Softcover. New York, Museum of Modern Art, 1st, 1998, Book: Very Good, Dust Jacket: None, 336 pages. Soft cover. French flaps. Color and b/w illustrations throughout. Published to accompany exhibition at The Museum of Modern Art, New York. Only slightly yellowed edges due to age. In good shape, clean inside. From front French flap: ",,,includes over 200 color reproductions of paintings, drawings, and prints, including life-sized details and foldouts of major paintings. An illustrated chronology tells the story of the artist's life."
Softcover. San Francisco, Miller Freeman Books, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 263 pages, b&w illustrations. This story of a musician hailed as a genius and dismissed as a madman will appeal to anyone intrigued by the fine line between creative inspiration and insanity. the author looks deep inside the life and music of this talented but tormented bass player who revolutionized his instrument and became one of the most potent forces in modern music. "Like his heroes Charlie Parker and Jimi Hendrix, Jaco didn't make it to age 40. But by the time he died at 35, the music world was indebted to him. Jaco had reinvented the role of the electric bass. Includes is the CD, "Jaco Pastorius: The Birthday Concert" in a pocket in the back of the book and is in excellent condition.
Softcover. Baltimore, Johns Hopkins University, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 327 pages, b&w illustrations. At least three of director Jacques Tourneur's films--Cat People, I Walked with a Zombie and The Leopard Man--are recognized as horror classics. Yet his contributions to these films are often minimized by scholars, with most of the credit going to the films' producer, Val Lewton. A detailed examination of the director's full body of work reveals that those elements most evident in the Tourneur-Lewton collaborations--the lack of monsters and the stylized use of suggested violence--are equally apparent in Tourneur's films before and after his work with Lewton. Mystery and sensuality were hallmarks of his style, and he possessed a highly artistic visual and aural style. This insightful critical study examines each of Tourneur's films, as well as his extensive work on MGM shorts (1936-1942) and in television. What emerges is evidence of a highly coherent directorial style that runs throughout Tourneur's works. Clean copy.
Hardcover. New Haven, Conn, Yale University Press, 1st, 1926, Book: Good, Dust Jacket: None, Hardcover, blue cloth, 139 pages. Gilt title on spine. Slight corner and edge wear, previous owner's signature on front end paper. Otherwise, very clean and tight copy.
Softcover. US, Stichting Kunstboak , 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Softcover, 135 pages.Like new in publisher's shrink-wrap. Norbet Hostyn, curator of the Museum of Fine Art in Ostend, has produced a fascinating and comprehensive account of the world and ideas of the by turns celebrated and vilified James Ensor (1860-1949). He offers an illuminating introduction to the artist's life and oeuvre, accompanied by a selection of fifty representative works, each comprising a large, color reproduction and an art-historical commentary. It is the story of a striking and controversial painter who was initially the focal point of a new school, but later became an eccentric with a finely tuned sense of image and business.
Hardcover. Germany, Hatje Cantz, reprint, 2009, Book: Very Good, Dust Jacket: Very Good, 480 pages. Hardcover with dust jacket with slip case. Clean, unmarked copy with only minor wear to dust jacket. Color/ Black and white pictures throughout. Like new in publisher's shrink-wrap. Coinciding with renewed interest in James Ensor, this catalogue raisonne comes as an essential and definitive volume for Ensor buffs and all serious libraries of modern art. A legend in his own lifetime, Ensor (1860-1949) was--alongside Vincent van Gogh and Edvard Munch--a fearless independent whose work led directly to the development of German Expressionism and French Surrealism. Ensor achieved fame as the "painter of masks," and for his bizarre still lifes and grotesque carnival scenes, in harsh, contrasting, brilliant colors, evolving out of the traditional Flemish dance of death. Now, the reader can explore the Belgian painter's oeuvre thoroughly, in this opulently illustrated, full-color, slipcased catalogue raisonne. A comprehensive illustrated chronology offers additional details about the artist's life and work, and forms an integral part of this splendid, highly valuable contribution to art historical research, ensuring the legacy of a great artist who continues to inspire contemporary art.
