Softcover. San Francisco, Franklin Bowles Galleries, 1st, 2015, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog, 128 pages illustrated in color. Features over 150 works of art on paper by the famous Playboy illustrator.
Softcover. St. Paul MN, Minnesota Museum of Art, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover, 64 pages. Paintings; Drawings; Watercolors; Prints 1949 - 1975. 50 color and b&w illustrations.
Softcover. Utica NY, Munson-Williams-Proctor Institute, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. Illustrated in b&w and color. Published on the occasion of the multi-venue exhibition held from 1994-1996 featuring masterworks on paper by Copley, Kensett, Audubon, Blakelock, Bluemner, Storrs, Cadmus, Pollock, and many others. Clean copy.
Hardcover. Princeton, NJ, Princeton University Press, 1st, 1982, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 144 pages, b&w illustrations. Cream cloth with gilt title to spine. Black pictorial dust jacket. Beautiful copy. Like new.
Softcover. Burlington, VT, Lund Humphries , 1st, 2008, Book: Very Good, Dust Jacket: None, 240 pages. Softcover. A very clean, unmarked copy. Color illustrations throughout. London Transport Posters celebrates a century of outstanding graphic design commissioned by the Underground, London Transport, and its present-day successor, Transport for London. Drawing on newly researched sources in the archives of the London Transport Museum and Transport for London, the book discusses and illustrates the different styles and themes emerging from the posters over the last hundred years. It includes examples of over 250 posters from all periods and will be an invaluable reference book and visual resource for all those with an interest in 20th-century design.
Hardcover. Boston, Houghton Mifflin, 1st, 1996, Book: Very Good, Dust Jacket: None, Hardcover, red cloth, 32 pages illustrated in a color cartoon style by David Goldin. INSCRIBED BY GOLDIN with a sketch of the cat and himself. In this ironic tale of beauty and the beholder, an anxious owner creates a flattering portrait of his missing cat, while the pet's rescuer takes an opposing view. As the owner races around town hanging "Lost Cat" posters, exclamation points of sweat shooting off his brow, he remarks that his affectionate pet "Loves to eat./ Shares your seat./ Snuggles tight around your feet." He doesn't know the cat has taken up residence at-where else?-"Le Cafe Chat Perdu," whose proprietor is at wits' end. "Swiped my dinner./ Knocked me flat./ Someone please/ COME GET THIS CAT!" . Funny stuff. Clean copy, no dust jacket.
Softcover. NY, Metropolitan Museum of Art, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 262 pages, color and b&w illustrations. This is an excellent and scholarly book filled with incredible photos and descriptions of LCT's home, Laurelton Hall. The author has written a series of fine chapters that look at all aspects of this magnificent residence. What the fire at Laurelton destroyed, this book restores with words and photos.
Softcover. New York, Grey Art Gallery and Study Center/NYU, 1st, 1979, Book: Very Good, Dust Jacket: None, 63 pages. Softcover. Illustrated with full color and black & white examples of works by Louis Comfort Tiffany. Light toning to edges. Gallery sheet with biographical information and list of other objects by Tiffany laid in. Clean, unmarked copy. Uncommon.
Softcover. Washington DC, Hirshhorn Museum and Sculpture Garden and Smithsonian Institution Press, 1st, 1978, Book: Near Fine, Dust Jacket: None, Softcover exhibition catalog. 108 pages, illustrated in color and b&w. Gray pictorial stiff wrappers. Minor wear to edges and spine, else like new.
Hardcover. New York, Harry N. Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 175 pages. Hardcover with dust jacket. A very clean, unmarked copy with minor edgewear. Renowned as the world's leading female fashion photographer from the 1930s to the 1960s, Louise Dahl-Wolfe (1895-1989) was acclaimed for her fashion photographs, still lifes, and portraits.This book is the first comprehensive retrospective on this important photographer. In addition to her fashion images, the 200 photographs gathered here include Louise Dahl-Wolfe's experimental color work and black-and-white portraits of such luminaries as Mae West, Cecil Beaton, Josephine Baker, Christian Dior, Orson Welles, Isamu Noguchi, and others. In sum, they evoke a glamorous and unforgettable era.
Softcover. Phoenix, AZ, Phoenix Art Museum, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog, 71 pages. 47 B&W full page plates & smaller plates throughout. Very slight fading to edges of wrapper. Otherwise a very clean and tight copy.
