women

Hardcover. New Haven, Yale University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 302 pages, illustrated throughout in b&w. SIGNED BY AUTHOR on title page. Light sun-fade along dust jacket spine. Clean, tight copy. Touring America as the "Apostle of Aestheticism" in 1882, Oscar Wilde brought a witty and controversial message of regeneration through art and beauty to a nation still shaken by the trauma of the Civil War. In this book, the first cultural history of the aesthetic movement in the United States, Mary W. Blanchard shows that it was a wide-ranging popular movement resisted by the moral guardians of Victorianism but advanced by visionary women.

Softcover. Berkeley, University of California Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 330 pages. In this analysis of three generations of women in a Chinese silk factory, Lisa Rofel brilliantly interweaves the intimate details of her observations with a broad-ranging critique of the meaning of modernity in a postmodern age.The author based her study at a silk factory in the city of Hangzhou in eastern China. She compares the lives of three generations of women workers: those who entered the factory right around the Communist revolution in 1949, those who were youths during the Cultural Revolution of the 1970s, and those who have come of age in the Deng era. Exploring attitudes toward work, marriage, society, and culture, she convincingly connects the changing meanings of the modern in official discourse to the stories women tell about themselves and what they make of their lives. Clean.

Hardcover. NY, powerHouse Books, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 164 pages. The crowds in the street at the 2001 inauguration made it clear America was at a difficult and defining moment after a contentious election. Following the inauguration of 2001 and the tragedy of 9/11, the American streets- as they have been since the country's founding-became the setting for numerous memorials and vigils, parades and protests. These photographs chronicle events in New York, Washington, D.C., and Vermont. The gatherings were large and sometimes small, and in both cases usually unnoticed by the mainstream media. These street portraits show a diversity of Americans: veterans, families of men and women on active duty, families of the victims of the 9/11 tragedy, parents of U.S. servicemen and women killed in the Iraq War, security personnel, police, Muslim Americans, anti-war activists, disenfranchised minorities, and anarchist youth. The common denominators that unite these images are the lens of the Hasselblad camera and the public stage of the American streets.

Hardcover. NY, Oxford University Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 400 pages, b&w illustrations. Clean copy.

Softcover. NY, Henry Holt & Co., reprint, 1995, Book: Very Good, Dust Jacket: None, Softcover, 406 pages. Second edition of this national best seller, with a personalized inscription signed by the author on the half-title.

Record # 399135

Hardcover. NY, Norton, 1st, 1000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Poems that deal with experiences of Irish women in love, marriage, motherhood, and modern society. 'Eavan is a marvelous poet, and Outside History is the best possible introduction to her work. Love and anxiety, memories and mysteries-she's woven them all into a rich verse fabric, thrown like a flowered shawl over her shoulders as she stands out under the chilling night sky, no other soul around but (for that haunting moment) the reader's own.' -J. D. McClatchy. Clean copy.

Hardcover. New York, Crowell, 1937, Book: Very Good, Dust Jacket: None, Hardcover. 41 pages. Color illustrations by Roese. Oversize book. Some darkening, rubbing to covers. Otherwise clean, tight copy. An promotional piece directed at potential advertisers by Woman's Home Companian Magazine. Scarce.

Hardcover. Boston, Crosby and Nichols, 1st US, 1864, Book: Good, Dust Jacket: None, Hardcover, textured light blue cloth, gilt lettering and design on spine, 7 x 5 inches, frontispiece engraving of a young woman feeding a child on her lap with a spoon, a young lad seated at the table; three additional plates. 344 pages. Fifteen stories, each intending to teach moral precepts. They are Youth, Intellect, Beauty, Favor, Ambition, Pleasure, Friendship, Love, Godliness, Kindliness, Fashion, The Life of Pride and Levity, The Life of Sense and Heaviness, The Life of Sarcasm and Bitterness, Consolations."Sarah Tytler" was the pen name of Henrietta Keddie (1827-1914), a Scottish novelist. "Her domestic realism became popular with women, as did her conduct books for girls." - wikipedia. The artist, John Everett Millais (1829-1896), became a celebrated English painter, one of the founders of the Pre-Raphaelite Brotherhood. Previous owner's inscription on front fly leaf. Covers with light soil.

Softcover. Wet Angel, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 100 b&w shamelessly provocative pin-ups.

