Hardcover. NY, G. P. Putnam"s Sons, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 220 pages, b&w photos. In a bright, unclipped dust jacket. "The romantic leading lady whose hands were smashed by a cane-wielding James Mason as she sat at the piano in the climactic scene of THE SEVENTH VEIL now draws back THE EIGHTH VEIL to reveal the intimate details of a life that has been rich in earthly and spiritual experience. With wit and candor, Ann Todd tells how she fought with her American discoverer, David O. Selznick, who said, 'I presume you have a bust -- show it.' She fell in love with co-star Gregory Peck, who referred to her as his 'bundle from Britain.' Alfred Hitchcock directed their love scenes in THE PARADINE CASE and the actress relates a hilarious 'casting couch' experience with Hitch that occurred at the Mark Hopkins Hotel. Especially provocative is Ann Todd's surprising account of what it was like to work with the great Vivien Leigh, with whom she co-starred in DUEL OF ANGELS. "

Hardcover. Cincinnati OH, Review Printing Co., 1st, 1885, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with black stamping, 174 pages. B&w frontispiece engraving of Sabin with tissue guard. Green floral pattern on endpapers. First blank page INSCRIBED BY THE AUTHOR, DATED 1890.

Hardcover. NY, Oxford University Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Pais turns his attention to the great physicist's life outside of science, with an informal, almost kalaidoscopic portrait of Einstein--his personal life and his public persona ("my mythical namesake who has made my life so burdensome"), his scientific contributions, and his thoughts on religion, philosophy, and politics, on Israel and Zionism, on the rise of Nazism and McCarthyism, and on much more. Pais offers a candid look at Einstein's troubled personal life--his two failed marriages, his first child Lieserl, who was born out of wedlock (and of whom all trace has vanished), his estranged son Hans Albert, also a scientist, who felt his father had abandoned the family, and his son Eduard, who gradually descended into madness. Of course, any book on Einstein must touch upon science, and Pais includes several illuminating chapters, one of which offers general readers an accessible explanation of relativity, and another traces the long road to Einstein's Nobel Prize (after being nominated almost every year from 1909 to 1920, he finally won in 1921--not for relativity, but for his work on the photoelectric effect). On the lighter side, Pais includes samples from Einstein's "curiosity file," in which he kept crank letters, marriage proposals, hate mail (one began "You are the prince of idiocy, the count of imbecility, the duke of cretinism, the baron of morons"), and the like. But the heart of the book is the final section, where Pais traces Einstein's lifeas seen through the media. Here we not only meet Einstein the living legend--receiving the keys to New York City from flamboyant Mayor Jimmy Walker, attending the Hollywood premier of City Lights with Charlie Chaplin--but also witness his extensive involvement in the issues of his day.

Hardcover. NY, Alfred A. Knopf, 1st, 1947, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers, b&w photos, 298 pages plus index. A biography of Albert Einstein written by a friend and colleague. Much has been written about Albert Einstein, technical and biographical, but very little remains as valuable as this unique record. Both rich in personal insights and grounded in a deep knowledge of twentieth-century science, Frank's biography anchors the reader with a lucid overview of physics and draws an intimate portrait of the Nobel Prize-winner. No dust jacket, clean copy.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 576 pages. Dwight D. Eisenhower's meteoric rise to prominence during World War II was not -- as popular myth would have us believe -- accidental, but the logical outcome of years of preparation. Eisenhower had enormous talents, opportunities to develop them, and an attentive corps of senior officers who watched and encouraged his ascent to high command. The diaries, letters, and documents assembled in this volume for the first time present a fresh, detailed examination of Dwight D. Eisenhower's formative years and the evolution of his genius for organization, logistics, and strategy.

Softcover. Milwaukie OR, Dark Horse, 1st, 2005, Book: Very Good, Dust Jacket: None, 346 pages, trade paperback with french flaps. It would be hard to imagine any creators who have more greatly affected their chosen medium than Will Eisner and Frank Miller have influenced the world of comics and graphic novels. Often misunderstood, but enduringly enjoyed by people from all walks of life, the comic book has in recent years been recognized as a "legitimate" art form by cultural institutions ranging from Harvard University to the Smithsonian, from The New Yorker to the Art Institute of Chicago. Now, culture-curious readers and life-long fans of the comics medium are invited to read along as two of the medium's greatest contributors-legendary innovator and godfather of sequential art Will Eisner, and the modern master of cinematic comics storytelling, Frank Miller-discuss one on one in an intimate interview format, the ins-and-outs of this compelling and often controversial art form. Eisner/Miller is profusely illustrated and features rare, behind-the-scenes photos of Eisner, Miller, and other notable creators.

