art modern

Softcover. St. Louis MO, Wrought Iron Range Co., reprint, Book: Good, Dust Jacket: None, Softcover, 212 pages, stiff black card covers. Reprint edition of this combined cookbook and trade catalogue, which changed slightly with each change in stove models. The Model "AB" is the most recent stove depicted on page 12 (circa 1924). Includes recipes for breakfast, beverages, bread, dinner, salads, puddings, and household hints. Prior to and following the recipes is a variety of promotional information about the Wrought Iron Range Company. Illustrated product lists for stoves and accessories, company history, features about prizes and awards, an illustration of their exhibit at the 1893 World's Columbian Exposition, as well as references for businesses currently using their products. Previous owner's name on last blank page. Otherwise clean. Binding a little shakey but holding.

Hardcover. NY, Simon & Schuster , 5th Ed., 1953, Book: Very Good, Dust Jacket: None, Hardcover, blue glossy boards with gilt lettering, beige cloth spine, 319 pages. No dust jacket. Lavishly illustrated with color, black and white photographs. Many rooms illustrated were by well-known interior designers and belonged to the rich and famous of the 1940s. Valuable reference for movie or live theatre sets featuring interiors in the 50's, whether traditional or modern. Clean, bright copy.

Softcover. Hudson Hills Press, 1st, 1982, Book: Very Good, Dust Jacket: None, The San Fransisco Museum of Modern Art catalog of the first major retrospective exhibition of the works of Edward Ruscha. 10 pages, illustrated with Ruscha's artwork, and a photograph of the artist. A clean copy in publisher's stiff wrappers.

Hardcover. NY, Bloomsbury Publishing, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 118 pages. SIGNED BY CHAST on the blank prelim page. Ancient Greeks, modern seers, Freud, Jung, neurologists, poets, artists, shamans-humanity has never ceased trying to decipher one of the strangest unexplained phenomena we all experience: dreaming. Now, in her new book, Roz Chast illustrates her own dream world, a place that is sometimes creepy but always hilarious, accompanied by an illustrated tour through "Dream-Theory Land" guided by insights from poets, philosophers, and psychoanalysts alike. Illuminating, surprising, funny, and often profound, I Must Be Dreaming explores Roz Chast's newest subject of fascination-and promises to make it yours, too.

Hardcover. NY, Bloomsbury Publishing, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 118 pages. Ancient Greeks, modern seers, Freud, Jung, neurologists, poets, artists, shamans-humanity has never ceased trying to decipher one of the strangest unexplained phenomena we all experience: dreaming. Now, in her new book, Roz Chast illustrates her own dream world, a place that is sometimes creepy but always hilarious, accompanied by an illustrated tour through "Dream-Theory Land" guided by insights from poets, philosophers, and psychoanalysts alike. Illuminating, surprising, funny, and often profound, I Must Be Dreaming explores Roz Chast's newest subject of fascination-and promises to make it yours, too.

Hardcover. NY, Bloomsbury Publishing, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 118 pages. Ancient Greeks, modern seers, Freud, Jung, neurologists, poets, artists, shamans-humanity has never ceased trying to decipher one of the strangest unexplained phenomena we all experience: dreaming. Now, in her new book, Roz Chast illustrates her own dream world, a place that is sometimes creepy but always hilarious, accompanied by an illustrated tour through "Dream-Theory Land" guided by insights from poets, philosophers, and psychoanalysts alike. Illuminating, surprising, funny, and often profound, I Must Be Dreaming explores Roz Chast's newest subject of fascination-and promises to make it yours, too.

Hardcover. Milan, A. Mondadori, 1st, 1945, Book: Very Good, Dust Jacket: None, Hardcover, 6 unnumbered pages including the inside of both covers. Publisher's thick pictorial boards backed in white cloth-patterned paper & saddle stapled Lightly soiled, edges slightly rubbed, otherwise very good. A nice example with all flaps and concealed color illustrations in perfect working order. Laid in is a typed English translation of the text. Bruno Munari was "one of the most celebrated names in twentieth century Italy in graphic designing who fundamentally altered the landscape of many fields of visual arts, futurism and modernism He is credited for his contribution to industrial design, sculpture, painting, literature, film and concrete art." A collector's copy of this scarce title.

Hardcover. NY, The Society of Illustrators, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 452 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket, else a clean, tight copy. A fascinating history of modern American illustrations traces 140 years of endeavor and the work of more than 450 artistis--including such masters as Maxfield Parrish, Rockwell Kent, and Theodore Geisel--and discusses the different schools of illustration, styles, artistic innovations and trends, and more. DUE TO WEIGHT, This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Softcover. Greensboro NC, University of North Carolina Press, 1st, 1999, Book: Very Good, Dust Jacket: None, 108 pages, illustrated in color and b&w. Softcover exhibition catalog featuring the poet's collaboration with various artists like John Altoon, Donald Sultan, others. Includes a CD-ROM.