Hardcover. Germany, Hatje Cantz, reprint, 2009, Book: Very Good, Dust Jacket: Very Good, 480 pages. Hardcover with dust jacket with slip case. Clean, unmarked copy with only minor wear to dust jacket. Color/ Black and white pictures throughout. Coinciding with renewed interest in James Ensor, this catalogue raisonne comes as an essential and definitive volume for Ensor buffs and all serious libraries of modern art. A legend in his own lifetime, Ensor (1860-1949) was--alongside Vincent van Gogh and Edvard Munch--a fearless independent whose work led directly to the development of German Expressionism and French Surrealism. Ensor achieved fame as the "painter of masks," and for his bizarre still lifes and grotesque carnival scenes, in harsh, contrasting, brilliant colors, evolving out of the traditional Flemish dance of death. Now, the reader can explore the Belgian painter's oeuvre thoroughly, in this opulently illustrated, full-color, slipcased catalogue raisonne. A comprehensive illustrated chronology offers additional details about the artist's life and work, and forms an integral part of this splendid, highly valuable contribution to art historical research, ensuring the legacy of a great artist who continues to inspire contemporary art.
Hardcover. Stanford CA, Stanford University Press, 1st, 1963, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on the spine. No dust jacket. 384 pages, b&w illustrations. The biography of an influential critic gives a vivid picture of American cultural life from the 1880s to the 1920s. INSCRIBED BY ERIK HUNEKER, SON OF JAMES on the front fly leaf. Clean copy.
Hardcover. East Lothian, Scotland, Tuckwell Press , reprint, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 339 pages, 18 figures on 12 b/w plates, map, end notes, appendix, bibliography, index. James IV is the best-known of all the late medieval Scottish rulers. Widely praised by his contemporaries, he combined the qualities of successful medieval monarch with a wide interest in the arts and sciences, while remaining acutely conscious of the need to enhance the prestige of his dynasty throughout Europe. This excellent study examines all aspects of James IV's sovereignty, explains his popularity and his highly successful kingship and assesses reasons for the disastrous end to the reign when the king and a large population of the Scottish nobility were eliminated in a single afternoon in 1513 at Flodden. Clean copy.
Hardcover. NY, Macmillan, Book Club Ed., 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 287 pages. Index, notes, illustrations. A detailed biography of the Virginian who served in the Continental Congress, wrote the Federalist Papers, helped write the Constitution and Bill of Rights, was Majority Leader in Congress, and was the fourth president of the US. Clean copy.
Hardcover. UK, Parkstone, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 176 pages. Color illustrations. Clean copy.
Hardcover. New York , Watson Guptill, 1st, 1974, Book: Very Good, Dust Jacket: Good, Hardcover, 208 pages illustrated throughout with 175 b&w illustrations and 70 plates in full color. Clean, unmarked copy with minor closed tears to dust jacket.
Hardcover. New York , Watson Guptill, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages illustrated throughout with 175 b&w illustrations and 70 plates in full color. Clean, unmarked copy with only minor edgewear to dust jacket.
Hardcover. New York , Watson Guptill, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages illustrated throughout with 175 b&w illustrations and 70 plates in full color. Clean, unmarked copy with only minor edgewear to dust jacket.
Hardcover. Berkeley CA, University of California Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 232 pages. James Rosenquist's paintings, with their billboard-sized images of commercial subjects, are utterly emblematic of 1960s Pop Art. Their provocative imagery also touches on some of the major political and historical events of that turbulent decade--from the Kennedy assassination to the war in Vietnam. In the first full-length scholarly examination of Rosenquist's art from that period, Michael Lobel weaves together close visual analysis, a wealth of archival research, and a consideration of the social and historical contexts in which these paintings were produced to offer bold new readings of a body of work that helped redefine art in the 1960s. Bringing together a range of approaches, James Rosenquist provides a compelling perspective on the artist and on the burgeoning consumer culture of postwar America.
