Softcover. Washington, D. C., National Gallery of Art, 1st, 1990, Book: Very Good, Dust Jacket: None, 383 pages. Softcover. Illustrated in full color and black & white. Covers show light wear along edges. Clean, tight copy.Essays by various art historians in the field.

Hardcover. NY, Putnam, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color illustrations by the author. Light edgewear to dust jacket. ABC book illustrating words that contain "ant" in them.

Hardcover. Nantucket, MA, Mill Hill Press, Reprint, 1984, Book: Very Good, Dust Jacket: Very Good, 259 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout.

Hardcover. Nantucket, MA, Mill Hill Press, Reprint, 1984, Book: Very Good, Dust Jacket: Very Good, 259 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout.

Hardcover. Nantucket, MA, Mill Hill Press, Reprint, 1984, Book: Very Good, Dust Jacket: Very Good, 259 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout.

Softcover. New York, Bernard Danenberg Galleries, 1st, 1970, Book: Good, Dust Jacket: None, 36 pages. Softcover with moderate soil to paper wrappers. Black and white photos throughout. Moderate darkening to wrappers.

Softcover. New York, Solomon R Guggenheim Foundation, 1st, 1975, Book: Very Good, Dust Jacket: None, 140 pages. Softcover with paper wrappers. Lightly faded on spine. Previous owner's bookplate on front inside wrapper.

Softcover. Columbus, OH, Columbus Museum of Art, 1st, 1983, Book: Good, Dust Jacket: None, Exhibition catalog, 74 pages. B&W photos and plates throughout. Rubbing, soiling, and light edgewear to wrapper. Otherwise a tight and crisp copy.

Hardcover. New York, Whitney Museum of American Art, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 270 pages, 171 color illustrations, 22 in b/w.; contains two essays, catalogue, reference material. generously illustrated, many are full-page, most all in color. Size: Folio - over 12" - 15" tall.

Softcover. NY, Albright-Knox Gallery, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, This solid, authoritative presentation of Gorky's pivotal art of the 1940s accompanies an exhibit of paintings and drawings showing this year at the National Gallery in Washington, D.C., as well as Buffalo and Fort Worth. Biographical and art-historical essays by Auping, a Modern Art Museum of Fort Worth curator, as well as Dore Ashton and Matthew Spender summarize the critical consensus of Gorky, placing him between Surrealism and Abstract Expressionism in the development of 20th-century art. Excellent reproductions of the paintings and drawings in the show are supplemented by close-ups from several paintings, photographs of Gorky, and selections from Gorky's letters. While not a comprehensive or groundbreaking work, this volume is an excellent summary of or introduction to Gorky for both general and informed lay readers. Clean copy.

Softcover. Russia, Contemporary Art Museum, 1st, 2007, Book: Very Good, Dust Jacket: None, 514 pages. Only 2000 copies printed. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout.

Softcover. London, The Trustees of the British Museum / British Museum Press Ltd., 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 224 brilliant pages, laden with illustrations of Assyrian art and artifacts from The British Museum collection. 215 color and 33 black and white illustrations in addition to one map. Beautiful full-color cover with minor wear at corners only. Illustrated title page and half-title page. Crisp text pairs nicely with this rich visual collection. In very good condition overall.

Softcover. New Haven, Yale University Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover. This gorgeous volume was published in conjunction with the Metropolitan Museum of Art exhibition "Art and the Empire City: New York, 1825-1861." Its 636 pages include a stunning array of prints and photographs. A painted overlook of New York City wraps around the front and back cover. The front cover has a small crease at the top left edge. On page 240, type is slightly out of register but remains readable.

Hardcover. Paris, Christie's Paris, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 240 pages, illustrated throughout in color. French text. Light wear to lower edge of spine, else a clean, tight copy.

Softcover. Paris, Reunion des Musees Nationaux, 1st, 1990, Book: Very Good, Dust Jacket: None, 204 pages. Softcover. French text only. Previous owners stamp on front endpaper. Illustrated with beautiful full color and black & white examples of religious art and artifacts of Tibet and Nepal. Slight toning to page edges. Clean, tight copy.

Softcover. New Haven, CT, Yale University Art Gallery, 1st, 1985, Book: Good, Dust Jacket: None, Exhibition catalog. 172 pages, illustrated throughout in b&w. Blue pictorial stiff wrappers. Covers slightly sunned and lightly worn around the edges. Writings in ink on front cover. Nice, tight copy.