Hardcover. NY, Museum of Modern Art, 1st, 1967, Book: Very Good, Dust Jacket: None, Hardcover. Half cloth covers, oatmeal buckram with gray paper, sepia lettering on spine. O'Hara's poems coupled with 30 different artists in loose sheets. In a cloth folio, in a slipcase with a gray paper label. Number 692 from an edition of 2500 copies. Edited by Bill Berkson. A beautifully produced collection that includes poems by Frank O'Hara paired with illustrations by Nell Blaine, Norman Bluhm, Joe Brainard, John Button, Giorgio Cavallon, Allan D'Arcangelo, Elaine de Kooning, Willem de Kooning, Niki de Saint Phalle, Helen Frankenthaler, Jane Freilicher, Michael Goldberg, Philip Guston, Grace Hartigan, Al Held, Jasper Johns, Matsumi Kanemitsu, Alex Katz, Lee Krasner, Alfred Leslie, Roy Lichtenstein, Marisol, Joan Mitchell, Robert Motherwell, Reuben Nakian, Barnett Newman, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, and Jane Wilson. Previous owner's small sticker on inside cover, otherwise clean, bright. The cloth slipcase with light soil, foxing.

Hardcover. NY, The Museum of Modern Art, reprint, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, unpaginated. Reprint Edition of a work originally published by MOMA in 1967. Limited to 2500 numbered copies though this copy is unnumbered on the limitation/colophon page. Bound in half tan cloth over gray paper-covered boards with titles stamped in red on spine. Illustrated by 30 artists, who had known the poet, to accompany the poems. Square, tight and clean throughout with little or no wear.

Hardcover. NY, Metropolitan Museum of Art, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with a wraparound title band. This handsome volume explores the modern discipline of fashion collecting, presenting remarkable works from one of the greatest private collection of 20th-century costume. This group of clothing and accessories, assembled over several decades by Sandy Schreier, includes many rare and historically significant pieces that define key moments in fashion. Her collection features not only iconic garments by established designers but also looks by pioneering couturiers rarely represented in museum collections. Outstanding works, by designers that include Gilbert Adrian, Cristobal Balenciaga, Boue Soeurs, Gabrielle Chanel, Christian Dior, Mariano Fortuny, Karl Lagerfeld, Paul Poiret, and Valentina, are illustrated with new photography by fashion photographer Nicholas Cope. An informative introduction traces the progress of her collecting from its roots in Detroit to the present day. The book also includes descriptions of over 80 works, including garments, accessories, and rare designer drawings, in addition to a lively interview with Schreier by Andrew Bolton that reveals her collecting philosophy.

Softcover. Yonkers NY, Fordham University Press , 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 175 pages illustrated in color. It was not until the first decade of the twentieth century, as artists like Robert Henri and John Sloan turned their attention to the urban scene, that American art shifted its focus from bucolic landscapes to the cities, the towns, the crowds, especially the raucous urban scene of Manhattan--by then the nation's most important metropolis. This movement away from painting the land to painting the life on the street is often seen as a clean break with the depiction of the landscape, and with landscape painting generally as a mainstay of American art in the face of European Modernism. However, artists continued to paint the Hudson River, as well as its tributaries, the Harlem and East rivers, and the great harbor of New York City into which they flowed. What was different was their approach. Having jettisoned the romantic ideals of their forebears, artists like Henri and Sloan, and later, Georgia O'Keeffe, George Ault, Edward Hopper, and Preston Dickinson, celebrated the changing way of life along the city's waterfront. As the century progressed, they did so with sharper focus and with ideals borrowed from the Machine Age. Instead of majestic mountain ranges, their subjects were the arching bridges, swinging cranes, and streamlined ocean liners resting in the harbor. These artists took the elements of the Sublime, combined them with Modernism's interest in structure and form, and applied them to the manmade industrial one--thereby creating a new visual vocabulary for the twentieth century: the Industrial Sublime. Clean copy.

Hardcover. New York, Alfred A. Knopf, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 273 pages. Hardcover. SIGNED BY AUTHOR. Decked foreedge. Teal fabric covered, Very clean inside and out. Review from back cover, "There's a cast of characters worthy of a modern-day Shakespeare; bathetic descriptions of using the lavatory that would have had Beckett smiling; and the gods' playful pursuit of women that could be lifted straight from Ovid's The Art of Love. Banville, already esteemed for the brilliance of his language, proves in this novel to have a mastery, too, of these many colliding universes."

Hardcover. Penn State University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 328 pages illustrated in color. Jean-Auguste-Dominique Ingres has long been recognized as one of the great painters of the modern era and among the greatest portraitists of all time. Over a century and a half of scholarly writing on the artist has grappled with Ingres's singular identity, his relationship to past and future masters, and the idiosyncrasies of his art. Ingres and the Studio: Women, Painting, History makes a unique contribution to this literature by focusing on the importance of Ingres's training of students and the crucial role played by portraits-and their subjects-for Ingres's studio and its developing aesthetic project. Rather than understanding the portrait as merely a screen onto which the artist's desires were projected, the book insists on the importance of accounting for the active role of portrait sitters themselves. Through careful analysis of familiar and long-overlooked works, Ingres and the Studio traces a series of encounters between painters and portrait subjects in which women sitters-such as the artist Julie Mottez, art critic, salonniere, and historian Marie d'Agoult, and tragic actress Rachel-emerge as vital interlocutors in a shared aesthetic project. Still in publisher's shrinkwrap.

