art modern

Softcover. Stockholm, Sweden, Moderna Museet, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 84 pages, text in Swedish and English. Illustrated white cover in excellent condition. Minor rubbing on back cover. Clean, crisp pages with beautiful illustrations throughout. Tight binding. Very minor wear on cover corners.

Hardcover. US, Prestel Publishing, 1st, 2012, Book: Good, Dust Jacket: Good, This comprehensive monograph explores the conceptual complexity and diversity of Claes Oldenburg's early work to reveal this influential artist's extraordinary inventiveness. Accompanying an exhibition of Oldenburg's seminal early work, this publication examines the breadth of his artistic career from the late 1950s to 1970. It features works including the landmark installations The Street and The Store and their accompanying performances; the highly influential spectacular sculptures of everyday objects as well as drawings and preparatory collages for public projects from the 1960s. The book traces the development of Oldenburg's practice as it follows his work up to the Mouse Museum. Also included in the publication is an extensive chronology, alongside notes as well as a variety of installation views that showcase the careful consideration given to modes of presentation. In addition to imagery of his Pop icons, this richly illustrated book contains an extensive selection of drawings, collages, and magazine and newspaper clippings as well as a wealth of previously unpublished notebook pages, preparatory studies, and photographs taken by the artist. This volume probes diverse aspects of his work to offer fresh perspectives on Oldenburg's artistic development and unprecedented insights into the conceptual process of his artistic explorations.Gash through dust jacket on front cover.

Princeton University Art Museum, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover, 408 pages. Clarence H. White (1871-1925) was one of the most influential art photographers and teachers of the early 20th century and a founding member of the Photo-Secession. This beautiful publication offers a new appraisal of White's contributions, including his groundbreaking aesthetic experiments, his commitment to the ideals of American socialism, and his embrace of the expanding fields of photographic book and fashion illustration, celebrity portraiture, and advertising. Based on extensive archival research, the book challenges the idea of an abrupt rupture between prewar, soft-focus idealizing photography and postwar "modernism" to paint a more nuanced picture of American culture in the Progressive era. The illustrations are well reproduced and comprehensive.

Hardcover. NY, Metro Books, 1st, 2012, Hardcover, 256 pages. Rock on, with more than 500 classic music posters--many unseen for years! Organized chronologically from the 1950s to the present, this gallery of images from the very best illustrators in the genre captures the interplay of music and art, revealing how both evolved over the years. From gritty bar bands to the superstars, from the Fillmore to CBGBs, this is a remarkable visual journey. Includes interviews with key artists such as Stanley Mouse and Alton Kelley of Family Dog; Michael English and Nigel Waymouth of Hapshash and the Coloured Coat; Roger Dean; Dave Little; and Emek. The posters capture the most famous names in music, from R&B to classic rock, metal, punk and rap, including: Muddy Waters, the Beatles, the Rolling Stones, James Brown, the Who, Led Zeppelin, the Grateful Dead, Bowie, the Clash, the Sex Pistols, Springsteen, Pearl Jam, and more--plus cult favorites.. Features on significant music promoters and venues, including Chet Helms, Bill Graham, and CBGBs. Showcases a diverse range of design styles, from letterpress and DIY punk to the rise of computer graphics and the retro illustrations of the modern era.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 358 pages, color and b&w illustrations. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. Clean copy.

Hardcover. New York , Abrams, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 168 pages, 95 illustrations. 85 in color.

Hardcover. Golden CO, Colorado Railroad Museum, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 238 pages. B&w and color illustrations. Five of the articles are on passenger and mixed (passenger and freight) trains and trolleys in a topographic setting that owing to mineral resources had a phenomenal network of rail lines. Written for the train buff, the historian of western transportation will find good material here. Heavily illustrated with modern and period photos. The sixth piece is on the steam-powered meter-gauge trains of Zimbabwe. Clean copy.