Philadelphia, J. B. Lippincott, 1st, 1953, Book: Good, Dust Jacket: Good, Hardbound, 89 pages. Illustrated by Zhenya Gay. Light soiling to contents page. Previous owner's signature front endpaper. Stain to bottom corner of cover. Corners bumped. Dust jacket with chipping, creases. Small chunks missing top & bottom of spine. Brodart cover.
Softcover. Manchester VT, Southern Vermont Arts Center, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover. 66 pages, 14 color and b&w illustrations. A collection of paintings by Italian-American artist Luigi Lucioni (1900-1988). One of his most-known pieces, 'Farewell to the Birches,' appears on the cover. With essays by Stuart P. Embury and Robert L. McGrath. Clean, bright copy.
Softcover. Washington DC, National Gallery of Art, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 178 pages, color illustrations. Offers a look at the life and work of Luis Melendez, one of eighteenth-century Europe's greatest still-life painters. This catalogue details thirty of Luis Melendez's wonderful still-life paintings beautifully presented with new insights about Melendez's life, the everyday objects in his paintings, and the materials and methods he used in creating these works.
Hardcover. Boston, Museum of Fine Arts, 1st, 1941, Book: Very Good, Dust Jacket: None, Hardcover, 366 pages. SIGNED BY AUTHOR ON FRONT ENDPAPER. Blue cloth cover with small gilt illustration embossed to front, gilt lettering embossed to front and spine, 270 b&w plates, appendix of supplemental b&w plates of art pieces described in collection. Previous owner's signature to front endpaper, 2 small squares of tape residue to opposite endpaper, light foxing evident of front and rear endpapers, light wear to cover. This extensive catalog is one of the finest for the study of colonial and early American furniture, painting, and the decorative of arts of the period of 1720-1820.This beautifully printed volume, set in Monotype Bembo and with full-tone collotype illustrations, established a high visual standard for furniture catalogs.
Hardcover. Monaco, Christie's, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes in a green cloth slipcase. Both in bright dust wrappers. Large color photographs throughout. All very bright and clean.
Softcover. NY, Sotheby's, 1989, Book: Very Good, Dust Jacket: None, Softcover. Pictorial binding with silver lettering on cover and spine in good condition, still glossy, with minor wear. 461 Items illustrated in color. Prices Realized Sheet laid in. Clean, bright copy.
Softcover. NY, Sotheby's, 1989, Book: Very Good, Dust Jacket: None, Softcover. Pictorial binding with silver lettering on cover and spine in good condition, still glossy, with minor wear. 407 Items illustrated in color. Clean, bright copy.
Hardcover. Santa Monica CA, RoseGallery/DAP, 1st, 2007, Book: Very Good, Dust Jacket: None, Red and burgundy cloth boards with yellow stamped lettering. 144 pages. Color and b&w illustrations, portraits. Eyes in His Eyes reintroduces some of the artist's overlooked masterpieces, and reveals, for the first time, a broad selection of never-before-seen images from his private archives. In his 80-year career, Alvarez Bravo printed, published and exhibited only a thousand images. This portfolio, culled with the help of the artist himself, and completed after his death, is full of unfamiliar abstractions, portraits, landscapes and street photography.
Softcover. Paris, Musee D'art Moderne De La Ville De Paris, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 288 pages, illustrated in color and b&w, French text. Softcover exhibition catalog with dust jacket.
Softcover. Sarasota FL, John and Mable Ringling Museum of Art, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover. Non-Paginated. About 40 pages with 23 black & white illustrations. Some light spotting along top edge of front cover. Clean, tight copy.
Hardcover. New York, Flammarion, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 280 pages. Hardcover with dust jacket. A very clean copy still in publishers shrink-wrap, however shrink wrap has been torn at bottom edge for a remainder mark to bottom edge of textblock and a small tear near top edge. The first fashion monograph on Marcel Rochas, a key twentieth-century women's wear designer, written by his daughter. Fashion designer Marcel Rochas (1902-1955) made considerable and enduring contributions to the world of fashion; his legacy has inspired a range of contemporary designers. In this lavish monograph, his daughter, Sophie Rochas, provides an intimate first-hand account that includes her childhood memories and rare access to the family's private archives. She provides insight into her father's talents as an innovative designer, communications genius, revered socialite, attentive father, and demanding husband, as well as the style influences that inspired him.
