Softcover. Los Angeles :, Los Angeles County Museum of Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Exhibition catalog. 191 pages, illustrated throughout with numerous plates in b&w. Cream dye-cut textured wrappers. Light wear and staining to covers, else a very nice, tight copy.

Softcover. New York, The Pierpont Morgan Library, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover. Approx. 130 pages. 123 plates. B&W illustrations throughout. Green cover with slight wear and fading. Slight soiling to edges. Overall, a clean, tight copy.

Hardcover. New Haven, Yale University Press, 1st, 1964, Book: Very Good, Dust Jacket: None, Two hardcover volumes. V.1; 164 pages with text, V.2; 227 plates in color and b&w. Gray cloth, gilt title spine. Lacking slipcase and dust jacket, but in excellent shape. A very nice, tight, clean set.

Softcover. New York, Jill Newhouse, 1st, 1983, Book: Good, Dust Jacket: None, Unpaginated, staple-bound pamphlet, with 47 black-and-white illustrations. Price list for works laid in. Light soiling, edge-wear, and shelf-wear to covers. A little foxing to top edge. Otherwise, clean, tight copy.

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Very clean, like new in publishers shrink-wrap. This publication presents the first in-depth survey of the Conley Harris and Howard Truelove Collection of Indian Drawings, which was recently acquired by the Philadelphia Museum of Art. This exceptional collection, which has never previously been published, consists of 65 works on paper created between the 16th and 19th centuries.

Softcover. Cambridge, MIT Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalogue featuring the famed architect's travel sketches along with photographs of the buildings he encountered and essays on their influence on his work. 11'' x 8.5''. In original dark orange pictorial wrappers. Illustrated throughout in black and white, some color, 136 pages. Spine sun faded.

Hardcover. NY, The Morgan Library & Museum, 1st, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 294 pages. Clean, bright copy. A sumptuous collection of master drawings from the Renaissance to the current era, all reproduced in color.

Hardcover. Philadelphia PA/New Haven CT, Philadelphia Museum of Art/Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 336 pages, hardcover with dust jacket. Published to commemorate the centenary of Levy's birth. With 300 photographs, including many unfamiliar works by well-known artists, the catalogue presents a stunning survey of this collection, long hidden from public view. Fading to dust jacket spine and fore edges. Unmarked. A clean and tight copy.

Softcover. London, Tate Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 248 pages, color and b&w illustrations. This book examines the work of Duchamp, Man Ray, and Picabia, three pioneering figures in the history of modernism. It explores the points of convergence and the parallels in their development throughout their careers. Central to this is their response to photography and film, and to the challenges posed to fine art by the development of mass production. Duchamp's paintings of 1911-12 were influenced by the representation of movement in photography, while Picabia's were shaped in part by the belief that the advent of the camera spelled the end of traditional painting. Man Ray used photography first to record his own art works and those of others, but soon saw in it a means of creating images of a status and inventiveness traditionally restricted to fine art. And, as this fully illustrated book shows, humor and eroticism were themes common to the work of all three artists.

Hardcover. Boston/NY, Bulfinch/Little Brown, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. Essay by Maria Morris Hambourg. Includes 54 tritones, 10 text illustrations and 4 gatefolds. A clean and tight near fine copy. Published in conjunction with a traveling show that ran January 14 through April 21, 2002 at The Metropolitan Museum of Art

Softcover. NY, Whitney Museum of American Art, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. Beautiful reproductions of paintings and drawings throughout, with 12 color plates. Pages are crisp and clean, binding is tight. 126 pages. Catalogue of the exhibition held March 28 to May 14, 1972, at the Whitney Museum of American Art.

Softcover. London, Sotheby's, 1st, 2005, Book: Very Good, Dust Jacket: None, 367 pages, photographs throughout. Very slight corner and edge wear, otherwise, very clean and tight copy.

Hardcover. New York, AMMO Books, 1st, 2014, Book: Very Good, Dust Jacket: None, 288 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear. This definitive monograph on the wide repertoire of Emberley's life's work has been beautifully put together by Todd Oldham and Caleb Neelon. Highlighting work spanning over five decades, this gorgeous and comprehensive book celebrates the talented and prolific life of Ed Emberley.

Hardcover. New Haven, CT, Yale University Press, 1st, 2018, Book: Very Good, Dust Jacket: None, 47 pages. Hardcover with no dust jacket. Very clean, LIKE NEW in publishers shrinkwrap. Ruscha's work comprises five black-and-white Los Angeles landscapes made in 1992 paired with color representations of the same sites as they appeared ten years later and draws attention to how often-overlooked changes in the evolving urban landscape are redolent of economic might and globalization or decline and stagnation.

