Hardcover. ejby, Samlerens Forlag, 1st, 1980, Book: Very Good, Dust Jacket: Good, Hardcover. Non-paginated. Number 36 of only 75 copies SIGNED BY MORTENSEN on the color plate in front. Illustrated with full color examples of works by Richard Mortensen. Dust jacket shows standard wear. Large format. Clean, bright copy.

Hardcover. Germany, Hatje Cantz Publishers, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 104 pages.Like new in publisher's shrink-wrap. There are no smoking cowboys swinging their lassoes or bare-breasted blondes on heavy motorcycles in this droll collection of highly expressive drawings and watercolors. Au contraire, the inventive shapes and joyful colors recall children's drawings or paintings by the mentally ill. Half-figures of indeterminate gender with staring eyes, big ears and frizzy hair smirk challengingly at the viewer, offering an inventory of possibilities, many of which later find their way into Prince's joke paintings of the same period. This extraordinary little book presents these funny yet sinister works to a larger public for the first time, and allows readers to discover a new side of Richard Prince's oeuvre.

Hardcover. Germany, Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 100 black and white photographs. Tight copy.

Hardcover. Germany, Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 224 pages. Like new in publisher's shrink-wrap. Nowhere is the breezy and urbane romance of Paris conjured as memorably as in the photography of Robert Doisneau (1912-1994). A gentle minstrel of visual anecdote, Doisneau interpreted the city's charms in an iconography that both natives and Francophiles instantly recognize: the young hip couple stealing a spontaneous kiss at a busy intersection, the gendarme chatting with a mother while her kid tiptoes along a riverbank bench, the sweetly melancholic abandoned merry-go-round in the rain and the entire pageant of Parisian life mingling at cafes, bus shelters and on the banks of the Seine. Doisneau was possessed of both lightness of touch and spontaneity, as a result of which he has been sometimes championed as a photographer of the "pure" moment. But his ocular touch is even lighter than that suggests-his images are not so much "seized" as "netted." Accompanying the Fondation Cartier-Bresson's exhibition of around 100 prints from the Doisneau estate, From Craft to Art presents these treasures alongside a new version of Jean-Francois Chevrier's classic 1983 essay on the photographer, which describes Doisneau's knack for capturing "the shining melancholy that separates an individual from the crowd.

Hardcover. Germany, Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 100 black and white photographs. Tight copy.

Hardcover. NY, Flammarion, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover, 360 pages. From high-society balls and fashion shoots to portraits of artists and scenes from urban life in France, this handsome volume--which features an open spine binding so that it lays flat to show off the photographs to their best advantage--showcases Doisneau's best photographs for Vogue Paris. Celebrated photographer Robert Doisneau worked for Vogue from 1949 until 1965, illustrating a postwar France filled with a renewed zest for life. His little-known images of haute couture featured models like Brigitte Bardot and Bettina, who he photographed in the studio and out on the streets. He chronicled the members of the cafe society in their stately homes and at glamorous costume galas, dancing the night away. Best known for his humanist approach, he masterfully captured scenes from everyday life--from the grace of a wedding procession over a footbridge to the petulance of a child impatient for cake. Doisneau's photographs captured the spirit of the era and featured celebrities like Karen Blixen, Picasso, Colette, and Jean Cocteau, as well as jazz musicians, movie stars, and humble craftsmen at work. Legendary Vogue editor in chief Edmonde Charles-Roux's personal homage to the photographer--who was her friend and colleague--offers intimate insight into the man behind the camera, as complex and beautiful as the people and places he immortalized.

Hardcover. New York, Da Capo Press, Reprint, 1969, Book: Very Good, Dust Jacket: None,

Hardcover. New York, Pantheon Books, 1st US, 1989, Book: Very Good, Dust Jacket: Fair, 200 pages. Hardcover with translucent dust jacket. This retrospective study of the work and life of Robert Frank demonstrates the artistry, innovations, and magnificent images of the distinguished photographer in more than 350 photographs. The book was originally published by Yugensha in Tokyo in 1972. Remainder mark to top edge, dust jacket edgeworn, chipped. No marking, clean.

