Hardcover. New Haven CT, Yale University Press, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Two volume set. 575 pages, 63 b&w illustrations. Latrobe (1764-1820), English-born architect of the United States Capitol under Jefferson, Madison, and Monroe, set the course for a vast amount of nineteenth-century American architecture with such works as the Capitol, the Bank of Pennsylvania, and the Baltimore Cathedral. A pioneering engineer as well, he designed the nation"s first comprehensive steam-powered waterworks in Philadelphia. Latrobe combined his professional concerns with an astonishing range of other interests and an acutely ob- servant eye. His papers form one of the finest existing literary and pictorial descriptions of the young republic.

Hardcover. Boston, Houghton Mifflin Books for Children, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 136 pages, color and b&w illustrations. Elleman examines the artist's early work and investigates the genesis of each of her seven picture books, from Choo Choo (1937) to the epic, carefully researched Life Story (1962, both Houghton) . Very good in a bright dust jacket.

Hardcover. New York, Thames & Hudson, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 408 pages. Like new in publisher's shrink-wrap. Containing uncensored and on-the-spot observations of Picasso at home and in company, Visiting Picasso is a wonderfully vivid, spontaneous and lively record of Roland Penroses many encounters with the artist and his family, friends and associates, from their first meeting in 1936 to the artists death in 1973. Over 70 photographs, many by Penroses wife Lee Miller, illustrate the colorful cast of characters.

Hardcover. NY, Atria Books, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 368 pages, illustrated in color and b&w. The definitive biography that unlocks the remarkable story of Vivian Maier, the nanny who lived secretly as a world-class photographer, featuring nearly 400 of her images, many never seen before, placed for the first time in the context of her life. Vivian Maier, the photographer nanny whose work was famously discovered in a Chicago storage locker, captured the imagination of the world with her masterful images and mysterious life. Before posthumously skyrocketing to global fame, she had so deeply buried her past that even the families she lived with knew little about her. No one could relay where she was born or raised, if she had parents or siblings, if she enjoyed personal relationships, why she took photographs and why she didn't share them with others. Now, in this definitive biography, Ann Marks uses her complete access to Vivian's personal records and archive of 140,000 photographs to reveal the full story of her extraordinary life. Based on meticulous investigative research, Vivian Maier Developed reveals the story of a woman who fled from a family with a hidden history of illegitimacy, bigamy, parental rejection, substance abuse, violence, and mental illness to live life on her own terms. Left with a limited ability to disclose feelings and form relationships, she expressed herself through photography, creating a secret portfolio of pictures teeming with emotion, authenticity, and humanity. With limitless resilience she knocked down every obstacle in her way, determined to improve her lot in life and that of others by tirelessly advocating for the rights of workers, women, African Americans, and Native Americans. No one knew that behind the detached veneer was a profoundly intelligent, empathetic, and inspired woman--a woman so creatively gifted that her body of work would become one of the greatest photographic discoveries of the century.

Softcover. Chicago, University of Chicago Press, reprint, 2018, Book: Very Good, Dust Jacket: None, Softcover, 362 pages, 16 pages of b&w illustrations. Who was Vivian Maier? Many people know her as the reclusive Chicago nanny who wandered the city for decades, constantly snapping photographs, which were unseen until they were discovered in a seemingly abandoned storage locker. They revealed her to be an inadvertent master of twentieth-century American street photography. Not long after, the news broke that Maier had recently died and had no surviving relatives. Soon the whole world knew about her preternatural work, shooting her to stardom almost overnight. But, as Pamela Bannos reveals in this meticulous and passionate biography, this story of the nanny savant has blinded us to Maier's true achievements, as well as her intentions. Most important, Bannos argues, Maier was not a nanny who moonlighted as a photographer; she was a photographer who supported herself as a nanny. In Vivian Maier: A Photographer's Life and Afterlife, Bannos contrasts Maier's life with the mythology that strangers-mostly the men who have profited from her work-have created around her absence. Clean, bright copy.

Hardcover. NY, Weidenfeld & Nicolson, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 342 pages, b&w photos. Alexander Walker draws on the memories and anecdotes of her family, friends and fellow players as well as on his own conversations with Vivien Leigh just before her death to create a fascinating picture of a complex and unique woman. Clean copy in a very good dust jacket.