Softcover. The Norton Gallery of Art, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 122 pages illustrated in color and b&w. Here the Norton Gallery of Arts Museum shows the exhibition of works by the distinguished Norwegian painter and printmaker Edvard Munch. For him, art must do nothing less than reveal the essential human condition. Having emerged as an accomplished Naturialist painter in the 1880s, he rejected Naturalism in his artistic manifesto of 1889-90. He began to paint images reflecting the stormy human psyche, and arranged his paintings into friezes to better communicate their meaning. At his death in 1944, his legacy included several thousand oil prints, reams of drawings, literary fragments, photographs and sculpture. Light sticker residue to front cover otherwise clean and bright.

Hardcover. New York, The Museum of Modern Art, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor dust jacket wear. Very light yellow fading to textblock edges. Otherwise a tight copy. 250 illustrations, 207 in color, 43 black & white.

Softcover. NY, Christie's, 2013, Book: Very Good, Dust Jacket: None, Softcover, illustrated wraps, 34 pages. BW & color illus. Issued in conjunction with an auction of Edward Hopper's painting "Blackwell's Island." Offers historical background with substantial text and archival and contemporary photographs Includes related works by fellow artists Robert Henri, Georgia O'Keeffe, George Wesley Bellows, and additional paintings by Hopper. Clean, bright copy.

Softcover. NY, Hirschl & Adler Galleries, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 40 pages illustrated in color and b&w. 6 color, 32 b&w plates, frontispiece. Showcases select artwork by Edward Hopper. With an essay by Douglas Dreishpoon. Many of these works were included in a traveling exhibition entitled "Edward Hopper: The Early Years", and held Mar. 14 to Apr. 18, 1987. The exhibition checklist cites 81 pieces, and about 40 are shown here. Clean copy.

Softcover. NY, Hirschl & Adler Galleries, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 60 pages, 67 illustrations (13 color). Catalogue of 106 paintings, watercolors, etchings and drawings, with notes on selected works. Essay by Peter Schjeldahl. Includes a collection of drawings, forming the basis of the exhibition, bequeathed by the artist's widow Jo Hopper to her friend Mrs. Mary R. Schiffenhaus. Clean, bright copy.

Softcover. Northampton, Mass., Smith College Museum of Art, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 170 pages, b&w and color illustrations. Light edge wear, rubbing to wrappers. Else a clean, tight copy.

Softcover. London, Sotheby's, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, cream wraps with color illustration; blue spine with white lettering. Unpaginated, approx 50 pages. 15 color plates and additional images, 1 fold-out. Auction catalogue for sale 21 June 2004. Lots 21-35, sale L04007.

Softcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover,

Softcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover,

Softcover. Washington DC, The Corcoran Gallery Of Art, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover in stapled gray wraps 24 pages, color plates. Introduction by Paige Turner. Clean, like new exhibition catalog.

Softcover. NY, Rosenberg & Stiebel, Inc., 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 68 pages, illustrated throughout with photos in b&w. Pictorial stiff wrappers. Light wear and rubbing to edges and slightly foxed spine, else a very nice, tight copy. Good scope to text and examples: Mounts and corner mounts on all manner of furniture and decorative arts.

Hardcover. New York, Abrams/Whitney Museum, 1st, March 1, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages. 245 plates and figures, 95 bw and 150 color. Published in conjunction with an exhibition held at the Whitney Museum of American Art, April 3 to July 20, 2003. This book is the most comprehensive publication to date on the work of Elie Nadelman (1882-1946), an important sculptor and a key member of the New York art scene in the first half of the 20th century.

Softcover. Philadelphia Museum of Art, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover 215 pages. Many illustrations, 78 in full color. Published on the occasion of the exhibition from the National Gallery of Art, Washington DC September 22, 1996-January 26, 1997 and the Philadelphia Museum of Art, Philadelphia PA March 2-May 11, 1997. Still in publisher's shrinkwrap.

Softcover. Bennington VT, North Bennington Indepent Artists Space, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 16 pages, 5 color plates. Essay by Ron Morosan. Clean copy.

