art modern

Softcover. NY, Modern Art Foundry, 1st, 2005, Book: Very Good, Dust Jacket: None, Stapled softcover exhibition catalog, 16 pages illustrated in color. Clean copy.

Hardcover. Los Angeles, Calif., Harry N. Abrams, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover with a dust jacket. This copy is still shrink-wrapped in plastic. Many b&w and color illustrations throughout. Accompanied an exhibit at the Los Angeles County Museum of Art in 2001. Examines more than seventy-five paintings and other artworks, representing the Purist movement in twentieth-century modernist art, featuring the works of Le Corbusier, AmTdTe Ozenfant, and Fernand LTger as well as a complete translation of the classic work AprFs le cubisme.

Hardcover. US, Foggy Notion Books/Pasadena Museum of California Art, 1st, 2012, Book: Very Good, Dust Jacket: None, 208 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to boards. Like new in publisher's shrink-wrap. Until recently, the figurative artists who dominated the Los Angeles art scene of the 1940s and 50s had largely been written out of art history. L.A. Raw is an attempt to right that wrong. Bringing together works by 41 artists in a variety of media, it traces a lineage that connects postwar figurative expressionism to the 1960s and 70s investigations of politics, gender and ethnicity in art. The featured artists include John Altoon, Wallace Berman, William Brice, Hans Burckhardt, Chris Burden, Cameron, Judy Chicago, Connor Everts, Llyn Foulkes, Charles Garabedian, David Hammonds, Robert Heinecken, John Paul Jones, Kim Jones, Ed and Nancy Kienholz, Rico Lebrun, Paul McCarthy, Arnold Mesches, Betye Saar, Ben Sakoguchi, Barbara Smith, James Strombotne, Jan Stussy, Edward Teske, Joyce Treiman, Howard Warshaw, June Wayne, Charles White and Jack Zajac.

Hardcover. 2012, Book: Very Good, Dust Jacket: None, Hardcover, 208 pages illustrated in color and b&w. Until recently, the figurative artists who dominated the Los Angeles art scene of the 1940s and 50s had largely been written out of art history. L.A. Raw is an attempt to right that wrong. Bringing together works by 41 artists in a variety of media, it traces a lineage that connects postwar figurative expressionism to the 1960s and 70s investigations of politics, gender and ethnicity in art. The featured artists include John Altoon, Wallace Berman, William Brice, Hans Burckhardt, Chris Burden, Cameron, Judy Chicago, Connor Everts, Llyn Foulkes, Charles Garabedian, David Hammonds, Robert Heinecken, John Paul Jones, Kim Jones, Ed and Nancy Kienholz, Rico Lebrun, Paul McCarthy, Arnold Mesches, Betye Saar, Ben Sakoguchi, Barbara Smith, James Strombotne, Jan Stussy, Edward Teske, Joyce Treiman, Howard Warshaw, June Wayne, Charles White and Jack Zajac. No dj issued, clean copy.

Softcover. Paris, Fondation Dina Vierny-Musee Maillol, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 207 pages, FRENCH TEXT, profusely illustrated exhibition catalog.

Hardcover. Chicago, Henry Regnery, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. A comprehensive guide to lacemaking, patterns and techniques, as well as a profusely illustrated history of this exquisite, enduring craft. Whether you want to make lace, learn to appreciate it as a connoisseur, or only contemplate its loveliest examples in the splendid photos, you will find it in this book. The author has included design notes, beautifully drawn diagrams, and clear, complete instructions for lacemaking in four categories: network, needle laces, bobbin laces, and mixed laces. These instructions will enable you to realize the ornate and flowery patterns of the past no less than the free-flowing forms of modern art. Clean copy.

Hardcover. Boston NY, Bulfinch, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages, 83 color plates, 53 duotone plates. Foreword by David Levy. Rivers, one of the original Pop artists on the 1950s art scene, is known for his bold and eclectic style. Inspired by sources as diverse as the impressionists, Napoleon, and Hollywood movies, Rivers' work shows a keen sense of history and an adventurous spirit.

Hardcover. Boston, Bulfinch, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, black cloth titled in silver on the spine, in a color pictorial dust wrapper. 183 & 1 pages, profusely illustrated in color and black & white throughout, including many full-page illustrations. Near fine. First edition. Produced in association with The Corcoran Gallery of Art with a foreword by David C. Levy and essays by Barbara Rose and Jacquelyn Days Serwer. Never opened, still in original shrink wrap.

Hardcover. NY, Tibor de Nagy Gallery, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, unpaginated, illustrated in color. Introduction by John Yau. Clean, bright copy of this exhibition catalog.

Hardcover. New York, Abrams/Bronx Museum of the Arts, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 343 pages, illustrated throughout in color with brief biographies of artists. Very good, unmarked, in a bright dust jacket.