Hardcover. New York, Assouline, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 3 volumes in slipcase. Very clean, like new in publishers shrink-wrap. For over a century Coca-Cola has been a touchstone of modern culture and a global icon. First sipped at an Atlanta soda fountain, the beverage has become an instantly recognizable symbol around the world, woven into people's lives and memories. This newest addition to Assouline's best-selling Memoire collection, Coca-Cola: Film, Music, Sports celebrates the iconic brand's broad-reaching influence in the domains of film, music, and athletics. With imagery of some of these industries' most revered names, and forewords penned by Ridley Scott, Quincy Jones, and LeBron James, these volumes explore the beverage's prominence in some of the greatest films of all time, its inspiration for legendary musicians of all genres, and its motivational support of athletes from the Olympics to professional sports.This slipcase set is a must-have accessory not only for collectors of Coca-Cola memorabilia but also for lovers of American culture everywhere.

Hardcover. New York, Assouline, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 3 volumes in slipcase. Very clean, like new in publishers shrink-wrap. For over a century Coca-Cola has been a touchstone of modern culture and a global icon. First sipped at an Atlanta soda fountain, the beverage has become an instantly recognizable symbol around the world, woven into people's lives and memories. This newest addition to Assouline's best-selling Memoire collection, Coca-Cola: Film, Music, Sports celebrates the iconic brand's broad-reaching influence in the domains of film, music, and athletics. With imagery of some of these industries' most revered names, and forewords penned by Ridley Scott, Quincy Jones, and LeBron James, these volumes explore the beverage's prominence in some of the greatest films of all time, its inspiration for legendary musicians of all genres, and its motivational support of athletes from the Olympics to professional sports.This slipcase set is a must-have accessory not only for collectors of Coca-Cola memorabilia but also for lovers of American culture everywhere.

Softcover. Rochester VT, Park Street Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover, 246 pages. A lavishly illustrated history of coca wine and the revolutionary advertising methods that made it a world-wide success. Follows 19th-century pharmacist Angelo Mariani's interest in coca from medical uses to the development and healing effects of his world-famous coca wine, Vin Mariani. In this full-color illustrated history of coca wine, the first of its kind, author Aymon de Lestrange follows Mariani's interest in coca from its medicinal applications to the creation of the tonic wine. The author explores the botany of coca, how it differs from cocaine, its traditional use in pre-Columbian America, and scientific studies on coca from the 17th through 19th centuries, including from Sigmund Freud, who was a known user. He describes the introduction of coca in the U.S. and France and the many coca preparations then available at drugstores. He also studies the introduction of cocaine in these two countries and the prohibition laws that followed.

Hardcover. Los Angeles, Rizzoli, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 251 pages, illustrated in color. Accompanies a major touring exhibition on the history of ceramic art in the second half of the twentieth century. Illustrated with more than 250 color photographs, Color & Fire explores the roles of key artists and the major stylistic movements they developed during the decades of pioneering innovation. Based on the premise that the history of studio ceramics can be regarded as a series of breakthroughs or milestones, Color & Fire highlights the moments when talented artists came together to produce work in clay that challenged traditions and promoted aesthetic freedom. Small sticker on front thanking a museum member for their support.

Hardcover. NY, Museum of Modern Art, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly soiled, edgeworn dust jacket with $4.95 on flap, 135 pages. Translated into 16 languages, this remarkable book has become an essential document of architectural literature. A "gentle manifesto for a nonstraightforward architecture," Venturi's Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural illustrations serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture. Complexity and Contradiction in Architecture was the winner of the Classic Book Award at the AIA's Seventh Annual International Architecture Book Awards. Robert Charles Venturi Jr. (June 25, 1925-September 18, 2018) was an American architect, founding principal of the firm Venturi, Scott Brown and Associates. Together with his wife and partner, Denise Scott Brown, he helped shape the way that architects, planners and students experience and think about architecture and the built environment. Foreword by Arthur Drexler. Introduction by Vincent Scully. No markings.

Hardcover. New Haven CT, Yale University Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 1176 pages. We live in an age of disenchantment. The number of self-professed "atheists" continues to grow. Yet many still feel an intense spiritual longing for a connection to what Aristotle called the "eternal and divine." For those who do, but demand a God that is compatible with their modern ideals, a new theology is required. This is what Anthony Kronman offers here, in a book that leads its readers away from the inscrutable Creator of the Abrahamic religions toward a God whose inexhaustible and everlasting presence is that of the world itself. Kronman defends an ancient conception of God, deepened and transformed by Christian belief--the born-again paganism on which modern science, art, and politics all vitally depend. Brilliantly surveying centuries of Western thought--from Plato to Augustine, Aquinas, and Kant, from Spinoza to Nietzsche, Darwin, and Freud--Kronman recovers and reclaims the God we need today. Clean copy.