Hardcover. New York, Harry N. Abrams, 1st, 2015, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to boards. Color and black and white pictures throughout. Originally born in Algeria, Yves Saint Laurent moved to Paris when he was 18, and only three years later he was handpicked by Christian Dior to take the reins as designer of his fashion house. Over time, Saint Laurent resurrected haute couture from the casual mores that predominated in the 1960s, but also offered chic cachet to ready-to-wear clothing. He was among the earliest of designers to incorporate non- European references into his work, and in 1983 he became the first living designer to be feted with a solo exhibition at The Metropolitan Museum of Art in New York. Vogue on Yves Saint Laurent is a stellar volume in the series from the editors of British Vogue, featuring 20,000 words of original biography and history and studded with more than 80 images from their unique archive of images taken by leading photographers.

Hardcover. Cambridge MA, MIT Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. A colorful account of Le Corbusier's love affair with the automobile, his vision of the ideal vehicle, and his tireless promotion of a design that industry never embraced. Le Corbusier, who famously called a house "a machine for living," was fascinated-even obsessed-by another kind of machine, the automobile. His writings were strewn with references to autos: "If houses were built industrially, mass-produced like chassis, an aesthetic would be formed with surprising precision," he wrote in Toward an Architecture (1923). In his "white phase" of the twenties and thirties, he insisted that his buildings photographed with a modern automobile in the foreground. Le Corbusier moved beyond the theoretical in 1936, entering (with his cousin Pierre Jeanneret) an automobile design competition, submitting plans for "a minimalist vehicle for maximum functionality," the Voiture Minimum. Despite Le Corbusier's energetic promotion of his design to several important automakers, the Voiture Minimum was never mass-produced. This book is the first to tell the full and true story of Le Corbusier's adventure in automobile design. Architect Antonio Amado describes the project in detail, linking it to Le Corbusier's architectural work, to Modernist utopian urban visions, and to the automobile design projects of other architects including Walter Gropius and Frank Lloyd Wright. He provides abundant images, including many pages of Le Corbusier's sketches and plans for the Voiture Minimum, and reprints Le Corbusier's letters seeking a manufacturer. Le Corbusier's design is often said to have been the inspiration for Volkswagen's enduringly popular Beetle; the architect himself implied as much, claiming that his design for the 1936 competition originated in 1928, before the Beetle. Amado Lorenzo, after extensive examination of archival and source materials, disproves this; the influence may have gone the other way. Although many critics considered the Voiture Minimum a footnote in Le Corbusier's career, Le Corbusier did not. This book, lavishly illustrated and exhaustively documented, restores Le Corbusier's automobile to the main text.

Hardcover. NY, Grove Press, 1st US, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In 1753, Voltaire -- playwright, poet, philosopher, and one of the most feted figures in Europe -- was forced by Louis XV into exile, where he remained for the last twenty-five years of his life. These years heralded a startling new beginning for this remarkable man. Voltaire carved out a new and vibrant world in his isolation, becoming a successful entrepreneur and writing his masterpiece Candide. In Voltaire in Exile, Ian Davidson re-creates this period in the life of one of the giants of the Enlightenment. By painstakingly translating the rich correspondence between Voltaire and his family, members of the Court at Versailles, and the French intellectual elite, Davidson allows us to discover Voltaire the artist, the campaigner, the aesthete, the lover, the humorist. The result is a wonderfully vivid portrait of this extraordinarily funny, iconoclastic, complex, and, above all, ferociously intelligent individual. Clean copy.

Hardcover. NY, Prentice-Hall, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Nice, bright copy in a dust jacket. B/w photos.

Hardcover. NY, Columbia University Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 295 pages including index.The polymathic Rivers was a pioneering neuroscientist, psychologist, and anthropologist who made substantial contributions to all these fields in the pre-WWI period. Interest in Rivers increased in recent years because he appears as a major and particularly sympathetic character in Pat Barker's outstanding trilogy of novels on WWI. Slobodin's book, which is the only effort at a biography of Rivers, deals mainly with his work as a pioneering ethnologist. Light foxing to rear dj panel, otherwise clean.

