women

Hardcover. NY, Fordham University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 234 pages. INSCRIBED BY AUTHOR on the half-title page. The writer Giuseppe Prezzolini said that Italian immigrants left behind tears and sweat but not "words," making their lives in America mostly in silence, their memories private and stories untold. In this innovative portrait of the Italian-American experience, these lives are no longer hidden. Ilaria Serra offers the first comprehensive study of a largely ignored legacy-the autobiographies written by immigrants. Here she looks closely at fifty-eight representative works written during the high tide of Italian migration. Scouring archives, discovering diaries, and memoirs in private houses and forgotten drawers, Serra recovers the voices of the first generation-bootblacks and poets, film directors and farmers, miners, anarchists, andseamstresses-compelled to tell their stories. Mostly unpublished, often thickly accented, these tales of ordinary men and women are explored in nuanced detail, organized to reflect how they illuminate the realities ofwork, survival, identity, and change.

Softcover. London, Hard Case Crime, 1st thus, 2007, Book: Very Good, Dust Jacket: None, Softcover, colorful wraps with a retro-style illustration by Gregory Manchess. What beautiful 18-year-old would want to spend her life taking care of an invalid? Not Shirley Angela. But that's the life she was trapped in--until she met Jack.Now Shirley and Jack have a plan to put the old man out of his misery and walk away with a suitcase full of cash. But there's nothing like money to come between lovers--money, and other women. Like new.

Hardcover. Memphis TN, Ducks Unlimited, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, horizontal format, in a bright, unclipped dust jacket, 192 pages. What and where is the waterfowler's world? It isn't Manhattan, and it sure isn't L.A. But it is practically everywhere you go in the heart of duck and goose country. And it's more than geography - it's a lifestyle shared by men and women with an unwavering desire to greet the dawn in the watery realms of ducks and geese. Bill Buckley explores these special places and the compelling experiences they offer the waterfowling devotee. His astounding color photographs celebrate the waterfowler's world, from Canadian prairies, across America, to the Mexican border. Buckley's engaging writing complements his photographs' vivid imagery, providing insightful commentary on the waterfowler's consuming passion. Clean copy.

Hardcover. NY, Harcourt Brace Janovich, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 275 pages. Blue cloth lettered in silver and copper on the spine; endpaper maps; illustrated with black and white drawings by the author. In 1896, three survivors from a whaling misadventure are nursed back to health by Eskimo villagers who share their food, women, and way of life with the strangers. In return, the foreigners introduce to the villagers the spirit of competitiveness that rules the white man's world. Clean copy.

Softcover. Boston, Samuel Hall, reprint, 1794, Book: Fair, Dust Jacket: None, Softcover 12mo, 56 pp. Small, tall 16mo, original marbled paper wrappers. First published in 1695 by Lady Mary Cressy, under the title The Whole Duty of a Woman; or, A Guide to the Female Sex, from the Age of Sixteen to Sixty, &c. For a new edition in 1753, the author was simply listed as "A Lady." In fact, this author was William Kenrick (1725-1779), English novelist, playwright, and founder of the book review digest The London Review. Kenrick was described by Paul Fussell in PMLA (June 1951) as "one of London's most despised, drunken, and morally degenerate hack writers in the later eighteenth century." In this tiny volume, Kenrick assumes the persona of a fallen woman, now reformed, who wants to persuade other women to live a life of virtue. Chapters include Curiosity, Reflection, Vanity, Knowledge, Reputation, Applause, Censure, Insinuation, Affectation, Modesty, Chastity, Complacence, Acquaintance, Friendship, Elegance, Frugality, Employment, Virginity, Marriage, Education, Authority, Widowhood, and Religion. Considerable wear to wrappers, still intact.

Hardcover. Franklin Center PA, The Franklin Library, 1st, 1984, Book: Very Good, Dust Jacket: None, Hardcover, First Edition thus. SIGNED by Updike, with "special message" by him and b&w illustrations by Michael Deas not in the trade edition. Basis for the movie of the same name starring Cher, Michelle Pfeiffer, and Susan Sarandon as the three repressed women who accidentally conjure what they believe to be the perfect man (Jack Nicholson, playing the devil). Full green, gilt-decorated leather; all edges gilt; ribbon place marker. Clean, bright copy.

