Hardcover. Boston/ New York , Bulfinch Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 533 pages, 431 works reproduced in color. Small remainder mark to bottom edge, otherwise a bright, clean copy in a similar dust jacket. The most comprehensive look at Miro's art available in book form. In honor of Miro's 100th birthday, 1993 has been designated Miro Year, which is being celebrated with great fanfare in Europe and the U.S. This book features full-color reproductions of the artist's work on canvas and paper, from his earliest sketch to his mature works of the 1980s.

Hardcover. Suffolk UK, Antique Collectors' Club, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 103 pages. A monograph prepared by Carrington's husband to accompany the memorial exhibition of her work in 2005 at the Thackeray Gallery. Clean copy with a mild musty odor.

Softcover. Montevideo, Impresora Gordon, 1st, 1999, Book: Good, Dust Jacket: None, Softcover, 272 pages, illustrated in color and b&w. Monograph on the Uruguayan artist who championed a modernist aesthetic in South American art. Color wrappers with light wear, interior clean. SPANISH TEXT.

Hardcover. New York, Harper Design, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. The first collection of the work of Joe Eula, the foremost illustrator of the late twentieth century, featuring more than 200 black-and-white and full-color sketches and illustrations, the majority of which have never been published before.

Hardcover. Chicago, Haase-Mumm Publishing, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 189 pages. #174 of 1, 000 copies signed by author. Biography and critical study of John Barber (1893-1965), American artist and contributor to the radical magazine The Masses. 16 color and 109 b&w plates. Bibliography and index.

Hardcover. US, Antique Collectors Club Dist, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy. Throughout the 1960s and 70s John Bates dominated the British fashion scene with a unique brand of style and innovation. No other designer had such a comprehensive influence on what the UK wore.

Hardcover. US, Antique Collectors Club Dist, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy. Throughout the 1960s and 70s John Bates dominated the British fashion scene with a unique brand of style and innovation. No other designer had such a comprehensive influence on what the UK wore.

Hardcover. NY, Quantuck Lane, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 384 pages. Every day, beginning in 1964, painter John Evans created a collage from found objects ranging from clippings, business cards, product stickers or labels, and ticket stubs to bits of ephemera or anonymous snapshots found on the streets of his East Village neighborhood. Using colored inks, he built upon and embellished the collage elements, creating lively, vibrant compositions. His astonishing work continued through the end of 2000, which seemed an appropriate date to stop. Apart from their beauty, Evans collages are mini-time capsules that mark the end of the Vietnam war, the fiscal crisis in New York City during the 1970's, the burgeoning economy, club scene and are market of the 1980's, and the AIDS crisis. They are also autobiographical with postcards, snapshots, and other connections to Evan's daily life. The 365 collages selected for this monograph, focusing on the 1970s through the 1990's, represent a year, but are drawn from different years. They illustrate the full range of Evans' mastery of his medium and attest to the artist's self discipline in adhering to the demanding regimen of creating a college every day. 365 color plates.

Hardcover. NY, Quantuck Lane, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 384 pages. Every day, beginning in 1964, painter John Evans created a collage from found objects ranging from clippings, business cards, product stickers or labels, and ticket stubs to bits of ephemera or anonymous snapshots found on the streets of his East Village neighborhood. Using colored inks, he built upon and embellished the collage elements, creating lively, vibrant compositions. His astonishing work continued through the end of 2000, which seemed an appropriate date to stop. Apart from their beauty, Evans collages are mini-time capsules that mark the end of the Vietnam war, the fiscal crisis in New York City during the 1970's, the burgeoning economy, club scene and are market of the 1980's, and the AIDS crisis. They are also autobiographical with postcards, snapshots, and other connections to Evan's daily life. The 365 collages selected for this monograph, focusing on the 1970s through the 1990's, represent a year, but are drawn from different years. They illustrate the full range of Evans' mastery of his medium and attest to the artist's self discipline in adhering to the demanding regimen of creating a college every day. 365 color plates.

Hardcover. London, Tate Publishing, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 175 pages. Hardcover with dust jacket. A very clean, unmarked copy. Includes an insightful essay and more than 150 full-color reproductions of Heartfield's work.