Softcover. Saskatoon, Saskatchewan, Canada, Mendel Art Gallery, na, 1985, Book: Very Good, Dust Jacket: None, Softcover, 56 pages. Foreword by Linda Milrod. Essays by Jean-Christophe Ammann, Donald B. Kuspit, Bruce W. Ferguson. 21 full page plates in color and b&w. Cover in black with blue lettering. Creasing across front and back covers as well as rubbing, otherwise a very good clean copy.

Hardcover. Christie's, 1987-1989, Book: Very Good, Dust Jacket: None, Complete 7 volume set including index, bound handsomely in red cloth over boards with gilt lettering and insignia to front covers, gilt titles to spines. Part I, Eighteenth Century Books Including the Gutenberg Bible; Part II, Medieval and Renaissance Manuscripts; Part III, Printed Books and Manuscripts Including Western Americana; Part IV, Printed Books and Manuscripts Including Early Printing, Literature, and Fine Bindings; Part V, Printed Books and Manuscripts Including Americana, Literature, and Fine Bindings; Part VI, Printed Books and Manuscripts Concerning William Morris and His Circle; Index and Price Lists. (12" x 9"). 302pp, 125pp, 320pp, 344pp, 316pp, 102pp, 99pp. Color and b/w plates throughout.

Softcover. New Haven, Yale University Art Gallery, 1at, 1992, Book: Very Good, Dust Jacket: None, Softcover, 253 pages, b&w and color illustrations, illustrated end paper. Bottom front left corner slightly bumped. Light marks to bottom edge. Else a very clean, tight copy. The book includes essays by five noted authorities: Linda Norden discusses Hesse's early career in New York following her years as a student of Josef Albers; Maria Kreutzer writes on Hesse's work in Germany in the mid-sixties, when she moved from two to three dimensions; Robert Storr places Hesse in relation to the central American artistic concerns of the 1960s, focusing on her links to such artists as Jasper Johns, Sol LeWitt, and Claes Oldenburg; Anna Chave analyzes Hesse's mature work in light of contemporary feminist theory on authorship and subjectivity; and Maurice Berger examines Hesse's radical and personal approach to the sculptural object following her rejection of painting. In addition, Helen Cooper draws on the artist's extensive diaries, notebooks, and correspondence for a chronology detailed as much as possible in Hesse's own words.

Hardcover. NY, Jewish Museum / Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Eva Hesse: Sculpture focuses on the artist's large-scale sculptures in latex and fiberglass and provides a rare opportunity to look at Hesse's artistic achievement within the historical context of her life in never-before-seen family diaries and photographs. Essays consider Hesse's art from a variety of angles: Elisabeth Sussman discusses the sculptures shown in the 1968 solo exhibition; Fred Wasserman delves into the Hesse family's life in Nazi Germany and in the German Jewish community in New York in the 1940s; Yve-Alain Bois examines Hesse's works within the context of the art and aesthetic theories of the 1960s; and Mark Godfrey analyzes the importance of Hesse's celebrated hanging sculptures of 1969-70. In addition to color reproductions of the artist's sculpture, the book features a copiously illustrated chronology of the artist's life.

Softcover. NY, Berry-Hill Galleries, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. 5 b&w, 55 color plates. Issued in conjunction with an exhibition featuring the work of Ashcan artist Everett Shinn (1876-1953). A tremendous presentation of text and richly printed color illustrations. Clean copy

Softcover. New York, Berry - Hill Galleries, 1st, Book: Very Good, Dust Jacket: None, 176 pages. Softcover. Extensive color illustrations by Everett Shinn throughout. Clean, unmarked copy with only minor wear to wrappers. Illustrated with 55 plates in color and 7 figures in the text.

Softcover. Athens, Benaki Museum, 1st, 1978, Book: Very Good, Dust Jacket: None, 334 pages, softcover exhibition catalog, b&w illustrations. Printed on glossy stock. Sculpture, pottery, vases, jewelry and other art from ancient Greece and the Cycladic civilization. Previous owner's embossed stamp on front fly leaf, otherwise clean, very good.

Hardcover. New Haven, CT, Yale University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. 230 color illustrations throughout. Tight copy.