Hardcover. London, Art/Books, reprint, 2019, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth with black decoration, 186 pages. A beautiful facsimile of the earliest English translation of Gauguin's frank and entertaining memoir, written just before he died, in which he reveals his most inner thoughts on art, life and love Unappreciated in his own lifetime, Paul Gauguin is now recognized as one of the giants of French post-Impressionism and a pioneer of early modernism. A rebel in both art and life, he rejected his bourgeois upbringing and comfortable stockbroker's job to devote his life to painting. Eventually, dismayed by the 'hypocrisy of civilization' and in search of a primitive idyll, he left his wife and children behind in Paris and took up residence in the South Seas, first in Tahiti and, later, in the Marquesas Islands. He would never return to Europe. In the final months of his life, he wrote this witty and revealing autobiographical memoir with the request that it be published upon his death. It first appeared in the original French in 1918, and was translated into English three years later. As his son Emile wrote in the preface, 'These journals are an illuminating self-portrait of a unique personality. They bring sharply into focus for me his goodness, his humor, his insurgent spirit, his clarity of vision, his inordinate hatred of hypocrisy and sham.' Wide-ranging and elliptical, these candid reflections reveal Gauguin's inner thoughts about many subjects, including frank views on his fellow artists back in Paris, his turbulent relationship with Van Gogh, and the charms of Polynesian women, while providing glimpses into his often far-from-idyllic life in the islands. This beautiful facsimile reproduces the first American translation of the journals, a rare limited edition privately published in New York in 1921 for a select group of subscribers. With full-page sketches by the artist, these entertaining and enlightening musings give us a unique insight into Gauguin the man and the artist. Clean copy.

Hardcover. NY, Oxford University Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 312 pages. The first book to document the peasant rebellion against Soviet collectivization, Peasant Rebels Under Stalin retrieves a crucial lost chapter from the history of Stalinist Russia. The peasant revolt against collectivization, as reconstructed by author Lynne Viola, was the most violent and sustained resistance to the Soviet state after the Russian Civil War. Conservative estimates suggest that over the course of the 1920s and early 1930s, more than 1,100 people were assassinated, more than 13,000 villages rioted, and over 2.5 million people participated in this active struggle of resistance. This book is about the men and women who tried to preserve their families, communities, and beliefs from the depredations of Stalinism. Their acts were often heroic, but these heroes were homespun, ordinary people who were driven to acts of desperation by cruel and brutal state policies. Clean copy.

Softcover. NY, Pantheon Books, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 297 pages. This compelling social history uses diaries, memoirs, fiction, trial testimony, personal recollections, and eyewitness accounts to weave a fascinating tale of what ordinary Japanese endured throughout their country's era of economic growth. Through vivid, often wrenching accounts of peasants, miners, textile workers, rebels, and prostitutes, Mikiso Hane forces us to see Japan's "modern century" (from the beginnings of contact with the West to World War II) through fresh eyes. In doing so, he mounts a formidable challenge to the success story of Japan's "economic miracle." Starting with the Meiji restoration of 1868, Hane vividly illustrates how modernization actually widened the gulf, economically and socially, between rich and poor, between the mo-bo and mo-ga ("modern boy" and "modern girl") of the cities and their rural counterparts. He interlaces his scholarly narrative with sharply etched individual stories that allow us see Japan from the bottom up. Clean copy.

Hardcover. NY, powerHouse Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 127 pages. Lili Almog's color photos taken at three Carmelite monasteries (of nuns) are revealing of their faith.. The sisters showing their distinctive profession crucifixes (normally worn hidden under their scapulars, and pinned to their beds when they go to sleep) are revealing their personal symbols of "perfect intimacy." And the statues and/or holy cards of our holy mother St. Teresa, our holy father St. John of the Cross, St. Therese, and St. Joseph make Carmelites feel right at home. The monasteries are also significant: they are on Mt. Carmel (Haifa) and in Bethlehem--founded by Sister Miriam, "the little Arab"; and in Port Tobacco, Maryland, whose community is the oldest and first Discalced Carmelite convent founded in the US. The spartan surroundings emphasize the importance of the nuns' relationship with God. The photos of the sisters revealing their profession crucifixes, which they wear near their hearts and pin to their beds when going to sleep, I found especially moving. Almog's photos are neither stilted nor rigid, but reminiscent of the photos that St. Therese's sister Celine took of her! The quotations from Blessed Teresa of the Andes are very apt comments on the photos.

Softcover. NY, Farrar, Straus and Giroux, 1986, Book: Very Good, Dust Jacket: None, Softcover, 280 pages. This entertaining and social history of women and cooking at the turn of the 20th century is laced with sly humor and lucid insight. The author uncovers our ancestors' widespread obsession with food, and tells readers why we think as we do about food today. The most memorable of the culinary movers was Fannie Farmer, whose cookbook was published in a modest 3000-copy edition in 1896. Stories about Farmer and other domestic scientists of the period add strong appeal to Shapiro's report. So do the parallels between early feminists and today's advocates of equal rights. Name on front fly leaf, otherwise clean.

