art modern

Hardcover. London, Black Dog Publishing, 1st, 2010, Book: Very Good, Dust Jacket: None, 192 pages. Hardcover no dust jacket. Clean, unmarked copy with only minor wear to boards.

Hardcover. London, Royal Academy Books, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 314 pages, color plates. From Jacob Epstein to Sarah Lucas, this magnificent book explores sculpture in Britain over the last 130 years. Including works by varied artists such as Frederic Lord Leighton, Alfred Gilbert, Eric Gill, Henri Gaudier-Brzeska, Ben Nicholson, Barbara Hepworth, Henry Moore, Anthony Caro, Richard Long, and Damien Hirst, the book highlights the dialogues between British and international sculpture, examines the importance of the country's landscape as a location and medium, and looks at the perennial choice faced by the sculptor between figuration and abstraction. Sculpture has changed dramatically in the last century. This compelling book documents these seismic shifts. Remainder dot on bottom edge, otherwise a clean copy.

Softcover. Warren CT, Floating World Editions, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 143 pages, color plates. Chinese scholar's stones, variously called "viewing stones," "spirit stones," "respect stones, (gongshi)," and even "weird rocks, (guaishi)," have been appreciated and written about in China for more than a millennium. Through descriptions and color photographs, Modern Chinese Scholars' Rocks introduces over 40 stone types, including their mineral compositions, typical colors, hardness on the Mohr scale, and where they are found or quarried. The qualities for which they are valued are explained as are other features for the stone connoisseur to look for. Clean, bright copy. No markings.

NY, Frederick Unger, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 383 pages, b&w illustrations. Clean copy.

Hardcover. NY, Tudor Publishing , 1st US, 1934, Book: Very Good, Dust Jacket: None, Hardcover, deep green cloth with gilt lettering. 164 pages, 110 plates. Covers modern French art of the early twentieth century in text and through black and white illustrations. Discusses such topics as Fauvism, Futurism, and popular art as well as specific French painters.

Hardcover. NY, Harcourt Brace And Company , reprint, nd, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket. 424 pages, 10 tipped-in color plates & 48 double-sided b/w plates. index. This book is an attempt to tell the story of modern French painting as developed by the Impressionists and subsequent adventurers in the last hundred years in Paris. No date, most likely early 1950s. Clean copy.

Hardcover. Bali Indonesia, Koes Artbooks, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 336 pages illustrated in color throughout. Comprehensive guide to Indonesian artists and their works, from the mid-19th century to the present day. The accompanying texts combine essential biographical data of the artists with selective descriptions of their work. Entries for the 305 artists are arranged in chronological order by birth date, showing a mix of various art movements, styles, periods and techniques. Each entry is accompanied by a single image. Clean copy. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, William Helburn, 1st, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with silver stamping. Folio, 9 1/4 X 13 1/2". 80 plates printed on one side only, most in color. No date given but appears to be late 20s/1930. With architect Albert Kahn's ownership signature in pencil on front fly leaf. Covers with edgewear but interior is clean and bright. Bookplate on inside front cover. Scarce. DOMESTIC SHIPPING ONLY.

Hardcover. Potsdam, Germany, H.F. Ullmann, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 512 pages, illustrated in color, b&w. Like new in publisher's shrink-wrap. A retrospective of the most important developments and highlights in design of the past 100 years, beginning with the latest trends for 2011. Concise texts accompanying the individually featured designs, as well as excurses on selected themes and styles written by experts, round off this benchmark illustrated book. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New Haven CT, Yale University Press, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, Original black lettered cloth quarter laid on pictorial boards, 184 pages. A fascinating exploration of how photography, graphic design, and popular magazines converged to transform American visual culture at mid-century. This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European emigres, including Bauhaus artists forced out of Nazi Germany. The unmistakable aesthetic made popular by such magazines as Harper's Bazaar and Vogue--whose art directors, Alexey Brodovitch and Alexander Liberman, were both immigrants and accomplished photographers--emerged from a distinctly American combination of innovation, inclusiveness, and pragmatism. Beautifully illustrated with more than 150 revolutionary photographs, layouts, and cover designs, Modern Look considers the connections and mutual influences of such designers and photographers as Richard Avedon, Lillian Bassman, Herbert Bayer, Robert Frank, Lisette Model, Gordon Parks, Irving Penn, Cipe Pineles, and Paul Rand. Essays draw a lineage from European experimental design to innovative work in American magazine design at mid-century and offer insights into the role of gender in fashion photography and political activism in the mass media.

