Hardcover. Washington, D.C., Smithsonian Institution Press, rep, 1993, Book: Very Good, Dust Jacket: Very Good, Catalogue of the works of Thomas Eakins. Includes 49 large color plates with accompanying black/white and color illustrations and notes for each. Also contains reproductions of Eakins's lesser-known black/white photographs and biographical text about the artist. Very good condition; cloth bound book has virtually no flaws, dust jacket has few small tears near the edges.

Softcover. Montpelier VT, Wood Art Gallery, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, Color illustrated wraps, 63 pages. 36 bw repros. Lists 79 works exhibited. Essay by William Lipke. Exhibition held at Robert Hull Fleming Museum, Burlington, Vt., Sept. 11-Oct. 5. Includes bibliographical references. Clean copy.

Softcover. Brookville, NY, Hillwood Art Museum, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover. Side-stapled, 42 pages. Full-color catalog featuring essays and images of traditional and contemporary African textiles.

Hardcover. New York , E. P. Dutton, 1st, 1950, Book: Good, Dust Jacket: Good, Hardcover, 45 pages, illustrated in b&w by the author. Green cloth spine with illustrated boards. Dust jacket with light edge wear, chunk gone from rear panel at top, smaller corresponding piece gone from rear board. Interior bright, clean.

Softcover. London, Whitechapel Art Gallery, London, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 80 pages, illustrations in color and b&w. Clean, unmarked copy with only minor wear to wrappers. Published on the occasion of the exhibition held from December 11, 1992-February 28, 1993..

Softcover. London, Whitechapel Art Gallery, London, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 80 pages, illustrations in color and b&w. Clean, unmarked copy with only minor wear to wrappers. Published on the occasion of the exhibition held from December 11, 1992-February 28, 1993.

Hardcover. New York, Oxford University Press, 1st, 1950, Book: Very Good, Dust Jacket: Good, 248 pages. Hardcover with dust jacket. Wear to dust jacket edges. Clipping to dust jacket folds. Previous owners inscription and minor soiling to front flyleaf. Some rubbing to dust jacket front and rear covers. Light foxing to fore edge of text block. Inside clean and unmarked. A tight copy.

Hardcover. Santa Fe, NM, Twin Palms Publishers, 1st, 1997, Book: Very Good, Dust Jacket: None, 96 pages. Hardcover with no dust jacket. Very clean. like new copy in publisher's shrink-wrap. 78 full-page, black and white photographs. Limited to 3000 copies. Tight copy. A look at the black experience in late-20th-century America with powerful documentary images that will remain with the viewer long after the books are closed. Mauskopf presents a quiet collection of images made in one part of the South, the most isolated black communities of the Mississippi Delta, where time seems to have stopped in midcentury. The photographs are full of love, joy, and religious faith and are richly reproduced here as sheet-fed gravures. Mauskopf portrays the poorest Americans, who are nonetheless rich in family, church, and community bonds. He documents the unifying and dominant role of religion as well as the joys and sustenance provided by music, dance, romance, family life, and the land itself. These images capture a sense of place so powerfully that captions aren't necessary, though a brief and poetic essay by novelist Kenan nicely complements the photographs.

Hardcover. New York, Prestel Publishing, reprint, 1990, Book: Very Good, Dust Jacket: Very Good, 452 pages. Hardcover with dust jacket. Color pictures throughout. Black covers with gilt lettering on spine. Previous owner's signature and bookplate on front flyleaf. Light wear and rubbing to dust jacket. This excellent catalog of the 1990-1991 exhibition in Venice and Washington is a work of permanent value. Featuring essays by 16 authorities, primarily Italian and American, on every aspect of the art of Titian (Tiziano Vecelli, c. 1490-1576), the quintessential Venetian artist of the high Renaissance, the work transcends the limits of spatial and temporal exhibition to summarize and extend current scholarship. At the same time, the text is accessible, well translated, and aimed at a broad audience. Many of the works in the exhibit were conserved or cleaned, so the book features fresh illustrations and a hefty amount of technical discussion of specialist interest.