Hardcover. MI, Clarke Historical Library, 1st, 1976, Book: Very Good, Dust Jacket: None, 225 pages. Hardcover with orange fabric covers. Clean, tight copy with minor rubbign to edges. Black and white pictures throughout.

Hardcover. Chicago, Rand McNally, 2nd pr., 1974, Book: Very Good, Dust Jacket: Good, Hardcover in a lightlyworn and chipped dust jacket, 256 pages, b&w illustrations. The fascinating biography of one of Alaska's most outstanding and legendary bush pilots, discussing his high-risk mountain flying, his life, his family, his training and awards, his rescue operations, much more, as well as reflecting on this period of this Alaska's history when Sheldon did most of his work. Endpapers map, no markings.

Hardcover. New York, Norton, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 458 pages, b&w illustrations. Sam Wagstaff, the legendary curator, collector, and patron of the arts, emerges as a cultural visionary in this groundbreaking biography. Even today remembered primarily as the mentor and lover of Robert Mapplethorpe, the once infamous photographer, Wagstaff, in fact, had an incalculable-and largely overlooked-influence on the world of contemporary art and photography, and on the evolution of gay identity in the latter part of the twentieth century. Born in New York City in 1921 into a notable family, Wagstaff followed an arc that was typical of a young man of his class. He attended both Hotchkiss and Yale, served in the navy, and would follow in step with his Ivy League classmates to the "gentleman's profession," as an ad executive on Madison Avenue. With his unmistakably good looks, he projected an aura of glamour and was cited by newspapers as one of the most eligible bachelors of the late 1940s. Such accounts proved deceiving, for Wagstaff was forced to live in the closet, his homosexuality only revealed to a small circle of friends. Increasingly uncomfortable with his career and this double life, he abandoned advertising, turned to the formal study of art history, and embarked on a radical personal transformation that was in perfect harmony with the tumultuous social, cultural, and sexual upheavals of the 1960s.

Hardcover. Boston, Houghton Mifflin, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 358 pages, b&w photos. Light shelf-wear to dust jacket, else a clean, tight copy.

Hardcover. Boston, Houghton Mifflin, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 358 pages, b&w photos. Light shelf-wear to dust jacket, else a clean, tight copy.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcocer in a bright dust jacket, 257 pages plus 143 b&w pages of photographs in the front of the book. Walker Evans (1903-75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In Walker Evans, renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans's work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle. Alpers demonstrates that Evans's practice relied on his camera choices and willingness to edit multiple versions of a shot, as well as his keen eye and his distant straight-on view of visual objects. Illustrating the vital role of Evans's dual love of text and images, Alpers places his writings in conversation with his photographs. She brings his techniques into dialogue with the work of a global cast of important artists--from Flaubert and Baudelaire to Elizabeth Bishop and William Faulkner--underscoring how Evans's travels abroad in such places as France and Cuba, along with his expansive literary and artistic tastes, informed his quintessentially American photographic style.

Hardcover. New York , Basic Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 651 pages, landmark biography of photographer Walker Evans, once labeled a propagandist, but in reality, was an observer of the true nature of things. Based on unrestricted access to all of Evan's diaries, letters, work logs and contact sheets as well as the diaries of Lincoln Kirstein. Clean copy in an unclipped dust jacket.

Hardcover. New York, Times Books, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 259 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor dust jacket wear. Black and white images throughout. SIGNED AND INSCRIBED BY AUTHOR OFFEN ON FRONT FLYLEAF.

Hardcover. NY, Simon and Schuster, 2nd pr., 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Whitman's genius, passions, poetry, and androgynous sensibility entwined to create an exuberant life amid the turbulent American mid-nineteenth century. In vivid detail, Kaplan examines the mysterious selves of the enigmatic man who celebrated the freedom and dignity of the individual and sang the praises of democracy and the brotherhood of man. Clean copy.

