Softcover. Chicago, Illinois, Mongerson Galleries, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 100 page catalog from October 1981 exhibition at The Mongerson Gallery. Numerous black and white prints and photographs. Brief artist biographies. Textured cover features color artwork and exhibits some wear, particularly along binding edge. Interior in near fine condition.

Softcover. New York, David & Long , 1st, 1979, Book: Very Good, Dust Jacket: None, 148 pages, b&w and color illustrations. Light rubbing, soiling to wrappers. Previous price sticker on back cover. Else a clean, tight copy.

Softcover. New York, David & Long , 1st, 1979, Book: Very Good, Dust Jacket: None, 148 pages, b&w and color illustrations. Light rubbing, soiling to wrappers. Spine slightly cocked. Else a clean, tight copy.

Softcover. NY, Museum Of Modern Art , 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, Illustrated in color and black and white. 191 pages. Oblong 4to, stiff pictorial wrappers. Clean copy.

Hardcover. New York, Parents Magazine Press , 1st, 1969, Book: Good, Dust Jacket: None, Hardcover. Color illustrations by Charles Mikolaycak. Bottom corners slightly bumped. Light rubbing to corners, spine. Minor soiling to covers. Library binding. No dust jacket.

Hardcover. New York, Viking Press, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover. 64 pages. Black & white lithographs by Zhenya Gay. Covers with mild soil, rubbing. Clean copy.

Hardcover. New York, Viking Press, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover. 64 pages. Black & white lithographs by Zhenya Gay. Previous owner's signature, inscription on half title page. Soiling to end papers. Clear plastic protective cover, but no dust jacket. Spine faded.

Hardcover. London, Constable And Co., 1st, 1961, Book: Very Good, Dust Jacket: None, Non-paginanted. Hardcover with no dust jacket. Moderate wear to edges. Tight copy. lllustrated by Antony Maitland.

Softcover. New York, Independent Curators Inc, 1st, 1995, Book: Near Fine, Dust Jacket: None, Softcover, 80 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition. Exhibition catalog for a group show that ran January 21 through March 6, 1992 and then May 20 through June 30, 1992 at the Zabriskie Gallery in New York. Introduction by Klaus Ottmann. Essay by Leslie Tonkonow. Includes numerous black and white images from these photographers who were in the show: Robert Doisneau, Diane Arbus, Thomas Struth, Neal Slavin, William Klein, Walker Evans and many others.

Softcover. Middlebury, VT, Middlebury College Museum of Art, 1st, 2015, Book: Very Good, Dust Jacket: None, 111 pages. Softcover with paper wrappers. Color pictures throughout. In 1899 Gustav Klimt's painting Nuda Veritas shook up the Austrian public with what many deem to be the painter's most political exploration of the nude female body. Klimt's provocative allegory challenged viewers to consider their own beliefs about the relationship between the nude (female) body and contemporary morality; this "naked truth" was shocking. Transcending accusations of pornography, Klimt's work paved the way for artistic examinations of the nude body as the site through which questions of freedom, desire, beauty, nature, culture, power, and their antonyms could be represented and negotiated. Taking these ideas as one critical point of departure, this volume and the accompanying exhibition feature selected prints, drawings, and watercolors by Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann and Kathe Kollwitz, among others. It explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, which changed the world's notions of flesh and blood forever.

Softcover. Middlebury, VT, Middlebury College Museum of Art, 1st, 2015, Book: Very Good, Dust Jacket: None, 116 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout.

Softcover. NY, Air Gallery, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 32 pages illustrated in color and b&w. Essay by Flavia Rando. Clean copy.

Softcover. Malmo, Sweden, Malmo Konsthall, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 48 pages, color illustrations. Text in English and Swedish. Essay by Susan Harris. This catalog was prepared to accompany the exhibition in Sweden at the Malmo Konsthall from September 3 to October 16, 1994. In this exhibition Nancy Spero printed her drawings directly on the walls to create the work.

Softcover. NY, PaceWildenstein, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 60 pages illustrated in color. Catalogue from the exhibit, Naum Gabo Pioneer of Abstract Sculpture November 4 - December 11, 1999. Essay by Graham Williams. Clean, bright copy.

Hardcover. NY, Farrar, Straus, Giroux, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Non-paginated. hardcover with dust jacket. Color illustrations by Babbitt. Dust jacket price clipped. Clean, tight copy.

Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. 60 pages, 15 color and 1 b&w illustration. Text in German and English. With a chronology. This is the hardbound catalogue published in conjunction with noted Leipzig-based artist Neo Rauch's 2004 exhibition of recent large scale works on paper held at Vienna's Albertina. Essay by Harald Kunde.