Hardcover. Atlanta GA, High Museum of Art, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, color and b&w plates. Like new in a bright, unclipped dust jacket. John Henry Twatchman (1853 - 1902) was an American painter best known for his Impressionist landscape paintings, though his painting style varied widely through his career. Art historians consider Twachtman's work to be among the more personal and experimental of his generation. He was a member of "The Ten", a loosely allied group of American artists, whose members included Childe Hassam, Edmund Tarbell, Frank Benson, and Robert Reid.

Hardcover. New Haven CT, Yale University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, profuse color and b&w illustrations and plates. The essays in John La Farge's Second Paradise explore the artist's reemergence as a plain air landscape painter, his use of the sketchbook, and his late decorative work, which was reinvigorated by the experience of light and color he discovered in the South Seas. Further discussions examine the prevailing notions of tropical paradise perpetuated since Captain Cook's "discovery" of Polynesia in the late 18th century, and offer the first extended comparison of the careers and art of La Farge and Paul Gauguin, who arrived in Tahiti only days after La Farge left in 1891. Featuring many previously unpublished works, this beautiful book is a major contribution to the study of La Farge's life and art. Like new in publishers shrink-wrap.

Hardcover. New Haven CT, Yale University Press, 1st, 2010-11-09, Book: Near Fine, Dust Jacket: Near Fine, 224 pages, profuse color and b&w illustrations and plates. The essays in John La Farge's Second Paradise explore the artist's reemergence as a plain air landscape painter, his use of the sketchbook, and his late decorative work, which was reinvigorated by the experience of light and color he discovered in the South Seas. Further discussions examine the prevailing notions of tropical paradise perpetuated since Captain Cook's "discovery" of Polynesia in the late 18th century, and offer the first extended comparison of the careers and art of La Farge and Paul Gauguin, who arrived in Tahiti only days after La Farge left in 1891. Featuring many previously unpublished works, this beautiful book is a major contribution to the study of La Farge's life and art. Like new in publishers shrink-wrap.

Hardcover. New York, Abbeville Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 280 pages, 164 illustrations (76 in color). Essays by Henry Adams, Kathleen A. Foster, Henry A. La Farge, H. Barbara Weinberg, Linnea H. Wren, and James L. Yarnall. John La Farge was not only a painter of still lifes and landscapes in watercolor and oil, but he created extraordinary decorative schemes and revolutionary stained glass art for some of the country's most impressive churches and mansions as well.

Hardcover. US, University of Delaware Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 204 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy.

Hardcover. New York, Curt Valentin, 1st, 1955, Book: Very Good, Dust Jacket: Poor, 160 pages. Hardcover. Illustrated with eleven reproductions in color and 244 in monochrome; eight pages of reproductions in four color line-and-tone; an aquatint, a monochrome lithograph and three lithographs in color specially drawn for this work. Previous owners stamp on back of plate 195. Brick colored cloth with green decoration on front cover, green/gilt title on spine. Dust jacket is worn, with chunks missing along edges, and spine - jacket now protected with clear plastic cover. Clean, tight copy.

Hardcover. Cambridge, MA, Harvard University Press, 1st, 1966, Book: Very Good, Dust Jacket: None, 2 Volumes: Volume I, Copley in America, 244 pages. Volume II, Copley in England, 472 pages. Brown and blue cloth covers with gilt lettering to front and spine, blue slip case with b&w illustration, previous owner's pencil inscriptions to front endpapers of both volumes. 334 b&w plates to volume I, 334 b&w plates to volume II. Light wear to slip case and edges of covers; overall both volumes are clean, tight copies.

Hardcover. Cambridge, MA, Harvard University Press , 1st, 1966, Book: Very Good, Dust Jacket: None, 2 volume hardcover set. Volume 1: In America, 1738-1774, Volume 2: In England, 1774-1815. 491 pages + illustrations in b&w. Brown/blue cloth with gilt titles, slipcase. Light shelf-wear to covers and faint foxing to top edge. Light wear to slipcase, else a clean, tight set.

Hardcover. Boston, Boston Book & Art, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover, 215 pages, 176 illustrations in b&w and color. A book issued in conjunction with an exhibition at the National Gallery of Art in Washington celebrating the centennial of Sloan's birth. Includes a list of books illustrated by the artist, other selected bibliography. Dust Jacket with light edgewear, rubbing.