Softcover. NJ, Citadel Press, reprint, 1978, Book: Very Good, Dust Jacket: None, Softcover, 292 pages. Studies the distinctive personalities, problems, and cultural contributions of such women as Margaret Fuller, Lydia Maria Child, and Elizabeth Cady Stanton, examining the extent to which romanticism encouraged intellectualism among women during the three decades prior to the Civil War. Clean copy.

Hardcover. London, Pall Mall Press, 1st, 1969, Book: Very Good, Dust Jacket: None, Hardcover, very good copy in original pictorial cloth (designed by the artist), no dust jacket. Preface by Rene Char. 405 illustrations in monochrome, sepia & color. A remarkable record of the astonishing output of Picasso in his mid-eighties, featuring many of his favorite themes: 'the artist and his model, the sultan and his harem, the circus, the pastoral flute player, nude men and women engaged in the games of love'. Mild foxing to front endpapers, otherwise clean. This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Hardcover. Paris, France / Amsterdam, Editions Cercle D'art / Abrams, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with the gray wrap-around band present. First English language edition, translated from the French by Humphrey Hare. Preface by Douglas Cooper. Thick folio. 11-1/4 in. x 12 in. 199 pages. Profusely illustrated with tipped-in color plate reproductions. (160 color mounted plates & 2 portraits in monochrome (including mounted frontis.). Sturdy and handsome joint publication with oatmeal cloth lettered with colorful letters by Picasso created specifically for the publication of this book. Clean copy. Due to size and weight, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Rizzoli, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Pictorial photography is noted for its artistic expressiveness, careful design and composition, and muted focus. In 1914 Clarence White (1871-1925) left Alfred Stieglitz's Photo-Secession group, abandoned his ambitions to be a photographic illustrator, and opened the Manhatten-based Clarence H. White School of Photography. Lecturers at his school included Stieglitz, Paul Strand, and Edward Steichen. White's unique teaching skills, especially his encouragement of women students, nurtured the careers of such talented photographers as Margaret Bourke-White, Laura Gilpin, and Dorothea Lange. Presented by the Detroit Institute of Arts and the George Eastman House, this companion volume for a traveling exhibition contains the elegant photographic imagery of White and his students. The clear text by two photography curators imparts how the revered teacher's romantic pictorialism became the foundation for the student's avant-garde modernism. By far the most substantial review of White's work and influence in print.

Softcover. Hanover, Brandeis University Press, 1st pbk, 2000, Book: Very Good, Dust Jacket: None, Softcover, 338 pages, a study of Alice Neel and her paintings. Illustrated with b/w photographs and color plates, with notes, bibliography, and index. Clean, bright copy.

Softcover. Hanover, Brandeis University Press, 1st pbk, 2000, Book: Very Good, Dust Jacket: None, Softcover, 338 pages, a study of Alice Neel and her paintings. Illustrated with b/w photographs and color plates, with notes, bibliography, and index. Clean, bright copy.

Hardcover. Canada, Flammarion, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, 160 pages. This book will beguile a new generation with flirtatious representations of femininity from the 1940s and 50s. Illustrations of irresistible pinup models bring teasing frivolity to a range of everyday situations, organized thematically from morning to evening. Gil Elvgren, Earl Moran, Al Buell, Edward d'Ancona, and Earl Christie were master illustrators of the pin-up genre. From sun-kissed beauties at the beach to ski bunnies hitting the slopes, bedside nurses ready to take your temperature to scantily clad runaways, rakish shipmates to not-so-conscientious secretaries, these smiling cuties are ready for fun. The penny arcade trading cards originally viewed on a peep-show style reel and reproduced here as detachable illustrations feature both established pin-up artists and those waiting to be rediscovered. Each illustration is accompanied by a humorous and memorable celebrity quote.

Hardcover. New York , Rizzoli, 1st, 1997, Book: Very Good, Dust Jacket: Good, Hardcover, black cloth with gilt lettering, no dust jacket. The complete history of the legendary Pirelli Calendar. Launched in 1963 to a privileged shortlist of customers, the quality and creativity of Pirelli's photographers have made the limited-edition calendar a paradigm of the genre and a coveted collector's item. This volume contains all the calendars published since 1964--including the 1997 edition photographed by Richard Avedon--for a total of 264 full color images. 407 pages. Clean copy.

Hardcover. New York , Rizzoli, 1st, 1997, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket. Gilt stamped black cloth. The complete history of the legendary Pirelli Calendar. Launched in 1963 to a privileged shortlist of customers, the quality and creativity of Pirelli's photographers have made the limited-edition calendar a paradigm of the genre and a coveted collector's item. This volume contains all the calendars published since 1964--including the 1997 edition photographed by Richard Avedon--for a total of 264 full color images. Small chunk gone from rear of dust jacket. 407 pages.