Softcover. NY, Guggenheim Museum, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, color illustrated wraps, unpaginated, richly illustrated in mostly color. Published on the occasion of the exhibition Matthew Barney: The Cremaster Cycle. Never opened, still in original shrink wrap. First published in February 2002, concludes Matthew Barney's CREMASTER cycle that consists of five films. He began working on the cycle in 1994. The individual parts, however, were not produced in chronological order. Each of the five films is accompanied by a publication; this volume was uniquely designed as an artist's book by Matthew Barney and contains a multitude of photographs and film stills from Cremaster 3.

Softcover. Oklahoma City, Oklahoma Museum of Art, 1st, 1981, Book: Good, Dust Jacket: None, Softcover, 21 pages plus 44 b&w and color plates. Rubbing, creases to wrappers. Slightly wrinkled near spine. Previous price sticker on back cover. Else a clean, tight copy.

Softcover. Williamstown, MA, Prestel & Williams College Museum of Art, 1st, 1990, Book: Near Fine, Dust Jacket: None, Exhibition catalog. 193 pages, illustrated throughout numerous illustrations in b&w and 139 plates in full color. Pictorial stiff wrappers. Minor edgewear to covers, else like new.

Hardcover. Berlin, Hatje Cantz, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover. 352 pages, 200 color plates. Paintings, drawings, and sculpture from every stage of the artist's career are included in the exhibition catalogue. Like new in publisher's shrink-wrap.

Hardcover. Australia, T & G Publishing, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 296 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color photographs throughout. Max Pam is one of Australia's most important contemporary photographers. His success is based on a body of provocative and compellingly intimate images of people from all over the world. This substantial publication with notes gives an emotional, sometimes lyrical, provocative, always intimate portrait of the artist as much as the people and places he has witnessed.

Softcover. Springfield MA, The George Walker Vincent Smith Art Museum, 1st, 1966, Book: Very Good, Dust Jacket: None, Softcover, 40 pages. 11 sepia tone plates. Catalog lists and describes 125 works in the exhibition by Parrish. Chronology. Introduction by Donald Reichert, essay extracted from an article by Coy L. Ludwig which appeared in the Art Journal, Winter 1965-66. Published to accompany the exhibition held in Springfield, MA , January 23-March 20.

Softcover. Springfield, MA, The George Walter Vincent Smith Art Museum, 1st, 1966, Book: Very Good, Dust Jacket: None, Exhibition catalog. 38 pages including bibliography and chronology. Six sepia plates. Beige stiff wrappers. Light wear to edges and covers, else a very nice, clean copy.

Hardcover. NY, Pace Gallery, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover. Square quarto, in gray card stock covers stamped in silver and black, 87 pages, color illustrations. Issued in conjunction with several 2013 exhibitions of unique map-based art created by American artist Maya Lin. With essays by Robert Storr and William Fox. Clean copy.

Softcover. Milan, Silvana Editoriale, 1st, 2015, Book: Very Good, Dust Jacket: None, Softcover, 87 pages, color illustrations. Completely clean. Text in English and Italian. This catalog was prepared to accompany the exhibition 'Natura Naturans Meg Webster opere works 1982-2015' in Varese, Italy at the Villa Panza from June 12, 2015 to February 28, 2016. Introduction by Anna Bernardini. Essay by Angela Vettere. Interview between Giuseppe Panza and Meg Webster conducted by Bernardini. This is the first monograph devoted to Meg Webster, principally a sculptor and creator of installations and documents some of the most important works produced by the artist between 1982 and 2015. Clean, bright copy.

Softcover. NY, Paula Cooper Gallery, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, wire binding, 50 pages. Color illustrations. Scarce. Meg Webster is an American artist from San Francisco working primarily in sculpture and installation art. While her works span multiple media, she is most well known for her artworks that feature natural elements.

Softcover. Cambridge MA, Harvard Art Museums, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Mel Bochner (b. 1940) is considered a pioneer of the Post-Minimal and Conceptual art movements. Perhaps best known for his paintings, sculptures, and drawings, Bochner became deeply involved with photography in the mid- to late 1960s, although most of these works have only recently been exhibited. This significant book provides the first critical look at a virtually unknown body of Bochner's extremely varied photographs dating from 1966-1969. Some 75 of his photographs are presented, many in color and most published for the first time. Also included are a number of Bochner's drawings that directly informed his photographic works. Scott Rothkopf explores the crucial role of photography in Bochner's artistic development as well as key issues in the relation of photography to Minimal and Conceptual art.

Softcover. Philadelphia, Pennsylvania Academy of the Fine Arts, 1st, 1922, Book: Very Good, Dust Jacket: None, Softcover, 181 pages, b&w illustrations. Rubbing, chipping to wrappers and edges. Wrinkling on spine. Else a clean, tight copy.