Hardcover. New Haven, CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. A tight copy. The American realist artist John Sloan is best known for his portrayals of daily life in early 20th-century New York and as a member of The Eight and the Ashcan School, alongside peers like Robert Henri, Everett Shinn, and George Luks. Sloan's artistic approach was shaped by his experience as a commercial illustrator, a type of work that inaugurated his professional career-at newspapers like the Philadelphia Press and later for mass-market magazines-and which he pursued even after he turned his focus to painting. In John Sloan: Drawing on Illustration, Michael Lobel explores the impact of Sloan's illustrating on his wider output, including his paintings, his drawings for the radical journal The Masses, and his response to the watershed 1913 Armory Show. Illuminating the interaction between art and popular culture, this book provides an important new framework for understanding the modern genre of illustration, and in so doing touches on major 20th-century currents, including the rise and expansion of the mass media and the visual legacy of European modernism.

Hardcover. New Haven, CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. A tight copy. The American realist artist John Sloan is best known for his portrayals of daily life in early 20th-century New York and as a member of The Eight and the Ashcan School, alongside peers like Robert Henri, Everett Shinn, and George Luks. Sloan's artistic approach was shaped by his experience as a commercial illustrator, a type of work that inaugurated his professional career-at newspapers like the Philadelphia Press and later for mass-market magazines-and which he pursued even after he turned his focus to painting. In John Sloan: Drawing on Illustration, Michael Lobel explores the impact of Sloan's illustrating on his wider output, including his paintings, his drawings for the radical journal The Masses, and his response to the watershed 1913 Armory Show. Illuminating the interaction between art and popular culture, this book provides an important new framework for understanding the modern genre of illustration, and in so doing touches on major 20th-century currents, including the rise and expansion of the mass media and the visual legacy of European modernism.

Hardcover. New York, Watson-Guptill Publications, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 88 pages. 33 full page color plates. The first full-scale, illustrated study of John Twachtman's life and work, taking the artist's "dramatic transformation from dark to light" to the surface. Pictorial dust jacket with minor edgewear. Brown cloth. A very nice, clean and crisp copy.

Softcover. New York, Solomon R. Guggenheim Museum, 1st, 1979, Book: Good, Dust Jacket: None, Softcover, 288 pages, illustrated throughout in b&w. Light edgewear and rubbing to wrappers. Slight tanning and foxing to pages, else a clean, tight copy.

Softcover. New York, Museum of Modern Art, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 296 pages, numerous b&w illustrations and 32 plates in full color. Blue pictorial stiff wrappers. Minor bump to lower edge, else like new.

Hardcover. NY, George Braziller, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, 40 color and 90 b&w illustrations. Out of the fantasies that enriched an often reclusive life, the enigmatic American artist Joseph Cornell (1903-1972) created a world of enchantment with his famed shadow boxes and collages. Using common objects like glasses, marbles, and mirrors, Cornell"s work evokes the strangeness of the familiar and the odd familiarity of the strange. Respected art historian and friend of the artist Diane Waldman probes the elusive imagery that marks Cornell"s work. Interviews with Cornell and his family and access to the artist"s papers inform her text. Bright, unclipped dust jacket with light edgewear, repaired chip. Clean copy.

Softcover. New York, Hudson Hills, 1st, 2004, Book: Near Fine, Dust Jacket: Near Fine, softcover 304 pages with 233 color plates and illustrations. This comprehensive book includes a catalogue raisonne of the edition prints. A very nice catalogue. Includes text contributions by Eric Denker, Andrew Stevens, Robert Flyn Johnson and Thomas Garver. This book serves as the catalogue for an exhibition which was held at The Corcoran Gallery of Art titled "Joseph Goldyne: Selected Prints," which ran from October 6 to December 17, 2001. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Hudson Hills, 1st, 2004, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 304 pages with 233 color plates and illustrations. Like new in publishers shrink-wrap. This comprehensive book includes a catalogue raisonne of the edition prints. A very nice catalogue. Includes text contributions by Eric Denker, Andrew Stevens, Robert Flyn Johnson and Thomas Garver. This book serves as the catalogue for an exhibition which was held at The Corcoran Gallery of Art titled "Joseph Goldyne: Selected Prints," which ran from October 6 to December 17, 2001.

