art modern

Hardcover. London, Eyre & Spottiswoode, 1st UK, 1957, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and soiled dust jacket. Green cloth covers with gilt title on spine. Second published work from the literary icon. The story of Jack Burns and his fight with modern society (a theme Abbey would revisit). The character of Jack Burns would turn up in later Abbey novels; Monkey Wrench Gang, Good News and Hayduke Lives! Basis for the film starring Kirk Douglas titled "Lonely are the Brave". The UK first edition had a much smaller print run than its US counterpart and has striking artwork (by Stein) of the cowboy on his rearing horse as a menacing truck aproaches.

Hardcover. NY, Pegasus Books, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 338 pages, b&w illustrations. At the turn of the last century, the Guggenheim family ran the most powerful mining conglomerate on earth. Decades later came the Guggenheim museum, which became the hub of the world's most powerful art brand. In between, the Guggenheim name was uttered in every field from aviation to politics, from journalism to rocketry. But who was behind this epic sphere of influence? It took three generations of Guggenheims to build the wealth in its first era. Yet it was the singular force of Harry Guggenheim who would guide the family's next generation of businesses into modernity. Part angel investor, part entrepreneur, part technologist, Harry launched businesses whose impact on 20th century America went far beyond the Guggenheims' mines or museum. His visionary investments continue to profoundly influence our world and hold valuable business lessons for billionaire dynasty builders like Jeff Bezos and Elon Musk. A flawed but brilliant man, Harry Guggenheim was the confidante to five American presidents and a key financial force behind commercial aviation and space exploration, two innovations that catapulted the nation into the future. Clean copy.

Hardcover. NY, The Monacelli Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 640 pages, pofusely illustrated. In the late nineteenth century, Chicago -- the birthplace of modern architecture in the United States -- was a magnet for aspiring architects. The city was forced to rebuild after the destruction wrought by the Great Fire of 1871 and also to expand to accommodate a surge in the population. The seemingly endless demand for taller and more sophisticated buildings offered young draftsmen an unprecedented opportunity to influence the design of the American skyscraper. The Chicago Architecture Club: Prelude to the Modern documents the history of these draftsmen, the organization they founded, and its role in shaping architectural education and modern architectural practice.

Hardcover. NY, The Monacelli Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 640 pages, pofusely illustrated. In the late nineteenth century, Chicago -- the birthplace of modern architecture in the United States -- was a magnet for aspiring architects. The city was forced to rebuild after the destruction wrought by the Great Fire of 1871 and also to expand to accommodate a surge in the population. The seemingly endless demand for taller and more sophisticated buildings offered young draftsmen an unprecedented opportunity to influence the design of the American skyscraper. The Chicago Architecture Club: Prelude to the Modern documents the history of these draftsmen, the organization they founded, and its role in shaping architectural education and modern architectural practice.

Softcover. UK, Cambridge University Press, 1st pbk, 2008, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 352 pages. A groundbreaking study of cultural life during a turbulent and formative decade in contemporary China, this book seeks to explode several myths about the Cultural Revolution (officially 1966-1976). Through national and local examination of the full range of cultural forms (film, operas, dance, other stage arts, music, fine arts, literature, and even architecture), Clark argues against characterizing this decade as one of chaos and destruction. Rather, he finds that innovation and creativity, promotion of participation in cultural production, and a vigorous promotion of the modern were all typical of the Cultural Revolution. Using a range of previously little-used materials, Clark forces us to fundamentally reassess our understanding of the Cultural Revolution, a period which he sees as the product of innovation in conflict with the effort by political leaders to enforce a top-down modernity. Clean copy.

Softcover. Sausalito CA, Point Inc , 1st, 1978, Book: Very Good, Dust Jacket: None, 144 pages. Paperback Magazine. Very Good+,144 pages. Contributors: Michael McClure, Gregory Corso, David Brower, David Meltzer; Peter Coyote, Wavy Gravy. 40 pages of strips by R. Crumb (Little Joe, Mr. Nostalgia, Modern Dance Workshop and The Final Solution). 8 pages by Dan O'Neill.