Hardcover. New Haven, CT, Yale University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 528 pages, b&w and color photographs throughout. A very clean, tight copy in great condition. This book is the first comprehensive account of Gabo's life, career, and artistic theory and practice. Martin Hammer and Christina Lodder explore in detail the evolution of the artist's work and his aesthetic concerns, creative processes, assimilation of such new materials as plastic, and approach to public sculpture. Drawing on Gabo's extensive and largely unpublished archives of letters, diaries, notebooks, models, and sketchbooks, they discuss the sculptor's work in the context of his relations with other avant-garde artists, architects, and critics, including his brother Antoine Pevsner.

Hardcover. Tokyo, Kodansha, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 187 pages. Large format. Illustrated with full color and black & white examples of of fine contemporary prints from Japan. Dust jacket shows wear with dime sized chunk missing at top of spine and piece missing at bottom left corner of rear flap. Clean, tight copy. May require additional postage. "Contemporary Japanese Prints" is a fine, beautifully printed folio book--just the way art books should be. Written by a key art historian and critic as well as museum director, it serves as an excellent and eye-opening overview of just what the straightforward title indicates, artistic prints by Japanese artists then currently active as of 1967. Kawakita's introduction is clear and concise but properly informative, defining this art form's general characteristics and then outlining its modern history, starting with its rise in the early twentieth century. Contrary to what one might expect, these prints are almost totally unrelated to Japan's rather famous ukiyo-e prints of the early modern period, these modern "hanga" instead representing the creative vision and artistic labor of one individual artist. And well, a picture's worth a thousand words, so the bulk of the book presents a selection of 150 prints by 119 artists--47 color plates and 103 monochrome plates.

Hardcover. New York, Powerhouse Books, 1st, 2005, Book: Very Good, Dust Jacket: None, 128 pages, b&w photographs of rodeo performers. In publisher's shrinkwrap. After reading a front-page article in The New York Times about the Cheyenne Frontier Days Rodeo, Arthur Frank took a week off from work to travel around Wyoming, photographing whatever rodeos he could find. Once there, he found the culture of the American cowboy very much alive and kicking. Although their practical skills remain essential to modern ranching, it is the rodeo where their trade is praised, perpetuating the myth and mystique of America?s rough and rugged icon?the cowboy. Cowboy Up, Frank?s first monograph, presents photographs taken at more than fifty rodeos?including high school, college, and women?s competitions in addition to professional rodeos?in Wyoming, Colorado, South Dakota, Nevada,Arizona, Calgary, Alberta, even Binghamton, New York. As a former football and rugby player from New York City, Frank approached the roundup with an athlete?s understanding, while his profession provided distance from the cliches associated with the sport. With photographs that capture the vigorous physicality of one of the world?s most erratic and dangerous sports, Cowboy Up delves deeply into the modern cowboy?s life, capturing riders during the jittery wait before the roundup, and back at the ranch, engaging in work that tamed the Wild West. Frank?s outsider perspective and insider access combine to provide a humanistic yet dynamic and inspiring view into a lifestyle that has become an American legend.

Hardcover. San Francisco, Chronicle Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 156 pages. Create and Be Recognized is the first survey of a compelling, always surprising art form -- outsider photography. Presented here is the work of seventeen largely self-taught artists who have used photography or photographic elements in their creations, including such luminaries as Adolf Wolfli, Howard Finster, and Henry Darger, as well as discoveries from little known, equally dramatic artists. As with most outsider art, the work here is fuelled by singular passions, marginalized mindsets, and extreme circumstances, falling outside mainstream picture-making. Employing collage (affixing photos or reproductions to a background), photocollage (photographs cut and pasted together to form a new whole), and tableaux (works based on manipulation and staging), the artists here present work that is, by turns, lyrical and frightening, and always fascinating. Published to coincide with a major touring exhibition of the same name originating at San Francisco's Yerba Buena Center for the Arts, Create and Be Recognized documents an emerging and important facet of contemporary photography.