Hardcover. New York, Pantheon Books, 1st US, 1989, Book: Very Good, Dust Jacket: Fair, 200 pages. Hardcover with dust jacket. Chipping and age toning to dust jacket edges. Foxing to textblock fore edge. Inside clean and unmarked. This retrospective study of the work and life of Robert Frank demonstrates the artistry, innovations, and magnificent images of the distinguished photographer in more than 350 photographs.

Hardcover. New Haven, Yale University Press, 1st, May 11, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 303 pages, illustrated throughout. Very clean and tight copy. Although lumped together with Pop artists such as Roy Liechtenstein and Andy Warhol, and often the movement's spokesperson, Indiana and his paintings actually have an uneasy fit in Pop company, mostly because his work isn't grounded in the commodity-oriented (Campbell Soup) realism of most Pop Art. Instead, his work engages with literature and poetry and with the popular rhetoric of the American dream-all permeated by the particularities of his upbringing and life. Ryan's dual accomplishments are in articulating the dynamics of Indiana's art-especially the connections between the artworks and the sources of imagery and themes in his own biography-and in rendering a sophisticated and judicious roundup of the Pop Art movement.

Softcover. New York, Solomon R. Guggenheim Museum, reprint, 1999, Book: Very Good, Dust Jacket: None, Softcover, 629 pages. B&w and color images throughout. Slight shelf wear to covers. Otherwise, tight clean copy.

Hardcover. US, D.A.P./Schirmer/Mosel, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 232 pages. Like new in publisher's shrink-wrap. Offers a look at selected photographs of American artist Robert Rauschenberg (1925-2008). "Gathers and surveys for the first time Rauschenberg's numerous uses of photography. This publication includes portraits of friends such as Cy Twombly, Jasper Johns, Merce Cunningham and John Cage, studio shots, photographs used in the Combines and Silkscreen paintings, photographs of lost artworks and works in process.

Hardcover. Germany, Hatje Cantz, 1st, 2007, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. A new pictorial hardcover book with no dust jacket. Text is in German. Features the multimedia works of Robin Rhode, including photography, performance art, film and sculpture..

Hardcover. Germany, Hatje Cantz, 1st, 2007, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. A new pictorial hardcover book with no dust jacket. Text is in German. Features the multimedia works of Robin Rhode, including photography, performance art, film and sculpture..

Hardcover. Flagstaff, AZ, Northland Press, revised, 1984, Book: Good, Dust Jacket: Good, Hardcover, 107 pages. B&W and color plates. Illustrates beautifully the contemporary Southwest on canvas with vibrancy and refreshing perspective. Light blue pictorial cloth, silver lettering to spine. Dust jacket with minor wrinkles and smudges. Dust jacket folded off-center, otherwise a nice, clean and tight copy. "This comprehensive, expanded volume on Stefan and his work contains forty full-color reproductions of oils along with numerous black-and-white drawings, a panorama of the Southwest and a tribute to a fine painter."

Hardcover. NY, Abrams, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. The poet John Ashbery wrote of Rudy Burckhardt in 1980: "Before there was an underground, there was Rudy Burckhardt. The genial, Swiss-born jack-of-all-trades and master of several has remained unsung for so long that he is practically a subterranean monument." Since that time Burckhardt's reputation has steadily grown - as photographer, filmmaker, and painter - beyond Manhattan's downtown community of artists in which he lived and worked. For six decades Rudy Burckhardt (1914-1999) was a discreet, but enduring, and ultimately important figure in New York's avant-garde art world. Author Phillip Lopate, a long-time friend of the photographer, provides an insightful and thought-provoking homage to the quiet brilliance of a national treasure. And the poet and curator, Vincent Katz, has contributed an essay further elaborating on Burckhardt's photographic achievement. Illustrated with almost three hundred photographs, Rudy Burckhardt presents the remarkable depth and range of the artist's work. The book will fascinate anyone interested in the New York art world and offers a revelation for all those interested in photography.

Softcover. New York, Morgan & Morgan, Reprint, 2007, Book: Very Good, Dust Jacket: None, 206 pages. Softcover. A clean, unmarked copy. Light foxing to top edge of textblock. Black and white photographs throughout.

