lenz (1910-2011) made documents of New York street life that won her early recognition and inclusion in two group shows curated by Edward Steichen for The Museum of Modern Art, a three-person show at the Brooklyn Museum and numerous articles and features in photography magazines of the time. Equally given to inflecting her portraiture with hints of social realism one on hand, and surrealism on the other, and also influenced by her close friend Aaron Siskind, Lenz produced abstract compositions, city still lifes, surreal still lifes and intimate portraits. She receded from view in the 1960s as financial demands impeded her practice, but in 2002, a chance meeting with photographer Gordon Stettinius led to the retrieval of this small but charming body of work, and the publication of this superbly printed first monograph.

Hardcover. US, Other Distribution, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover with dust jacket, 378 pages. Gloria F. Ross (1923-1998) described her work as the translation of paint into wool. She was deeply committed to reinventing the centuries-old art of tapestry, particularly championing the handmade in contemporary art. This remarkable book, written by textile scholar Ann Lane Hedlund, draws from rare unpublished archives to unravel the evolution of Ross's modern tapestries and to illuminate the significance of her creative partnerships.Gloria F. Ross and Modern Tapestry features the collaborative work of 28 acclaimed modernist painters and sculptors, including Helen Frankenthaler (Ross's sister), Kenneth Noland, and Louise Nevelson, with several dozen traditional-yet-innovative weavers in France, Scotland, and the Southwestern United States. Brief biographies of the artists, letters, notes, sketches, and photographs illustrate the practical and aesthetic challenges that occupied Gloria Ross for over three decades.

Hardcover. New Haven CT, Yale University Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Hannah Gluckstein (who called herself Gluck; 1895-1976) was a distinctive, original voice in the early evolution of modern art in Britain. This handsome book presents a major reassessment of Gluck's life and work, examining, among other things, the artist's numerous personal relationships and contemporary notions of gender and social history. Gluck's paintings comprise a full range of artistic genres--still life, landscape, portraiture--as well as images of popular entertainers. Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artist is known for a powerful series of self-portraits that played with conventions of masculinity and femininity. Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter.

Hardcover. US, Picture Book Studio, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, Illustrated throughout with 114 posters in color. Light shelf-wear and scratching to dust jacket. Faint foxing to top edge and end papers, else a clean, tight copy.

Hardcover. Alexandria VA, Art Service International / Yale University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 263 pages. Comprehensive treatment of Grandma Moses, her life, work, significance, and with a Catalogue of her work. Illustrated in color. Designed for a major traveling exhibition of Moses' work, the hardcover copies were distributed by Yale. Clean copy.

Hardcover. London, Studio Vista, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, 313 pages, illustrated throughout in b&w. Light edgewear and rubbing to dust jacket, light tanning to end papers, else a clean, tight copy.

Hardcover. New York , Harry N. Abrams, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. "Christian M. Nebehay, a leading Klimt scholar who knew the artist personally in the last year of his life, places Klimt in the context of the society which he both shocked and delighted. The best of his abundant sketches and the finished paintings which they precede are brought together for the first time, juxtaposed to alllow direct comparison" With 370 illustrations including 135 plates in full color.

Hardcover. NY, James Graham & Sons, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Color plates throughout. Color pictorial dust jacket. Blue cloth boards with silver lettering along spine. B&w frontispiece. clean, tight copy. A monograph on the work of Gu Pene Du Bois, an American painter known for his depiction of American culture in the early 1900s, with this book discussing his murals and portrait paintings, among other work.