Softcover. NY, Alfred A. Knopf, 2nd pr., 1975, Book: Very Good, Dust Jacket: None, Softcover, 170 pages. Selections from the work of Gertrude Kasebier, Frances Benjamin Johnston, Margaret Bourke, Dorothea Lange, Berenice Abbott, Barbar Morgan, Diane Arbus, Alisa Wells, Judy Dater, and Bea Nettles. 100 b&w plates plus 10 text illustrations; 10 x 9 inches.

Softcover. Princeton NJ, Princeton University Press, reprint, 1978, Book: Very Good, Dust Jacket: None, Softcover, 464 pages. Richard Stites views the struggle for liberation of Russian women in the context of both nineteenth-century European feminism and twentieth-century communism. The central personalities, their vigorous exchange of ideas, the social and political events that marked the emerging ideal of emancipation--all come to life in this absorbing and dramatic account. The author's history begins with the feminist, nihilist, and populist impulses of the 1860s and 1870s, and leads to the social mobilization campaigns of the early Soviet period. Spine with light fading, otherwise a clean, tight copy.

Hardcover. Lanham MD, Rowman & Littlefield , 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards, 374 pages. This new biography of Ian Fleming presents a fresh and illuminating portrayal of the iconic creator of James Bond. Oliver Buckton provides the first in-depth exploration of the entire process of Ian Fleming's writing--from initial conception, through composition, to his involvement in the innovative publication methods of his books. He also investigates the vital impact of Fleming's work in naval intelligence during World War Two on his later writings, especially the wartime operations he planned and executed and how they drove the plots of the James Bond novels. Buckton considers the vital role of wartime deception, disinformation, and propaganda in shaping Fleming's later techniques and imaginative creations. Offering a radically new view of Fleming's relationships with women, Buckton traces the role of strong, independent, and intelligent women such as Maud Russell, Phyllis Bottome, and his wife, Ann, on Fleming's portrayal of female characters. The book concludes with a thorough analysis of the James Bond films from Eon productions, and their influence in promoting, while also distorting, the public's recognition of Fleming's writing. Clean copy.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 1996, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket with sunning to spine, 325 pages, b&w illustrations. In The World of the Paris Café, W. Scott Haine investigates what the working-class café reveals about the formation of urban life in nineteenth-century France. Café society was not the product of a small elite of intellectuals and artists, he argues, but was instead the creation of a diverse and changing working population. Making unprecedented use of primary sources -- from marriage contracts to police and bankruptcy records -- Haine investigates the café in relation to work, family life, leisure, gender roles, and political activity. This rich and provocative study offers a bold reinterpretation of the social history of the working men and women of Paris. Clean copy.

Hardcover. NY, W W Norton & Co, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Enright is author of seven novels, most recently Actress. She has been awarded the Man Booker Prize, the Andrew Carnegie Medal for Excellence in Fiction, and a Lifetime A.hievement Award . An incandescent novel from one of our greatest living novelists (The Times) about the inheritance of trauma, wonder, and love across three generations of women. Nell McDaragh never knew her grandfather, the celebrated Irish poet Phil McDaragh. But his love poems seem to speak directly to her. Restless and wryly self-assured, at twenty-two Nell leaves her mother Carmel's orderly home to find her own voice as a writer (mostly online, ghost-blogging for an influencer) and to live a poetical life. As she chases obsessive love, damage, and transcendence, in Dublin and beyond, her grandfather's poetry seems to guide her home. The Wren, the Wren brings to life three generations of McDaragh women who must contend with inheritances-of poetic wonder and of abandonment by a man who is lauded in public and carelessly selfish at home. Clean copy.