Hardcover. NY, Viking, 1st , 1996, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illust. by Cooney. Eleanor Roosevelt as a little girl. Clean, tight copy with minor wear to edges.

Hardcover. NY, G. P. Putnam's Sons, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 374 pages. Russia has a fascinating history and author Robert Coughlan has provided us with an informative and compelling peek into a particularly notable segment of it, essentially the 1700s. The book covers the period from Tsar [Czar] Alexis (briefly) up to the reign of Tsar Alexander I, probably the most beloved of all the Romanovs. The focus of the work is on Catherine the Great. Her mentor, Elizabeth, was important through her shrewd handling of the many bumps and potholes which eventually allowed Catherine to take the throne against many rivals and usurpers. Clean copy.

Softcover. Amherst MA, University of Massachusetts Press, reprint, 2003, Book: Very Good, Dust Jacket: None, Softcover, 279 pages. One of the most compelling figures in colonial America, Elizabeth Murray (1726-1785) was a Scottish immigrant who settled in Boston in her early twenties and took up shopkeeping. For many years, she practiced her trade successfully while marrying three times, once to a much older man who left her an extremely rich widow. This biography chronicles the life of this extraordinary "ordinary" woman who tried to make a place for herself and other women in the world by asserting her own independence inside and outside of the home. As an importer and retailer of British goods, Murray conducted business with merchants and manufacturers in England and buyers in the American colonies, even traveling to London to select her own stock. Deeply satisfied by her work and the economic freedom it brought her, she acted as mentor to other women, helping them to establish shops of their own. She also protected her autonomy by demanding prenuptial agreements from her second and third husbands that gave her a measure of control over her property that was rare for a married woman of her day. Clean, bright copy.

Hardcover. Austin TX, University of Texas Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 150 pages. Light edgewear and sunning to dust jacket, else a clean, tight copy. Biography of the American Southern novelist which includes study of her later novels, when she was no longer content to imitate fashionable male novelists.

Hardcover. NY, Frederick A. Stokes , 1st, 1900, Hardcover, red cloth with bright gilt stamping, 150 pages. Top edge gilt. Ribbon marker, photographic frontispiece portrait of actress Terry, as well as numerous photographs of her in various dramatic productions. Clean copy.

Softcover. New York, MOMA, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, 127 pages, b&w and color illustrations. Light edge wear to wrappers; yellowing to spine. Else a clean, tight copy. Illustrated with eighty-four reproductions, eighteen of which are in color, as well as fifty-one reference illustrations. Bibliography. Index.

Softcover. New York, MOMA, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, 127 pages, b&w and color illustrations. Light edge wear to wrappers; yellowing to spine. Else a clean, tight copy. Illustrated with eighty-four reproductions, eighteen of which are in color, as well as fifty-one reference illustrations. Bibliography. Index.

Hardcover. Berkeley CA, University of California Press, 2nd pr., 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 671 pages. Robert D. Richardson Jr. brings to life an Emerson very different from the old stereotype of the passionless Sage of Concord. Drawing on a vast amount of new material, including correspondence among the Emerson brothers, Richardson gives us a rewarding intellectual biography that is also a portrait of the whole man. Clean copy.

Hardcover. NY, Harper & Row, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust dacket with minor wear, unclipped. Durkheim was a turn of the century French sociologist who argued that society is largely responsible for shaping an individual's moral values. He was largely critical of laissez-faire capitalism, arguing that society needed to be morally reconstructed. Lukes' comprehensive biography tells the story of Durkheim's life: how he responded to his critics, and how he tried to make his way in the academic world of pre-WWI Europe. Lukes examines Durkheim's work in its historical context, and offers a critical examination of it as well. Clean copy.

Hardcover. London, Chatto & Windus, 1st, 1893, Book: Good, Dust Jacket: None, Hardcover, 288 pages + ads in rear. Green cloth with gilt lettering to spine. Some fading and soil to boards with small tear to upper edge of spine. Binding is slightly shaken and there is a previous owner's inscription on front fly leaf. Internally very clean and bright.

