art drawing

Hardcover. Solana Beach CA, Santa Monica Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 231 pages. Illustrated in color. "I Say, I Say . . . Son!" offers a rare behind-the-scenes look at the work of the McKimson brothers, three of the most accomplished and influential animators in history. Tracing the brothers' careers from the 1920s onward, this beautifully illustrated book details how Bob McKimson created such beloved characters as Foghorn Leghorn, the Tasmanian Devil, Sylvester Jr., and the original Speedy Gonzales, and explores Chuck and Tom McKimson's voluminous body of work at Warner Bros. Cartoons, Dell Comics, and Golden Books. Featuring original art from the Golden Age of Animation, "I Say, I Say . . . Son!" includes a wealth of material from the top animation archives--original drawings, reproductions of animation cels, comic book illustrations, lobby cards, and screen captures--along with never-before-seen photographs and other memorabilia from author Robert McKimson Jr.'s personal collection."I Say, I Say . . . Son!" is a vibrant tribute to three groundbreaking animators whose long careers included work on the Looney Tunes, Pink Panther, and Mr. Magoo series, as well as many other animation classics.

Hardcover. Taschen, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, 142 pages. In the late 1910s, in a Europe ravaged by World War I, Danish illustrator Kay Nielsen put the finishing touches on his illustrations of A Thousand and One Nights. The results are considered masterpieces of early 20th-century illustration: bursting with sumptuous colors of deep blues, reds, and gold leaf, and evoking all the magic of this legendary collection of Indo-Persian and Arabic folktales, compiled between the 8th and 13th centuries. However, publishers retreated from Nielsen's project in the financially strapped postwar climate, and the publication never happened. A rising star, Nielsen moved on to other work. This world heritage classic's spectacular pen, ink, and watercolor images remained under lock and key for 40 years. Published just once in the 1970s, the illustrations were rescued from oblivion after Nielsen's death in 1957 and are now held by the UCLA Grunwald Center for the Graphic Arts at the Hammer Museum in Los Angeles, the Art Institute of Chicago, and in two private collections. This publication is a unique compilation of fine art prints and stunning illustrations reproduced directly from Nielsen's original watercolors--the only complete set of his extraordinary drawings to have survived. The book features descriptions of all of the images and three generously illustrated essays on the making of this series, the origin of Nielsen's unique imagery, and a history of the tales. In addition, it shows many unpublished or rarely seen artworks by Nielsen and intricate black-and-white drawings Nielsen created for the original publication. Text in English, German and French. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. London, Book Palace Books, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 160 pages. In August 1914 much of Europe was pitched into a war that would eclipse all others in terms of its industrial ferocity. In an era when photography and film recording were still in their infancy, much of the news was relayed through the work of reportage artists. Pre-eminent amongst such artists was Fortunino Matania who was The Sphere's artist-on-the-spot for events ranging from coronations to colliery disasters. Sent to a variety of Fronts to cover the conflict, his illustrations created a gripping and, at times, life-affirming testimony to those traumatic times, drawn from the personal visits he made and interviews he conducted with survivors. For the first time ever, this book collects those images in large format so that they can be viewed as they were intended. OVER 150 paintings and drawings on the World War 1 conflict, depicting all its horrors and special moments. His work inspired many contemporary artists: Annigoni and Russell Flint both visited his studio, and many comic strip artists collected his work including Al Williamson, Roy Krenkel, Frank Frazetta, John Bolton, Bernie Wrightson as well as film directors such as Cecil B DeMille and Alfred Hitchcock.

Hardcover. NewYork, Oxford University Press, 1st, 1957, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with black lettering. Features 40 full-page etchings of Civil War scenes with commentary on opposite page.

Hardcover. London, Souvenir Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 251 pages. Illustrated with phtographs, line drawings and maps. Translated from the Dutch by Adrienne Dixon. The autobiography of a Dutch youth who "joined the German navy in a spirit of bravado, only to find himself trapped in the final, agonising throes of Germany's defeat." Subsequent tours in the French Foreign Legion and Korea led from his being a devotee of war to a confirmed pacifist. A fancnating life told with honesty and passion.

