Softcover. Tokyo, Genko-sha, 1st, 1987, Book: Very Good, Dust Jacket: None, 104 pages. Illustrated with full color and black & white examples of art and graphic design work by Pater Sato. Clean, tight copy.

Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 279 pages, illustrated in color and b&w. The work of Paul Klee (1879-1940) was deeply influenced by his passion for the theater. Throughout his life, the artist fervently attended theatrical performances, from the opera to puppet shows. Characters from plays or operas Hamlet, Falstaff, or Don Giovanni, for example populate his cryptic visual world. Various types of characters or theatrical elements, such as the clown or the mask, were firmly established themes in his pictorial repertoire. However, Klee primarily forged links between the theater and life, and in so doing, he took up the traditional theme of the world as a stage: people became actors or marionettes; theatrical events converged with scenes from everyday life. This publication sheds light on all of these aspects of Klee's captivation with the stage. A chronology reconstructs a panoramic view of his multifaceted experience with the theater. Selected works by contemporary artists make it clear that not only Klee was fascinated by the sharp-eyed perception of theatrical situations it is a topic that continues to engage artists even today. 394 plates, 212 in color. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Museum of Modern Art, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 344 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket. Clean, tight copy. Gathers drawings and paintings by the modern Swiss artist, discusses the themes and techniques used in his work, and examines his influence on twentieth century art.

Hardcover. Los Angeles, J. Paul Getty Museum, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 164 pages. "With assistant curator of photographs Paul Martineau's intriguing biographical essay (based, in part, on the Getty's archive of Outerbridge papers), 104 stunningly beautiful plates, a chronology, checklist, and index, this catalog offers a highly visual and seductive overview. A section featuring selected photographs from Outerbridge's California years, a period missing from earlier books, makes this publication of interest to specialists as well."--ARLIS/NA Reviews

Softcover. NY, Taschen, reprint, 2017, Book: Very Good, Dust Jacket: None, Softcover, 256 pages, color photographs. Pictorial French fold wrappers. 'American photographer Paul Outerbridge created shimmering "artifical paradises.' From Cubist still life images to nudes, his sensitivity to light and shadow and pioneering use of color transformed everyday scenarios into near-abstract compositions. This unique aesthetic helped him seductively champion the expressionistic, as much as commercial, potential of color photography.' Still in publisher's shrinkwrap.

Hardcover. New York, Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages, 110 illustrations in color. Like new in publishers shrink-wrap. Includes signed print by Gordon.

Hardcover. New York, Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages, 110 illustrations in color. Like new in publishers shrink-wrap. Includes signed print by Gordon.

Hardcover. Koln GR, Taschen, 1st, 2008, Book: Very Good, Dust Jacket: None, Two large hardcovers in a slipcase, Volume 1: African wildlife photos, Volume II: biography. 494 pages. Text in English. French & German. As a photographer, collector, diarist and writer, U.S. born Peter Beard has fashioned his life into a work of art; the illustrated diaries he kept from a young age evolving into a serious career as an artist. He first visited Africa as a teenager and his documenting of the plight of starving animals, including elephants and rhinos, has continued to highlight the problems facing conservationists. This special edition is based on the original limited Collector's Edition which sold out on publication. NOTE: THIS LARGE HEAVY SET UNAVAILABLE FOR SHIPPING OUTSIDE THE U.S.

Softcover. New York, Thames & Hudson, 1st US, 2009, Book: Very Good, Dust Jacket: None, 144 pages. Softcover. Color Photographs. Light edgewear to wrappers.

Softcover. London, Tate Gallery, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 216 pages. A key figure in the history of British Pop Art, Blake is one of the most influential and original artists working in Britain today. Central to Blake's work since the 1950s has been his fascination with popular culture, ranging from music to Hollywood icons and wrestling stars. Perhaps his most famous engagement with Pop came with his design for the cover of The Beatles' album Sgt Pepper's Lonely Hearts Club Band. With this and other works he helped create a specifically British pop aesthetic that defined an era. A prolific artist, he has utilised a variety of media including painting, drawing, collage, sculpture and printmaking; this study focuses principally on his two-dimensional works and provides the first thorough survey of his paintings from the 1950s through to the present. It will include major icons of twentieth-century art, such as Self-Portrait with badges (1961), and Have a Nice Day, Mr Hockney (1981-3), but will also feature many lesser-known works including his recent, major work The Marcel Duchamp World Series.