Hardcover. NY, Doubleday, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 480 pages. The product of thirty years of friendship and conversation, Jay Parini's Empire of Self digs behind the glittering surface of Gore Vidal's colorful career to reveal the complex emotional and sexual truths underlying his celebrity-strewn life. But there is plenty of glittering surface as well--a virtual Who's Who of the twentieth century, from Eleanor Roosevelt and Amelia Earhart through the Kennedys, Johnny Carson, Leonard Bernstein, and the creme de la creme of Hollywood. Also a generous helping of feuds with the likes of William F. Buckley, Norman Mailer, Truman Capote, and TheNew York Times, among other adversaries. The life of Gore Vidal teemed with notable incidents, famous people, and lasting achievements that call out for careful evocation and examination. Jay Parini crafts Vidal's life into an accessible, entertaining story that puts the experience of one of the great American figures of the postwar era into context, introduces the author and his works to a generation who may not know him, and looks behind the scenes at the man and his work in ways never possible before his death. Provided with unique access to Vidal's life and his papers, Parini excavates many buried skeletons yet never loses sight of his deep respect for Vidal and his astounding gifts. This is the biography Gore Vidal--novelist, essayist, dramatist, screenwriter, historian, wit, provocateur, and pioneer of gay rights--has long needed.

Hardcover. US, Harper, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 419 pages, photos in color and b&w. Remainder mark to bottom edge, else a clean, tight copy.

Hardcover. New York, Harper, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 419 pages, photos in color and b&w. Remainder mark to bottom edge, else a clean, unmarked copy in excellent condition.

Hardcover. NY, Harper, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 419 pages, photos in color and b&w. Remainder mark to bottom edge, else a clean, tight copy.

Hardcover. Bristol/Philadelphia, Institute of Physics Publishing, 1st , 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 330 pages, b&w illustrations. All physicists are familiar with Hooke's law of springs, but few will know of his theory of combustion, that his Micrographia was the first book on microscopy, that his astronomical observations were some of the best seen at the time, that he contributed to the knowledge of respiration, insect flight and the properties of gases, that his work on gravitation preceded that of Newton's, that he invented the universal joint, and that he was an architect of distinction and a surveyor for the City of London after the Great Fire. England's Leonardo is a biography of Hooke covering all aspects of his work, from his early life on the Isle of Wight through his time at Oxford University, where he became part of a group who would form the original Fellowship of the Royal Society. The author adopts a novel approach at this stage, dividing the book by chapter according to the fields of research-Physiology, Engineering, Microscopy, Astronomy, Geology, and Optics-in which Hooke applied himself. The book concludes with a chapter considering the legacy of Hooke and his impact on science.

Softcover. Madrid, La Fabrica, 1st, 2013, Book: Very Good, Dust Jacket: None, 256 pages. Softcover. Very clean, unmarked copy with minor wear to wrapper edges. Over 250 full page black and white photographs. Includes photographs of iconic figures such as, John and Jackie Kennedy, Nikita Khrushchev, Martin Luther King Jr., Muhammed Ali, Alfred Hitchcock, Joan Baez, and Salvador Dali.

Hardcover. London, Hutchinson, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 318 pages. Hardcover with dust jacket. SIGNED BY ATTENBOROUGH on title page, otherwise clean and tight copy. Pictures throughout. The long awaited autobiography by one of the world's best-loved actors and directors. The story begins in 1983 with a famously weeping Attenborough accepting two Oscars when his film Gandhi broke all previous records to win a total of eight Academy awards. Hawkins, 67, is Attenborough's publicist, confidante, co-producer and long-term business partner.Attenborough reflects on the highs and lows of a long life both in and out of the public gaze. Few know, for instance, that he once risked prison on a matter of conscience or that, as an air-gunner cameraman, he took part in bombing raids over Germany during the war. More poignantly, Attenborough will finally break his silence about his long-running friendship with Princess Diana, and the tsunami tragedy that robbed him of his eldest daughter and granddaughter in December 2004.

Hardcover. Boston, Wright & Potter/ Commonwealth of Massachusetts, 1st, 1903, Book: Good, Dust Jacket: None, Hardcover, 202 pages, b&w illustrations. Brown cloth binding with gilt decoration. Some rubbing, light residue to covers, back hinge partially cracked. Interior very good.