Hardcover. St. Petersburg, Palace Editions, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. A book more about art than a book of art. Khardzhiev, though apparently not a painter himself, was an heroic figure in the world of Russian art. Despite official discouragement and prohibitions, he assembled an awesome personal collection of avant-garde Soviet art. He knew the artists personally, and gave them aid and comfort. there are samples of his writing (in English). There are 100 pages of large, high-quality reproductions of drawings and paintings in his collection with notes and bibliography. Most of the works are from the Khardzhiev-Chaga Foundation in Amsterdam,though a few are in private collections, and there are some which Khardzhiev was not allowed to take out of Russia, and were thus previously unknown in the West.

Hardcover. NY, Knopf, 1st, 20, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Drawing on original and exhaustive research from interviews and never-before-seen material in the Picasso family archives, this book opens with a visit by the Hungarian-French photographer Brassai to Picasso's chateau in Normandy, Boisgeloup, where he would take his iconic photographs of the celebrated plaster busts of Marie-Therese, Picasso's mistress and muse. Picasso was contributing to Andre Breton's Minotaur magazine and he was also spending more time with the likes of Man Ray, Salvador Dali, Lee Miller, and the poet Paul Eluard, in Paris as well as in the south of France. It was during this time that Picasso began writing surrealist poetry and became obsessed with the image of himself as the mythic Minotaur--head of a bull, body of a man--and created his most famous etching, Minotauromachie. Richardson shows us the artist is as prolific as ever, painting Marie-Therese, but also painting the surrealist photographer Dora Maar who has become a muse, a collaborator and more. In April 1937, the bombing of the town of Guernica during the Spanish Civil War inspires Picasso's vast masterwork of the same name, which he paints in just a few weeks for the Spanish Pavilion at the Paris World's Fair. When the Nazis occupy Paris in 1940, Picasso chooses to remain in the city despite the threat that his art would be confiscated. In 1943, Picasso meets Francoise Gilot who would replace Dora, and as Richardson writes, "rejuvenate his psyche, reawaken his imagery and inspire a brilliant sequence of paintings." As always, Richardson tells Picasso's story through his work during this period, analyzing how it shows what the artist was feeling and thinking. His fascinating and accessible narrative immerses us in one of the most exciting moments in twentieth century cultural history, and brings to a close the definitive and critically acclaimed account of one of the world's most celebrated artists.

Hardcover. NY, Universe/Rizzoli, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, unpaginated. Renowned New Yorker cover illustrator Jean-Jacques Sempe illustrates the quirky charm of France's capital and it's residents with his signature style and humor. His drawings are famed for their striking use of pen and ink, their inimitable style, and most of all for their satire and tragic-comic vision. The 128 drawings in this charming portfolio are sweet and sentimental. Clean copy.

Wales, Westmorland Gazette, 1st, 1982, Book: Very Good, Dust Jacket: None, Hardcover, oblong green cloth covers, 80 lovely pen line drawings of the North Wales countryside with an Introduction by the artist. All text hand-lettered. Small printing, lacks dust jacket. Previous owner's inscription on front fly leaf.

Hardcover. Montreal, Drawn & Quarterly, 1st collected, 2024, Book: Very Good, Dust Jacket: None, Three hardcover volumes in a pictorial cardboard slipcase. About Vol. 3: A wonderful sketchbook of drawings, ideas, gags, tributes from the talented Chris Ware. "After over fifteen years deferral, delay and dawdling, the ink-and-paper cheerleader Chris Ware finally succumbs to imaginary public pressure by concluding his experiment in reader trust with the third and final volume of secret notebooks and sketches spanning over thirty-seven years of bus rides, airport delays and telephone hold music." 624 total pages. DOMESTIC SHIPPING ONLY.