Hardcover. NY, Fordham University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 309 pages. Barolini profiles six gifted women transformed by Italy's mythic appeal. Unlike Barolini herself, they were not daughters of the great Italian diaspora. Rather, they were drawn to an idea of "Italy" and its gifts-in whose welcome a new self could be created. Or discovered. Emily Dickinson traveled to Italy only in the imaginative genius of her verse. Margaret Fuller struggled alongside her Italian lover in the political revolutions that gave birth to the Italian Republic, while the novelist and short-story writer Constance Fennimore Woolson found her home in Venice and Florence. Here, too, is the flamboyant artist Mabel Dodge Luhan, entertaining at her villa near Florence; and Marguerite Chapin of Connecticut, who married an Italian prince and in Rome founded the premier literary review of the mid-century, Botteghe Oscure. Finally, here is Iris Cutting Origo, the Anglo-American heiress who, with her Italian nobleman husband, built a Tuscan estate, where she wrote acclaimed biographies-and created a refuge from Mussolini's fascism. Clean copy.

Softcover. NY, Collier Books, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 126 pages, b&w photod by Englander.

Hardcover. San Francisco, Chronicle Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, color photography by Greenfield. Critically acclaimed for Girl Culture and Fast Forward, Lauren Greenfield continues her exploration of contemporary female culture with Thin, a groundbreaking book about eating disorders. Greenfield's photographs are paired with extensive interviews and journal entries from twenty girls and women who are suffering from various afflictions. Very good in a similar dust jacket.

NY, Da Capo Press , 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Thomas Paine's words were like no others in history: they leaped off the page, inspiring readers to change their lives, their governments, their kings, and even their gods. In an age when spoken and written words were the only forms of communication, Paine's aroused men to action like no one else. The most widely read political writer of his generation, he proved to be more than a century ahead of his time, conceiving and demanding unheard-of social reforms that are now integral elements of modern republican societies. Among them were government subsidies for the poor, universal housing and education, pre- and post-natal care for women, and universal social security. An Englishman who emigrated to the American colonies, he formed close friendships with Benjamin Franklin, Thomas Jefferson, and James Madison, and his ideas helped shape the Declaration of Independence and the Bill of Rights.

Softcover. Bloomington IN, Indiana University Press, 1st, 2021, Book: Very Good, Dust Jacket: None, Softcover, 333 pages. Offers the first complete biography in English of the dynamic revolutionary leader from Burkina Faso, Thomas Sankara. Coming to power in 1983, Sankara set his sights on combating social injustice, poverty, and corruption in his country, fighting for women's rights, direct forms of democracy, economic sovereignty, and environmental justice. Drawing on government archival sources and over a hundred interviews with Sankara's family members, friends, and closest revolutionary colleagues, Brian J. Peterson details Sankara's political career and rise to power, as well as his assassination at age 37 in 1987, in a plot led by his close friend Blaise Compaore. Clean copy.

Softcover. Montpelier VT, Vermont State Division of the American Association of University Women, 2nd Ed., 1983, Book: Very Good, Dust Jacket: None, Softcover, 84 pages, b&w illustrations. Related newspaper clipping laid in. Mild soil to wraps, otherwise a clean copy.

Softcover. Hensonville NY, Black Dome Press, 1st, 1993, Book: Good, Dust Jacket: None, 199 pages. Softcover. Extensive b&w photography throughout. Some curling to dust jacket, otherwise clean, tight copy.

Hardcover. NY, Harcourt Brace & Company, 1st, 1943, Book: Very Good, Dust Jacket: None, Hardcover, dark blue cloth with white title on spine. A collection of humorous drawings by James Thurber with a preface by Dorothy Parker.Most originally appeared in The New Yorker. No dust jacket, clean copy.

Hardcover. NY, Oxford University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 336 pages, b&w illustrations. Author Larry Hamberlin guides us through this large but oft-forgotten repertoire of operatic novelties, and brings to life the rich humor and keen social criticism of the era. In the early twentieth-century, when new social forces were undermining the view that our European heritage was intrinsically superior to our native vernacular culture, opera-that great inheritance from our European forebearers-functioned in popular discourse as a signifier for elite culture. Tin Pan Opera shows that these operatic novelty songs availed this connection to a humorous and critical end. Combining traditional, European operatic melodies with the new and American rhythmic verve of ragtime, these songs painted vivid images of immigrant Americans, liberated women, and upwardly striving African Americans, striking emblems of the profound transformations that shook the United States at the beginning of the American century. Clean copy.