Hardcover. Cambridge MA, MIT Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 406 pages, Hardcover with dust jacket. B&w illustrations. Clean, tight copy. How Le Corbusier's first trip to the United States shaped his critique of the country and affected both his work and the diffusion of his ideas. Le Corbusier's first trip to the United States in 1935 is generally considered a failure because it produced no commissions. The experience nevertheless had a profound effect on him, both personally and professionally. Sponsored by the Museum of Modern Art in New York, Le Corbusier promoted his ideas through a lecture tour, exhibition, and press conferences, as well as in meetings with industrialists, housing reformers, New Deal technocrats, and editors. His lectures were watershed events that advanced the cause of European modernism. Yet he returned to France empty-handed and published a bittersweet account, Quand les Cathedrales etaient blanches: Voyage au Pays des Timid Personnes (When the Cathedrals Were White: Journey to the Country of Timid People), which faulted America for lacking the courage to adopt his ideas.

Hardcover. NY, Phaidon Press, 1st, 2008, Book: Very Good, Dust Jacket: None, This slip-cased, oversized book, weighing 20 pounds and containing over 2000 illustrations, summarizes the life and work of the most important modern architect of the 20th century: the legendary, controversial, and confrontational Le Corbusier. Le Corbusier was not exclusively an architect but an artist (painter and sculptor), urbanist, author, furniture designer, world traveler, and media figure. What is most impressive in this volume are the huge-scale photographs drawn from the Le Corbusier archives at the Fondation Le Corbusier in France. These photographs are personal, professional, indicative, anecdotal, illustrative, and symbolic of the entire saga of Le Corbusier's life and career over 60 years. They make this book an absolute gold mine for anyone wanting to understand and steep themselves in the spirit and character of this greatest modern architect of the last century. The written material is also first-rate: Jean-Louis Cohen, France's best-known historian of modern architecture, contributes an informative introduction, and Tim Benton, a well-known British architectural historian, writes opening texts for individual chapters. Recommended for architecture and art libraries as well as public libraries with serious art collections.--Peter S. Kaufman, Boston Architectural Ctr. NOTE; DUE TO SIZE AND WEIGHT THIS VOLUME CANNOT BE SHIPPED OUTSIDE THE U.S.

Softcover. Venice, Cataloghi Marsilio, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 140 pages. TEXT IN ITALIAN. A catalog of drawings and architectural watercolor sketches done by Le Corbusier on a trip to Italy in 1907. His career spanned five decades, with his buildings constructed throughout Europe, India, and America. He was a pioneer in studies of modern high design and was dedicated to providing better living conditions for the residents of crowded cities. (1907) - Catalogo della Mostra. Clean copy.

Hardcover. NY, Modern Library, 1st thus, 1944, Book: Very Good, Dust Jacket: None, Hardcover, this is the first edition in the Illustrated Modern Library series, 410 pages with Index of First Lines & About the Artist in rear, blank endpapers. quarter green cloth over boards covered in pastel decorative green paper, with red title box to spine, edged & lettered in bright gilt. Housed in a green cardboard slipcase with a color illustration pasted to the front. Minor wear to corners of slipcase. Bookplate on inside front cover, otherwise a clean copy.

Hardcover. London, Faber and Faber, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Music's confrontation with modernity has been difficult, and has often involved the artist leaving his country for political and social reasons. In the company of a range of performers,this work reflects the difficulties encountered and the audiences' often reluctant attitude towards them.

Softcover. Prestel, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. Roland Penrose met Lee Miller's lips a year before he met the rest of her - in a painting by Man Ray. It was a fitting introduction for two artists who were linked by an art movement that delighted in chance encounters. Together they forged a life joined by a common cause - surrealism. This illustrated joint biography tells the story of how a fashion model turned photographer and an English Quaker turned art collector and surrealist painter influenced modern art with their vision and passion, and created a life together that was in itself a work of art.

Softcover. Cambridge UK, Polity, reprint, 2014, Book: Very Good, Dust Jacket: None, Softcover, 231 pages. Few philosophers have left a legacy like that of Gottfried Wilhelm Leibniz. He has been credited not only with inventing the differential calculus, but also with anticipating the basic ideas of modern logic, information science, and fractal geometry. He made important contributions to such diverse fields as jurisprudence, geology and etymology, while sketching designs for calculating machines, wind pumps, and submarines. But the common presentation of his philosophy as a kind of unworldly idealism is at odds with all this bustling practical activity. In this book Richard. T. W. Arthur offers a fresh reading of Leibniz's philosophy, clearly situating it in its scientific, political and theological contexts. He argues that Leibniz aimed to provide an improved foundation for the mechanical philosophy based on a new kind of universal language. His contributions to natural philosophy are an integral part of this programme, which his metaphysics, dynamics and organic philosophy were designed to support. Rather than denying that substances really exist in space and time, as the idealist reading proposes, Leibniz sought to provide a deeper understanding of substance and body, and a correct understanding of space as an order of situations and time as an order of successive things. Clean, bright copy.