Softcover. Houston, TX, Museum of Fine Arts Houston, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog. 93 pages, illustrated throughout in color and b&w. White stiff wrappers, black/red titles. Light wear to edges and spine, front cover slightly sunned, small tear to spine, else a very nice, clean, tight copy.

Hardcover. NY, Metropolitan Museum of Art/ The Viking Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. In addition to being one of the preeminent American photographers of the late 19th and early 20th centuries, Alfred Stieglitz was an avid collector of the works of other photographers. From 1894-1910, he collected over 650 prints from a variety of photographers. He donated 400 of these to the Metropolitan Museum of Art in 1939, and the balance was given in a bequest to the museum in 1949. Photographers included in the collection include Edward Steichen, Gertrude Kasebier, Baron de Meyer, Ansel Adams, Eliot Porter, and Julia Margaret Cameron. This substantial volume was produced by Weston Naef, who was Associate Curator of Prints and Photographs at The Metropolitan Museum of Art. It includes a black-and-white reproduction of all the photographs in the Stieglitz Collection, some full-page and many in smaller size. It also includes details about, and portraits and signatures of each of the painters. Small closed tears to dust jacket, otherwise a clean, bright copy.

Hardcover. Cambridge MA, The MIT Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket In this book, 380 pages, illustrated in color. The award-winning historian Regina Lee Blaszczyk traces the relationship of color and commerce, from haute couture to automobile showrooms to interior design, describing the often unrecognized role of the color profession in consumer culture. Blaszczyk examines the evolution of the color progression from 1850 to 1970, telling the stories of innovators who managed the color cornucopia that modern artificial dyes and pigments made possible. These color stylists, color forecasters, and color engineers helped corporations understand the art of illusion and the psychology of color. Clean copy.

Softcover. Syracuse NY, Gustav Stickley, 1st, 1905, Book: Very Good, Dust Jacket: None, Softcover, approx. 200 pages, b&w illustrations, ads. Gustav Stickley showed his designs and ideas through his magazine The Craftsman. Published monthly between Oct 1901 and Dec 1916, The Craftsman was "the bible" of the Arts and Crafts Movement in the United States, which emphasized spare design, hand-crafting, and the importance of the individual craftsman. This issue features his article "Ornament: Its Use and Its Abuse". Also articles on The Development of the Public Library, The Future of Ceramics in America, Old Pewter Plate, The Modern House Beautiful, others. Clean, bright copy.

Hardcover. Boston, G. K. Hall & Co., reprint, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 413 pages. This incomparable collection of essays, manifestos, and illustrations was prepared by Robert Motherwell with the collaboration of some of the major Dada figures: Marcel Duchamp, Jean Arp, and Max Ernst among others. Here in their own words and art, the principals of the movement create a composite picture of Dada - its convictions, antics, and spirit. First published in 1951, this treasure trove remains, as Jack Flam states in his foreword to the second edition, "the most comprehensive and important anthology of Dada writings in any language, and a fascinating and very readable book." It contains every major text on the Dada movement, including retrospective studies, personal memoirs, and prime examples. The illustrations range from photos of participants, in characteristic Dadaist attitudes, to facsimiles of their productions. Embossed name stamp on front fly leaf, otherwise clean.

Hardcover. NY, Princeton Architectural Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 224 pages. The Dakota is arguably the best-known residential address in the world, home to dozens of New York City's most famous artists, performers, and successful executives. The rare sale of an apartment there, usually at jaw-dropping prices, is newsworthy, as is the financial and architectural health of the building itself, a landmark in every sense of the word.The first true luxury apartment house built in New York City, more than 130 years ago, the Dakota is still the gold standard against which all other apartment buildings are weighed. Historian Andrew Alpern tells the fascinating story of how the Dakota came to be, how Singer sewing magnate Edward Clark dared to build an apartment building luxurious enough to coax the city's wealthy from their mansions downtown for ultra-modern living on what was then the swamplands of the Upper West Side. Redrawn plans of the entire building, published here for the first time, show how Clark created apartments glamorous enough that they made living under a shared roof as acceptable in Manhattan as it already was in Europe's grand capitals, forever revolutionizing apartment life in New York City.