Hardcover. Bloomington, IN, Indiana University Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 152 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. As a photographer for Life and Fortune magazines, Margaret Bourke-White traveled to Russia in the 1930s, photographed the Nazi takeover of Czechoslovakia in 1938, and recorded the liberation of Buchenwald at the end of WWII. In 1949, Life sent her to South Africa to take photographs in a country that was becoming racially polarized by white minority rule. Life published two photo-essays highlighting Bourke-White's photographs, but much of her South African work remained unpublished until now. Here, these stunning photographs collected by Alex Lichtenstein and Rick Halpern offer an unparalleled visual record of white domination in South Africa during the early days of apartheid. In addition to these powerful and historically significant photographs, Lichtenstein and Halpern include two essays that explore Bourke-White's artistic and political formation and provide background material about the cultural, political, and economic circumstances that produced the rise and triumph of Afrikaner nationalism in South Africa. This richly illustrated book brings to light a large body of photography from a major American photographer and offers a compelling history of a reprehensible system of racial conflict and social control that Bourke-White took such pains to document.
Softcover. NY, Whitney Museum of American Art, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog. 92 pages. B&W and color illustrations throughout. White pictorial front cover with slight wear to spine an soiling to covers. Frontispiece. Overall, a clean, tight copy.
Softcover. New York , Abrams, 1st wraps, 1987, Book: Very Good, Dust Jacket: None, Softcover, 208 pages. Profusely illustrated in color and b&w. Published in conjunction with an exhibition held at the Houston Museum of Art. Clean, bright copy
Softcover. Hanover NH/ New York, Hood Museum of Art/Hudson Hills Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 282 pages. with 82 color plates and 270 halftones. Catalogue to accompany the centerpiece exhibition of a year-long celebration commemorating the Hood's 20th anniversary and its permanent collection. Thorough text accompanies each plate, and the essay material includes an overview of the collection. Clean, like new. DOMESTIC SHIPPIG ONLY.
Softcover. New York, Whitney Museum & University of New York Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 224 pages illustrated throughout with plates in color and b&w. White pictorial stiff wrappers with light wear and some yellowing to back cover, else a very nice, tight, clean copy.
Softcover. Hartford CT, Wadsworth Atheneum Museum of Art/ Yale University, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 334 pages, 106 full-page color plates. Issued in conjunction with 2003-2004 exhibitions featuring work by American modernist Marsden Hartley (1877-1943). Gathers together the most recent scholarship on Hartley's work. Includes a chronology of his life, with a full catalogue entry accompanying each painting. With essays by Elizabeth Mankin Kornhauser, Amy Eillis, Patricia McDonnell, Wanda M. Corn, Jonathan Weinberg, Bruce Robertson, Donna M. Cassidy, Randall R. Griffey, Carol Troyen, Stephen Kornhauser, and Ulrich Birkmaier. Clean copy.
Hardcover. New York, Harry N Abrams Inc, 1st, 1985, Book: Very Good, Dust Jacket: None, Facsimile replica of David Hockney's sketchbook. Unpaginated Hardcover. Comes with 31 page explanatory softcover that accompanies hardcover, both in slipcase. Very clean, tight hardcover with marble leather boards. Yellowing to softcover wrapper edges, otherwise clean and unmarked. Minor soiling and wear to slipcover. Slight yellowing around edges. Color illustrations throughout.
Softcover. Prague, galerie Behemot, 1st, 2000, Book: Very Good, 48 pages, tan paper wrappers, color illustrations from his exhibition titled Professor Frankenstein. Softcover exhibition catalog.
Hardcover. New York, NY, Rizzoli International Publications, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with no dust jacket. Very clean, like new in publishers shrink-wrap. Martine Sitbon has become an icon among designers and fashionistas, earning her praise from Karl Lagerfeld as being "the only living French designer." With never-before-seen sketches and photographs, this book allows readers to gain a better understanding of the designer's personal universe and inspirations that have until now been largely hidden from view.
Softcover. Philadelphia, Philadelphia Museum of Art, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. 40 color, 65 bw repros. photo. Issued in conjunction with a 1985 exhibition of Mary Cassatt's artwork. With an essay by Suzanne G. Lindsay. The illustrated catalogue presents 51 pieces, scattered throughout the text. A very well put-together catalogue.
Softcover. Washington, DC, Smithsonian Institution Press, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog. Unpaginated, illustrated throughout with 50 plates in color and b&w. White pictorial stiff wrappers. Light wear to edges and spine, slight foxing to covers, else a very nice, tight copy.