Softcover. Collection du Musee Reattu , 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, 4to in French wraps. Color and b&w reproductions. Clean, bright copy. FRENCH TEXT.

Hardcover. NY, W.W. Norton & Co., 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Lester Beall, who died in 1969, was the first graphic designer to receive a one-man exhibit at the Museum of Modern Art (in 1937) and was awarded the 1993 Lifetime Achievement Award by the American Institute of Graphic Artists, a sign of his importance in American graphic design. In full color, this book documents the work of his pioneering 44-year career-advertising, corporate-identity programs, product styling, packaging, exhibits, murals, annual reports, posters, books, and magazines for a wide range of clients, including the U.S. government, the International Paper Company, Martin Marietta Corporation, and many others.

Hardcover. New York, Doubleday and Co., reprint, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover. Photographs and text by Edward Steichen. Includes a biographical outline. Illustrated end pages. 249 black and white plates. Measures 11.5x10 inches. Edward Steichen (1879-1973) was the most frequently featured photographer in Alfred Stieglitz' groundbreaking magazine Camera Work during its run from 1903 to 1917. Later he worked for Conde Nast magazines Vogue and Vanity Fair. After World War II he became the Director of the Department of Photography at New York's Museum of Modern Art. Note: This book is the First edition, second printing (The book was originally published in 1963 with duotone and color plates, this second printing is in black and white only). In a very good dust jacket.

Softcover. Provincetown MA, Cape Cod Museum of Art/Providencetown Museum, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 59 pages, exhibition catalog illustrated in color. Essays by Robert Henry, April Kingsley, Myra Harrison and Claire Sprague. Lillian Orlowsky painter, teacher, curator, critic and mentor (Born 1914 in New York City, died August 7, 2007 in Provincetown) I was fortunate to have taken part in one of the most important periods of art in this century. The 1930's through the 1950's saw a cultural upheaval where diverse concepts in painting went from one extreme to another: from realism to abstraction. In the forefront were the WPA (Works Projects Administration - Art Project) and in some measure the Provincetown Art Association. They promoted cultural awareness of the different pictorial concepts which were the beginning of the changing scene of plastic expression.

Softcover. Cape Cod Museum of Art/Providencetown Museum, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 59 pages, exhibition catalog illustrated in color. Essays by Robert Henry, April Kingsley, Myra Harrison and Claire Sprague. Lillian Orlowsky painter, teacher, curator, critic and mentor (Born 1914 in New York City, died August 7, 2007 in Provincetown) I was fortunate to have taken part in one of the most important periods of art in this century. The 1930's through the 1950's saw a cultural upheaval where diverse concepts in painting went from one extreme to another: from realism to abstraction. In the forefront were the WPA (Works Projects Administration - Art Project) and in some measure the Provincetown Art Association. They promoted cultural awareness of the different pictorial concepts which were the beginning of the changing scene of plastic expression.

Hardcover. NY, Dover Publications, reprint, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 48 pages illustrated in color by Gorey. A new approach to the ancient fables of Aesop features charming rhymes and winsome images by a beloved illustrator. Artist Edward Gorey sets the scenes for poet Ennis Rees's modern interpretation of Aesop's verses, which recount how animals with all-too-human failings receive their just desserts. Memorable renderings of familiar and lesser-known vignettes include the fable of the industrious ant, who prepares for the hardships of the coming winter, and the feckless grasshopper, whose laziness proves fatal. A mighty lion is amused at the notion of a tiny mouse coming to his rescue, a naive young crustacean admires the bright red shell of a boiled lobster, and a swarm of flies are undone by their attraction to a pool of spilled honey. These and other timeless tales provide humorous insights into the folly of greed and vanity and the rewards of virtuous behavior. Originally published in 1971 by Young Scott.

Hardcover. NY, Dover Publications, reprint, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 48 pages illustrated in color by Gorey. A new approach to the ancient fables of Aesop features charming rhymes and winsome images by a beloved illustrator. Artist Edward Gorey sets the scenes for poet Ennis Rees's modern interpretation of Aesop's verses, which recount how animals with all-too-human failings receive their just desserts. Memorable renderings of familiar and lesser-known vignettes include the fable of the industrious ant, who prepares for the hardships of the coming winter, and the feckless grasshopper, whose laziness proves fatal. A mighty lion is amused at the notion of a tiny mouse coming to his rescue, a naive young crustacean admires the bright red shell of a boiled lobster, and a swarm of flies are undone by their attraction to a pool of spilled honey. These and other timeless tales provide humorous insights into the folly of greed and vanity and the rewards of virtuous behavior. Originally published in 1971 by Young Scott.