Softcover. Cambridge MA, Harvard University Press, 1st pbk, 2014, Book: Very Good, Dust Jacket: None, Softcover, 755 pages. Walter Benjamin is one of the twentieth century's most important intellectuals, and also one of its most elusive. His writings-mosaics incorporating philosophy, literary criticism, Marxist analysis, and a syncretistic theology-defy simple categorization. And his mobile, often improvised existence has proven irresistible to mythologizers. His writing career moved from the brilliant esotericism of his early writings through his emergence as a central voice in Weimar culture and on to the exile years, with its pioneering studies of modern media and the rise of urban commodity capitalism in Paris. That career was played out amid some of the most catastrophic decades of modern European history: the horror of the First World War, the turbulence of the Weimar Republic, and the lengthening shadow of fascism. Now, a major new biography from two of the world's foremost Benjamin scholars reaches beyond the mosaic and the mythical to present this intriguing figure in full. Clean copy.

Hardcover. Boston, Little Brown, 1st, 1926, Book: Good, Dust Jacket: None, Hardcover. 238 pages. Introduction by E. K. Hall. Black & white illustrations. Corners a bit bumped. Spine sunned. Spine slightly cocked. Some markings to covers.

Hardcover. London/NY, Thames & Hudson, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 112 pages illustrated in color, b&w. Jenny Uglow narrates the story of Walter Crane, an intriguing and most prolific figure not only in illustration, but in political culture more broadly. Uglow expertly weaves a fascinating study of how Crane's art and politics developed from his childhood love of Pre-Raphaelite painting to the influences of Morris and William Blake on the journals, books, banners, pamphlets and postcards he went on to create as he forged a new style for the international socialist movement. Comprising a staggering range of visual material, Crane's images became a symbolic code that leapt over linguistic boundaries. This book is a brilliant record of an artist who blended styles and influences like no one before him. An exploration of the life and work of Walter Crane, the pioneering British socialist artist who transformed the illustration of children's books. Clean copy.

Hardcover. Boston, Houghton Mifflin, 1st, 1918, Book: Very Good, Dust Jacket: None, Hardcover, slate gray boards. Paper label on spine, 64 pages with b&w plates. Walter James Dodd (1869 -1916) was a physician and one of the first radiologists in the United States. He was an early innovator in the use of X-rays in medicine, and suffered the consequences. He underwent over 50 surgical procedures to treat X-ray damage to his skin and had several appendages amputated. He ultimately died from X-ray induced cancer. Related clippings laid in. Clean copy.

Hardcover. NY, St. Martins Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 208 pages, b&w photos. Here is his vivid and surprising story: his tough childhood in New York; his early jobs as boxing instructor, basketball coach, and filing clerk; his lifelong (and very expensive) addition to gambling; his heart attack; and many others. Clean.

Hardcover. NY, Alfred A. Knopf, 2nd pr., 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 302 pages. A follow-up to Margaret Murie's classic Two in the Far North about their earlier life in Alaska, this book set in and around Jackson Hole was co-authored with her husband Olaus, who died before its publication. In alternating chapters, Olaus, a renown wildlife biologist, writes about his animal studies, especially of elk (wapiti), and Margaret writes more generally about "their life together, on the trail, in the various camps, and nature adventures in the wilderness during four seasons." The Muries were pivotal in the wilderness movement and lived at the base of the Tetons in Moose, Wyoming. Their home is now the Murie Center in the National Park. Margaret has been called "the grandmother of the conservation movement." With photographs and illustrations by Olaus. Clean copy.

Hardcover. New York, Prestel Publishing, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 214 pages, color plates. Like new in publisher's shrink-wrap. Catalog of an exhibition held at the National Gallery of Art, Washington, D.C., and three other institutions between Sept. 25, 2011 and Jan. 6, 2013.

Hardcover. New York, HarperCollins Publishers, First Edition, 2008, Book: Very Good, Dust Jacket: Very Good, 845 pages. Hardcover SIGNED BY AUTHOR to title page. Brown cloth covers with orange titles to spine. Black & white illustrations throughout. Bright dust jacket with only marginal wear. Clean & unmarked. A nice copy.

Hardcover. Chicago, University of Chicago Press, 1st, 1948 , Book: Very Good, Dust Jacket: Very Good, 234 pages. Green cover with small gilt head silhouette to cover and lettering to spine, acetate-protected dust jacket, "Sally and Rockwell Kent" bookplate - formerly owned by the famous illustrator Rockwell Kent. Color frontispiece, 59 b&w plates of Allston's paintings. Light wear and chipping evident to dust jacket under acetate cover; overall, a clean, tight copy.