Hardcover. New York, Universe, 1st, 1981, Book: Good, Dust Jacket: Good, 304 pages. Hardcover with dust jacket. Previous owner's name on front fly leaf. Price clipped on front flap of dust jacket. Dust jacket with light soiling, edgewear.

Hardcover. London, James Clarke & Co., 1st, 1941, Book: Very Good, Dust Jacket: None, 92 pages, beige cloth covers. Hardcover with no dust jacket. Spine twisted slightly. Clean, tight copy.

Hardcover. New York, F. W. Dodge Corporation, 2nd pr., 1956, Book: Very Good, Dust Jacket: Very Good, 219 pages. Blue cloth covers, gilt titles to spine, blue dust jacket with color illustration, 75 b&w plates, 109 b&w drawings, sketches, plans, elevations, sections, etc. Clean boards, light rubbing and edgewear to dust jacket, with a few half-inch tears and 3-4" tear to bottom edge of rear dust jacket panel, pages very crisp and unmarked, stiff binding; overall, a very clean, tight copy in great condition.

Hardcover. NY, Charles Scribner's Sons, 1st BC Ed., 1969, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt titles, 687 pages, b&w photos. Has the A_3.69 (C), small embossed circle at bottom of rear cover indicating a book club printing. Bright, clean copy, missing the dust jacket.

Hardcover. Washington DC, Microcard Editions, 1st, 1971, Book: Very Good, Dust Jacket: None, 122 pages. Hardcover with no dust jacket. Light edgewear to cover boards, light soil to top page block. SIGNED BY BRUCCOLI on title page.

Hardcover. Lexington KY, University Press of Kentucky, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A Hollywood screenwriting and movie-making icon, Ernest Lehman penned some of the most memorable scenes to ever grace the silver screen. Hailed by Vanity Fair as "perhaps the greatest screenwriter in history," Lehman's work on films such as North by Northwest, The King and I, Sabrina, West Side Story, and The Sound of Music helped define a generation of movie making. But while his talent took center stage, the public knew little of Lehman himself, a native of Manhattan's Upper West Side and the Five Towns of Long Island devoted to his wife of 50 years. His relentless perfectionism, hypochondria and all-night writing sessions fueled by tequila and grilled cheese sandwiches were some of the quirks that made Lehman a legend in the Hollywood community.

Hardcover. London, Werner Laurie, 1st, 1955, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket, 160 pages. A biography of a much-neglected genius of 20th Century physics. Clean copy.

Hardcover. New York, E. P. Dutton, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages illustrated throughout with 156 plates including 74 in full color. Remainder mark on bottom edge. Large folio. Light edgewear to dust jacket, else a clean, tight copy. Follows the artist from his birth in St. Petersburg, Russia in 1892, through the 1980's. Beautiful color plates include costume design, magazine covers (Harper's Bazar), sculpture, vases, mirrors, medallions, jewelry, labels, bottles, playing cards, watches.

Softcover. Cloud Books, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 526 pages. Based on nearly 40 hours of interviews, Escaping from Reality Without Really Trying is the memoir of a 61-year-old, life-long merchant seaman re-counting his fantastic, hilarious, and politically incorrect exploits. He's a sailor-scholar and an individualist anarchist; he's read Voltaire and The Egyptian Book of the Dead. He admits to working at his hobby, sailing, to keep up his real occupation, drinking.He's lived 40 years of adventures around the world, including an incursion into Cambodia during the Vietnam War; a prison break from a Ceylon jail; a dockside fistfight in the Philippines in 1977; a 2-week stowaway run on a British merchant ship sailing around South Africa; meeting Omar Sharif in Aqaba, Jordan; an around-the-world trip (with Greg Cousins, the third mate on the Exxon Valdez, and we learn what really happened!) that ends in Alang, India and the beaching of the ship to be cut up for scrap metal; seeing the rise and fall of communism and capitalism in Africa and the newly independent states after the Soviet Union's collapse and division; and an ammunition delivery to Kuwait on the eve of the 2003 American-led invasion of Iraq.