Hardcover. Chicago, University of Chicago Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 284 pages. In Rustic Cubism, Bruce Adams tells the fascinating story of Moly-Sabata, an art colony founded in the Rhone Valley during the height of French modernism by Cubist pioneer Albert Gleizes. Following his social and spiritual agenda of earthly labor and a Celtic-medievalist view of Christianity, Gleizes' disciples worked to fuse Cubism with a revival of ancient agrarian, artisanal traditions. The most important and committed member of this experimental commune was ceramicist Anne Dangar (1885-1951). Generously illustrated with photographs of the art and social milieu of the period, this captivating and original narrative makes a considerable contribution to our understanding of French modernism and early twentieth-century cultural politics as well as of the life of a most talented and intriguing female artist.

Softcover. NY, Vintage Books, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 101 pages. Interview with American artist, David Salle by Peter Schjeldahl. 65 pages of text (interview) as well as color and black & white plates by Salle. In very good condition. Cover is a black & white photograph of David Salle.

Hardcover. Milan/London, Skira/Thames & Hudson, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Like new in publisher's shrink-wrap. This book is the catalogue of an exhibition that took place at the Shanghai Museum of Contemporary Art (29 March-7 May 2008) to celebrate the eighty-year anniversary of the company. Photographs, sketches, and drawings explore design processes and showcase shoes, handbags, and accessories --a magnificent selection of fashion works embodying social and cultural changes over time. Illustrated with b&w and color photos. Includes bibliography and three essays.

Hardcover. Germany, Steidl, 1st, 2014, Book: Very Good, Dust Jacket: None, 76 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink wrap. When Sam Taylor-Johnson climbed the famous mirrored staircase of Chanel's headquarters at 31 rue Cambon, Paris, she did not quite know what to expect. Her destination was Coco Chanel's private apartment on the second floor; her mission, to photograph it.

Hardcover. Germany, Steidl, 1st, 2014, Book: Very Good, Dust Jacket: None, When Sam Taylor-Johnson (born 1967) climbed the famous mirrored staircase of Chanel's headquarters at 31 rue Cambon, Paris, she did not quite know what to expect. Her destination was Coco Chanel's private apartment on the second floor; her mission, to photograph it.

Hardcover. New York, Harry N. Abrams, Inc, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages, 120 illustrations including 54 plates in full color. Nice clean copy with tight binding and flawless dust cover. Printed in association with The National Museum of American Art, Smithsonian Institution

Hardcover. UK, Bodleian Library, University of Oxford, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Pictures throughout. Sarah Angelina Acland (1849-1930) is one of the most important photographers of the late Victorian and early Edwardian periods. Born to a preeminent English family, Acland first gained note as a portraitist whose illustrious subjects--among them two prime ministers, the physicist Lord Kelvin, and the noted art critic John Ruskin--were visitors to her family's Oxford home. Yet it was through her work in the thenfledgling field of color photography that Acland achieved her greatest acclaim. When her color photographs were shown at the Royal Photographic Society in 1905, many considered them to be among the finest work produced in the new medium. An introduction to Acland's entire body of work, this volume contains more than two hundred previously unpublished examples of her photographs, spanning portraiture, studies of Oxford architecture, and landscape and garden photographs captured in Madeira, Portugal. Additional images include four unrecorded portraits by Lewis Carroll of Acland and her brothers--shed light on the work of her contemporaries, including acquaintances and artistic influences like Carroll and Julia Margaret Cameron. A fascinating look at the earliest days of color photography, this book also offers a glimpse into the lives of an influential English family and its circle of friends.

Hardcover. New York, Watson-Guptill, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover, 88 pages. 32 plates in full color. Takes us past the image of Sargent, portrait painter of Edwardian and Georgian high society, and views instead his vast talent as a watercolorist. Blue cloth, silver lettering to spine and front color. Price clipped. Previous owner's inscription in front. Pictorial dust jacket with two minor sealed up tears, otherwise a very clean, tight and crisp copy.