Softcover. Yonkers, NY, Hudson River Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 125 pages, b&w illustrations. Light rubbing to wrappers. Else a very clean, tight copy. Issued in conjunction with a 1984 exhibition of drawings by Hudson River School artist Frederic Edwin Church (1826-1900). With an essay by Elaine Evans Dee and foreword by Rick Beard. The annotated and illustrated catalogue presents 107 works. This is the only publication that examines in detail the preparatory studies of this master Hudson River School artist. Shows Church's drawings that were intended to provide preliminary detail for his oil paintings. The extensive notations on the drawings themselves are clear evidence of this intent. This provides a special insight into the processes of artistic creation as employed by one of 19th century American's greatest landscape painters.

Softcover. Yonkers, NY, Hudson River Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 125 pages, b&w illustrations. Light rubbing to wrappers. Else a very clean, tight copy. Issued in conjunction with a 1984 exhibition of drawings by Hudson River School artist Frederic Edwin Church (1826-1900). With an essay by Elaine Evans Dee and foreword by Rick Beard. The annotated and illustrated catalogue presents 107 works. This is the only publication that examines in detail the preparatory studies of this master Hudson River School artist. Shows Church's drawings that were intended to provide preliminary detail for his oil paintings. The extensive notations on the drawings themselves are clear evidence of this intent. This provides a special insight into the processes of artistic creation as employed by one of 19th century American's greatest landscape painters.

Softcover. Hanover NH, Hood Museum of Art, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 32 pages, b&w plates. Clean copy.

Hardcover. Manchester, VT, Hudson Hills, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Adja Yunkers's life and career spanned six continents and nearly the entire 20th century with all its various art movements. Born in Lativia, he lived in St Petersburg, Berlin and Paris, before finally settling in New York. He lived through Russian constructivisim and suprematism, Italian Futurism, surrealism, and abstract expressionsism, absorbing everything in his own style. His painting, prints and pastels are currently housed in collections aroung the world, including the V&A in London, the MoMA in New York and the Hamburger Kunsthalle in Hamburg.

Hardcover. Seattle, WA, Fantagraphics, 1st, 2017, Book: Very Good, Dust Jacket: None, 380 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear to dust jacket. To Laugh That We May Not Weep is a sweeping career retrospective, reprinting -often for the first time in 60 or 70 years- over 800 of Young's timeless, charming, and devastating cartoons and illustrations, many reproduced from original artwork, to create a fresh new portrait of this towering figure in the worlds of cartooning and politics.

Hardcover. NY, Harcourt Brace, 1st , 1998, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with glazed boards. Color illustrations by Ehlert. Light wear. Clean, tight copy. Top Cat rules the house until an unexpected box from the humane society arrives with someone new--and cute--inside. At first, Top Cat doesn't want to share his house and favorite things, but soon he learns that two cats can be lots more fun than one.

Hardcover. NY, Harcourt Brace , 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover. Color illustrations by Jeanette Winter. SIGNED BY WILLARD on title page.

Hardcover. GR, Hatje Cantz, 1st, 2000, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, oblong format, 80 pages. The Australian artist Tracey Moffatt is among the most carefully watched younger figures on the international scene. Of Aboriginal descent, Moffatt focuses on themes of the other, the unknown, the outcast, and the marginal. In her photographs and videos, she shows the complex interweaving of human relationships, forged by ethnic, social, and gender differences. Moffatt does not, however, aim to capture reality but to create her own reality. In her photographic work, the past, present, and future of the protagonists seem to gel together into a surreal simultaneity. Text in English and German by Brigitte Reinhardt, Stephan Berg, and Alexander Tolnay. Includes color and black and white illustrations. Clean copy.

Softcover. Cincinnati, Contemporary Arts Center, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 113 pages, color illustrations throughout. Clean, like new.

Softcover. Philadelphia, University of Pennsylvania Museum, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, 195 pages. Exhibition Catalog, illustrated throughout in color and b&w. This stunning catalogue includes color photographs of more than 230 objects, excavated in the 1930s by renowned British archaeologist Sir Leonard Woolley, from the third-millennium-B.C. Sumerian city of Ur. Learn the fascinating story of the excavation and preservation of these magnificent artifacts.Many of the objects are published in color and fully described for the first time--jewelry of gold and semiprecious stones, engraved seal stones, spectacular gold and lapis lazuli statuettes and musical instruments; and vessels of gold, silver, and alabaster. Curator Richard Zettler sets the stage with a history of Ur in the third millennium and the details of the actual excavations. Art historians Donald Hansen and Holly Pittman discuss the historical importance and significance of the many motifs on the most spectacular finds from the tombs. Clean copy.