Hardcover. New York, Harry N. Abrams, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. 200 illustrations in color. Foreword by Jennifer B. Lee, Performing Arts Curator, Rare Book and Manuscript Library, Columbia University. Index. Clean, unmarked copy with only minor wear to dust jacket. Joseph Urban is a lavish celebration of this prolific artist, architect, and designer, whose accomplishments include magnificent Art Deco buildings, spectacular Ziegfeld Follies productions, and dramatic sets for the Metropolitan Opera. Joseph Urban (1872-1933) began his career as an architect and artist in Vienna before moving to America in 1911. In 1914 he moved to New York, where he ultimately signed on as set designer of the Metropolitan Opera. He also became immersed in an astonishing array of outside projects, designing nightclubs, hotel lounges, skyscrapers, theaters, stage and film sets, and even children's books. Though his creative output was immense, little remains of his work except the Mar-a-Lago in Palm Beach, and the New School and the base of the Hearst Tower in New York.

Hardcover. NY, Hudson Hills Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. Includes 87 color plates, 13 duotones and 17 black and white illustrations. Still in publisher's shrinkwrap. "Joyce Treiman, one of the finest American painters of the late twenteith century , was also one of the most individualistic, combining virtuosic draftsmanship and expressive brushwork wth a lifelong devotion to painting the human figure in images that are direct, visceral, and sensuous."

Hardcover. Chicago, University Of Chicago Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 227 pages. One of the leading artists of his generation, the Spanish sculptor Juan Munoz (1953-2001) was known for his diverse and highly original body of work centering on the narrative possibilities of figures in environments. Juan Munoz illustrates in full color approximately sixty works, including sculptures, drawings, and several major installations, which were included in a major exhibition presented by the Hirshhorn Museum and Sculpture Garden and the Art Institute of Chicago in October 2001.

Hardcover. NY, Watson-Guptill, 1st, 2000, Book: Very Good, Dust Jacket: Good, Hardcover, 192 pages. Terrific monograph on this important American artist. Includes 275 illustrations, most in color and with 4 double gatefolds. Dust jacket with light soiling on back cover.

Softcover. Toronto, Art Gallery of Ontario, Toronto, 1st, 2010, Book: Near Fine, Dust Jacket: None, Like new in publishers shrink-wrap. This survey of Schnabel's career to date presents the artist's painterly production, from the 1970s through to the present, juxtaposing his large-scale paintings with his numerous critically acclaimed movies-'Basquiat' (1996), 'Before Night Falls' (2000), 'The Diving Bell and the Butterfly' (2007) and his newest film 'Miral,' which addresses the Palestinian-Israeli conflict. The complete scripts of each of these movies are featured, punctuated with stills chosen by Schnabel. Published for the Art Gallery of Ontario's 2010 survey, 'Julian Schnabel: Art and Film' is the first appraisal of how Schnabel works across media, bridging painting, writing and cinema. 447 pages.

Softcover. Canada, Art Gallery of Ontario, Toronto, 1st, 2010, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. This survey of Schnabel's career to date presents the artist's painterly production, from the 1970s through to the present, juxtaposing his large-scale paintings with his numerous critically acclaimed movies-'Basquiat' (1996), 'Before Night Falls' (2000), 'The Diving Bell and the Butterfly' (2007) and his newest film 'Miral,' which addresses the Palestinian-Israeli conflict. The complete scripts of each of these movies are featured, punctuated with stills chosen by Schnabel. Published for the Art Gallery of Ontario's 2010 survey, 'Julian Schnabel: Art and Film' is the first appraisal of how Schnabel works across media, bridging painting, writing and cinema. 447 pages.

Hardcover. New York, George Braziller, 2nd pr., 1954, Book: Very Good, Dust Jacket: Good, Hardcover, 90 pages. Black & white examples of works by Kaethe Kollwitz. Previous owners bookplate on inside front cover. Dust jacket shows lightwear with small chips and tears along edges. Clean, tight copy.

Hardcover. NY, Guggenheim Museum, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, die-cut dust jacket. 319 pages, 95 color plates and many additional images in color and black and white. Color plates and checklist of 95 works in the exhibition, six essays, a chronology and selected bibliography. This volume presents abstract Russian painter Wassily Kandinsky (1866-1944). It reproduces scores of recently rediscovered paintings that had languished for decades in Soviet museums and in private collections. The author provides new details on Kandinsky's life and art, discussing his little-known experimental stage plays which strove for a synthesis of all the arts, and his friendships with Paul Klee, Arnold Schonberg and composer Thomas de Hartmann. Clean, like new.