Hardcover. New York, Museum of Modern Art, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 168 pages. Hardcover still in publisher's shrinkwrap. Dust jacket unmarked. Binding is strong. Clean tight copy.

Softcover. Cambridge MA, Harvard University Press, reprint, 2008, Book: Very Good, Dust Jacket: None, Softcover, 776 pages. "Iron Kingdom, Christopher Clark's stately, authoritative history of Prussia from its humble beginnings to its ignominious end, presents a much more complicated and compelling picture of the German state, which is too often reduced to a caricature of spiked helmets and polished boots. Prussia and its army were inseparable, but Prussia was also renowned for its efficient, incorruptible civil service; its innovative system of social services; its religious tolerance; and its unrivaled education system, a model for the rest of Germany and the world. This too was Prussia-a tormented kingdom that, like a tragic hero, was brought down by the very qualities that raised it up. Mr. Clark, a senior lecturer in modern European history at Cambridge University, does an exemplary job. A lively writer, he organizes masses of material in orderly fashion, clearly establishing his main themes and pausing at crucial junctures to recapitulate and reconsider. Prussia, a self-invented artifact right down to its name, demands the kind of careful demythologizing that it receives from Mr. Clark, who gently but insistently exposes the flaws in most of the received wisdom about his subject. A result is an illuminating, profoundly satisfying work of history, brightened by vivid character sketches of the principals in his drama." Clean copy.

Hardcover. New York, Museum of Modern Art, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. The first major retrospective of the work of Irving Penn in more than twenty years will open at The Museum of Modern Art on September 13, 1984. The exhibition surveys Penn"s long career, spanning the past four decades, and features his work in portraiture, fashion, advertising, the nude, ethnographic subjects and still life, as well as a selection of Penn"s early, unpublished photographs.

Hardcover. New York, Rizzoli International Publication, reprint, 2013, Book: Very Good, Dust Jacket: Good, 239 pages. Hardcover with dust jacket. Extensive color and b&w photographs throughout. Illustrated end papers and fly leafs. Tear to top right corner of rear dust jacket flap repaired with tape. Light edge wear to dust jacket, otherwise clean, tight copy.

Softcover. San Francisco, Chronicle Books, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 133 pages illustrated in color. This lavishly illustrated volume offers a unique survey of Italian commercial graphic design during a period of both creative artistic vitality and extreme political turmoil. The first English-language book to showcase the bold typography and streamlined imagery of modern Italian design motifs on commercial products of the day, this fascinating and important resource for designers, history buffs, and collectors includes a discussion of the Futurist influence on the Italian Art Deco style and the success of such individualized expression despite a ruthless Fascist regime. Clean copy.

Hardcover. New York, Museum of Modern Art, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 152 pages, illustrated throughout in color. Spotless and tight copy. 128 Italian film posters that are a rich array of both Italian films and the international cinema. Includes text and notes on each poster. Arranged by genre from the 30's to the late 50's.

Hardcover. New York, Abbeville Press, inc, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 308 pages. color illustrations throughout. This VERY LARGE volume gives insight into the world of a realist, who's paintings have fascinated, and often shocked the public for more than fifty years. Red cloth, gilt lettering to spine. Near fine copy, small tear to dust jacket otherwise as good as new. The first book devoted to the life and work of American painter Ivan Albright. Foreword by Jean Dubuffet. 173 plates, 83 of which are in color.

Hardcover. NY, Abrams, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. One of the most prolific and successful artists of the Golden Age of American Illustration, J. C. Leyendecker captivated audiences throughout the first half of the 20th century. Leyendecker is best known for his creation of the archetype of the fashionable American male with his advertisements for Arrow Collar. These images sold to an eager public the idea of a glamorous lifestyle, the bedrock upon which modern advertising was built. He also was the creator instantly recognizable icons, such as the New Year's baby and Santa Claus, that are to this day an integral part of the lexicon of Americana and was commissioned to paint more Saturday Evening Post covers than any other artist. Leyendecker lived for most of his adult life with Charles Beach, the Arrow Collar Man, on whom the stylish men in his artwork were modeled. The first book about the artist in more than 30 years, J. C. Leyendecker features his masterworks, rare paintings, studies, and other artwork, including the 322 covers he did for the Post. With a revealing text that delves into both his artistic evolution and personal life, J. C. Leyendecker restores this iconic image maker's rightful position in the pantheon of great American artists.

Softcover. Dublin, Ireland, Irish Museum of Modern Art, 1st, 2008, Book: Very Good, Dust Jacket: None, 436 pages. Softcover. Very clean, unmarked copy still in shrink wrap. Includes 405 illustrations with 384 in color. A collection of works by Jack Pierson.