Softcover. NY, Japan Society, Inc, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 215 pages. With a preface by Maryell Semal and photographs by Michikazu Sakai. 8 color plates, numerous b&w photos. Clean, bright copy.

Softcover. New York , Ira Spanierman Gallery, 1st, 1987, Book: Very Good, Dust Jacket: None, Exhibition catalog. 88 pages, illustrated throughout with numerous plates in b&w and 19 plates in full color. French folded pictorial wrappers. Lovely copy. like new.

Softcover. Los Angeles, CA, Jack Rutberg Fine Arts, Inc., 1st, 2015, Book: Very Good, Dust Jacket: None, 118 pages. Softcover. Very clean, LIKE NEW in publishers shrinkwrap. Estranged for more than 50 years, Brooklyn-born identical twin brothers-the celebrated artists Joel-Peter Witkin and Jerome Witkin-are brought together for the first time in this publication recreating an exhibition at Jack Rutberg Fine Arts in Los Angeles. Each of the artists' works from the critically acclaimed exhibition is fully illustrated in this volume, which also includes an audio CD of the historic first interview of the brothers together, as well as a selection of the initial reviews and interviews published through the mid-point of the exhibition's extended run.

Hardcover. New York, Harry N Abrams, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 551 pages, profusely illustrated in color and b&w. Clean, tight copy in a bright dust jacket. 894 illustrations, with 163 in full color. An exhaustive and lavishly illustrated history of the legendary print publisher Universal Limited Art Editions, and its founders Tatyana and Maurice Grosman. NOTE: THIS LARGE HEAVY VOLUME UNAVAILABLE FOR SHIPPING OUTSIDE THE U.S.

Hardcover. New York, D.A.P./Distributed Art Publishers, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. Edited by his grandson Oliver Halsman Rosenberg (who has spent two years organizing the archive and discovering the depth of the celebrated photographer's unpublished oeuvre), most of the images in this distinctive volume--which include private and experimental photographs, decontextualized advertisements, outtakes from famous sittings, contact sheets and family snapshots--have never been seen as a body of work in their own right. 144 pages.

Softcover. Montclair NJ, Montclair Art Museum, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 36 pages, stapled exhibition catalog. 16 b&w plates by Sherman, many multiple images. Like new. The Unseen Cindy Sherman, curated by MAM's Chief Curator Gail Stavitsky, offers a little-known selection of works by this leading contemporary artist. Primarily culled from family collections, the exhibition comprises early photographs and photographic assemblages created by Sherman as a college student, when she had begun to use herself as the subject of staged photographs. These early works vividly illustrate Sherman's early explorations of the myriad constructions of self and female identities as a young woman, and her interest in challenging conventions of beauty and behavior.

Softcover. Montclair NJ, Montclair Art Museum, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 36 pages, stapled exhibition catalog. 16 b&w plates by Sherman, many multiple images. Like new. The Unseen Cindy Sherman, curated by MAM's Chief Curator Gail Stavitsky, offers a little-known selection of works by this leading contemporary artist. Primarily culled from family collections, the exhibition comprises early photographs and photographic assemblages created by Sherman as a college student, when she had begun to use herself as the subject of staged photographs. These early works vividly illustrate Sherman's early explorations of the myriad constructions of self and female identities as a young woman, and her interest in challenging conventions of beauty and behavior.

Hardcover. NY, Harper & Row, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. A cat finds himself up a tree and won't come down until supper (in the form of a fisherman's catch) passes him by. A wordless picture book with amazing b&w drawings by Young. Clean copy.

Softcover. Paris, ACAER/GPC, 1st, 1994, Book: Very Good, Dust Jacket: None, 68 pages. Softcover. Exhibition catalog. French and English text. Black & white photographs. From the introduction: "This catalogue has been re-edited by advanced reading copy wraps en reve architecture centre with the Georges Pompidou Centre, for the presentation in France of the exhibition "Warchitecture-Sarajevo, a wounded city". The exhibition and the catalogue were prepared by the architects of the Sarajevo association, members of the associations of Architects of Bosnia-Herzegovina DAS-SABIH". Light rubbing to cover edges, minor creases at corners. Clean, unmarked text.