Charlottesville VA, University of Virginia, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog illustrated in color, 266 pages. The Kluge-Ruhe Collections, now held by the University of Virginia in Charlottesville, is one of the largest and best-documented collections of Australian Aboriginal art outside Australia. Art from the Land focuses on the desert region and Arnhem Land, drawing on the many fine works in the collection and on the authors' detailed knowledge of the artists and their communities to illustrate the unique and complex nature of Australian Aboriginal artistic expression. Previous owner's inscription on front fly leaf, otherwise clean.

Hardcover. New York, Abrams ComicArts, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Throughout his 25-year career, alternative cartoonist/screenwriter Daniel Clowes has always been ahead of artistic and cultural movements. Clowes has been praised for his emotionally compelling narratives that reimagine the ways that stories can be told in comics. The Art of Daniel Clowes: Modern Cartoonist is the first monograph on this award-winning, New York Times-bestselling creator. It includes all of Clowes's best-known illustrations as well as rare and previously unpublished work, all reproduced from the original art.

Hardcover. Trumbull, CT, Greenwich Workshop Press Inc., 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket. Includes a bonus colored print with publishers note. Color illustrations throughout. A tight copy. James Bama is one of the best contemporary artists working today. His portraits - of people from the smallest child to the greatest hero - have garnered the respect and captured the imagination of art collectors and critics around the world. The Art of James Bama is a new, comprehensive collection of his finest work, showing real people of the new West recreating their history, and descendants of the Old West paying homage to their heritage. Bama's ability to convey their emotion gives his paintings a resonance like no other.

Hardcover. New Haven, Yale University Press , 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 472 pages, 480 images (80 in color). Exhibition catalog for a traveling exhibition. Black cloth covers in a bright dust jacket. A splendid overview of the artistic development of photography from its earliest days to the 1980s.

Softcover. Boston, New York Graphic Society, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover, 123 pages plus appendix, bibliography, etc. B&w and color illustrations throughout. Mild soil to back cover, small marks on fore-edge. Light rubbing to spine. Else a clean, tight copy.

Softcover. Washington DC, Smithsonian Institution Press, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 159 pages. illustrated in b&w, some color. Arthur Wesley Dow (1857-1922) was an American artist and educator. This monograph traces his life and work in nine chapters: Beginnings; Paris and Brittany; The Return; Japanese Currents; The Pratt Institute and the Launching of Composition; Ipswich and the World; Teachers College; and Conclusion. With extensive notes, bibliography, and 94 illustrations. Clean copy.

Softcover. Washington DC, Smithsonian Institution Press, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 159 pages. illustrated in b&w, some color. Arthur Wesley Dow (1857-1922) was an American artist and educator. This monograph traces his life and work in nine chapters: Beginnings; Paris and Brittany; The Return; Japanese Currents; The Pratt Institute and the Launching of Composition; Ipswich and the World; Teachers College; and Conclusion. With extensive notes, bibliography, and 94 illustrations. Clean copy.

Hardcover. New York, Spanierman Gallery, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket. Clean, tight copy. This book was published to go along with an exhibition of Dow's work that showcased the work of a leading figure in the development of American modernism.

Softcover. Boston, University of Massachusetts Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 116 pages, 68 color, 14 b&w plates. Indochina Arts Project of the William Joiner Foundation. Essays by Quach Van Phong. Tran Viet Son, Lucy R Lippard and David Kunzle. Clean copy.

Hardcover. New York, Harry N. Abrams, 1st US, 1998, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. Sun fading to dust jacket spine. Light foxing to top edge of text block. An otherwise clean, unmarked copy with only minor wear to dust jacket edges. Beardsley's work is looked at alongside the work of contemporaries such as Oscar Wilde, Max Beerbohm and W.B. Yeats and against the backdrop of the artistic, literary and social life of fin-de-siecle London, Dieppe and Paris. In addition to the drawings, the book includes examples of Beardsley's innovative book binding, prints and posters, revealing a gallery of portraits and photographs from that decadent period, the "Naughty Nineties." It also explores the diverse influences, such as ancient Greek vase painting and Japanese prints, upon which the young artist freely drew in the formation of his own style.