Hardcover. Damiani, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 162 pages. Part of a whole gang of street artists--from Barry McGee to Swoon--who have broken into the art world in the last decade or so, Phil Frost's signature style is a funky tribalism--Hawaii by way of New York City--infused with a quirky sense of art history and design. In the 1990s, Frost honed his skills by painting walls, found objects and street detritus with his intricate, compulsive and highly evolved form of tagging. Frost's gallery exhibitions are crowded affairs, filled with wildly patterned totemic objects and baseball bats while the walls are stacked with colorful mixed media paintings. He crafts his painstaking paintings by collaging layers of found imagery on grounds of symmetrical black-and-white patterning, which he paints with correction fluid, and that often morph into language-like glyphs or symbols. Frost states, "I believe [my work] is indigenous to myself. I believe that within every person there is an indigenous expression of themselves." Including an essay by New York journalist Carlo McCormick and notorious lowbrow artist Pusshead, this is Frost's first monograph, and an invaluable introduction to the evolution of his style.

Hardcover. New York, Harry N. Abrams, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 215 pages. 151 illustrations, including 51 plates in full color, displaying beautiful realistic as well as surrealistic paintings. Clean, bright copy in a similar dust jacket.

Softcover. New York, Thames & Hudson, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Philip Guston Retrospective is the extensive catalog for his 4 museum retrospective orhanized by Michael Auping. Texts by Auping, Dore Ashton, Bill Berkson, Philip Guston, Andrew Graham-Dixon, Joseph Rishel, Michael E. Shapiro. 271 Pages, paper with stiff wraps. Color and black & white reproductions. 12" x 9 3/4".

Softcover. US, Alpine Fine Arts Collection, 1st, 1983, Book: Good, Dust Jacket: None, Softcover, 275 pages, illustrated throughout in color and b&w. INSCRIBED BY ARTIST on front end paper. Edgewear, rubbing and scratching to wrappers. Faint foxing to top edge and end papers, otherwise a clean, tight copy.

Hardcover. NY, Harry N Abrams, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 210 pages, illustrated throughout in color and b&w. Faint foxing to edges and end papers. Clean, tight copy. 60 color plates, 53 BW illus., 47 sepia duotone, one fold-out. Considers the work of Modern Realist Philip Pearlstein (b. 1924). With a foreword by the artist, known for his "...larger-than-life nudes [posed] under a cold light, motionless and abstracted, in slashing diagonal compositions, often veering off the canvas entirely." Includes one page of notes, chronology and list of exhibitions, selected bibliography and index.

Softcover. Paris, Musee de la Vie Romantique, 1st, 2001, Book: Very Good, Dust Jacket: None, 143 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Black and white photographs throughout. French text.

Hardcover. New York, Metropolitan Museum of Art, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 293 pages. Hardcover with dust jacket. Sunfading to spine. Price sticker to rear jacket. A very clean, unmarked copy with only minor edgewear to dust jacket. The photographer Edouard Baldus, a central figure in the early development of French photography and acknowledged in his day as a pioneer in the still-experimental field, was widely acclaimed both for his aesthetic sensitivity and for his technical prowess. Establishing a new mode of representing architecture and describing the emerging modern landscape with magnificent authority, he enjoyed high patronage in the 1850s and 1860s....This book, the first to chronicle the life and career of this important artist, brings his work once more before the public. The superb quality of the reproductions captures the subtle tones and soft matte surfaces of the original prints, many of which are published here for the first time.