Softcover. Milan, Stanza del Borgo, limited, 1973, Book: Very Good, Dust Jacket: None, Softcover. Number 966 of 1000 copies. 142 pages, b&w illustrations throughout. Edge wear, rubbing to wrappers; spine slightly yellowed. Previous owner's signature on front fly leaf. Light smudges on top edge. Internally a very clean, tight copy.

Softcover. NY, Pace Gallery/Wilderstein, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog that is actually two catalogs published back to back (unusual format). One side is Maquettes for Monumental Sculpture and the other Wood Sculpture and Collages. Approx. 60 pages all together. B&W and color photography throughout. Sewn bindings with slight wear. Overall, a nice, clean copy.

Softcover. Rockland, Maine, William A. Farnsworth Library, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. Exhibition catalog. Perfect binding, covers completely illustrated in full-color, foreword by Marius B. Peladeau. introduction by Dorothy C. Miller, profuse full-page color and b&w plates, biographical summary. Very mild rubbing to covers, else a clean, tight copy.

Softcover. NY, Museum of Modern Art, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover. This is the second in a series of exhibitions organized by The Museum of Modern Art, New York, that shows a small number of artists' recent work on paper. Artists featured: Jonathan Borofsky, Francesco Clemente, Mario Merz, A.R. Penck, and Giuseppe Penone. Introduction by Bernice Rose. Clean copy.

Hardcover. NY, Dominic Books, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover in pictorial glossy boards. When a jazz-loving kitten named Nicky meets a legendary trumpet player, he learns how to play jazz and word travels fast--soon all the top musicians hear about this jazz cat and want to play with him. This charming story is illustrated with photographs of Nicky with jazz greats Roy Eldridge, Lionel Hampton, Lena Horne, Quincy Jones, Abbey Lincoln, and Gerry Mulligan as they meet and make friends. The colorful graphics and rhyming text--call and response conversation between Nicky and his new musician friends--reflect the humor, rhythm, and spirit of jazz itself. Nicky the Jazz Cat teaches children about the magic of jazz, the value of friends and mentors, and the power of imagination and originality. Children and adults alike will delight in his journey from curious jazz kitten to acclaimed jazz cat. This is the true first edition published 2 years before the poerHouse edition.

Softcover. Escondido, CA, California Center for the Arts, 1st, 2000, Book: Very Good, Dust Jacket: None, 148 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. Only 1000 copies made. 62 plates, 36 in color & 53 illustrations. The first comprehensive monograph on the seven-decade career of the "passionate humanist" Harry Sternberg. His work runs the gamut from closely observed glimpses of life in New York in the 1920s and 1930s , through the WPA era, to metaphorical images of terror and hope and lyrical landscapes. Judaica is the strongest influence. "Exhibition checklist" (pp. 102-107); "Public collections and murals" (pp. 108-109); "Chronology" (p. 110-21) includes 39 illustrations; "Exhibition history" (pp. 122-33); "Bibliography" (pp. 134-47)

Softcover. Escondido, CA, California Center for the Arts, 1st, 2000, Book: Very Good, Dust Jacket: None, 148 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. Only 1000 copies made. 62 plates, 36 in color & 53 illustrations. The first comprehensive monograph on the seven-decade career of the "passionate humanist" Harry Sternberg. His work runs the gamut from closely observed glimpses of life in New York in the 1920s and 1930s , through the WPA era, to metaphorical images of terror and hope and lyrical landscapes. Judaica is the strongest influence. "Exhibition checklist" (pp. 102-107); "Public collections and murals" (pp. 108-109); "Chronology" (p. 110-21) includes 39 illustrations; "Exhibition history" (pp. 122-33); "Bibliography" (pp. 134-47)

Softcover. Middletown, CT, Wesleyan University, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 116 pages. Exhibition catalog. Letter from editor laid in. Black-and-white illustrations throughout. Light sun-fade to covers. Previous owner's signature on front flyleaf. A little mark from paper clip on title page. Clean, tight copy.

Softcover. NY, The Pace Gallery, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover exhibition catalogue with textured tissue paper, front and rear end papers, 24 pages of color plates. Has a 'Manifesto' written by Noguchi in which he describes his way of being thus: ' I am challenged by the unknown, by accidents, from which to extricate something beyond preconception. My effort has been to expand this area of challenge'. Mild wear, thin spine area with sun fade. No markings.

Softcover. NY, Denise Bibro Fine Art, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 32 pages, 11 color plates. SIGNED BY SPEYER on the front fly leaf. Clean, bright copy.