Hardcover. NY, Crown, 1st, 1999, Book: Very Good, Dust Jacket: Good, Hardcover, 218 pages, b&w illustrations. SIGNED BY DUNNE on title page. Mesmerizing, revelatory text combines with more than two hundred photographs -- most of them taken by the author -- in a startling illustrated memoir that will both astonish and move you. He partied with all the stars and big shots. Each weekend he carefully arranged his snapshots along with the week's invitations, telegrams, and news-clippings into a set of scrapbooks. In a bright dust jacket with sticker on front panel.

Hardcover. NY, Crown, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 218 pages, b&w illustrations. Mesmerizing, revelatory text combines with more than two hundred photographs -- most of them taken by the author -- in a startling illustrated memoir that will both astonish and move you. He partied with all the stars and big shots. Each weekend he carefully arranged his snapshots along with the week's invitations, telegrams, and news-clippings into a set of scrapbooks. In a bright dust jacket with sticker residue on rear panel.

Hardcover. NY, Crown, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 218 pages, b&w illustrations. Mesmerizing, revelatory text combines with more than two hundred photographs -- most of them taken by the author -- in a startling illustrated memoir that will both astonish and move you. He partied with all the stars and big shots. Each weekend he carefully arranged his snapshots along with the week's invitations, telegrams, and news-clippings into a set of scrapbooks. In a bright dust jacket with sticker residue on rear panel.

Softcover. Lake Front Editions, 1st, 2002, Book: Very Good, Dust Jacket: None, Memoirs of Vermont's own "Big" Joe Burrell with inscription by Big Joe on front fly leaf. Illustrated with photos in b&w. Light wear and rubbing to covers and spine, else a very nice, tight, clean copy.

Hardcover. NY, Skira Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Illustrated in color and b&w. The most comprehensive book on the artist to date, offering an insightful look into the legendary musician and his enormous impact on the development of jazz. Miles Davis explores the life and art of one of the greatest visionaries in jazz history--through photographs, handwritten musical scores, album covers, posters, and more--cementing his reputation as the embodiment of cool, both on- and offstage. To examine his extraordinary career is also to examine the history of jazz from the mid-1940s through the early 1990s, as Davis was crucial in almost every important innovation and stylistic development during that time. His genius paved the way for these changes, both with his own performances and recordings, and by choosing collaborators with whom he forged new directions. Miles Davis--trumpeter, bandleader, and composer--was one of the most important figures in jazz history. He was born in a well-to-do family in St. Louis in 1926 and died in a Los Angeles hospital in 1991. He was at the forefront of several major developments in jazz music, including cool jazz, hard bop, free jazz, and fusion. Davis worked with many of the greatest jazz musicians of all time, including Ron Carter, John Coltrane, Chick Corea, Herbie Hancock, Quincy Jones, Charlie Parker, and Max Roach, among numerous others.

Hardcover. NY, Harper, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 672 pages. 16 pages of photos. What Becomes a Legend Most is the first definitive biography of this luminary--an intensely driven man who endured personal and professional prejudice, struggled with deep insecurities, and mounted an existential lifelong battle to be recognized as an artist. Philip Gefter builds on archival research and exclusive interviews with those closest to Avedon to chronicle his story, beginning with Avedon's coming-of-age in New York between the world wars, when cultural prejudices forced him to make decisions that shaped the course of his life. Compounding his private battles, Avedon fought to be taken seriously in a medium that itself struggled to be respected within the art world. Gefter reveals how the 1950s and 1960s informed Avedon's life and work as much as he informed the period. He counted as close friends a profoundly influential group of artists--Leonard Bernstein, Truman Capote, James Baldwin, Harold Brodkey, Renata Adler, Sidney Lumet, and Mike Nichols--who shaped the cultural life of the American twentieth century. It wasn't until Avedon's fashion work was exhibited at the Metropolitan Museum of Art in the late 1970s that he became a household name. Balancing glamour with the gravitas of an artist's genuine reach for worldy achievement--and not a little gossip--plus sixteen pages of photographs, What Becomes a Legend Most is an intimate window into Avedon's fascinating world. Dramatic, visionary, and remarkable, it pays tribute to Avedon's role in the history of photography and fashion--and his legacy as one of the most consequential artists of his time.