Hardcover. Boston, MA, Houghton Mifflin, 1st, 1898, Book: Very Good, Dust Jacket: None, 303 pages. Hardcover. B/w illustrations throughout (plates). Tissue guard on frontispiece. Deckled edges. Boards bound in dark green, gilt title on spine and front cover with decoration. Top edge gilt. Edges and pages have some tanning. Binding tight. Spine slightly frayed at top and bottom. Clean inside. Beautiful old book.
Hardcover. New Haven CT, Yale University Press, 1st, 2008, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 320 pages. Like new in publisher's shrink-wrap. Jan Lievens (1607-1674) was one of the most fascinating and enigmatic Dutch artists of the 17th century. Daring and innovative as a painter, printmaker, and draftsman, he created powerful character studies, genre scenes, landscapes, formal portraits, and religious and allegorical images that were widely praised and valued during his lifetime. This beautiful book, the first overview of the full range of Lievens' career, features more than 50 paintings-many of them newly discovered in private collections-and more than 75 prints and drawings, providing a reassessment of his place in the history of art.
Hardcover. NY, Taschen, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, orange cloth spine, 176 pages. The highly public love affair of French singer-songwriter Serge Gainsbourg and British actress Jane Birkin captured the hearts and imaginations of a generation. The moment Jane and Serge met on a movie set in 1968 sparks flew. They would spend the next 12 years together, a passionate union that produced the controversial duet "Je t'aime... moi non plus" (whose explicit lyrics and orgasmic moans caused so much fuss that the Vatican declared it offensive) and, in 1971, the legendary album Melody Nelson as well as a daughter, Charlotte, who has become a successful actress in her own right. Designed by M/M (Paris), the photo album comes in a clear plastic cover with the following goodies tucked inside:Text booklet featuring an introduction by Jane Birkin and Andrew Birkin's memoir of Jane and Serge, illustrated by Birkin family childhood photos/Softcover contact sheet booklet/Fold-out poster/5 photo prints/Sticker sheet /Embroidered patch.
Softcover. New York, Thames & Hudson, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. Like new in publisher's shrink-wrap. This book selects from Jane Bown's whole range of her photography during the forty-five years she has worked for London's Observer, starting with scenes typical of the fifties and ending with others characteristic of the nineties. The portraits, sandwiched between these and forming the body of the book, themselves range widely - from such proven classics as those of Samuel Beckett, Mick Jagger and John Gielgud, to early studies of the Beatles and recent photos of Alan Bennett, Archbishop Tutu, Boy George and Woody Allen among a great variety of famous people in the worlds of music, literature, stage, screen, politics and the arts.
Softcover. NY, George Braziller, reprint, 1991, Book: Very Good, Dust Jacket: None, Softcover, 437 pages. New Zealand's preeminent writer Janet Frame brings the skill of an extraordinary novelist and poet to these vivid and haunting recollections, gathered here for the first time in a single volume. From a childhood and adolescence spent in a poor but intellectually intense railway family, through life as a student, and years of incarceration in mental hospitals, eventually followed by her entry into the saving world of writers and the "Mirror City" that sustains them, we are given not only a record of the events of a life, but also "the transformation of ordinary facts and ideas into a shining palace of mirrors." Frame's journey of self-discovery, from New Zealand to London, to Paris and Barcelona, and then home again, is a heartfelt and courageous account of a writer's beginnings as well as one woman's personal struggle to survive. Small patch of tanning to bottom corner of last 80 pages. Otherwise clean.
Hardcover. New York, Charles Scribner's Sons, 1st, 1891, Book: Good, Dust Jacket: None, 128 pages. Hardcover with decorated front cover. Covers have heavy wear on edges. Light soil and darkening to pages. Gutter lightly cracked.
Hardcover. Boston, American Unitarian Association, 1st, nd, Book: Very Good, Dust Jacket: None, 225 pages. Hardcover. No date of publication. Ex-library copy with bookplate on inside front cover and label at bottom of spine. Top edge gilt. Black & white photographs. Light wear. Clean, unmarked text.