Hardcover. UK, Cambridge University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 444 pages. Hardcover with dust jacket. Light fading to dust jacket front. Light edgewear to dj. Black and white pictures throughout. Clean, tight copy. In 1999 Pope John Paul II proclaimed Our Lady of Guadalupe a patron saint of the Americas. According to oral tradition and historical documents, in 1531 Mary appeared as a beautiful Aztec princess to Juan Diego, a poor Indian. Speaking to him in his own language, she asked him to tell the bishop her name was La Virgen de Guadalupe and that she wanted a church built on the mountain. During a second visit, the image of the Virgin miraculously appeared on his cape. Through the centuries, the enigmatic power of this image has aroused such fervent devotion in Mexico that it has served as the banner of the rebellion against Spanish rule and, despite skepticism and anticlericalism, still remains a potent symbol of the modern nation. In Mexican Phoenix, David Brading traces the intellectual origins, the sudden efflorescence, and the theology that has sustained the tradition of Our Lady of Guadalupe. Brading also documents the interaction of religion and patriotism, and describes how the image has served as a banner both for independence and for the Church in its struggle against the Liberal and revolutionary state.

Hardcover. NY, Parents' Magazine Press, 1st, 1972, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, color illustrations by Kerr. The charming story of a cat who's always getting into trouble. He later redeems himself by helping to catch a burglar. Clean, bright copy.

Softcover. Chicago, Illinois, Mongerson Galleries, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 100 page catalog from October 1981 exhibition at The Mongerson Gallery. Numerous black and white prints and photographs. Brief artist biographies. Textured cover features color artwork and exhibits some wear, particularly along binding edge. Interior in near fine condition.

Softcover. New York, David & Long , 1st, 1979, Book: Very Good, Dust Jacket: None, 148 pages, b&w and color illustrations. Light rubbing, soiling to wrappers. Spine slightly cocked. Else a clean, tight copy.

Softcover. New York, David & Long , 1st, 1979, Book: Very Good, Dust Jacket: None, 148 pages, b&w and color illustrations. Light rubbing, soiling to wrappers. Previous price sticker on back cover. Else a clean, tight copy.

Softcover. NY, Museum Of Modern Art , 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, Illustrated in color and black and white. 191 pages. Oblong 4to, stiff pictorial wrappers. Clean copy.

Hardcover. New York, Parents Magazine Press , 1st, 1969, Book: Good, Dust Jacket: None, Hardcover. Color illustrations by Charles Mikolaycak. Bottom corners slightly bumped. Light rubbing to corners, spine. Minor soiling to covers. Library binding. No dust jacket.

Hardcover. New York, Viking Press, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover. 64 pages. Black & white lithographs by Zhenya Gay. Covers with mild soil, rubbing. Clean copy.

Hardcover. New York, Viking Press, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover. 64 pages. Black & white lithographs by Zhenya Gay. Previous owner's signature, inscription on half title page. Soiling to end papers. Clear plastic protective cover, but no dust jacket. Spine faded.

Hardcover. London, Constable And Co., 1st, 1961, Book: Very Good, Dust Jacket: None, Non-paginanted. Hardcover with no dust jacket. Moderate wear to edges. Tight copy. lllustrated by Antony Maitland.

Softcover. New York, Independent Curators Inc, 1st, 1995, Book: Near Fine, Dust Jacket: None, Softcover, 80 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition. Exhibition catalog for a group show that ran January 21 through March 6, 1992 and then May 20 through June 30, 1992 at the Zabriskie Gallery in New York. Introduction by Klaus Ottmann. Essay by Leslie Tonkonow. Includes numerous black and white images from these photographers who were in the show: Robert Doisneau, Diane Arbus, Thomas Struth, Neal Slavin, William Klein, Walker Evans and many others.

Softcover. Middlebury, VT, Middlebury College Museum of Art, 1st, 2015, Book: Very Good, Dust Jacket: None, 111 pages. Softcover with paper wrappers. Color pictures throughout. In 1899 Gustav Klimt's painting Nuda Veritas shook up the Austrian public with what many deem to be the painter's most political exploration of the nude female body. Klimt's provocative allegory challenged viewers to consider their own beliefs about the relationship between the nude (female) body and contemporary morality; this "naked truth" was shocking. Transcending accusations of pornography, Klimt's work paved the way for artistic examinations of the nude body as the site through which questions of freedom, desire, beauty, nature, culture, power, and their antonyms could be represented and negotiated. Taking these ideas as one critical point of departure, this volume and the accompanying exhibition feature selected prints, drawings, and watercolors by Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann and Kathe Kollwitz, among others. It explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, which changed the world's notions of flesh and blood forever.

Softcover. Middlebury, VT, Middlebury College Museum of Art, 1st, 2015, Book: Very Good, Dust Jacket: None, 116 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout.