Hardcover. US, JRP|Ringier, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 192 pages, no dust jacket issued. Like new in publishers shrink-wrap. The artistic persona Norma Jeane (her birth, says the artist, coincided with Marilyn Monroe's death) presents a series of mind-bending but nevertheless elegantly simple projects in this volume. Gatefold images separate substantial essays and explanations of works, one of which involves a riderless motorcycle that starts and revs when approached, and another a couch that releases pheromones when sat on.

Hardcover. New York, JRP|Ringier, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 192 pages, no dust jacket issued. Like new in publishers shrink-wrap. The artistic persona Norma Jeane (her birth, says the artist, coincided with Marilyn Monroe's death) presents a series of mind-bending but nevertheless elegantly simple projects in this volume. Gatefold images separate substantial essays and explanations of works, one of which involves a riderless motorcycle that starts and revs when approached, and another a couch that releases pheromones when sat on.

Softcover. NY, Bill Hodges Gallery, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. Profusely illustrated with color plates and figures. Accompanied a 2009 gallery exhibition; Includes an artist chronology and list of exhibitions; One of 2000 copies in this edition. Clean copy.

Softcover. London, Dulwich Picture Gallery, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 209 pages, fine fold over card covers. Color throughout. This volume exhibits a remarkable collection of select original works spanning six decades, providing a comprehensive look at his career and including all of his vintage Saturday Evening Post covers. This catalogue was published in conjunction with the exhibition by the same title, on view at Dulwich Picture Gallery in London, England. SIGNED LETTER FROM EDITORS laid in as well as related ephemera, articles.

Softcover. NY, Bill Hodges Gallery, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 96 pages with color and b&w plates throughout. Includes the work of Norman Lewis, Charles Alston, Milton Avery, Edward M. Bannister, Richmond Barthe, Edward Clark, Sam Gilliam, Kara Walker, Carrie Mae Weems, Charles White, Kehinde Wiley, Lynette Yiadom-Boakye and more.

Hardcover. New York, Princeton Architectral Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Very clean, unmarked copy with some minor wear to dust jacket edges. Otherwise tight copy. A collection of black and white, and color photographs from the Maresca collection housed at the Newark Musuem, featuring images from the 1920s through the 1960s.

Hardcover. New York , Scala Publishers, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. The history of New York's ties to the Spanish-speaking world is as old as New Amsterdam itself, and is largely unknown. Accompanying a major exhibition organized by the New York Historical Society and El Museo del Barrio, this groundbreaking, interdisciplinary publication will for the first time make visible these connections and the myriad ways in which they have shaped the city for more than four centuries. Hardcover, 286 pages, b&w, some color illustrations.

Hardcover. GR, Museum Folkwang Essen, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. Published in conjunction with a traveling exhibition that started in Essen and ran May 13 through July 15, 2001 and then went on to Milan, Rotterdam, and two other cities for additional dates. Text in English and German. Preface by Ute Eskildsen. Essay by Jurgen Muller. Includes a look at Irving Penn's various editorial work in magazines with numerous color images. An excellent copy in a bright dust jacket.

Hardcover. GR, Museum Folkwang Essen, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. Published in conjunction with a traveling exhibition that started in Essen and ran May 13 through July 15, 2001 and then went on to Milan, Rotterdam, and two other cities for additional dates. Text in English and German. Preface by Ute Eskildsen. Essay by Jurgen Muller. Includes a look at Irving Penn's various editorial work in magazines with numerous color images. An excellent copy in a bright dust jacket.

Softcover. NY, Jordan Volpe Gallery, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 89 pages, b&w and color photographs. Very light edge wear, rubbing to wrappers, else a very clean, tight copy.The catalogue of an exhibition at the Jordan-Volpe Gallery, New York, April 15 - June 30, 1980. Illustrated with 18 color plates and 11 figures in the text.

Softcover. Boston, Pucker Gallery, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 24 pages illustrated in color. A selection of the Nova Scotia artist's ceramic work, mostly beautifully designed vases. Clean copy.

Softcover. Ostfildern GR, Hatje Cantz, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 114 pages illustrated in color and b&w, catalog of an exhibition held at the Institute of Contemporary Art, Boston, January 24-April 1, 2001. Clean copy.

NY, Viking Press, 1st, 1946, Book: Very Good, Dust Jacket: Good, Hardcover, 138 pages. Color frontispiece, b&w illustrations by Cathal O'Toole. Dust jacket worn, chipped, light soil.

Softcover. Minneapolis, MN, Walker Art Center, 1st, 1975, Book: Good, Dust Jacket: None, Softcover. Exhibition catalog, 100 pages. Color and B&W plates throughout. . Deep bend on wrapper and first several pages. Light edgewear to wrapper and tearing on spine. soiling on last couple of pages. Overall a nice, tight copy.