Hardcover. Berkeley CA, University of California Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 267 pages, b&w photos. Clean, unmarked copy with only minor wear to dust jacket. This book examines the often-neglected role played by immigrant artists and critics in the circle of Alfred Stieglitz, including Japanese-German author Sadakichi Hartmann, Mexican-born caricaturist Marius de Zayas and English Sri-Lankan curator Ananda Coomaraswamy, as well as better-known U.S.-born painters, including Arthur Dove and Georgia O'Keeffe.

Hardcover. New York , Museum of Modern Art, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 238 pages, 150 color and b&w illustrations. 4to, boards. New Exhibition also at the Tate Modern, London, the Los Angeles County Museum of Art, and the Salvador Dali Museum, St. Petersburg, FL.

Hardcover. Hatje Cantz, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 84 pages. When David Goldblatt received the world-renowned Hasselblad Award in 2006, he had been making photographs of the South African landscape and culture for more than 50 years. Born in 1930 in a gold-mining town near Johannesburg, his parents were Jewish refugees from Lithuania, and they raised him with an emphasis on tolerance and antiracism. In 1975, at the height of apartheid, Goldblatt explored white nationalist culture in Some Afrikaners Photographed, and in the 80s he observed workers on the Kwandebele-Pretoria bus, many of whom traveled eight hours every day to work and back. His late-90s solo show at New York's Museum of Modern Art focused on architectural work, and showed off Goldblatt's uncanny ability to discover a society through its buildings and landscapes. His photographs of architectural structures revealed the ways that ideology had defined his home country's landscape. No dj issued.

Softcover. Munich London NY, Prestel, reprint, 2000, Book: Very Good, Dust Jacket: None, Softcover, 200 pages. One of the most widely acclaimed of all living artists, David Hockney has, in some ways, been the victim of his own popularity. Frequently interpreted as the lightweight expression of a colorful personality, his work is in fact characterized by an underlying seriousness of purpose. This emerges with particular clarity from the fresh appraisal of the artist's oeuvre offered in this book.Each of the volume's six chapters, broadly chronological in sequence, is introduced by an essay that examines in depth certain aspects of Hockney's artistic practice. The complexity of his seemingly straightforward imagery is further elucidated in the commentaries accompanying each of the sixty-three carefully selected color plates. These encompass the period from 1960 to 1993, from work produced during the artist's student days at the Royal College of Art in London to his most recent paintings, informed by his experience of designing for the stage and by his experiments with photo-collage and fax art. Included are paintings being illustrated for the first time and others that have rarely been reproduced in colour. Numerous black-and-white illustrations of related works provide important reference material. An illustrated chronology and a selected bibliography conclude this lucid, authoritative account of Hockney's development.

Hardcover. Los Angeles, St. Ann's Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. American-born photographer Levinthal has earned national recognition by creating potent, ironic, and sometimes controversial visions using miniature figures and toys as characters in staged tableaux. He executed his series Modern Romance in the mid-1980s. Echoing the paintings of Edward Hopper and film noir, these are scenes of urban life in dreamy neon-lit color and television blues. Levinthal shows us figures lingering on street corners, entering movie theaters, passing through alleys, conversing in diners, and interacting in confined spaces.

Softcover. Newport Beach CA, Newport Harbor Art Museum, 1st, 1977, Book: Very Good, Dust Jacket: None, Unpaginated, softcover exhibition catalog, illustrated in color and b&w. Essay by Betty Turnbull. Clean, tight copy. David Park, an artist who fused representational figuration with abstract expressionism and was one of the creators of the Bay Area Figurative style is featured here in a career retrospective exhibition containing work from throughout his life.

Hardcover. New York , Knoedler & Co./Rizzoli, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover. Unpaginated (68 pages), 55 illustrations (53 color). Published in conjunction with exhibition shown at Knoedler & Company, April 29 to May 20, 1995, and at Akira Ikeda Gallery, Tokyo, September 1 to September 30, 1995, with checklist of 53 sculptures, paintings and drawings exhibited. Introductory essay, "David Smith's Embrace" by Michael Brenson. Bright, clean copy.