Softcover. New York, New-York Historical Society, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 172 pages, illustrated in b&w and color. Clean, unmarked copy with only minor wear to wrappers. Nearly sixty-five years ago the New-York Historical Society acquired its first landscape painting by Jasper F. Cropsey. Since then additional works by the distinguished Hudson River school painter have supplemented the Society's holdings. Published on the occasion of a special exhibition.
Hardcover. New York, Thames & Hudson, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 335 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy.
Hardcover. Lexington KY, University Press of Kentucky, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Jayne Mansfield (1933-1967) was driven not just to be an actress but to be a star. One of the most influential sex symbols of her time, she was known for her platinum blonde hair, hourglass figure, outrageously low necklines, and flamboyant lifestyle. Hardworking and ambitious, Mansfield proved early in her career that she was adept in both comic and dramatic roles, but her tenacious search for the spotlight and her risque promotional stunts caused her to be increasingly snubbed in Hollywood. In the first definitive biography of Mansfield, Eve Golden offers a joyful account of the star Andy Warhol called "the poet of publicity," revealing the smart, determined woman behind the persona. She discusses Mansfield's childhood, her many loves -- including her famous on-again, off-again relationship with Miklos "Mickey" Hargitay -- her struggles with alcohol, and her sometimes tumultuous family relationships. She also considers Mansfield's enduring contributions to American popular culture and celebrity culture. Clean, bright copy.
Hardcover. New York, Universe, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages, illustrated throughout in color. Black cloth, gilt titles to front and spine. White pictorial dust jacket with light wear to edges and slight soiling. A very nice, tight copy.
Hardcover. NY, Rizzoli, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrinkwrap. A rare and poignant compilation of photography and written anecdotes by American photographer and artist Lee Jaffe that captures his close friendship, collaboration, and travels with the artist Jean-Michel Basquiat as they traversed Japan, Thailand, and Switzerland in 1983. Lee Jaffe, a cross-disciplinary visual artist, musician, and poet, took photos of his friend, Jean-Michel Basquiat, when they traveled abroad in 1983. As a photographer, Jaffe had a connection to Basquiat, and their time spent together resulted in an archive of imagery that captured one of the art world's true legends through an unfiltered and authentic lens. Basquiat and Jaffe connected over reggae music at a mutual friend's art show. It was the early 1980s in New York, when the art scene was raw, complicated, and thriving, and Jaffe cultivated strong connections with cultural figures such as Basquiat, Bob Marley, and Peter Tosh. "For me, watching him [ Jean] paint reminded me of the times I would sit and play harmonica while Bob Marley, with his acoustic guitar, would be writing songs that were eventually to become classics," Jaffe says. "With Jean and Bob, it seemed like they were channeling inspiration coming from an otherworldly place." This beautiful volume presents snapshots of Basquiat: from the artist smiling on a bullet train to Kyoto and behind-the-scenes documentation of Basquiat creating artwork in St. Moritz, to poignant portraits that mirror his undeniable magnetism. These rare depictions of Basquiat come to life with Jaffe's unforgettable experiences of their friendship, collaborations, and travels detailed in private written memories and anecdotes. This insightful and moving illustrated volume captures the soul of the unedited, ambitious, young artist during the height of his short yet unprecedented artistic career.
Hardcover. New York, Stringer & Townsend, 1st, 1851, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering, 226 pages. Previous owners bookplate on inside front cover. Some pages show minor foxing. Light rubbing to corners and at top and base of spine. Clean, unmarked text.
Softcover. Baltimore, John Hopkins University Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover in illustrated wrappers, 304 pages. Illustrated with B&W engravings. Jens Jensen was one of America's greatest landscape designers and conservationists. Using native plants and "fitting" designs, he advocated that our gardens, parks, roads, playgrounds, and cities should be harmonious with nature and its ecological processes-a belief that was to become a major theme of modern American landscape design. In Jens Jensen: Maker of Natural Parks and Gardens, Robert E. Grese draws on Jensen's writings and plans, interviews with people who knew him, and analyses of his projects to present a clear picture of Jensen's efforts to enhance and preserve "native" landscapes.