Hardcover. NY, Harper, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 672 pages. 16 pages of photos. What Becomes a Legend Most is the first definitive biography of this luminary--an intensely driven man who endured personal and professional prejudice, struggled with deep insecurities, and mounted an existential lifelong battle to be recognized as an artist. Philip Gefter builds on archival research and exclusive interviews with those closest to Avedon to chronicle his story, beginning with Avedon's coming-of-age in New York between the world wars, when cultural prejudices forced him to make decisions that shaped the course of his life. Compounding his private battles, Avedon fought to be taken seriously in a medium that itself struggled to be respected within the art world. Gefter reveals how the 1950s and 1960s informed Avedon's life and work as much as he informed the period. He counted as close friends a profoundly influential group of artists--Leonard Bernstein, Truman Capote, James Baldwin, Harold Brodkey, Renata Adler, Sidney Lumet, and Mike Nichols--who shaped the cultural life of the American twentieth century. It wasn't until Avedon's fashion work was exhibited at the Metropolitan Museum of Art in the late 1970s that he became a household name. Balancing glamour with the gravitas of an artist's genuine reach for worldy achievement--and not a little gossip--plus sixteen pages of photographs, What Becomes a Legend Most is an intimate window into Avedon's fascinating world. Dramatic, visionary, and remarkable, it pays tribute to Avedon's role in the history of photography and fashion--and his legacy as one of the most consequential artists of his time.

Hardcover. NY, Norton, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Effortlessly blending biography, criticism, and memoir, National Book Award-winning poet and best-selling memoirist Mark Doty explores his personal quest for Walt Whitman. Mark Doty has always felt haunted by Walt Whitman's bold, perennially new American voice, and by his equally radical claims about body and soul and what it means to be a self. In What Is the Grass, Doty--a poet, a New Yorker, and an American--keeps company with Whitman and his Leaves of Grass, tracing the resonances between his own experience and the legendary poet's life and work. What is it then between us? Whitman asks. In search of an answer, Doty explores spaces--both external and internal--where he finds the poet's ghost. He meditates on desire, love, and the mysterious wellsprings of the poet's enduring work: a radical experience of transformation and enlightenment, queer sexuality, and an obsession with death, as well as unabashed love for a great city and for the fresh, rowdy character of American speech. In riveting close readings threaded with personal memoir and illuminated by awe, Doty reveals the power of Whitman's persistent presence in his life and in the American imagination at large. Clean copy.

Hardcover. NY, Harcourt Brace Jovanovich, 1st, 1973, Book: Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket. 401 pages with index. Ex-lib copy with stamp to front fly leaf, envelope on rear endpaper, sticker on dust jacket spine, interior clean.

Hardcover. London, Harrap, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, 200 pages. Hardcover with dust jacket. Light soil on top page block, otherwise clean, tight copy. Moderate chipping/rubbing to dust jacket edges now covered in plastic protective sleeve.

Softcover. Jackson Hole WY, self-published, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 341 pages, b&w illustrations. The autobiography of a successful woman rancher in Wyoming. INSCRIBED BY AUTHOR on the front fly leaf. Bright, clean copy.

Hardcover. NY, Harper & Row, 1st, 1972, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, unclipped dust jacket. INSCRIBED BY AUTHOR on front fly leaf. An amusing coming-of-age memoir of a young girl growing up in Newark where her mother was a landlord in an apartment building.

Hardcover. NY, Houghton Mifflin Harcourt, 4th pr., 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright. unclipped dust jacket, 340 pages. A compelling, up-close-and-personal portrait of basketball's most inimitable duo. It is also a rollicking ride through professional basketball's best times, the golden age of hoops for the boomer generation. This work tells the story of Magic and Larry from their vantage point and takes the reader inside their fascinating rivalry, with new insights and revealing details about two men who evolved from bitter competitors into lifelong friends. Clean copy.

Hardcover. NY, Pantheon, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. If you want to know why a no-name like Kathy Bates was cast in Misery, it's in here. Or why Linda Hunt's brilliant work in Maverick didn't make the final cut, William Goldman gives you the straight truth. Why Clint Eastwood loves working with Gene Hackman and how MTV has changed movies for the worse, William Goldman, one of the most successful screenwriters in Hollywood today, tells all he knows. Devastatingly eye-opening and endlessly entertaining. Clean copy.