Softcover. Malmo, Sweden, Malmo Konsthall, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 48 pages, color illustrations. Text in English and Swedish. Essay by Susan Harris. This catalog was prepared to accompany the exhibition in Sweden at the Malmo Konsthall from September 3 to October 16, 1994. In this exhibition Nancy Spero printed her drawings directly on the walls to create the work.

Softcover. NY, PaceWildenstein, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 60 pages illustrated in color. Catalogue from the exhibit, Naum Gabo Pioneer of Abstract Sculpture November 4 - December 11, 1999. Essay by Graham Williams. Clean, bright copy.

Hardcover. NY, Farrar, Straus, Giroux, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Non-paginated. hardcover with dust jacket. Color illustrations by Babbitt. Dust jacket price clipped. Clean, tight copy.

Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. 60 pages, 15 color and 1 b&w illustration. Text in German and English. With a chronology. This is the hardbound catalogue published in conjunction with noted Leipzig-based artist Neo Rauch's 2004 exhibition of recent large scale works on paper held at Vienna's Albertina. Essay by Harald Kunde.

Softcover. Milan, Stanza del Borgo, limited, 1973, Book: Very Good, Dust Jacket: None, Softcover. Number 966 of 1000 copies. 142 pages, b&w illustrations throughout. Edge wear, rubbing to wrappers; spine slightly yellowed. Previous owner's signature on front fly leaf. Light smudges on top edge. Internally a very clean, tight copy.

Softcover. NY, Pace Gallery/Wilderstein, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog that is actually two catalogs published back to back (unusual format). One side is Maquettes for Monumental Sculpture and the other Wood Sculpture and Collages. Approx. 60 pages all together. B&W and color photography throughout. Sewn bindings with slight wear. Overall, a nice, clean copy.

Softcover. Rockland, Maine, William A. Farnsworth Library, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. Exhibition catalog. Perfect binding, covers completely illustrated in full-color, foreword by Marius B. Peladeau. introduction by Dorothy C. Miller, profuse full-page color and b&w plates, biographical summary. Very mild rubbing to covers, else a clean, tight copy.

Softcover. NY, Museum of Modern Art, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover. This is the second in a series of exhibitions organized by The Museum of Modern Art, New York, that shows a small number of artists' recent work on paper. Artists featured: Jonathan Borofsky, Francesco Clemente, Mario Merz, A.R. Penck, and Giuseppe Penone. Introduction by Bernice Rose. Clean copy.

Hardcover. NY, Dominic Books, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover in pictorial glossy boards. When a jazz-loving kitten named Nicky meets a legendary trumpet player, he learns how to play jazz and word travels fast--soon all the top musicians hear about this jazz cat and want to play with him. This charming story is illustrated with photographs of Nicky with jazz greats Roy Eldridge, Lionel Hampton, Lena Horne, Quincy Jones, Abbey Lincoln, and Gerry Mulligan as they meet and make friends. The colorful graphics and rhyming text--call and response conversation between Nicky and his new musician friends--reflect the humor, rhythm, and spirit of jazz itself. Nicky the Jazz Cat teaches children about the magic of jazz, the value of friends and mentors, and the power of imagination and originality. Children and adults alike will delight in his journey from curious jazz kitten to acclaimed jazz cat. This is the true first edition published 2 years before the poerHouse edition.

Softcover. Escondido, CA, California Center for the Arts, 1st, 2000, Book: Very Good, Dust Jacket: None, 148 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. Only 1000 copies made. 62 plates, 36 in color & 53 illustrations. The first comprehensive monograph on the seven-decade career of the "passionate humanist" Harry Sternberg. His work runs the gamut from closely observed glimpses of life in New York in the 1920s and 1930s , through the WPA era, to metaphorical images of terror and hope and lyrical landscapes. Judaica is the strongest influence. "Exhibition checklist" (pp. 102-107); "Public collections and murals" (pp. 108-109); "Chronology" (p. 110-21) includes 39 illustrations; "Exhibition history" (pp. 122-33); "Bibliography" (pp. 134-47)

Softcover. Escondido, CA, California Center for the Arts, 1st, 2000, Book: Very Good, Dust Jacket: None, 148 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. Only 1000 copies made. 62 plates, 36 in color & 53 illustrations. The first comprehensive monograph on the seven-decade career of the "passionate humanist" Harry Sternberg. His work runs the gamut from closely observed glimpses of life in New York in the 1920s and 1930s , through the WPA era, to metaphorical images of terror and hope and lyrical landscapes. Judaica is the strongest influence. "Exhibition checklist" (pp. 102-107); "Public collections and murals" (pp. 108-109); "Chronology" (p. 110-21) includes 39 illustrations; "Exhibition history" (pp. 122-33); "Bibliography" (pp. 134-47)

Softcover. Middletown, CT, Wesleyan University, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 116 pages. Exhibition catalog. Letter from editor laid in. Black-and-white illustrations throughout. Light sun-fade to covers. Previous owner's signature on front flyleaf. A little mark from paper clip on title page. Clean, tight copy.