Hardcover. New York, Farrar Straus & Giroux, 3rd Printing, 1997, Book: Very Good, Dust Jacket: Very Good, 426 pages. Hardcover with dust jacket. Sunfading to dust jacket. Light soiling to textblock edges. Otherwise a very clean, unmarked copy with only minor dust jacket wear. A tight copy. Black and white illustrations throughout.

Softcover. London, National Portrait Gallery, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 255 pages. Illustrated in color and b&w. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Hardcover. Hanover NH, Hood Museum of Art, 1st, 1989, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. 86 pages. Exhibition catalog for a show that ran March 25 through June 25, 1989 at the Hood Museum of Art and then September 9 through October 15, 1989 at the Currier Gallery of Art. Features a preface by Timothy Rub, an introduction by Robert M. Doty and the poem "Chariot" by Stanley Kunitz. Includes color and black and white numerous illustrations, a checklist, biographical information, and a selected bibliography. Boghosian, (1926-2020), constructed his works from found objects. "Building upon the traditions of Surrealism and Dada Boghosian's assemblages and collages playfully contemplate the boundaries between dream and reality. In creating his art, Boghosian draws heavily on his extensive personal archive of found objects, gathered together in his home and studio. A one inch tear at the top of the jacket has been repaired with tape on the reverse side. Name on first blank page, otherwise clean.

Hardcover. Hatje Cantz, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages, illustrated in color and b&w. This catalogue accompanies a major exhibition devoted to Vasily Kandinsky, held at the Neue Galerie from 3 October, 2013 until 10 February, 2014. It explores the evolution of his work from the Blaue Reiter to the Bauhaus years. During this period, Kandinsky developed his revolutionary abstract style and began to move beyond conventional easel painting.

Softcover. London, Art/Books Hastings Contemporary, 1st, 2020, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 128 pages illustrated in color. The husband of Paula Rego and a visionary artist in his own right, Victor Willing (1928-1988) creates work that is characterized by dreamlike and hallucinatory imagery. Published to accompany the first major retrospective of his career, this volume traces his life decade by decade, charting his history of creative block and ill health, and analysing his paintings, drawings and sculptures.

Softcover. New York, The Museum of Modern Art, 1st, 1986, Book: Very Good, Dust Jacket: None, 264 pages. Softcover. A very clean, unmarked copy with minor foxing to textblock edges. Color photographs throughout.

Hardcover. Chicago, IL, Center for American Places, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 184 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Includes CD. The product of several visits to the Pine Ridge Indian Reservation, Views from the Reservation is meant to open our eyes, minds, and hearts to the life, culture, and conditions of the Oglala Lakota people. With his insightful and complex images Willis enlists several other voices to offer a more complete story: writer Kent Nerburn, who contributes an original essay; Lakota elders and Pine Ridge High School students, who offer poems; Emil Her Many Horses, the associate curator of the National Museum of the American Indian, Kevin Gover, the Assistant Secretary of the Interior for Indian Affairs, and Oglala Lakota artist Dwayne Wilcox. Accompanying the book is Heartbeat of the Rez, a compact disc collecting traditional songs compiled by the author, the elders, and KILI, the radio station of the reservation.

Softcover. Omaha, Nebraska, Center for Western Studies, Joslyn Art Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover exhibition catalogue featuring art by Karl Bodmer dedicated to the American Western frontier and its exploration by the German Prince Maximilian of Wied. 103 pages with 69 illustrations, 34 of which are color plates. Very good condition, light rubbing on the covers, otherwise a very bright, clean copy.

Softcover. Worcester MA, Worcester Art Museum, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 285 pages. 148 plates including 9 in color. Includes notes, bibliography, and catalogue. Minor edgewear to wrappers, clean copy.

Softcover. Middlebury VT, Middlebury College Museum of Art, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 64 pages illustrated in color and b&w. Catalog published on the occasion of the exhibition held from September 3-December 8, 2013. Clean, bight copy.

Hardcover. Brooklyn, NY, PowerHouse Books, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 123 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black and white photographs throughout.