Hardcover. Weatherhill, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 239 pages. 266 illustrations including 163 in full color. The batik designs of Java's North Coast are particularly varied in both design and color. With their fanciful, highly imaginative motifs and luminous tints, they are more immediately appealing than the sombre blue and brown batik of Central Java. It was a chance encounter in a Hong Kong antique shop that inspired photojournalist Inger McCabe Elliot to devote over three decades to assembling one of the world's finest collections, which she presented to the Los Angeles Country Museum of Art in 1991. This volume, published in conjunction with an exhibition at the Museum, celebrates Elliott's gift and presents her collection. Essays by authorities on the subject examine the 82 featured batik textiles from historical, cultural and aesthetic perspectives. The essays are followed by biographies of some of the most distinguished batik designers and entrepreneurs and a descriptive catalogue of the batiks. Appendices document design formats and motifs, as well as the complete production process of North Coast batiks. Clean copy,

Softcover. Mineola, NY, Dover Publications, 1st, 2019, Book: Very Good, Dust Jacket: None, 96 pages. Softcover. A very clean, unmarked copy with only minor edgewear. This original compilation features more than 80 color plates selected from two of Phillips' early collections, A Gallery of Girls and A Young Man's Fancy, in addition to images from other sources. An Introduction by illustrator and graphic designer Scott M. Fischer provides a modern appraisal and speaks to Phillips' lasting influence. Students of illustration, graphic design, and advertising as well as fans of 1920s fashion will appreciate this collection of striking works by a Golden Age designer-illustrator.

Softcover. NY, Hirschl & Adler Galleries, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 20 plates (including cover), 16 in color, stapled exhibitin catalog listing 63 works of art by Porter. Minor bump to bottom corner otherwise like new.

Hardcover. London, British Library Publishing, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy with color illustrations throughout.

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 440 pages. Hardcover in purple slipcase. Very clean, unmarked copy still in shrink wrap. Gilt lettering on spine. Profusely illustrated with over 200 color plates. Tight copy. Prior to the invention of photography, European and American magazines used colorful prints to depict the latest fashion trends. These illustrations, known as "fashion plates," conveyed the cutting-edge styles embraced by the fashion-conscious elite and proved inspirational to the upwardly mobile. This lavishly illustrated book provides a comprehensive survey of 200 color plates from publications dating from 1778 to the early 20th century, accompanied by authoritative and fascinating texts. Organized chronologically and featuring both men's and women's garments, these lively and colorful vignettes not only are beautiful, but also deftly illustrate the evolution of fashion over time.

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 168 pages. Hardcover with no dust jacket. Very clean, like new in publishers shrink-wrap. A lavishly illustrated tribute to one of the most remarkable self-invented personalities on the New York fashion scene. Featuring approximately 80 looks from Bartsch's personal collection of clothing and accessories, including designs by Rachel Auburn, Body Map, Leigh Bowery, John Galliano, Jean Paul Gaultier, Thierry Mugler, Mr. Pearl, Vivienne Westwood, Zaldy, and many others. Dazzling color photographs allow readers to witness the incredible art of transformation. 

Hardcover. Rome, Leonardo-De Luca, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 236 pages, illustrated in color and b&w. Italian text. Dust jacket with light edgewear.

Hardcover. Cleveland, OH, The World Publishing Company, Reprint, 1945, Book: Very Good, Dust Jacket: Good, 128 pages. Hardcover with dust jacket. A very clean, unmarked copy with chipping and wear to dust jacket edges. An otherwise tight copy.

Hardcover. NY, Charles Scribner's Sons, reprint, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover. Color illustrations by Brown. In Venice, city of cats and canals, a little striped cat is befriended by a canal boatman's son and gets a name and a home. Library binding, some tape residue to boards but no stamping, clean interior.

Hardcover. NY, Charles Scribner's Sons, 5th pr., Book: Good, Dust Jacket: Good, Hardcover. Color illustrations by Brown. Ex-lib with stamping on half-title page, remnants of pocket, date due on back endpaper, dust jacket flaps with chunks gone where pasted to boards. Dust jacket with light edgewear, closed tears.

Hardcover. New Haven, CT, Yale University Press, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, 288 pages. Hardcover with dust jacket. Yellowing to dust jacket edges and spine. An otherwise clean, unmarked copy with wear to dust jacket edges. Color and black and white illustrations throughout. A tight copy. Explores Leger's writings and works in a variety of media including painting, film, theatre, decor, ceramic sculpture, and mosaic.

Softcover. Provincetown MA, Provincetown Art Association, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, stapled, 12 pages, color and b&w illustrations. Biography by Kathryn Lee Smith, the artist's granddaughter. Clean, bright copy.

Softcover. Hong Kong, Bonhams, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 328 pages illustrated in color. Auction catalogue for Bonhams Hong Kong 29 May 2023 sale - Fine Chinese Ceramics and Works of Art Sale 28274, Lots 801 - 997. Text in English/Chinese. Printed in Hong Kong. Clean copy.