Hardcover. NY, Alfred A. Knopf, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with light edgewear. INSCRIBED BY STEINBERG in blue pencil and dated Oct 79 on the half-title page. Inscribed to Silvano Arieti (1914-1981), a psychiatrist, regarded as the world's foremost authority on schizophrenia. He was also a longtime professor at New York Medical College. 256 pages, black and white and color reproductions, publisher's brown cloth-backed tan papered boards, lettered in gilt at spine, brown endpapers (minor chipping to rear bottom edge. Pictorial dust jacket minor toning and wear mostly to edges, very good.

Hardcover. New Haven CT, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, firm and clean; Binding tight; Pages bright, internally clean, no ownership markings or annotations, illustrated with color and b&w plates, 9.1 X 6.1 X 0.8 inches; 287 pages. Best known for his barbed and brilliant art for The New Yorker, Saul Steinberg (1914-1999) did much more. He executed public murals, designed fabrics and stage sets, was an inventive collagist and printmaker, and turned his magic touch to the fields of painting, sculpture, advertising, and even wartime propaganda. This is the first comprehensive look at Steinberg's extraordinary contribution to 20th-Century art, which was that of a modern-day illuminator, putting word and image in play to create art that spoke to the eyes, and minds, of readers. Previously unseen sketches, documents, and printed matter from the artist's papers illustrate the essay, career chronology, and entries for 120 objects featured in this important book. DOMESTIC SHIPPING ONLY.

Softcover. New Haven CT, Yale University Press, 1st, Book: Very Good, Dust Jacket: None, Softcover, stiff card wrappers firm and clean; Binding tight; Pages bright, internally clean, no ownership markings or annotations, illustrated with color and b&w plates, 9.1 X 6.1 X 0.8 inches; 287 pages. Best known for his barbed and brilliant art for The New Yorker, Saul Steinberg (1914-1999) did much more. He executed public murals, designed fabrics and stage sets, was an inventive collagist and printmaker, and turned his magic touch to the fields of painting, sculpture, advertising, and even wartime propaganda. This is the first comprehensive look at Steinberg's extraordinary contribution to 20th-century art, which was that of a modern-day illuminator, putting word and image in play to create art that spoke to the eyes, and minds, of readers. Previously unseen sketches, documents, and printed matter from the artist's papers illustrate the essay, career chronology, and entries for 120 objects featured in this important book.

Hardcover. New York, Da Capo Press, Inc. , 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket in plastic covering in near fine condition. Short closed tear on back of dust jacket. 227 pages., featuring A Statement on Sculpture, written by the artist, an appendix listing all of the major exhibitions and collections of de Creeft's work, and the awards and honors he has received. 284 b/w photographs of the artist's work.

Hardcover. New York, Macmillan Company, 1st, 1968, Book: Very Good, Dust Jacket: Fair, Hardcover, 173 pages, with 132 photo plates of Coletti's work, introduction by Alan Pirest, with bibliography, biographical chronology, index, etc. Previous owner's writing on front fly leaf and rear endpaper, dust jacket edge tears with two corner chunks missing, price clipped, otherwise, internally clean and tight copy.Although born in Italy Joseph Coletti spent his life in the United States and became one of the great religious sculptors of the 20th Century.

Hardcover. NY, Viking Studio, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, illustrated throughout in b&w. SIGNED BY BASKIN on the front fly leaf. In a bright, unclipped dust jacket, a clean, tight copy.

Hardcover. NY, Viking Studio, 1st, 1980, Book: Very Good, Dust Jacket: Good, Hardcover, 224 pages, illustrated throughout in b&w. Light edgewear, rubbing and scratching to dust jacket. Faint foxing to top edge, otherwise a clean, tight copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 169 color plates. An introduction to the postmodern photographs of Allan Chasanoff, whose work interrogates and subverts the notion of photography as a truthful record of the real. From the 1960s onward, Allan Chasanoff (1936-2020) maintained a daily photographic practice, producing tens of thousands of images that pushed the limits of the medium and questioned its reliability as a document of reality. Preferring to experiment away from the art world, Chasanoff rarely exhibited his photographs, his art remaining unknown to all but a select circle of friends and collaborators. This catalogue is the first to survey his beguiling work. Monika Sziladi, Chasanoff's archivist, contributes an outline of the artists life and practice, tracing the development of his art from his early experiments with light, shadow, and color in his lens-shot photographs to his late-career foray into 3D printing, which he viewed as the latest frontier of photography. Bright, clean copy.