Softcover. Santa Fe Springs CA, Hathaway and Bowers, 1st, 1970-71, Book: Good, Dust Jacket: None, Nine softcover catalogs from the foremost dealer in antique music makers: Organs, pianinos, automatic harps, music boxes, etc. Catalogues No. 9 through 17, 1969-1971. All with b&w illustrations. Pages vary, 60-100. From a museum library with light stamping, small stickers on covers. Otherwise clean.

Softcover. NY, Gagosian, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 316 pages. Published on the occasion of the eponymous exhibition at Gagosian, New York, in 2023, this striking illustrated catalog celebrates the centenary of the iconic photographer's birth. Over one hundred celebrated artists, designers, musicians, writers, curators, and figures from the world of fashion were asked to select a photograph by Avedon and elaborate on the ways in which both the image and artist have made an impact on their lives. Participants include Hilton Als, Naomi Campbell, Elton John, Spike Lee, Sally Mann, Polly Mellen, Kate Moss, Chloe Sevigny, Taryn Simon, Christy Turlington, and Jonas Wood."Avedon 100" celebrates Avedon's enduring influence on photography and makes clear his profound impression on visual culture worldwide. The book represents various periods from his oeuvre, including the widely known In the American West series, images of the social justice movement, classic portraiture, advertising, and fashion work. Includes a foreword by Larry Gagosian, texts by Derek Blasberg and Jake Skeets, and an essay by Sarah Elizabeth Lewis. Red remainder dot on bottom edge otherwise clean.

Hardcover. Italy, Fabbri Editori, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 138 pages. Hardcover with dust jacket. Italian text. Color pictures throughout. Light wear to cover edges. Previous owner's bookplate on front end cover.

Hardcover. New York, Prestel, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, 294 pages, 259 color and 53 b&w illustrations. Focuses on Jean-Michel Basquiat's extraordinary breadth of influences, from graffiti to bebop jazz to Hollywood cinema, this exciting new survey charts his ground-breaking career. This work accompanied a major exhibition at the Barbican Art Gallery.

Hardcover. US, privately, 1st, nd, Book: Very Good, Dust Jacket: None, Spiral bound book with black and white images of antique iron fireplace gates and other pieces. Clean, tight copy.

Softcover. Hartford CT, Wadsworth Atheneum, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover. White wraps with color illustration and black lettering; 80 pages, illustrated throughout in b&w and color. Exhibition curator J. Herbert Callister. 49 works in the exhibition.

Hardcover. Prestel, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 288 pages. profusely illustrated in color and b&w. This book assembles key works by leading artists such as Max Beckmann, Otto Dix, Max Ernst, Oskar Kokoschka, and Alfred Kubin, and artists less familiar to audiences in the United States including Friedl Dicker-Brandeis, Albert Paris GA 1/4 tersloh, Karl Hubbuch, Richard Oelze, Franz Sedlacek, Josef Scharl, and Rudolf Wacker, who will each be represented by small groups of significant works. Clean copy.

Hardcover. NY, Four Winds Press, 3rd pr., 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 102 pages. Illustrated in line by Catherine Stock. A pampered child is transformed into a cat, with her beloved pet as a guide. Clean copy.

Hardcover. Santa Fe, New MExico, Santa Fe East Gallery, 1st, 1981, Book: Near Fine, Dust Jacket: Near Fine, 96 pages, illustrated in color and black & white with Ben Shahn works of art; historical black & white photographs of New York City scenes; chronology. Textured, cream-colored cloth with titling in dark gray on the spine & front cover; onionskin-type paper dust jacket with titling in black on spine, and Shahn design on the front panel. Still in original shrink-wrap.

Softcover. Washington , Smithsonian Institution Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Exhibition catalog. 202 pages, illustrated throughout with 148 plates in b&w. White pictorial stiff wrappers. Light wear to covers, small tear to upper edge of spine, else a very nice, tight copy.

Softcover. New York, N.Y., Hirschl & Adler Galleries, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 63 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. Guilford, CT, Lyons Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Hundreds of never before seen black & white photographs and private letters spanning 1949 - 2000.

Hardcover. Manchester, VT, Hudson Hills, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 163 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout.

Hardcover. NY, E P Dutton & Co., 1st US, 1960, Book: Very Good, Dust Jacket: None, Hardcover with pictorial boards, Illustrated in color by Derrick Sayer. First American edition. Delightfully witty and utterly absorbing tales about Nichols' three cats, Four, Five, and Oscar. No dust jacket, Clean, bright copy.