Hardcover. New Haven CT, Yale University Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 344 pages. The abstract paintings of Jackson Pollock, Willem de Kooning, Barnett Newman, Lee Krasner, Clyfford Still, Helen Frankenthaler, and others revolutionized the art world in the 1940s and 1950s and continue to inspire passionate arguments to this day. What were these artists trying to achieve? Who were the critical voices of the time that rallied public interest in Abstract Expressionism and sparked rancorous debate? Drawing on recent critical, historical and biographical work, this lavishly illustrated book offers a sharp new focus on a pivotal art movement.

Hardcover. NY, The Artist Book Foundation, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Adolf Dehn (1895-1968), an American lithographer and watercolorist, left his hometown in Minnesota after formal training at the Minneapolis Art Institute to study at the Art Students League in New York. In the early 1920s, he traveled to the cosmopolitan cities of Paris, Vienna, and Berlin, where he focused on lithography and printmaking, and soon found success as a magazine illustrator. As he toured Europe, Dehn quickly acclimated to the continental lifestyle and was adept at depicting its nuances and idiosyncrasies through his prolific lithographs and sketches. His critical and satirical renderings of the political movements, social conventions, and governmental policies in pre-World War II Europe gave the Midwestern artist ample material for his growing body of work. Returning to the United States in 1930, Dehn exhibited his prints in several solo shows at the Weyhe Gallery in New York, starting in 1935. As an artist during the era of the Great Depression, Dehn did commercial artwork and contributed to popular magazines such as The New Yorker, Vogue, and Vanity Fair. In fact, his clever drawings that reflected the culture and fashionable society during the Jazz Age, made Dehn a favourite of Frank Crowninshield, Vanity Fair's renowned editor. 182 pages, clean, still in publisher's shrinkwrap.

Hardcover. New York, Grove Press, Inc, 1st, 1966, Book: Very Good, Dust Jacket: Good, Unpaginated. Hardcover with dust jacket. A clean, unmarked copy with wear to dust jacket edges. A tight copy. Bright illustrations by Guy Peellaert throughout.

Hardcover. New York, Doubleday , Reprint, 1922, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover. Green cloth covers with intact full color pastedown to front, and cover and spine titles in black. A new translation by V. S. Vernon-Jones with an introduction by G. K. Chesterton, and 13 full color tissue guarded plates and many black & white drawings by Arthur Rackham. Clean, unmarked pages.

Hardcover. NY, Arcade, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages, profusely illustrated in color and b&w with the author/artist's drawings and photographs. Bright, unclipped dust jacket.

Hardcover. NY, Arcade, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages, profusely illustrated in color and b&w with the author/artist's drawings and photographs. Bright, unclipped dust jacket.

Hardcover. New Havn CT, Yale University Press, 1st , 2001, Book: Very Good, Dust Jacket: Very Good, 333 pages. Hardcover with dust jacket. Illustrated in color, B&W. Clean, tight copy. Few painters lived the intellectual adventures of the early twentieth century as intensely as Albert Gleizes. At the centre of the public scandal over Cubism that broke out in Paris in 1911, he was with Marcel Duchamp and Francis Picabia in New York during the war and was one of the first European avant-garde artists to respond to the scale and vigour of New York life. Gleizes was also one of the few French painters of the 1920s to recognise nonrepresentational painting as the logical development of Cubism. His work as a painter is accompanied by an immense body of theoretical work, addressing the question posed so starkly by Duchamp and Picabia: why should we paint? What is the justification for the work of art? Over his life he touches on many spheres of human activity - religious, political and cultural history, physics and the philosophy of work.This book follows Gleizes' argument as it evolves, drawing on painting, and both published and unpublished writings. It reveals Gleizes, not just as a significant historical personality, but as a man whose work and thinking remains surprisingly fresh and relevant to the needs of our own time.