Softcover. NY, HarperCollins, 1st pbk, 1995, Book: Very Good, Dust Jacket: None, Softcover, 296 pages, b&w illustrations. The apt subtitle of this award-winning biography, Photographer & Revolutionary, sums up the creative tensions that characterized Tina Modotti's life and brief photographic career. Active as a photographer for only nine years, Modotti was pulled between formal and social concerns. Producing striking modernist compositions of everyday objects, photojournalism of poverty and conflict, and portraits of celebrities and common people alike, Modotti balanced political concerns with formal rigor.First published in 1993 and long out of print, Tina Modotti: Photographer & Revolutionary is the definitive portrayal of Modotti's life and work. Few photographers are more deserving of a biographical treatment than Modotti, whose work as an actress and artist's model introduced her to Edward Weston, who was to become her lover. Soon after she arrived in Mexico City with Weston, Modotti became increasingly politicized, working for the communist newspaper El Machete and establishing herself as the go-to photographer for the Mexican Muralist movement. The book includes extensive archival material, interviews with Modotti's contemporaries and many rare photographs. Clean copy.

Hardcover. Seattle, Fantagraphics, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. In 1972, underground cartoonists Joyce Farmer and Lyn Chevli produced Tits & Clits - a funny, rowdy, raucous underground comix series about female sexuality that one reviewer described as "the ultimate in vaginal politics" - and became the first American women ever credited with writing, drawing, and publishing their own comic books. A feminist answer to Zap, Tits & Clits quickly became an anthology showcase for other women cartoonists, featuring the work of Mary Fleener, Roberta Gregory, Krystine Kryttre, Lee Marrs, Carel Moiseiwitsch, Trina Robbins, Dori Seda, among others. Like other underground comix, Tits & Clits leaned into being lewd in order to satirize women's experiences with so-called sexual liberation. Featuring stories about birth control, abortion, menstruation, masturbation, and more, Tits & Clits featured intimate politics which occasionally clashed with contemporaneous feminist concepts about sex and sexuality. As Chevli put it: their work had something to offend everyone. (In 1973, conservative legal authorities in Orange County deemed their work pornographic and even threatened the two editors with arrest on obscenity charges.)Now, for the first time in half a century, a new generation of readers will be shocked, entertained, enlightened, and scandalized by the bold satirical cartoonists that comprised the band of sisters in Tits & Clits. In addition to reprinting the seven-issue run of the Tits & Clits series, this collection also includes in their entirety two classic solo comics from 1972 written and drawn by Farmer and Chevli - Abortion Eve and Pandora's Box. Also included is an introductory essay providing context to Tits & Clits' place in the history of women's cartooning by the book's editor, Samantha Meie

Hardcover. Seattle, University of Washington Press, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket with sunning to spine. 368 pages, 4 pages of b&w photos. Although the Tiwi people of North Australia have been studied before, Goodale's approach adds a significant dimension--from the perspective of the Tiwi woman as she changes through her life course from birth to the rituals performed after her death. Especially interesting and detailed material is included on marriage arrangements and directions as well as important rites of passage, such as the annual initiation ceremony and the funeral ceremony. Goodale's descriptive record of her fieldwork among the Tiwi continues to be a lucid and valuable source of knowledge of this remote tribe. Previous owner's small sticker on front fly leaf, otherwise clean.

Softcover. Cambridge MA, Harvard University Press, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 311 pages. As the Civil War drew to a close, newly emancipated black women workers made their way to Atlanta-the economic hub of the newly emerging urban and industrial south-in order to build an independent and free life on the rubble of their enslaved past. In an original and dramatic work of scholarship, Tera Hunter traces their lives in the postbellum era and reveals the centrality of their labors to the African-American struggle for freedom and justice. Household laborers and washerwomen were constrained by their employers' domestic worlds but constructed their own world of work, play, negotiation, resistance, and community organization. Hunter follows African-American working women from their newfound optimism and hope at the end of the Civil War to their struggles as free domestic laborers in the homes of their former masters. We witness their drive as they build neighborhoods and networks and their energy as they enjoy leisure hours in dance halls and clubs. We learn of their militance and the way they resisted efforts to keep them economically depressed and medically victimized. Finally, we understand the despair and defeat provoked by Jim Crow laws and segregation and how they spurred large numbers of black laboring women to migrate north. Clean copy.