Hardcover. New York, Watson-Guptill Publications, 1st, 1969, Book: Very Good, Dust Jacket: Good, Hardcover, 87 pages. 32 color illustrations. Dark blue cloth, gilt lettering to spine. Very nice, clean and tight copy. Dust jacket edgewear on upper corner of spine. In good shape.

Hardcover. New Haven CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 440 pages, colo and b&w illustrations. The first biography in more than twenty years of James McNeill Whistler (1834-1903) is also the first to make extensive use of the artist's private correspondence to tell the story of his life and work. This engaging personal history dispels the popular notion of Whistler as merely a combative, eccentric, and unrelenting publicity seeker, a man as renowned for his public feuds with Oscar Wilde and John Ruskin as for the iconic portrait of his mother. The Whistler revealed in these pages is an intense, introspective, and complex man, plagued by self-doubt and haunted by an endless pursuit of perfection in his painting and drawing. In his beautifully illustrated and deeply human portrayal of the artist, Daniel E. Sutherland shows why Whistler was perhaps the most influential artist of his generation, and certainly a pivotal figure in the cultural history of the nineteenth century. Whistler comes alive through his own magnificent work and words, including the provocative manifestos that explained his bold artistic vision, sparked controversy in his own time, and resonate to this day.

Hardcover. New Haven CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 440 pages, illustrations in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. The first biography in more than twenty years of James McNeill Whistler (1834-1903) is also the first to make extensive use of the artist's private correspondence to tell the story of his life and work. This engaging personal history dispels the popular notion of Whistler as merely a combative, eccentric, and unrelenting publicity seeker, a man as renowned for his public feuds with Oscar Wilde and John Ruskin as for the iconic portrait of his mother. The Whistler revealed in these pages is an intense, introspective, and complex man, plagued by self-doubt and haunted by an endless pursuit of perfection in his painting and drawing. In his beautifully illustrated and deeply human portrayal of the artist, Daniel E. Sutherland shows why Whistler was perhaps the most influential artist of his generation, and certainly a pivotal figure in the cultural history of the nineteenth century. Whistler comes alive through his own magnificent work and words, including the provocative manifestos that explained his bold artistic vision, sparked controversy in his own time, and resonate to this day.

Hardcover. Cambridge MA, Schenkman Publishing, 1st US, 1966, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly faded dust jacket. Written in 1936, long before his fame as a archeologist and anthropologist. He tells the story of his life as an African in White Africa from the time he left his family in search of a new life until he returned as a successful scientist. Leakey vividly describes his experiences as a hunter, gatherer, and farmer, and his encounters with the natural world and the people he met there. He also describes the challenges he and his fellow Africans faced in trying to establish themselves as a minority community in a hostile environment. Clean copy.

Hardcover. Lausanne, Acatos, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket., 206 pages. With photographs and reproductions in color and black and white of Lam's paintings and drawings. With facsimile of small booklet by Andre Breton in pocket inside front cover.

Hardcover. Seattle, Mountaineers Books, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 302 pages. Every year wildfires ravage forests, destroy communities, and devastate human lives, with only the bravery of dedicated firefighters creating a barrier against even greater destruction. Throughout the 2016 wildfire season, journalist Heather Hansen witnessed firsthand the heroics of the Station 8 crew in Boulder, Colorado. She tells that story here, layered with the added context of the history, science, landscape, and human behavior that, year-by-year, increases the severity, frequency, and costs of conflagrations in the West. She examines the changes in both mindset and activity around wildfires and tracks the movement from wildfire as something useful, to something feared, to something necessary but roundly dreaded. Clean copy.

Hardcover. Toronto, The Ryerson Press, 1st, 1959, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering on spine. 272 pages. Map endpapers, frontispiece, illustrations, bibliography, index. Black and white frontispiece portrait of Grenfell. Endpapers feature a map of Newfoundland and Labrador. The first full biography of the founder of the Grenfell Mission in Labrador and Newfoundland. Lacks dust jacket, clean copy.