Softcover. NY, The Pace Gallery, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover exhibition catalogue with textured tissue paper, front and rear end papers, 24 pages of color plates. Has a 'Manifesto' written by Noguchi in which he describes his way of being thus: ' I am challenged by the unknown, by accidents, from which to extricate something beyond preconception. My effort has been to expand this area of challenge'. Mild wear, thin spine area with sun fade. No markings.

Hardcover. US, JRP|Ringier, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 192 pages, no dust jacket issued. Like new in publishers shrink-wrap. The artistic persona Norma Jeane (her birth, says the artist, coincided with Marilyn Monroe's death) presents a series of mind-bending but nevertheless elegantly simple projects in this volume. Gatefold images separate substantial essays and explanations of works, one of which involves a riderless motorcycle that starts and revs when approached, and another a couch that releases pheromones when sat on.

Hardcover. New York, JRP|Ringier, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 192 pages, no dust jacket issued. Like new in publishers shrink-wrap. The artistic persona Norma Jeane (her birth, says the artist, coincided with Marilyn Monroe's death) presents a series of mind-bending but nevertheless elegantly simple projects in this volume. Gatefold images separate substantial essays and explanations of works, one of which involves a riderless motorcycle that starts and revs when approached, and another a couch that releases pheromones when sat on.

Softcover. NY, Bill Hodges Gallery, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. Profusely illustrated with color plates and figures. Accompanied a 2009 gallery exhibition; Includes an artist chronology and list of exhibitions; One of 2000 copies in this edition. Clean copy.

Softcover. London, Dulwich Picture Gallery, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 209 pages, fine fold over card covers. Color throughout. This volume exhibits a remarkable collection of select original works spanning six decades, providing a comprehensive look at his career and including all of his vintage Saturday Evening Post covers. This catalogue was published in conjunction with the exhibition by the same title, on view at Dulwich Picture Gallery in London, England. SIGNED LETTER FROM EDITORS laid in as well as related ephemera, articles.

Softcover. NY, Bill Hodges Gallery, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 96 pages with color and b&w plates throughout. Includes the work of Norman Lewis, Charles Alston, Milton Avery, Edward M. Bannister, Richmond Barthe, Edward Clark, Sam Gilliam, Kara Walker, Carrie Mae Weems, Charles White, Kehinde Wiley, Lynette Yiadom-Boakye and more.

Hardcover. New York, Princeton Architectral Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Very clean, unmarked copy with some minor wear to dust jacket edges. Otherwise tight copy. A collection of black and white, and color photographs from the Maresca collection housed at the Newark Musuem, featuring images from the 1920s through the 1960s.

Hardcover. New York , Scala Publishers, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. The history of New York's ties to the Spanish-speaking world is as old as New Amsterdam itself, and is largely unknown. Accompanying a major exhibition organized by the New York Historical Society and El Museo del Barrio, this groundbreaking, interdisciplinary publication will for the first time make visible these connections and the myriad ways in which they have shaped the city for more than four centuries. Hardcover, 286 pages, b&w, some color illustrations.

Hardcover. GR, Museum Folkwang Essen, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. Published in conjunction with a traveling exhibition that started in Essen and ran May 13 through July 15, 2001 and then went on to Milan, Rotterdam, and two other cities for additional dates. Text in English and German. Preface by Ute Eskildsen. Essay by Jurgen Muller. Includes a look at Irving Penn's various editorial work in magazines with numerous color images. An excellent copy in a bright dust jacket.

Hardcover. GR, Museum Folkwang Essen, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. Published in conjunction with a traveling exhibition that started in Essen and ran May 13 through July 15, 2001 and then went on to Milan, Rotterdam, and two other cities for additional dates. Text in English and German. Preface by Ute Eskildsen. Essay by Jurgen Muller. Includes a look at Irving Penn's various editorial work in magazines with numerous color images. An excellent copy in a bright dust jacket.

Softcover. NY, Jordan Volpe Gallery, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 89 pages, b&w and color photographs. Very light edge wear, rubbing to wrappers, else a very clean, tight copy.The catalogue of an exhibition at the Jordan-Volpe Gallery, New York, April 15 - June 30, 1980. Illustrated with 18 color plates and 11 figures in the text.

Softcover. Ostfildern GR, Hatje Cantz, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 114 pages illustrated in color and b&w, catalog of an exhibition held at the Institute of Contemporary Art, Boston, January 24-April 1, 2001. Clean copy.