Softcover. NY, Guggenheim Museum, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, large paperback exhibition catalogue, many illustrations in color and black and white, includes a Selected Bibliography, has a faint crease on the front cover, the binding is tight and clean and the contents are fine; 268 pages.

Hardcover. Cambridge MA, MIT Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 420 pages, illustrated with mostly b&w plates, 8 color pages. Small remainder stamp on bottom edge. "Tiege was at one and the same time both an agent provocateur and seismograph, at once provoking action and debate and yet simultaneously reacting with the utmost sensitivity to the shifting political spectrum of his time."--from the introduction by Kenneth FramptonKarel Teige (1900-1951), a leading figure of the avant-garde of the 1920s and 1930s, participated in every important argument and controversy of those turbulent years. He edited the most influential avant-garde journals on Czech and international cultural affairs and wrote profoundly original essays and books on the theory and criticism of art and architecture. He also produced paintings, collages, photomontages, film scripts, book covers, and typefaces and participated in theatrical performances.

Softcover. London, Merrell Holberton, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 120 pages, illustrated throughout. Very clean and tight copy. Capturing the intricacy, symbolism, and irony of the work of contemprary artist Kathy Prendergast, this is the first comprehensive look at her critically acclaimed, multi-faceted artistic vision. A highlight of the art covered is City Drawings, a series of intircated drawings ot the capital cities of the world in which even the alrgest and most powerful communites are reduced to an equalizing frail network of lines, from Washington D.C., to Suva, Fiji; Tokyo to Dakar, Senegal.

Hardcover. San Francisco, Fraenkel Gallery, 1st, 2014, Book: Very Good, Dust Jacket: None, 160 pages. Two volumes in slipcase. Very clean, like new in publishers shrink-wrap. The result of three years of work in California's Central Valley, Katy Grannan's new series The 99 features large-scale color portraits and black-and-white photographs. Grannan's recent photographs are set in the parched landscape and forgotten towns along Highway 99, including Modesto, Fresno and Bakersfield. In her intensely vivid color portraits, the artist works at midday when the sun is direct and the heat is unrelenting, presenting each individual, often simultaneously heroic and vulnerable, against stark, white backgrounds. In the black-and-white photographs, many of her subjects re-appear on Modesto's South 9th Street and along the banks of the Tuolumne River. Everyday rituals, small interactions and moments of beauty on the fringes of society are depicted in detail, conferring significance to what is often overlooked. This large-format, two-volume, slipcased monograph gathers this series for the first time.

Hardcover. San Francisco, Fraenkel Gallery, 1st, 2014, Book: Very Good, Dust Jacket: None, 160 pages. Two volumes in slipcase. Both very clean, unmarked copies. Only minor edgwear to slipcase. The result of three years of work in California's Central Valley, Katy Grannan's new series The 99 features large-scale color portraits and black-and-white photographs. Grannan's recent photographs are set in the parched landscape and forgotten towns along Highway 99, including Modesto, Fresno and Bakersfield. In her intensely vivid color portraits, the artist works at midday when the sun is direct and the heat is unrelenting, presenting each individual, often simultaneously heroic and vulnerable, against stark, white backgrounds. In the black-and-white photographs, many of her subjects re-appear on Modesto's South 9th Street and along the banks of the Tuolumne River. Everyday rituals, small interactions and moments of beauty on the fringes of society are depicted in detail, conferring significance to what is often overlooked. This large-format, two-volume, slipcased monograph gathers this series for the first time.

Softcover. NY, Guggenheim Museum, 1st, 2003, Book: Very Good, Dust Jacket: None, 267 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. In 1915, Kazimir Malevich changed the future of modern art when his experiments in painting led the Russian avant-garde into pure abstraction. He called his innovation Suprematism--an art of pure geometric form meant to be universally comprehensible regardless of cultural or ethnic origin. His Suprematist masterpiece, White Square on White (1920-27), continues to inspire artists throughout the world. Focused exclusively on this defining moment in Malevich's career, Kazimir Malevich: Suprematism features nearly 120 paintings, drawings and objects, among them several recently discovered masterworks. In addition, the book includes previously unpublished letters, essays and diaries, along with essays by international scholars, who shed new light on this popular figure and his devotion to the spiritual in art.