Hardcover. Princeto NJ, Princeton University Press, 3rd Ed., 1948, Book: Very Good, Hardcover set, Volume 1: The life and art of Albrecht Durer 311 pages. Volume 2: Handlist, Concordances, and Illustrations 208 pages. 325 Illustrations. A beautiful 2 volume set with detailed biography and detailed information on paintings, prints and drawings. Both volumes are cloth bound hardback with gilt lettering on front and spine of each volume. Previous owner's name on front fly leaves. Otherwise clean.

Hardcover. NY, Skira, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Winner of the 1990 Pritzker Architecture Prize, Italian architect and theorist Aldo Rossi (1931-1997) gained international renown for his imaginative and starkly beautiful designs. Rossi's writings, drawings and buildings have distinguished him as one of the great architects of our time. They are unique for their simple forms such as cones, cylinders, prisms, and cubes. His work is at once bold yet ordinary, original without being novel, refreshingly simple in appearance but extremely complex in content and meaning. Rossi has been able to follow the lessons of classical architecture without copying them. In a period of diverse styles and influences, Aldo Rossi has eschewed the fashionable and popular to create an architecture singularly all his own. Sketches, drawings, concepts, watercolors, and collages from the early 1960s through to 1998 help us to understand Aldo Rossi the artist and architect, as well as his mindset and how he elaborated his projects. The volume is complete with a register of the Aldo Rossi Foundation's works. This is truly a valuable tool for scholars.

Hardcover. Norman, OK, University of Oklahoma Press, 1st, 1971, Book: Very Good, Dust Jacket: None, Hardcover, 270 pages illustrated throughout with photographs in sepia and drawings in b&w. Autobiography of a Canadian-born sculptor of Western subjects, considered one of the best sculptors of horses in the world. Black cloth spine with red paper boards, no dust jacket. Black pictorial slipcase with light wear. Beautiful copy. Like new.

Hardcover. Prestel, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover, large volume in a slipcase, 736 pages. This stunning volume delves into the extraordinary illustrated notebooks of Alexander von Humboldt's journeys through the Americas, which reveal the graphic musings of an intrepid explorer, a writer and philosopher, and the father of the environmental movement. On occasion of the 250th anniversary of Humboldt's birth, the drawings from these diaries are now available in a large format, slip-cased edition. Structured thematically, the 450 illustrations have been painstakingly reproduced, complete with handwritten notes, ink stains and water spots. Humboldt drew everything he saw--Incan ruins, electric eels, the transit of Mercury, silver mines, and ocean currents. In addition to being remarkably well preserved, these drawings offer tremendous insight into Humboldt's prescient observations. Featuring commentary by a renowned expert on Humboldt's work, this breathtaking volume will bring to life one of history's most accomplished thinkers. Still sealed in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.

Hardcover. Amon Carter Museum , 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 480 pages. Illustrated with 119 plates (some color), b/w text drawings and photos + 1 map (3 panel fold-out). 4to. Catalogue Raisonne by Karen Reyn.

Hardcover. Amon Carter Museum , 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 480 pages. Illustrated with 119 plates (some color), b/w text drawings and photos + 1 map (3 panel fold-out). 4to. Catalogue Raisonne by Karen Reyn.

Hardcover. NY/London, Titan Books, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. Technical drawings of all the major ships and vehicles from the Alien movies, presented in incredible detail. Includes iconic spacecraft like the Nostromo, the Sulaco and the Covenant. Alien: The Blueprints is a collection of brand new blueprints of all the major vehicles, ships and technology of the Alien movie universe. Artist Graham Langridge delves deep into the concept art, set designs and photography to recreate full and accurate blueprints of the drop ship, the Sulaco, the Nostromo and many more. Covering all the movies including Prometheus and Alien: Covenant, this is a must-have for any Alien fan. The blueprints are big, clear, and superbly detailed, taking full advantage of the huge page size. They actually look like hard-copy technical readouts that would exist in-universe, complete with peripheral formatting and specifications. Still in publisher's shrinkwrap.