Hardcover. New Haven, CT, Yale University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 267 pages. Hardcover. Color illustrations throughout. Very clean inside and out. From the front flap: "This stimulating book is the first comprehensive examination of Picasso's political commitment, his motivations to join the French Communist Party, and his contributions as an active member. Guertje R. Utley assesses the impact Communism had on the artist's life and explores how Picasso's political beliefs and the doctrines of the Communist Party affected his artistic production."

Hardcover. New Haven, Yale University Press, 1st US, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages, illustrated throughout in full color and b&w. Light edgewear to dust jacket, faint foxing to bottom edge. Clean, tight copy.

Hardcover. New York, Abrams, 1st, 1956, Book: Very Good, Dust Jacket: Very Good, 445 pages. Over 600 illustrations including 34 tipped-in full color plates. Previous owners name twice on front endpaper. Dust jacket shows sun fading at spine and light wear to edges with one small tear tape repaired from interior. Jacket now protected with clear plastic cover. Clean, tight copy.

Hardcover. New York , Prestel, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 320 pages, profusely illustrated, hardcover in a bright, dust jacket. Like new in publisher's shrink-wrap.

Hardcover. New Haven, CT, Yale University Art Gallery, 1st, 2014, Book: Very Good, Dust Jacket: None, 207 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Images of New Orleans and the city's jazz culture, performers, bands, and clubs between 1957 and 1982. Over 200 black and white photographs taken by Friedlander. Tight copy.

Hardcover. New Haven, CT, Yale University Art Gallery, 1st, 2014, Book: Very Good, Dust Jacket: None, 207 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Images of New Orleans and the city's jazz culture, performers, bands, and clubs between 1957 and 1982. Over 200 black and white photographs taken by Friedlander. Tight copy.

Hardcover. Germany, Steidl Publishers, 1st, 2008, Book: Very Good, Dust Jacket: None, 295 pages. Hardcover with no dust jacket. A clean, unmarked copy with only minor edgewear. Minor yellowing to textblock edges. Black and white photographs throughout. Richard Avedon, America's preeminent portraitist and fashion photographer, photographed the many faces of politics throughout his career. Portraits of Power brings together Avedon's political portraits for the first time. Juxtaposing images of elite government, media and labor officials with counter-cultural activists, writers and artists, as well as ordinary citizens caught up in national debates, it offers a five-decade taxonomy of politics and power by one of America's best-known artists. The book features several of Avedon's extended projects addressing these themes, including coverage of the civil rights debate in the early 1960s (published in 1964 in Nothing Personal); the American anti-war movement and the war in Vietnam from 1969-1971; portraits of the American power elite in 1976, produced for his groundbreaking Rolling Stone portfolio "The Family;" "Exiles: The Kennedy Court at the End of the American Century," a retrospective homage to the Camelot generation published in the New Yorker in 1993; and his final photo-essay, "Democracy," surveying the national mood during the politically fractious period prior to the 2004 presidential elections (published posthumously in the New Yorker in 2004).

Hardcover. Germany, Steidi Publishers, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 295 pages. Hardcover in a bright dust jacket. A clean, unmarked copy with only minor edgewear. Minor yellowing to text block edges. Black and white photographs throughout.

Hardcover. Burlington, VT, Lund Humphries, Reprint, 2008, Book: Very Good, Dust Jacket: None, 208 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor edgewear. Color illustrations throughout. Tight copy. Power to the People presents the Israel Museum's major collection of propaganda posters from the early years of the Soviet Union, documenting one of the most interesting chapters in twentieth-century graphic design. Inspired by the traditional vernacular of political cartoons, by the lubok wood-cut technique of Russian folk art, and by the ideas of Futurism, the poster artists employed a new visual language to explain the results of the Revolution to the Soviet people. The Israel Museum's collection of Soviet propaganda posters is the largest museum collection of its kind outside Russia. This book illustrates the entire collection for the first time.

Hardcover. London/ New York , Merrell, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, illustrated throughout in color. Minor bumping to corners, else a clean, tight copy.