Softcover. Minneapolis, University of Minnesota Press , 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 305 pages. "In The Dark End of the Street, Maria Damon brings a new sensitivity to modern poetic criticism. She adds an important dimension to cultural theory, revealing the struggles of one group of artists as they address improtant questions about art, social life, and the oppression they encounter. Taking as her premise that the intensity of poetic language is an appropriate venue for representing the 'dark end of the street' of social pain, Damon foregrounds the work and lives of a number of modern American poets in order to argue that the American avant-garde is located in the experimental literary works of social 'outsiders."

Softcover. Houston / NY, Houston Fine Art Press/MOMA, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 204 pages. Horizontal format. With numerous illustrations, including many in color. Detailed study of the drawings by the American artist better known for his paintings. 184 illustrations with 84 in color. Three pages with light pencil underlining, otherwise a clean, bright copy.

Softcover. NY, Penguin Books, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 363 pages. Despite ceaseless conflict between different classes and cities, Holland's rise to power was almost miraculously rapid. In a few short years a tiny country gained control of territory from Indonesia to the West Indies, from South Africa to South America. In this marvelously evocative book Professor Boxer recaptures the scenes of adventure and dissipation in the four corners of the earth , the up surge in the arts and sciences, and the sad decoines from the ' Golden Century' to the 'Periwig Period'. Few stories could be as rich and colorful, yet it was largely inspired by the ' grave and sober people of Holland', the Calvinist merchants of Amsterdam who forged a nation based on ' gain and godliness'. Such were the people whom Rembrandt painted, who debated policies of apartheid or assimilation, who founded factories and forts. The Dutch Seaborne empire offers a portrait of them all, as they made their spectacular entrance into the modern world. Clean copy.

Hardcover. NY, Oxford University Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages, profusely illustrated in color and b/w. Written by an international team of scientists, The Enchanted Loom offers a sweeping look at the history of neuroscience from the philosophy of Aristotle to the advent of Artificial Intelligence. This collection of accessible, intriguing essays is supplemented by over 350 spectacularillustrations, many in color, with thorough and informative captions written by the scientists themselves. The authors discuss Descartes's contributions to thought about the brain, alongside brilliant artistic studies of the central nervous system that he and masters like da Vinci executed. Theyshow how phrenology--the long discredited study of skull shape and mental faculties--actually represented a breakthrough in thinking about localized brain functions, and how the advent of the microscope and other equipment led to new discoveries. The contributors bring the story up to the present day, unfolding the emergence of the modern neurosciences, advances in molecular biology, and the debate over how infants learn language. In addition, the book offers a short history of computers and recent thought about whether the mind works like computer software. Noted contributors include; Larry Squire, writing on memory; Solomon Snyder, discussing psychopharmacology; and John Dowling on vision. Colorful, intelligent, informative, The Enchanted Loom offers an authoritative and enjoyable look at the history of a complex and fascinating science.

Hardcover. Holdrege NE, privately printed, 1st, 1984, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth stamped in black and gilt, 92 pages. 11 1/4" x 8 1/2". Errata slip loosely laid in. A survey of this Italian-American modernist painter's etchings of highly realistic and romanticized still lifes, landscapes, and portraits. Clean copy.

Hardcover. London, Victoria & Albert Museum, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 174 pages. Color illustrations. Gareth Williams looks at the furniture industry since 1990 and at design trends in the period to unravel its phenomenal appeal, from Minimalism to Blobjects, featuring the major designers of the period. He gives attention to the innovations of Italian manufacturers and the increasing influence of conceptual design.

Hardcover. Chicago, University of Chicago, 1st, 1921, Book: Very Good, Dust Jacket: None, Hardcover, 315 pages. B&w illustrations throughout.Compilation of lectures given by Pennell in 1920 on the print-making methods and techniques used by artists of the day. Very good in light brown cloth with gilt lettering to front board and spine. Hinge cracked at title page, light wear to cloth at top and bottom of spine. Otherwise a clean, bright copy.

Softcover. New York, Brooklyn Museum, 1st, 1983, Book: Very Good, Dust Jacket: None, 180 pages, b&w and color photography. Very light edge wear, else a very clean, tight copy. Wonderful book on the great Brooklyn Bridge. Includes much historical material, chapters on the design of the bridge with several beautiful fold-outs, and many full color repros. of the many paintings and artwork that have been inspired by the beauty of one of the wonders of the modern world. Even includes a small filmog. of films that have used the Bridge as a background or a major location/set. Published on the 100th anniversary of the opening of the bridge and an exhibition celebrating it, held at The Brooklyn Museum.