Hardcover. East Windsor, NJ, Vanguard Classics, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 176 pages. Like new in publisher's shrink-wrap. Vampirella, Weird Science, Dejah Thoris: This deluxe edition comes with a bonus 16-page folio and slipcase. Vampirella, Weird Science, Dejah Thoris... No one renders exotic women better than Frazetta, the World s greatest Fantasy artist. Until now, only the most ardent collectors possessed the elusive grail items from the short period of Frazetta s early-1960s Men's magazine and risque paperback illustrations. Often selling for hundreds of dollars each, these rare publications bridged Frazetta's exodus from traditional comics work, to his now-legendary Conan, John Carter of Mars and Death Dealer oil paintings. Now, in an affordable volume, Vanguard expands their authorized line of Frazetta books with this, the most complete collection ever, of rare, vintage, Sensuous Frazetta.

Hardcover. Amon Carter Museum of American Art, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 238 pages. The first artist to journey into the heart of the Rocky Mountains, Alfred Jacob Miller (1810-1874) executed more than 100 watercolor and pen-and-ink sketches during an expedition to accompany Scottish nobleman William Drummond Stewart. Strong examines how Miller tailored his work to suit the specific needs and interests of local American audiences and explores how his paintings helped promote a vision of Scottish aristocratic identity.

Hardcover. Valby, Borgens Forlag, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover in a bright, unclipped dust jacket. Text in Danish and English. Illustrated in full color. Clean, tight copy.

Softcover. Charlottesville, Va., University of Virginia Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 123 pages. Exhibition catalog. Illustrated throughout in color and b&w. Light wear/crease to spine, else a clean, tight copy.

Softcover. Charlottesville, Va., University of Virginia Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 123 pages. Exhibition catalog. Illustrated throughout in color and b&w. Light wear/crease to spine, else a clean, tight copy.

Hardcover. Petaluma CA, Cameron Books, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover with wrap-around band. 224 pages in color. The first treatment of his extraordinary domain that is not an authorized product of his studio. From clothing and advertising to the world of fine art, the reach of this "street artist" extends to all aspects of society; yet given his great success, he is also the target of critics and detractors. He has challenged conventions, formulas, paradigms, and traditional borders that make many uncomfortable, spurring consistent debate over the legitimacy of his artwork, the authenticity of his background, and the ethics of his design processes. By reflecting on the many layers of being an antimodern artist, we learn much about both the current state of the art world and Fairey's influence on it. Featuring a wide variety of remarkable color photographs and a Foreword by Robbie Conal, Shepard Fairey Inc. gives us a fresh, objective understanding of the work of this astonishing artist.

Hardcover. New York , Prestel , 1st, 2012-09-25, Book: Near Fine, Dust Jacket: Near Fine, 207 pages, profusely illustrated. One of the most famous and popular photographers of his time, Jeanloup Sieff photographed some of the most beautiful women and men of his era. This wide-ranging collection of his work captures some of his most famous photographs spanning a career of nearly forty years. Like new in publisher's shrink-wrap.

Hardcover. New York , Prestel , 1st, 2012, Book: Near Fine, Dust Jacket: Near Fine, 207 pages, profusely illustrated. One of the most famous and popular photographers of his time, Jeanloup Sieff photographed some of the most beautiful women and men of his era. This wide-ranging collection of his work captures some of his most famous photographs spanning a career of nearly forty years. Like new in publisher's shrink-wrap.

Hardcover. US, Prestel USA, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. 208 pages. Edited by Barbara Rix-Sieff and Iris Stehmann. Text in English. Jeanloup Sieff was born in 1933 in Paris. His parents were of Polish origin. He died on September 20, 2000 from cancer. As a fashion photographer, he worked for magazines such as Nova, Elle, Vogue, Twen, Jardin des Modes, Harper`s Bazaar, Esquire, Glamour etc. As for advertising photography, one owes him credit for the picture of a naked Yves Saint Laurent publicising his eau de toilette and for the memorable campaigns for Rosy lingerie, or Carel shoes.