Hardcover. Reading MA, Addison-Wesley Publishing, BC Ed., 1969, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 32 pages illustrated in 3-colors by Don Madden. Weekly Reader Book Club. Clean copy.

1972, Book: Very Good, Color art by Le-Tan of indoor cat resting in red room. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1979, Book: Very Good, Color art of a cat by Saul Steinberg, 8 1/4 X 11", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. London, Frederick Warne, reprint, 1990, Book: Very Good, Dust Jacket: None, Hardcover, large format pictorial boards. Originally published by Country Life Ltd in 1938. Orlando, his wife, Grace, and their kittens, Blanche, Pansy and Tinkle, drive to the countryside where they sleep under a tent, catch fish, go swimming, hide from a sheep dog, paint pictures, and sing songs. Clean copy, lacks dust jacket.

Hardcover. Munich, Hirmer Publishers, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 288 pages. Oscar Munoz: Invisibilia is Colombian artist Oscar Munoz's first retrospective in the United States. Addressing the entire span of Munoz's career--from the 1970s to 2020--this exhibition catalog is the most substantive book on Oscar Munoz's work in English to date. Invisibilia includes artworks ranging from Munoz's early charcoal drawings to his later conceptual photographic, video, and installation works. The bilingual catalog includes essays in both Spanish and English from a diverse cadre of scholars who offer fresh takes on Munoz's best-known works and illuminate his more obscure experiments. It also features interviews with the artist as well as a recent text he has written on his practice. A comprehensive chronology charts Munoz's artistic evolution alongside the development of the artistic scene in Cali, Colombia, where he began his career and continues to live and work, rooting the artist's works in their cultural and historical context. Clean, still in publisher's shrinkwrap.

Hardcover. Washington DC /London, Smithsonian/Giles, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 366 pages including index. E. Carmen Ramos addresses the whole issue of the definition of "Latino art" and how this emerged within the context of the Civil Rights movement of the 1960s as American artists of Latino descent (Mexican American, Puerto Rican, Cuban American, and, more recently, Dominican) began to give a tangible face to their culture and history. Highlights include an installation altar by Amalia Mesa-Bains, the "recycled" films of Raphael Montanez Ortiz, and a 1960 geometric painting by Carmen Herrera. Other notable artists include Olga Albizu, Melesio "Mel" Casas, Maria Magdalena Campos-Pons, Margarita Cabrera, Enrique Chagoya, Teresita Fernandez, Ken Gonzales-Day, Luis Jimenez, Ana Mendieta, Pepon Osorio, Sophie Rivera, Freddy Rodriguez, and John M. Valadez, among many others. Color illustrations explore how one group of Latin American artists express their relationship to American art, history and culture. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Metropolitan Museum of Art , 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Painters of Reality, titled after an exhibition held in Milan more than fifty years ago, is the first study in English of this major aspect of Italian art. It builds on the work of the art historian Roberto Longhi. Reexamining the subject in light of copious subsequent scholarship, the authors of this volume contribute major essays that define and discuss naturalism as it appeared in both Lombard paintings and drawings. There is also a fresh consideration of the North Italian predecessors whose influence is apparent either directly or indirectly, in the paintings of Caravaggio. More detailed discussions of the subject center on the precise elements that constituted Leonardo's "hypernaturalism": the important schools of paintings that arose in Brescia, Bergamo, Cremona, and Milan; and Caravaggio's most notable successors in northern Italy, who kept Lombard realism alive into the eighteenth century.Among the 136 paintings and drawings, many never before seen outside of Italy, are influential drawings by Leonardo and major paintings by Caravaggio. Other acknowledged masters in the history of European art are represented, including Lorenzo Lotto, Giovanni Girolamo Savoldo, Giovanni Battista Moroni, and Giacomo Ceruti. Works also appear from significant but less widely known artists such as Sofonisba, Anguissola, Vincenzo Campi, Moretto da Brescia, and Fra' Galgario.

Softcover. New York, American Art Association, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover. 150 pages. Reprint of 1926 auction catalog. Orange wrappers with black titles, perfect binding, profusely illustrated with b&w plates, foreword by Dana H. Carroll. Slight rubbing to covers; a very clean, tight copy.

Hardcover. NY, Harper & Brothers, 1st, 1944, Book: Very Good, Dust Jacket: None, Hardcover, blue boards with color pictorial label on front cover. 36 pages with b&w sketches and drawings by Newberry. A charming story of the author's Persian cat and young son by a writer/artist who was very popular and loved cats. No dust jacket. bright. clean copy.