Softcover. New York, Coe Kerr Gallery, 1st, 1984, Book: Very Good, Dust Jacket: None, Exhibition catalog. Unpaginated, illustrated throughout with 30 plates in full color. White pictorial stiff wrappers. Light wear to spine, slight wrinkle to back cover, else a very nice, tight, clean copy.
hardcover. NY, American Heritage Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover. Color illusat. by Masha. Light musty odor to book. Dust jacket with light wear, soil to rear panel.
Hardcover. New York, Rizzoli, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages, 216 Illustrations, 120 in color. Master Drawings from the Cleveland Museum of Art is a sumptuous introduction to one of the great American collections of works on paper. An introduction by the museum's chief curator, Diane De Grazia, and commentary by senior staff, lead the viewer through works spanning more than 500 years. Included are studies by Michelangelo and Durer; key drawings of the early Baroque by Barocci and Guercino; masterpieces of social observation by Goya and Daumier; and outstanding sheets by the great nineteenth-century French masters, from Gericault to Degas and Toulouse-Lautrec. Twentieth-century masters such as Picasso and Paul Klee are also represented.
Hardcover. New York, George Braziller, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 231 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. 124 color prints. 13 gatefold illustrations especially valuable: nearly 5 feet wide when opened. Textual material includes descriptions of each screen reproduced, a glossary, and short biographies of the artists whose work is presented.
Softcover. Hong Kong, Christie's , 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Softcover, 168 pages color illustrations. 117 lots, text in English and Chinese. Unusual fold-out cover.
Hardcover. New York, Hudson Hills Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 168 pages, 75 color plates. Hardcover. To accompany exhibit at Albright-Knox Gallery in Buffalo, NY. Dust jacket front flap price clipped. Color illustrations throughout. In great shape, clean inside and out.
Hardcover. New York, NY, Collins Design, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 205 pages. Hardcover with dust jacket. Minor yellowing to dust jacket edges. Minor soiling to dust jacket rear and top edge of front. An otherwise clean, unmarked copy with only minor wear to dust jacket edges. Match Prints is a visual and editorial dialogue between two renowned photographers of music and film celebrities, Jim Marshall and Timothy White. Marshall, one of the foremost photographers of the rock music scene in the 1960s and 1970s, shot some of the most iconic images of the era, including Jimi Hendrix burning his guitar at Woodstock; White, one of the most in-demand music and Hollywood photographers working today, has built an equally impressive portfolio of photos in his 20 year career. Match Prints features images from the worlds of film and music, compares the work of the two photographers, and provides first-hand behind-the-scenes anecdotes. With an introduction by renowned music writer Anthony DeCurtis.
Hardcover. NY, Posters Auctions International, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 592 posters illustrated in color. Catalog for Nov. 13, 2005, Sale No. XLI. No dj issued.
Hardcover. New Haven, CT, Yale University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 289 pages. Hardcover with dust jacket. A very clean, unmarked copy with minor wear to dust jacket edges. Klein surveys the history of Matisse's portraits and their sitters, with attention to the details of the financial transaction or other agreement that caused the painting to be made. An analysis of Matisse's self-portraits is also provided. Klein works chronologically, detailing the artist's developing style, but remains attached to his biography as well, with many quotes about Matisse or his works from contemporary sources. This volume is well illustrated with b&w and color plates.
Hardcover. London, Royal Academy of Arts, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 214 pages illustrated in color. "Matisse's relationship with the textiles that surrounded him from his earliest days is revealed here for the first time - the authors examine the ways in which Matisse used what he called his 'working library' of textiles to furnish, order and compose some of the twentieth century's most pioneering works of art". Exhibition catalog for a show at Le Cateau-Cambresis, France; London and New York, October 2004 to September 2005. Clean copy.
Softcover. Milwaukee WI, Haggerty Museum of Art, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 80 pages, illustrated in color. Essays by Octavio Paz, Andre Breton and Sabine Eckman. Like new.
Softcover. Milwaukee WI, Haggerty Museum of Art, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 80 pages, illustrated in color. Essays by Octavio Paz, Andre Breton and Sabine Eckman. Like new.
Hardcover. New York, Guggenheim Museum, 1st, 2007, Book: Very Good, Dust Jacket: None, Flexible cloth covers, 164 pages. Exhibition catalog for a show that ran October 28, 2006 through January 12, 2007. Features text by Nancy Spector, Mark Taylor, Christian Scheidemann, and Nat Trotman. Includes numerous color and black and white illustrations.