Hardcover. NY, Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages with index, bibliography, chronology. With 170 illustrations including 130 in full color. Detailed and authoritative study of the life and work of Alfred Sisley, one of the greatest landscape painters of the 19th century and a leading figure in the Impressionist movement.

Softcover. Hartford, Wadsworth Atheneum/Stedelijk Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, 207 pages. Oblong softcover with full color and black & white photographs. 406 illustrations. Texts by Alexander van Grevenstein and Jan Debbaut, in parallel English and Dutch. Minor wear. Clean, tight copy.

Hardcover. Picture Box Inc, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Photographer and filmmaker Cheryl Dunn has been one of America's foremost chroniclers of the underground scene since the mid-1990s. This first retrospective looks at the worlds of street art, graffiti and life on the creative margins from an appreciative insider's point of view. It features documentary photographs of San Francisco artists like Barry McGee, Margaret Killgallen and Chris Johanson, with whom she shared a distinct and elusive sensibility, as well as others from Los Angeles and her home town of New York, including, like Phil Frost, Mike Mills and Ed Templeton. Also included is a rare, 60-minute film documenting the scene imported to Tokyo and focused on 13 artists in particular--including McGee, Johanson, Mills, Killgallen, Templeton, Frost, Thomas Campbell, Stephen Powers, Tommy Guerrero, Josh Lozcano, Brendon Fowler and Aaron Rose. Through candid interviews, riveting footage of art in action, and a massive demolition derby in the streets of Tokyo, the film captures these artists just before they broke through to the mainstream. It is about building things up, knocking them down and the simple enjoyment of making work with friends before the business of art takes hold. Features extra rare footage of all of the artists as well as short films about Johanson and Gonzales.

Hardcover. Boston, David R. Godine, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 273 pages, oblong hardcover illustrated in color and b&w. Frank Benson, a pivotal artist of the American Impressionist movement had three great loves in his long and productive life: his family, his art, and the sporting life. As a boy, Benson dreamed of being an ornithological illustrator. In mid-life, after an extremely successful career as a portraitist, he returned to the wildfowl and sporting subjects that were his lifelong passion. Over the next forty years, in etching, lithography, watercolor, and oil and wash, he portrayed birds beloved since childhood, scenes of his hunting and fishing expeditions, and still lives of incomparable delicacy. Whether painting a hunter setting out decoys, a wash of geese by moonlight, a watercolor of a companion poised to gaff a salmon, or an etching of a group of ducks silently gliding in for a landing, Benson conveyed the joy and beauty of a sportsman's life.

Hardcover. London, Weidenfeld & Nicholson, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Profusely illustrated in b/w & 20 color plates of which 4 are folding. Catalog of the exhibition held at the Royal Academy with 280 works illustrated and described, chronology, bibliography, exhibition record.

Hardcover. Heidelberg, Germany, Kehrer Verlag, 1st, 2014, Book: Very Good, Dust Jacket: None, 108 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Many color photographs throughout. Tight copy. "State Fair" is filled with captivating images. Christopher Chadbourne takes you on a journey filled with interesting characters, vibrant colors, and memorable moments - all compiled from years of photographing the goings-on at this uniquely American institution. Chadbourne knows state fairs and has an uncanny ability to catch often peculiar scenarios as people mingle, eat, and participate in this once a year event.

Hardcover. Heidelberg, Germany, Kehrer Verlag, 1st, 2014, Book: Very Good, Dust Jacket: None, 108 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Many color photographs throughout. Tight copy. "State Fair" is filled with captivating images. Christopher Chadbourne takes you on a journey filled with interesting characters, vibrant colors, and memorable moments - all compiled from years of photographing the goings-on at this uniquely American institution. Chadbourne knows state fairs and has an uncanny ability to catch often peculiar scenarios as people mingle, eat, and participate in this once a year event.

Hardcover. New York, DC Comics, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 478 pages, hardcover. Extensive color illustrations throughout. Illustrated covers. Clean, unmarked copy with only minor wear to dust jacket. A collection of comics from the 60s - the early 80s, with numerous stories, several covering Shade and another short lived character of his, Stalker.