Hardcover. NY, Alfred A. Knopf, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 430 pages. The titanic choreographer, creator of memorable ballets, master of Broadway musicals, legendary show doctor and director, now revealed in his own words--the closest we will get to a memoir/autobiography--from his voluminous letters, journals, notes, diaries, never before published. Robbins was famous for reinventing the Broadway musical, creating a vernacular American ballet, pushing the art form to new boundaries where it had never gone before, integrating dance seamlessly with character, story and music, and as Associate Artistic Director, Ballet Master, and Co-Artistic Director, with George Balanchine, shaping the New York City Ballet with daring and brio for more than five decades through his often startling choreography in ballet's classical idiom. He was known as the king of Broadway, the most sought-after director-choreographer and show doctor who gave shape to On the Town (1944), Call Me Madam (1950), The King and I (1951), Wonderful Town (1953), Peter Pan (1954), The Pajama Game (1954), Silk Stockings (1955), West Side Story (1957), Gypsy (1959), A Funny Thing Happened on the Way to the Forum (1962), Funny Girl (1964), Fiddler on the Roof (1964), and many other classic musicals, winning four Tony Awards, two Oscars, and an Emmy. He shocked and betrayed those he loved and worked with by naming names to the House Un-American Activities Committee. ("I betrayed my manhood, my Jewishness, my parents, my sister," he wrote in a diary. "I can't undo it.") Clean, bright copy.
Hardcover. NY, Thomas Crowell, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, illustrated in color and b&w. Jessie Willcox Smith (1863-1935), was one of the most prominent female illustrators in the United States during the Golden Age of American illustration. She illustrated stories and articles for clients such as Century, Collier's Weekly, Leslie's Weekly, Harper's, McClure's, Scribners, and the Ladies' Home Journal. Four appendices give detailed listings of the appearance of Smith's illustrations in books, magazine covers, posters, etc. Bibliography. Notes. Index. With a lightly worn dust jacket that's been price-clipped. Previous owner's inscription on front fly lead, otherwise clean.
Hardcover. NY, Harper and Brothers, 1st, 1928, Book: Good, Dust Jacket: None, Hardcover, blue boards with blue cloth spine. Tipped in frontis by Leon Underwood. Light edgewear, rubbing to cover label, spine label mostly gone, stamp on front fly leaf. 150 pages. At the age of 12, Woodward (1896-1961) had begun working in a London factory, and just one year later she had left home to take up another factory job making collars for men's shirts. Later she took positions as a receptionist and a freelance journalist, and allied herself with various socialist, suffrage, and free-thought groups. Jipping Street is "a graphic and absorbing account of growing-up in a London slum in the late 19th and early 20th centuries... [it is] a psychic reconstruction of childhood rather than a chronological narrative".
Hardcover. NY, Simon & Schuster, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In a stunning feat of meticulous reportage, Pulitzer Prize winner Richard Ben Cramer ultimately puts to rest the "Where have you gone, Joe DiMaggio?" question with iconoclastic bravura. In Cramer's evaluation, the hero America held onto so desperately for so long was really a creation of a nation's communal imagination. The Joe DiMaggio that America tried so hard to believe in was never really here at all. There was, of course, a Joe DiMaggio, and he had a splendid career in Yankee pinstripes--once hitting safely in an unimaginable 56 consecutive games--and a troubled marriage with Marilyn Monroe, each augmenting the other in our national mythology. But myths tend to be skin-deep, and Cramer's biography thrives in an internal geography well below the surface. The map he charts is of a cold, small, often nasty, uncaring, resentful, self-centered man, a man of public grace and private misery who broke friendships, shunned family, and chased money with the same focused energies he once harnessed to run down fly balls.
Hardcover. NY, McGraw Hill, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 270 pages, b&w illustrations. This work has been prepared as a loving remembrance by the Brown Bomber's son. Joe Louis is known in history as the legend who knocked out Max Schmelling in round one of their fight in 1938. Joe's son gives full character to the man of myth and history with many details and recollections from the champ's contemporaries. There is a complete boxing record, list of contributors, bibliography, plus photographs. Clean copy.