Hardcover. Indianapolis, Indiana, Indianapolis Museum of Art, 1st, 2013, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover no dust jacket. Color pictures throughout. Clean, unmarked copy with only minor wear to boards. Decoding Robert Indiana's work for a new generation, this revelatory book explores previously unknown autobiographical elements in the work of the Pop artist and printmaker. Famously proclaiming himself to be "an American painter of signs," Robert Indiana has created an enormous body of work, much of it boldly colored abstractions. In this incisive new examination of the artist, based on ongoing conversations with Indiana, art historian Martin Krause sifts through autobiographical clues within the artist's work and finds a wealth of affecting and affectionate references to Indiana's childhood, literary heroes, and the cultural icons of his generation. In addition, a penetrating essay by Pop art scholar John Wilmerding deconstructs Indiana's use of geometric shapes, making unexpected connections that enhance Krause's thesis. Accompanied by reproductions of more than 50 prints from the period 1960-2010--and focusing specifically on series such as Decade: Autoportraits, Vinalhaven Suite, and The Hartley Elegies as well as the "Love" and "Hope" images and studies of Marilyn Monroe, Picasso, and the Brooklyn Bridge--Krause's decryption of Indiana's visual language provides telling insight into the work of this quintessentially American artist.

Hardcover. Jefferson NC, McFarland, 1st, 1999, Book: Very Good, Dust Jacket: None, Hardcover, 223 pages, b&w photos. Eugene Jackson became a child star in 1924 playing "Pineapple" in the original "Our Gang" comedy shorts. Join him as he shares his life story -- a story that preserves the history of vaudeville and early Hollywood as well as chronicles the African American experience in the entertainment business.

Hardcover. NY, Prestel, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, 192 pages, color and b&w images. This first volume in a major new series of illustrated biographies of Magnum photographers traces the life and achievements of Eve Arnold, who captured an incredible array of subjects with remarkable clarity and compassion. Eve Arnold (1912-2012) was born to a poor immigrant family in Philadelphia and became a photographer by chance. In 1950 Arnold was a 38-year-old Long Island housewife when she enrolled in a six-week photography course that led to her groundbreaking photo essay on black fashion models in Harlem. She went on to become the first woman to join Magnum Photos and, eventually, one of the most accomplished photojournalists of her time. Filled with reproductions of Arnold's acclaimed photographs, shot in both color and black and white, as well as previously unseen archival images, this biography relates Arnold's bold images to the fascinating story of their making. Renowned for her intimate portraits of figures such as Marilyn Monroe, Malcolm X, and Queen Elizabeth, Arnold was equally comfortable documenting the lives of the poor and dispossessed. "I don't see anybody as either ordinary or extraordinary. I see them simply as people in front of my lens." To her images of migrant workers, disabled veterans, and protesters for civil rights in the US and against apartheid in South Africa, she brought an unflinching eye and a strong sense of social justice. This highly engrossing narrative tells a compelling story of an intrepid artist whose life's purpose was to report on the lives of others.

Hardcover. Clarkson N. Potter, inc, 1st, 1974, Book: Very Good, Dust Jacket: Good, Hardcover, 236 pages. b&w and color illustrations and photographs. Red cloth spine. Dust jacket edgewear, otherwise in good shape. Everett Shinn (1876 - 1953) was an American realist painter and member of the Ashcan School. He also exhibited with the short-lived group known as "The Eight," who protested the restrictive exhibition policies of the powerful, conservative National Academy of Design. He is best known for his robust paintings of urban life in New York and London, a hallmark of Ashcan art, and for his theater and residential murals and interior-design projects. His style varied considerably over the years, from gritty and realistic to decorative and rococo.

Softcover. NY, Berry-Hill Galleries, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. 5 b&w, 55 color plates. Issued in conjunction with an exhibition featuring the work of Ashcan artist Everett Shinn (1876-1953). A tremendous presentation of text and richly printed color illustrations. Clean copy

Hardcover. NY, Ecco, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 454 pages, b&w, color illustrations. Los Angeles in the 1960s: riots in Watts and on the Sunset Strip, wild weekends in Malibu, late nights at The Daisy discotheque, openings at the Ferus Gallery, and the convergence of pop art, rock and roll, and the New Hollywood. At the center of it all, one inspired, improbable, and highly combustible couple--Dennis Hopper and Brooke Hayward--lived out the emblematic love story of '60s L.A. The home these two glamorous young actors created for themselves and their family at 1712 North Crescent Heights Boulevard in the Hollywood Hills became the era's unofficial living room, a kaleidoscopic realm--"furnished like an amusement park," Andy Warhol said--that made an impact on anyone who ever stepped into it. Hopper and Hayward, vanguard collectors of contemporary art, packed the place with pop masterpieces by the likes of Roy Lichtenstein, Ed Ruscha, and Warhol, and welcomed a who's who of visitors, from Jane Fonda to Jasper Johns, Joan Didion to Tina Turner, Hells Angels to Black Panthers. In this house, everything that defined the 1960s went down: the fun, the decadence, the radical politics, and, ultimately, the danger and instability that Hopper explored in the project that made his career, became the cinematic symbol of the period, and blew their union apart--Easy Rider.