Hardcover. New York, Rizzoli, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket,160 pages. Folio. gray cloth, spine stamped in gilt. Richly illustrated with 172 illustrations, 50 in full color. First monograph of this American-born artist who has lived most of his life in England. Includes a catalogue of all his work up until 1985.R.B. Kitaj (1932-2007) is one of the most intriguing 20th century artists. Born into a Russo-Jewish family near Cleveland, Ohio, 17-year old Kitaj spent 5 years at sea aboard a Norwegian freighter. He went on to study art in New York and Vienna. A Royal College of Art stipend made him move to London where he became a celebrated artist. Curating The Human Clay, a 1976 show of figurative contemporary British artists, he coined the term "School of London" for the artistic circle around Francis Bacon, Frank Auerbach, Lucian Freud, and Leon Kossoff. In 1991 he was elected a member of the Royal Academy, one of only three American painters to be thus honored in the history of the institution. A major 1994 retrospective at London's Tate Gallery failed to produce Kitaj's international breakthrough, but was unanimously panned by British critics instead. This, and the unexpected death of his wife Sandra, induced his increasingly paranoid perspective. Embittered he returned to the USA and settled in Los Angeles, where he finally took his own life in 2007. Kitaj left behind a manuscript unmatched among 20th-century artist autobiographies -- Confessions of an Old Jewish Painter. Eloquently describing his vices and sufferings, it stands in the traditions of both St. Augustine and Thomas de Quincey. Now published for the first time, it is a sensation, from both a literary and art historical point of view.

Hardcover. Princeton University Press;, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages. Rackstraw Downes paints down-to-earth, often gritty features of today's American environment in an unflinching and highly realistic style. This book is the first to provide a multifaceted picture of his work, its intellectual foundations, and its place in the history of art--from both outside commentators and Downes himself. Beautifully illustrated, with copious examples from thirty years of the artist's work, the book makes eminently clear why Downes is widely regarded as a "painter's painter." It showcases many of the artist's panoramic pictures--painted with a strong sense of place and a miniaturist's sense of scale. The images, which depict industrial parks, construction sites, housing projects, refineries, razor wire, and landfills, stimulate fresh thoughts about these supposedly unattractive sights. Bathed in the light of a precise time, the paintings resonate with a strikingly evocative quality.

Softcover. NY, Whitney Museum of Art, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers. 160 pages, 150 illustrations (50 in color), bibliography/exhibition list. A very colorful, well documented catalogue of this twentieth-century painter, best known for his "Overseas Highway" and his stark, solid colored industrial images from the 1930s.

Hardcover. New York, Da Capo Press, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover, 257 pages with 126 black and white illustrations. Biographical notes. List of printers. Index of Prints. Frontispiece is an original lithograph created especially for this volume. "The only catalogue of Soyer's prints. Contains 126 separate prints - from his first etched self-portrait to his most recent experiments in advanced lithographic technique. Each print is fully described, and each is illustrated - full size wherever possible - on a separate page." Very good in a bright dust jacket.

Hardcover. New York, Harry N. Abrams, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 349 pages, 290 illustrations, including 77 plates in full color. Enormous volume. Folio. Fold-outs and tipped in plates. Text written on green heavy paper. Tan cloth with red titles to front and spine, minimal stain to front cover. Pictorial dust jacket with small closed tear to spine, slight sunfading to spine and light wear to covers. Page 169-172 incorrectly cut, therefore folded in. Overall a very nice, clean, tight copy.

Hardcover. NY, Phaidon, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. This monograph explores the life and work of one of the most important artists in the history of the West, Raphael (1483-1520). Its scope covers Raphael's origins, his early influences, his important Urbino period and subsequently the extraordinary series of frescoes and portraits of his last phase in Rome. No dust jacket.

Hardcover. NY, Abrams, 3rd Ed., 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket, 368 pages, still in publisher's shrink wrap. Iconoclastic, generous, inventive, impulsive, sensitive, gregarious, prodigious: these are just some of the words to describe Robert Rauschenberg (1925-2008) and the art he made over his career. From the age of 38, when he received the grand prize at the Venice Biennale in 1964, Rauschenberg was a pivotal figure in the creative explosion of art following WWII. This revised edition of the classic biography of the artist adds a new chapter covering the significant moments in the final years of his life, and offers an in-depth look at his legacy and continued influence on the postmodern art world. It includes new photography and interviews with friends, colleagues, critics, and art historians.