Hardcover. NY, Rizzoli, 1st, 2008, Book: Very Good, Dust Jacket: None, Illustrated boards, 528 pages. Closely based on Haring's own concept for the monograph he wanted to publish before his untimely death, this volume represents more than a decade of research and contains a wealth of unpublished photographic and written material including drawings, studio photographs, and journal entries. From chalk drawings deep in the New York City subways to murals in Pisa and Berlin; collaborations with William Burroughs and the famous body painting of Grace Jones, this book follows the incredible trajectory of Keith Haring's artistic career: how a young man from a small town in rural Pennsylvania came to revolutionize the art world--and the course of art history--within little more than a decade. An incredibly prolific artist, Keith Haring created countless bold, provocative, endearing, and unforgettable images that continue to inspire artists--and delight children--worldwide. Tracing the arc from his early subway "tags" to his poignant work on social issues as diverse as AIDS, illiteracy and apartheid, this visually stunning book is the definitive work on Keith Haring.

Hardcover. New York, Prestel, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy. Artist Kiki Smith is a print-maker. sculptor and photographer. Elizabeth Brown"s illustrated essay "I Myself Have Seen It: Photography and Kiki Smith" opens the book, followed by five photographic essays by Kiki Smith, Generously illustrated. 8-3/4 x 10-3/4".

Hardcover. New York , Abrams, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 254 pages, 173 illustrations, 131 in color. Although he is now seen as a progenitor of the "naive" style, during his lifetime Edward Hicks (1780-1849) was known only as a devout, impoverished Quaker minister who liked to paint. With a few exceptions, his extant body of work is made up of 62 "Peaceable Kingdom" pictures, based on Isaiah's biblical prophecy. Although these paintings, known for their charmingly wide-eyed and sensuous beasts, use potent color and effective design, they are technically unsophisticated and repetitive in the extreme. But they contain a powerfully serene devoutness, a mood probably expressed in compensation for Hicks's guilt about an avocation viewed as frivolous by other Quakers. As the popularity of folk art boomed in the early 20th century, Hicks's homely visions were popularized and became the focus of scholarly attention, and this work is probably the best to date. Weekley, the director of museums at Colonial Williamsburg, shrewdly considers Hicks's "secular" life and art through the filter of his intense piety and copiously illustrates her large-format book with brilliant color plates.

Hardcover. NY, Abrams, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Color illustrations. Jack Kirby created or co-created some of comic books' most popular characters including Captain America, The X-Men, The Hulk, The Fantastic Four, The Mighty Thor, Darkseid, and The New Gods. More significantly, he created much of the visual language for fantasy and adventure comics. There were comics before Kirby, but for the most part their page layout, graphics, and visual dynamic aped what was being done in syndicated newspaper strips. Almost everything that was different about comic books began in the forties on the drawing table of Jack Kirby. This is his story by one who knew him well-the authorized celebration of the one and only "King of Comics" and his groundbreaking work.

Hardcover. NY, Abrams, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Color illustrations. Jack Kirby created or co-created some of comic books' most popular characters including Captain America, The X-Men, The Hulk, The Fantastic Four, The Mighty Thor, Darkseid, and The New Gods. More significantly, he created much of the visual language for fantasy and adventure comics. There were comics before Kirby, but for the most part their page layout, graphics, and visual dynamic aped what was being done in syndicated newspaper strips. Almost everything that was different about comic books began in the forties on the drawing table of Jack Kirby. This is his story by one who knew him well-the authorized celebration of the one and only "King of Comics" and his groundbreaking work.

Hardcover. New York, Holt, Rinehart and Winston, 1st US, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 239 pages. Illustrated with full color and black & white photographs. Clean, tight copy. Important career study of the late director that was first published in France. The book covers his films through "The Shining." Includes essays, interviews 100's of b&w & color stills & photos along with filmog. & biblio.

Hardcover. New York, Holt, Rinehart and Winston, 1st US, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages. Illustrated with full color and black & white photographs. Dust jacket shows light wear. Clean, tight copy.

Softcover. Paris, Beaux Arts Magazine, 1st, 1994, Book: Very Good, Dust Jacket: None, 65 pages, illustrated throughout in color and b&w. Text in French. Light edgewear to wrappers, else a clean, tight copy.

Hardcover. Paris, Arthur Hubschmid, 1st French, 1978, Book: Very Good, Dust Jacket: None, 2 volumes. French text. 1287 pages total, b&w cartoons. Cream cloth covers. Small smudge on Volumes 1, previous owner's signature on front fly leaf of Volume 2. Else very clean, tight copies.