Hardcover. Smithsonian Institution / Victoria and Albert Museum, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Eighty-two watercolors and drawings selected from the extensive Searight Collection in London present a variety of 19th-century artists' encounters with the diverse cultures and dramatic lands of the fabled Ottoman Empire. Complementing the artworks are essays by experts in Middle Eastern studies elucidating the exchange of ideas and influences between East and West. Artists include Edward Lear, Luigi Meyer, David Roberts etc. 128 pages. Clean copy.

Hardcover. Boston, Little, Brown Books for Young Readers, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, illustrated with Ed Young's amazing paper collages. The young cat named Wabi Sabi wishes to understand the meaning of her name.

Hardcover. NY, Prestel , 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 320 pages. Some of Walker Evans' most iconic images of 20th-century American culture are showcased in this book celebrating his 50-year career. Walker Evans was one of the most important American photographers of the 20th century. His focus on everyday life in America, in both urban and rural settings, makes him also one of the most relatable. This retrospective volume traces Evans' career through more than 300 images--from his first photographs of the late 1920s to his Polaroids of the 1970s. Organized thematically, the book examines topics such as Evans' relationship with the impresario Lincoln Kirstein, his work in postcards and magazines, and his lifelong exploration of the American vernacular. In addition, this volume features items from the photographer's own collection, including personal writings, signage, postcards, and other ephemera. Through these ancillary objects and a thorough overview of Evans' career, readers will come away with a better understanding of a photographer whose iconic photographs remain timeless.

Softcover. New York, The Metropolitan Museum of Art, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Softcover, 318 pages. B+W and color photographs throughout. Clean and tight copy. Large exhibition catalog. Although his work has received many awards, been enshrined in the best museums, and been exhibited on several continents, Evans's total corpus is only now being fully examined. This important book revises our appreciation of Evans by presenting previously unknown material in an accessible context. Essays by Maria Morris Hambourg, Jeff L. Rosenheim, Doug Eklund, and Mia Fineman offer novel insights into the sources and legacy of Evans's work. The result is a superb exploration of what was achieved by one of our finest, mostly deeply American artists.

Hardcover. NY, Museum of Modern Art, 2nd pr., 1974, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and price-clipped dust jacket. Stated second printing. 189 pages, profusely illustrated in bw. With an introduction by John Szarkowski. Catalog of a photography exhibition held at The Museum of Modern Art, New York. Clean copy.

Hardcover. San Francisco, Walt Disney Family Museum, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages, illustrated in color and b&w throughout. Clean, bright copy.

Hardcover. San Francisco, CA, Walt Disney Family Museum, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. A clean, unmarked copy with only minor rubbing to dust jacket. A tight copy. Produced in conjunction with The Walt Disney Family Museum's 2018 exhibition of the same name, Walt Disney's Nine Old Men: Masters of Animation features an array of fascinating artwork and family mementos from each of these accomplished gentlemen, such as sketchbooks, caricatures, and snapshots, as well as original art from the classic films Pinocchio, Bambi, Peter Pan, Lady and the Tramp, and Sleeping Beauty.

Hardcover. San Francisco, CA, Walt Disney Family Museum, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. A clean, unmarked copy with only minor rubbing to dust jacket. A tight copy. Produced in conjunction with The Walt Disney Family Museum's 2018 exhibition of the same name, Walt Disney's Nine Old Men: Masters of Animation features an array of fascinating artwork and family mementos from each of these accomplished gentlemen, such as sketchbooks, caricatures, and snapshots, as well as original art from the classic films Pinocchio, Bambi, Peter Pan, Lady and the Tramp, and Sleeping Beauty.

Softcover. Montgomery, Ala., Montgomery Museum of Fine Arts, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 69 pages, color and b&w illustrations. Light edge wear to wrappers. Small mark on rear cover, else a very clean, tight copy.

Softcover. New York, Grey Art Gallery and Study Center, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 117 pages, b&w illustrations. Very light edge wear; else a very clean, tight copy. 10 color, 99 bw plates. Issued in conjunction with a 1980 exhibition featuring works of American artist Walter Gay (1856-1937). With a substantial illustrated essay by Gary A. Reynolds, a brief chronology and selected bibliography. The annotated and illustrated catalogue addresses 90 pieces.