Hardcover. NY, Abrams, 3rd Ed., 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket, still in publisher's shrink wrap. Iconoclastic, generous, inventive, impulsive, sensitive, gregarious, prodigious: these are just some of the words to describe Robert Rauschenberg (1925-2008) and the art he made over his career. From the age of 38, when he received the grand prize at the Venice Biennale in 1964, Rauschenberg was a pivotal figure in the creative explosion of art following WWII. This revised edition of the classic biography of the artist adds a new chapter covering the significant moments in the final years of his life, and offers an in-depth look at his legacy and continued influence on the postmodern art world. It includes new photography and interviews with friends, colleagues, critics, and art historians.

Hardcover. New York, Harry N. Abrams, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 320 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy.

Hardcover. Hatje Cantz, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover with illustrated boards, 212 pages. Since the late 1970s, as a pioneer of Southern California underground culture, Raymond Pettibon has blurred the boundaries of "high" and "low," from the deviations of marginal youth to art history, literature, sports, religion, politics and sexuality. Rich in detail, his obsessively worked drawings pull freely from myriad sources spanning the cultural spectrum. The resulting, highly poetic constructions function as acute reflections of contemporary society. Throughout the years, his subjects have included political figures and historical events, with particular intensity since the events of September 11, 2001. Seen here are images of Ronald and Nancy Reagan, J. Edgar Hoover, both Bush presidents, the Kennedys, Hitler, scenes from the Vietnam War and protest movements, wars in Iraq and Afghanistan, the prisoner abuse of Abu Ghraib, President Obama and Osama bin Laden. Raymond Pettibon (born 1957) studied economics at UCLA around the same time he joined his brother in the punk band Black Flag. He soon began to contribute artwork to album covers, flyers and t-shirts, for the band and its label, SST Records, and exhibited his work in group shows in galleries in the 1980s. Since the 1990s his work has been the subject of numerous major solo exhibitions.

Hardcover. US, Fantagraphics Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 292 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.

Hardcover. New York, Rizzoli, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Like new in publishers shrink-wrap. First edition. A showcase of Groom's drawings, prints & inimitable urban sculpto-pictograms (in full-color).

Hardcover. New York, Clarkson Potter, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, 682 pages. Hardcover with dust jacket. Features over 750 illustrations, including 300 in full color. Light edgewear to dust jacket, faint foxing to top edge. Clean, tight copy.

Softcover. NY, Metropolitan Museum of Art, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcovers, complete in two volumes, housed in a glossy illustrated slipcase with light fading to top edge. Volume I: Paintings: Problems and Issues, 149 pages, index. Color and B&W plates. Volume II: Paintings, Drawings and Prints: Art-Historical Perspectives, 262 pages, index. B&W and color reproductions. This set is a two-volume catalogue of the Metropolitan Museum's paintings by Rembrandt as well as pictures once thought to be by the master but now recognised as the efforts of his pupils, contemporary followers, and the occasional later imitator. Bookplate on inside front covers. A heavy set. DOMESTIC SHIPPING ONLY.

Hardcover. New Haven, Yale University Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Two volume set. Hardcovers in very clean slipcase. Very clean, unmarked copies. Dertailed study of fifty-one paintings by Rembrandt. This is followed by sections for his pupils in which paintings once given to Rembrandt are reatributed to memebers of his workshop. This also serves as a catalogue of the exhibition organized by curators from Berlin, Amsterdam and London - galleries which have three of the finest collections of Rembrandts.

Hardcover. New York, Burt Franklin, reprint, 1969, Book: Very Good, Dust Jacket: None, Reprint of the original 1898 edition. 15 b&w plates. Red cloth, gilt lettering to spine. Oblong. Spine somewhat loose, not affecting binding. Small stains near spine, else a very nice copy. No dust jacket.