Hardcover. NY, Museum of Modern Art, 2nd Ed., 1938, Book: Very Good, Dust Jacket: None, Hardcover, quarterbound in burgundy cloth and gray paper with black titles. 116 pages with b&w illustrations throughout. Revised second edition. 69 b/w illustrations + 9 text figures, bibliography, index of artists. One of the handsomest of the early MoMA catalogues This revised edition (1938) was limited to 2,000 copies. No dust jacket. Clean.

Hardcover. Minneapolis Institute of Arts, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 111 pages. Hardcover with dust jacket. Clean, tight copy. Black and white photographs throughout. Light rubbing to dust jacket. Forty-six plates from photographs; bibliography. A monograph on the early twentieth century pictorial work of the photographer Ruzicky. Text in English and Czechoslovakian.

Hardcover. London & New York , The Studio Publications, 1st, 1941, Book: Good, Dust Jacket: None, Hardcover, red cloth stamped in black, 127 pages + ads, illustrated throughout in b&w. INSCRIBED BY AUTHOR on front fly leaf. Light rubbing, fraying to edges, binding slightly shaken. Internally very good.

Hardcover. NY, Metropolitan Museum of Art, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 200 pages. A look at the artistic and technical innovation of British printmaking from World War I to the eve of World War II, as artists from the Grosvenor School and beyond harnessed an emerging modernist style. This richly illustrated volume reintroduces rare print works from the collection of Leslie and Johanna Garfield into the narrative of modernism, demonstrating their relationship to other movements such as Cubism, Futurism, and Constructivism. Essays explore how artists turned to printmaking to alleviate trauma, memorialize their wartime experiences, and capture the aspirations and fears of the twenties and thirties. Special attention is given to the linocut technique revolutionized by Claude Flight and his students at London's Grosvenor School of Modern Art. Highlighted as well are the pioneering works of artists such as C. R. W. Nevinson, Sybil Andrews, Cyril E. Power, Paul Nash, Edward Wadsworth, Edith Lawrence, Ursula Fookes, and Lill Tschudi. In their quest to promote a more democratic art, these artists created innovative graphics that portrayed in subject, form, material, and technique the dynamic era in which they lived. In publisher's shrinkwrap.

Softcover. London, Batsford, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Softcover in pictorial dust jacket, 224 pages, color illustrations. A stunning survey of modern illustration that uses older styles of artistic expression to evoke a sense of another time and place. These vintage-style illustrations play with the past, subvert it, on occasion, but always feel fresh. Organized into 12 chapters by historical or cultural period, the book features hundreds of the best examples of modern retro illustration including styles as varied as Constructivist, Dada and Art Noveau. From work showing the ornamentation of Victorian fonts, the stylized angles of Art Deco, the lines of soviet poster art, the influence of Saul Bass and Blue Note record sleeves to the new slant on photorealism, and the renaissance of punk and comic art. Hundreds of artists from all over the world have contributed to a beautiful, witty and inspiring collection of vintage illustration. Clean copy.

Hardcover. Munch/London/NY, Prestel, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Still in publisher's shrinkwrap. 656 pages. Published on the twentieth anniversary of the founding of Neue Galerie New York, this stunning volume celebrates the varied achievements of modern art history in the German-speaking world by examining historical developments in Austria and Germany from 1890 to 1940. Illustrated throughout with exquisite reproductions of the museum's holdings, this book considers the influence of Friedrich Nietzsche and his writings on the fine arts and examines the founding of the Secessionist artists' organizations in Germany and Austria. Insightful essays trace the emergence of Expressionism and abstraction, as well as the development of such movements as Dada and New Objectivity. Evolutions in architecture and design are appraised through the legacy of the Arts and Crafts movement, as well as the establishment of the Darmstadt Artists' Colony and the Wiener Werkstatte. The book also examines the role of the German Werkbund and the founding of the Bauhaus school. Finally, the book briefly addresses the horrific impact of the National Socialists' degenerate art campaign, which resulted in incalculable damage and led to the exile and death of artists and designers of the era. From well-known artists such as Otto Dix, Josef Hoffmann, Vasily Kandinsky, Gustav Klimt, and Egon Schiele, to lesser recognized but equally important figures, including Albert Birkle, Alfred Kubin, Felix Nussbaum, and Dagobert Peche, this book offers an authoritative and kaleidoscopic look at a crucial moment in history and a portrait of radical thought that changed forever the way we experience art in our lives. DOMESTIC SHIPPING ONLY.