Hardcover. London, Titan Books , 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. In his own words, this is the life of Joe Simon, one of the most important figures in comics history, and half of the famous creative team Simon and Kirby. Joe Simon co-created Captain America, and was the first editor in chief of Marvel Comics (where he hired Stan Lee for his first job in comics).
Hardcover. London, Titan Books, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color pictures in center, black and white pictures throughout.
Hardcover. Athens GA, University of Georgia Press, 2nd pr., 1967, Book: Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket. 182 pages, 5 pages with red underlining. Brookes examines how Harris drew on his extensive knowledge of African American folklore and culture to create the characters in his work. Brookes classifies the Uncle Remus books under seven major categories: trickster tales, other "creeturs," myths, supernatural tales, proverbs, dialect, and songs.
Hardcover. Chapel Hill, University of North Carolina Press., 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 364 pages, b&w illustrations. As the most learned and eminent public lawyer in Germany, a busy administrator, and a prolific writer, Moser (1701-85) lived and breathed the political order. His correspondence, memoranda, and manuscript autobiography reflect the intricate day-to-day operations of the empire, and his fascinating life is a microcosm of the life and style of the empire itself. The biography provided a comprehensive picture of the empire between the Thirty Years War and the revolutionary era. Dust jacket spine faded otherwise very good, clean.
Hardcover. Chicago, Haase-Mumm Publishing, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 189 pages. #174 of 1, 000 copies signed by author. Biography and critical study of John Barber (1893-1965), American artist and contributor to the radical magazine The Masses. 16 color and 109 b&w plates. Bibliography and index.
Softcover. Oxford UK, Oxford University Press, 1st pbk, 2006, Book: Very Good, Dust Jacket: None, Softcover, 438 pages. This is a major study of the theological thought of John Calvin, which examines his central theological ideas through a philosophical lens, looking at issues in Metaphysics, Epistemology, and Ethics. The study, the first of its kind, is concerned with how Calvin actually uses philosophical ideas in his work as a theologian and biblical commentator. The book also includes a careful examination of those ideas of Calvin to which the Reformed Epistemologists appeal, to find grounds and precedent for their development of `Reformed Epistemology', notably the sensus divinitatis and the internal testimony of the Holy Spirit. Clean copy.
Hardcover. NY, Charles Scribner's Sons, 1st, 1955, Book: Very Good, Dust Jacket: None, Hardcover, black cloth stamped in gilt, 338 pages including index. John Carroll (January 8, 1735 - December 3, 1815) was an American prelate of the Catholic Church who served as the first bishop and archbishop in the United States. He served as the ordinary of the first diocese and later Archdiocese of Baltimore, in Maryland, which at first encompassed all of the United States and later after division as the eastern half of the new nation. Previous owner's name inside front cover, otherwise clean. No dust jacket.
Softcover. NY, Pathfinder Press , Revised Ed., 1998, Softcover in pictorial wrappers, 500 pages, b&w photos. Coltrane's role in spearheading the last major innovative development in jazz, and how the 1960s jazz revolution reflected an intense cultural, political, and ideological ferment -- marked especially by the rise of resistance to racial discrimination. Also contains the best-known interview with John Coltrane -- recorded in 1966, a year before his death. Clean copy.
Hardcover. NY, F.A. Stokes Company, 1st, 1900, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with bright gilt stamping, 137 pages. Top edge gilt. Ribbon marker, photographic frontispiece portrait of actor John Drew, as well as numerous photographs of John Drew (and other actresses) in various dramatic productions. Clean copy.
Hardcover. NY, W.W. Norton, 1st, 1955, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, price-clipped dust jacket that has a few tape repairs. B&w drawings by Arthur Conrad. Sequel to "John Goffe's Mill". This volume speaks of the "human history" changes to the mill site over the 200 years and 8 generations of his family who owned the property. Since the mid-18th century, author George Woodbury's family had owned a Bedford NH mill. His childhood home, he returned there to restore his great, great, great, great grandfather's saw and grist mill. He had set aside his Harvard Peabody Museum archaeologist career to restore, rebuild and work the mill. "What he couldn't swap or buy he invented and built himself".