Hardcover. London, National Gallery London, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 360 pages. Softcover with dust jacket. Slight soiling to dust jacket. An otherwise clean, unmarked copy with only minor edgewear. Color illustrations throughout.

Hardcover. NY, Flammarion, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, color and b&w illustrations. Rene Herbst's enduring furniture designs provide fundamental lessons for today's interior designers. A staunch modernist, Herbst was a founding member and later president of the Union des artistes modernes (UAM) in France, which sought to make domestic comfort accessible to all, regardless of class. The diversity of his work is testament to his prolific and creative output, and his design is marked by its simplicity and functionality. The French architect turned designer was nicknamed the "man of steel" because he pioneered the use of the material for furniture years before mass production on a large scale was possible. In 1929 he created several versions of his celebrated Sandow Chair, which ignited his research into serial production and inaugurated the era of mass production. This book presents a selection of the best works from the Herbst Collection held by the library of the Musee des Arts decoratifs in Paris, and demonstrates how Herbst was the catalyst of a new style of living that spurred the birth of modernity.

Hardcover. Washington DC, National Gallery of Art, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 296 pages, color plates throughout. Exhibition catalog, five scholarly essays. In publisher's shrinkwrap.

Hardcover. Germany, Hatje Cantz Publishers, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 159 pages. Like new in publishers shrink-wrap. The prominent Genovese architect Renzo Piano--recipient of the 1998 Pritzker Award and architect of the Whitney Museum of American Art and Morgan Library renovations, as well as the new New York Times building--has just completed a new and unusual museum building--the Zentrum Paul Klee on the outskirts of Bern. The center, says Piano, is dedicated to the "poet of silence," and thus it was fitting to consider building a museum that would speak softly. The Zentrum Paul Klee rises upward in the form of three hills connected by a 150-meter-long thoroughfare, the "Museum Street" serving as a path within the complex. The three structures make up a harmonious yet prominent landscape sculpture whose roofs are supported by innovative steel construction. Includes photographs, design sketches, plans and models--a living image of a magnificent building.

Hardcover. Germany, Hatje Cantz Publishers, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 159 pages. Like new in publishers shrink-wrap. The prominent Genovese architect Renzo Piano--recipient of the 1998 Pritzker Award and architect of the Whitney Museum of American Art and Morgan Library renovations, as well as the new New York Times building--has just completed a new and unusual museum building--the Zentrum Paul Klee on the outskirts of Bern. The center, says Piano, is dedicated to the "poet of silence," and thus it was fitting to consider building a museum that would speak softly. The Zentrum Paul Klee rises upward in the form of three hills connected by a 150-meter-long thoroughfare, the "Museum Street" serving as a path within the complex. The three structures make up a harmonious yet prominent landscape sculpture whose roofs are supported by innovative steel construction. Includes photographs, design sketches, plans and models--a living image of a magnificent building.

Hardcover. Roma, Paolo Buggiani, 1st, 1974, Book: Very Good, Dust Jacket: None, Non-paginated. Full color handpainted covers, with cutout window exposing image of Paolo Buggiani. Illustrated with black & white photographs. Brief text in English. Light wear to covers. Clean, unmarked copy.

Hardcover. San Francisco, CA, Fraenkel Gallery, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 32 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. A tight copy. In the early 2000s, Richard Misrach (born 1949) began a series titled On the Beach, a body of work that traveled extensively and has been highly influential. These color photographs deal with the human figure seen at a distance, on an unspecified beach or in the water, observed from an unsettling and difficult-to-identify point of view located high above. Misrach has continued this work, while vast changes in photographic technology over the intervening decade have caused a shift in approach, both conceptually and technically. Untitled is an artist book based on two photographs: the one made by Misrach and the other made concurrently, at the time of exposure, by the subjects of his photograph. The extreme detail explored in this work concisely summates both the artist's concerns and the ubiquity of digital technology as we are portrayed and portray ourselves.