Hardcover. NY, Ecco, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 454 pages, b&w, color illustrations. Los Angeles in the 1960s: riots in Watts and on the Sunset Strip, wild weekends in Malibu, late nights at The Daisy discotheque, openings at the Ferus Gallery, and the convergence of pop art, rock and roll, and the New Hollywood. At the center of it all, one inspired, improbable, and highly combustible couple--Dennis Hopper and Brooke Hayward--lived out the emblematic love story of '60s L.A. The home these two glamorous young actors created for themselves and their family at 1712 North Crescent Heights Boulevard in the Hollywood Hills became the era's unofficial living room, a kaleidoscopic realm--"furnished like an amusement park," Andy Warhol said--that made an impact on anyone who ever stepped into it. Hopper and Hayward, vanguard collectors of contemporary art, packed the place with pop masterpieces by the likes of Roy Lichtenstein, Ed Ruscha, and Warhol, and welcomed a who's who of visitors, from Jane Fonda to Jasper Johns, Joan Didion to Tina Turner, Hells Angels to Black Panthers. In this house, everything that defined the 1960s went down: the fun, the decadence, the radical politics, and, ultimately, the danger and instability that Hopper explored in the project that made his career, became the cinematic symbol of the period, and blew their union apart--Easy Rider.

Hardcover. NY, Metropolitan Books, 2nd pr., 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 701 pages, b&w illustratios. When Jean-Luc Godard, exemplary director of the French New Wave, wed the ideals of film-making to the realities of autobiography and current events, he changed the nature of cinema. In this study, the author has amassed hundreds of interviews with friends, family and collaborators to demystify the elusive director and paint the fullest picture yet of his life and work.

Hardcover. New Haven CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 252 pages. Like new in publisher's shrink-wrap. No dust jacket. A timely look at the evolution of fashion exhibitions, taking as its anchor the seminal 1971 Victoria and Albert Museum exhibition "Fashion: An Anthology by Cecil Beaton, " revealing it to be symptomatic of a shift in museological attitudes. Research into international exhibitions from the early 20th century to the present results in some 150 stunning illustrations, including previously unpublished exhibition photographs and out-of-print documents.

Hardcover. New York, Da Capo Press, 2nd pr., 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 258 pages, illustrated in b&w. Recorded during the blazing summer of 1971 at Villa Nellcote, Keith Richards' seaside mansion in the south of France, Exile on Main St. has been hailed as one of the Rolling Stones' best albums-and one of the greatest rock records of all time. Yet its improbable creation was difficult, torturous...and at times nothing short of dangerous.In self-imposed exile, the Stones-along with wives, girlfriends, and a crew of hangers-on unrivaled in the history of rock-spent their days smoking, snorting, and drinking whatever they could get their hands on. At night, the band descended like miners into the villa's dank basement to lay down tracks. Out of those grueling sessions came the familiar riffs and rhythms of "Rocks Off," "Tumbling Dice," "Happy," and "Sweet Virginia."All the while, a variety of celebrities-John Lennon, Yoko Ono, and Gram Parsons among them-stumbled through the villa's neverending party, as did the local drug dealers, known to one and all as "les cowboys." Villa Nellcote became the crucible in which creative strife, outsize egos, and all the usual byproducts of the Stones' legendary hedonistic excess fused into something potent, volatile, and enduring.Here, for the first time, is the season in hell that produced Exile on Main St.