Hardcover. Cambridge UK, Cambridge University Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 296 pages, b&w illustrations. This is the first full scholarly study of the Great Wall of China to appear in any language, and it challenges many deeply held ideas about Chinese history. Drawing both on primary sources and on the latest archaeology, the book first demonstrates that the standard account of the Great Wall is untrue and misleading and then presents a convincing new account. It begins by tracing the various walls and systems of frontier defences that existed in early Chinese history, and shows how the greatest of these achieved a mythical symbolic stature which long survived the Wall itself. A striking concluding chapter traces how the true history of the Wall was lost in the early twentieth century as it was gradually transformed into a Chinese national symbol explained through historical myth. The book is an important contribution to the history of China's defensive policy, and her ideological attitudes, and will be of interest both to students of Chinese history and of international relations in the pre-modern world. Clean, bright copy.

Hardcover. New Haven CT, Yale /Houston Museum of Fine Arts, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 168 pages. Chen Changfen (b. 1941) began to photograph the Great Wall twenty years before the Chinese government officially adopted it as the national symbol in 1984. This fascinating book presents a small fraction of his decades-long study of the monumental form and conveys the fertile range of themes and ideas that Chen has investigated, each informed by traditional Chinese art, history, and philosophy. Combining a unique blend of traditional and contemporary technical processes, Chen's richly evocative photographs at once celebrate the remarkable series of building campaigns that produced the Wall and memorialize the thousands of conscripted laborers whose lives were sacrificed to its construction.One of the most striking features of Chen's photographs is their unexpected variety of perspectives and moods, capturing the vicissitudes of weather, time, and human history that have acted upon it. By excluding the people, highways, factories, and modern buildings that encroach on and daily destroy sections of the Wall, however, Chen eliminates major aspects of the Wall's present reality from his pictures. In a thoughtful essay and interview with the artist, Anne Wilkes Tucker probes the meanings of such omissions and guides the reader through Chen's extraordinary images. The Great Wall of China is essential reading for photographers, historians, and travelers.

Hardcover. Cambridge MA, The MIT Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright blue dust jacket, 344 pages. Santayana's Life of Reason, published in five books from 1905 to 1906, ranks as one of the greatest works in modern philosophical naturalism. Acknowledging the natural material bases of human life, Santayana traces the development of the human capacity for appreciating and cultivating the ideal. It is a capacity he exhibits as he articulates a continuity running through animal impulse, practical intelligence, and ideal harmony in reason, society, art, religion, and science. The work is an exquisitely rendered vision of human life lived sanely.In this first book of the work, Santayana provides an account of how the human animal develops instinct, passion, and chaotic experience into rationality and ideal life. Inspired by Aristotle's De Anima, Darwin's evolutionary theory, and William James's The Principles of Psychology, Santayana contends that the requirements of action in a hazardous and uncertain environment are the sources of the development of mind. More specifically, instinct and imagination are crucial to the emergence of reason from chaos. Separating himself from the typical thought of the time by his recognition of the imagination, Santayana in this volume offers extensive critiques of various philosophies of mind, including those of Kant and the British empiricists. Clean copy.

Softcover. Berkeley CA, University of California Press, reprint, 1987, Book: Good, Dust Jacket: None, Softcover, 242 pages. Scholars have only recently discovered that the human body itself has a history. Not only has it been perceived, interpreted, and represented differently in different epochs, but it has also been lived differently, brought into being within widely dissimilar material cultures, subjected to various technologies and means of control, and incorporated into different rhythms of production and consumption, pleasure and pain. The eight articles in this volume support, supplement, and explore the significance of these insights. They belong to a new historical endeavor that derives partly from the crossing of historical with anthropological investigations, partly from social historians' deepening interest in culture, partly from the thematization of the body in modern philosophy (especially phenomenology), and partly from the emphasis on gender, sexuality, and women's history that large numbers of feminist scholars have brought to all disciplines. Lightly worn copy, clean, solid binding.