Hardcover. Albuquerque, NM, University of New Mexico Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 238 pages, illustrated throughout in color and b&w. Blue cloth, pictorial blue dust jacket. Light bumps to corners, else a beautiful copy. Like new.

Softcover. NY, Columbia University Press, 1st pbk, 2002, Book: Very Good, Dust Jacket: None, Softcover, 410 pages. Collection of essays on the impact of global modernity in the region. Between the 1890s and 1920s, cities in the vast region stretching from the Mediterranean Sea to the Indian Ocean were experiencing political, social, economic, and cultural changes that had been set in motion at least since the early nineteenth century. As the age of pre-colonial empires gave way to colonial and national states, there was a sense that a particular liberalism of culture and economy had been irretrievably lost to a more intolerant age. The book provides a comparative analysis of contested versions of the concept of modernity. The book examines not only the "high" culture of scholars and the literati, but also popular music, the visual arts, and journalism. Clean.

Softcover. Edinburgh, Luath Press Ltd, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. Color and b&w illustrations. In 1923 Charles and Margaret Mackintosh escaped Britain for France.Monsieur Mackintosh is the only book available on Mackintosh's years in France. With reproductions of 40 of his French paintings alongside photographs of the actual locations today, and images from the period 1923-1927, this is a comprehensive and pictorial account. Written in close collaboration with experts from Glasgow University, the National Gallery of Modern Art and the Glasgow School of Art, and edited by Professor Pamela Robertson, author and leading expert on Mackintosh, Monsieur Mackintosh includes new research and is written with the French and English translations side-by-side. Published to coincide with and accompany a major exhibition of Mackintosh's work in France Monsieur Mackintosh contains more than 250 images reproduced in full colour throughout.

Softcover. NY, Museum Of Modern Art , 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, Illustrated in color and black and white. 191 pages. Oblong 4to, stiff pictorial wrappers. Clean copy.

Hardcover. Boston, Houghton Mifflin, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 96 pages. Hardcover with dust jacket. SIGNED BY AUTHOR ON HALF TITLE PAGE. An author and artist who has continually stripped away the mystique of architectural structures that have long fascinated modern people, David Macaulay here reveals the methods and materials used to design and construct a mosque in late-sixteenth- century Turkey. Clean, tight copy with minor rubbing to edges.

Softcover. NY, Museum of Modern Art, 1st, 1953, Book: Very Good, Dust Jacket: None, 7 1/2" x 10 1/2", twenty-four page exhibition catalog is bound in stapled wrappers and is in VG+ condition. B&W reproductions and photographs. Foreword by William S. Lieberman, Curator of Prints for MOMA.

Softcover. NY, Vintage, reprint, 1984, Book: Very Good, Dust Jacket: None, Softcover, 256 pages, b&w photos. Clean copy. A provocative memoir from Luis Bunuel, the Academy Award winning creator of some of modern cinema's most important films, from Un Chien Andalou to The Discreet Charm of the Bourgeoisie.Luis Bunuel's films have the power to shock, inspire, and reinvent our world. Now, in a memoir that carries all the surrealism and subversion of his cinema, Bunuel turns his artistic gaze inward. In swift and generous prose, Bunuel traces the surprising contours of his life, from the Good Friday drumbeats of his childhood to the dreams that inspired his most famous films to his turbulent friendships with Federico Garcia Lorca and Salvador Dali. His personal narratives also encompass the pressing political issues of his time, many of which still haunt us today--the specter of fascism, the culture wars, the nuclear bomb. Filled with film trivia, framed by Bunuel's intellect and wit, this is essential reading for fans of cinema and for anyone who has ever wanted to see the world through a surrealist's eyes.

Hardcover. US, Museum of Photographic Arts, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Clean, tight copy. Black and white photographs throughout. This publication is the first comprehensive survey of Nancy Newhall, a prolific writer and major contributor to the history of photography. During the first half of the twentieth century, Newhall helped define photography and was one of the first to write about visual literacy- the importance of reading images and how text can change their meaning. Using her skills as designer, editor and collaborator, Nancy Newhall helped shape the concept of the modern photographic book. A Literacy of Images celebrates the 100th anniversary of her birth, exhibiting her photographs (many for the first time) and the work of her circle of friends, including well-known photographers such as Ansel Adams, Paul Strand, Helen Levitt and Edward Weston.