Hardcover. Austin TX, University of Texas Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. INSCRIBED AND SIGNED BY MEDINA on title page. A happy, middle-class childhood lived in the shadows of sweeping social change and oncoming revolution -- such was the experience of novelist Pablo Medina. In this memoir, Medina revisits his curious double world, recalling the pre-revolutionary Cuba of his first twelve years, 1948-1960. His recollections move easily from his childhood adventures to warm remembrances of family and friends to his growing awareness of the social conflicts that would ultimately send his family into exile in the United States. Medina also draws on the memories of his elders to extend his memoir back to the Cuban War of Independence and forward through the twentieth century to the fall of the Batista regime, the victory of the Revolution in 1959, and the family's growing disillusionment with the Castro regime. Clean copy.

Hardcover. NY, W. W. Norton & Co., 1st, 1993, Hardcover in a bright, unclipped dust jacket. 298 pages. A late-life memoir by the notable fiction writer, biographer and critic. Covers a relatively short period of her life, with deeper reflections on a life spent in reading, writing, and observing the world around her. Clean copy.

Hardcover. London, Thames and Hudson, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 384 pages. Hardcover with dust jacket. Clean, tight copy with black and white photographs throughout. Light wear ton dust jacket. The life of Erwin Blumenfeld, one of the century's best-known photographers, was by no means conventional. By turns acerbic, self-mocking, playful, even absurd, his autobiography is a compelling, virtuoso account of an extraordinary man. All his subjects--his Jewish family, the Germans, the Vichy French, his models, New York publishers--are dealt equal measures of wit, mockery, and merciless irony. He spares himself least of all. Born in turn-of-the-century Berlin, Blumenfeld was drafted to serve in the First World War, first as an ambulance driver (although he couldn't drive) and then as a bookkeeper in a field brothel, and he was awarded the Iron Cross for giving his sergeant French lessons. Between the wars he was part of an avant-garde circle that included such artists as Else Lasker-Schler, George Grosz, and members of the Dada movement. During the Second World War, Blumenfeld was interned in a series of French camps but eventually arrived in New York, where he found work with Vogue and Harper's Bazaar, producing many of their most memorable covers and becoming fashion's highest-paid photographer. From the creator of some of the most striking and influential photographs ever taken, Blumenfeld's autobiography--published here in English for the first time--is a biting and iconoclastic take on the century, and the insightful, gripping story of an exceptional life. Remainder line to bottom edge.

Hardcover. NY, Oxford University Press;, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 288 pages. As an essayist and Village Voice columnist, Gary Giddins is widely known as a preeminent jazz writer. Walter Clemons, writing in Newsweek, hailed him as "the best jazz critic now at work," praising his "elegant prose" and "encyclopedic knowledge." Yet he has won a devoted audience for his reflections on popular culture, books, and movies as well--including a marvelous essay on Jack Benny that Gay Talese selected for Best American Essays of 1987. In Faces in the Crowd, Giddins once again demonstrates his graceful style and sharp wit in a brilliant collection of critiques,assessments, and profiles of major figures in the culture of our century.

Hardcover. Leicestershire, England, Matador, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 262 Pages. Hardcover with dust jacket. Light edgewear to dust jacket. Previous owner's bookplate on front fly leaf, otherwise, clean, tight copy. Black and white pictures throughout.

NY, Paddington Press, reprint, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a nice dust jacket, light fading to spine. Black & white illustrations, 569 pages.

Softcover. McKinleyville CA, Fithian Press/, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 238 pages, b&w illustrations. INSCRIBED BY COHEN on the front fly leaf. Robert Cohen is the founding Chair of Drama a the University of California, Irvine, and has written 20 book on theatre. In this memoir, he recounts the "lucky breaks" that took him from being a college student preparing for law school to a long career as a man of the theatre. The first lucky break took place in his junior year of high school when Judy Berkenbilt asked him to be in "Belles On Their Toes," a play she was directing. She wanted to cast him as a policeman but after reading the script, Cohen asked for the role as the family handyman, which she agreed to. He identifies Lucky Break #2, in the same year, as ending up in a Vocational Typing class when he transferred out of the Mechanical Drawing class to escape a creepy instructor. He became a fabulous typist and was able to earn lunch money in college by typing papers for other students. Lucky Break #3 was getting into the 12th grade Advanced English class taught by Miss Casey, which advanced his intellectual development and reading "like crazy." Lucky Break #6 was being asked to take over as coach of the swimming program at the camp where he was a counselor. When Cohen did not have the $20 needed to to get a Water Safety Instructor certification, the camp owner asked him take over the drama program instead. And so on.