Hardcover. NY, E P Dutton & Co., 1st US, 1960, Book: Very Good, Dust Jacket: Very Good, Hardcover with a bright dust jacket with matching pictorial boards, Illustrated in color by Derrick Sayer. First American edition. Delightfully witty and utterly absorbing tales about Nichols' three cats, Four, Five, and Oscar. Clean, bright copy.

Softcover. Phoenix, AZ, Phoenix Art Museum, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog. 181pages, illustrated throughout in color and b&w. Gray pictorial stiff wrappers. Light wear to edges and spine, else like enw.

Softcover. Lawrence KS, Spencer Museum of Art, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover, 300 pages, color illustrations. This extensive exhibition catalog explores humankind's deep connections and fascination with the plant kingdom through artworks from the Spencer Museum's permanent collection, a number of significant loans, and site-specific commissions by four artists-in-residence: Ackroyd & Harvey, Sandy Winters, and Mathias Kessler. The exhibition is organized through several themes: artists' studies of plant forms; historic and contemporary plant lore; ecological sustainability and biomechanical plant hybrids; plants in a post-human world; and works dealing with scientific research on how plants sense the world and communicate. One aim of the exhibition is to cultivate viewers' empathy for plants by addressing the tendency of humans to dismiss plants as a static backdrop to their fast-paced lives. Themes in Big Botany are explored further through an exhibition catalogue published by the Museum that includes short contributions from a variety of artists, curators, poets, philosophers, ecologists, and more. Clean, bright copy.

Softcover. San Francisco, Chronicle Books, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. Accompanied traveling exhibition. Essays by Jane Livingston, Karen Tsujimoto, Henry T. Hopkins and Maurice Tuchman. Beautiful color plates, including a foldout and photos of the artist. Checklist for the exhibition. Chronology. Bibliography. Clean copy.

Softcover. Washington DC, Scalo/National Gallery of Art, 1st, 1994, Book: Very Good, Dust Jacket: None, Wraps are black, with white lettering on the spine. No date listed on title page. Copyright page dated 1994. Unpaginated; 34 b/w photographs reproduced. replica of a 1952 book which Frank produced in an edition of three unique examples.approximately 80 pages.

Softcover. Hanover NH, Hood Museum of Art, Dartmouth College , 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 374 pages illustrated in b&w and color. Issued in connection with an exhibition held March 8 to September 7, 2008, Hood Museum of Art, Dartmouth College. Black Womanhood examines an especially charged icon - the black female body - and contemporary artists' interventions upon historical images of black women as exotic Others, erotic fantasies, and supermaternal Mammies. This book presents icons of the black female body as seen from three separate but intersecting perspectives: the traditional African, the colonial, and the contemporary global. The display and contemplation of such iconic images addresses complex and often competing forces of self-presentation and the representation of others. Clean, like new. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Scalo Verlag , 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Thisbook contains a never-before published series of work from the early 1980s: Mikhailov photographed ''The Dancers'' in his hometown in the Ukraine during a period when the former Soviet Union was a reality, before the appearance of Gorbachov and "perestroika". We observe the open-air dancing scene with great astonishment; seeing older and younger people enjoy themselves in a way that might be contradictory to the images we might have about everyday life in the old Soviet Union. These cheerful images remind us how little women and men need to have a good time. An essay by Russian art critic Boris Groys and an exhaustive interview make this volume a must have for readers and libraries interested in contemporary art and photography. 65 duotone illustrations.

Hardcover. New York, Scalo Verlag , 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This book contains a never-before published series of work from the early 1980s: Mikhailov photographed ''The Dancers'' in his hometown in the Ukraine during a period when the former Soviet Union was a reality, before the appearance of Gorbachov and "perestroika". We observe the open-air dancing scene with great astonishment; seeing older and younger people enjoy themselves in a way that might be contradictory to the images we might have about everyday life in the old Soviet Union. These cheerful images remind us how little women and men need to have a good time. An essay by Russian art critic Boris Groys and an exhaustive interview make this volume a must have for readers and libraries interested in contemporary art and photography. 65 duotone illustrations.

Softcover. New York, United Technologies Corporations, 1st, 1988, Book: Good, Dust Jacket: None, 120 pages, softcover exhibition catalogue of Bourke-White: A Retrospective, organized and circulated by the International Center of Photography in New York. Minor edge wear and fade, otherwise, clean and tight.