history

Hardcover. London, John Lane the Bodley Head, 1st, 1913, Book: Very Good, Dust Jacket: None, Hardcover, 291 pages. Photographs and illustrations throughout. Minor spine edge wear. Gilt title on front cover and spine. A clean and tight copy.

Hardcover. NY, New York Graphic Society, 1st, 1973, Book: Very Good, Dust Jacket: None, Hardcover, 192 pages. 200 black-and-white photographs by Dorothea Lange, Walker Evans, Carl Mydans, Marion Post Wolcott, Ben Shahn, Arthur Rothstein, Jack Delano, Russell Lee, and Others. Black cloth, missing dust jacket.

Hardcover. New York, Rizzoli, 3rd pr., 2007, Book: Very Good, Dust Jacket: Very Good, 409 pages, color and b&w plates. A 100-year history of woman's fashion from the pages of the magazine. Some wrinkles along spine on cover where paper over boards got crimped in production. Otherwise very good in a bright dust jacket.

Softcover. US, University of California Press, 1st, 1995, Book: Very Good, Dust Jacket: None, 304 pages, illustrated throughout in color and b&w. Light sun-fade and edgewear to wrappers, else a clean, tight copy. Independent Spirits brings to vivid life the West as seen through the eyes of women painters from 1890 to the end of World War II. Expert scholars and curators identify long-lost talent and reveal how these women were formidable cultural innovators as well as agitators for the rights of artists and women during a period of extraordinary development.

Softcover. St. Louis MO, Missouri Historical Society Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 156 pages, illustrated in b&w and color. The history, description, and the writings of four very different Fair visitors, each of whom had made multiple visits to the Fair. Their diaries, memoirs, and letters reveal the wealth of sensation and emotion that overwhelmed visitors to the 1904 St. Louis World's Fair.

Hardcover. New York, Hunt & Eaton, 1st, 1892, Book: Good, Dust Jacket: None, Hardcover, 562 pages. B&w frontispiece and b&w photographs throughout. Decorated cover with minor soiling and wearing and rubbing to edges. Ex-library stickers on front flyleaf and rear endpapers. Decorated endpapers.

Hardcover. Delhi, Oxford University Press, USA, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 426 pages. Light wear to dust jacket with small closed tear to upper edge of rear cover. Clean, tight copy.

Hardcover. Colombo INDIA, Gunasena, 1st, 1955, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn dust jacket. 135 pages.

Softcover. West Danville VT, United Methodist Church, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover booklet, stapled wrappers, 16 pages. Indian Joe was a Native American guide active in the early conflicts and settlement of Vermont in the 1700s. B&w illustrations, photo of his tomb in the Oxbow cemetery in Newbury, Vermont. Clean copy.

Hardcover. Boston, Rand Avery Company, 1st, 1915, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with black lettering, 92 pages, 7 b&w plates. A collection of folklore from in and around the "Crystal Hills" of New Hampshire gathered from tales of old settlers and records in historical societies and town libraries. Clean copy.

Hardcover. Hartfort CT, privately printed, 1st, 1881, Book: Very Good, Dust Jacket: None, Hardcover, 11 page introduction plus 93 pages, green cloth with black rules, lettering. One of only 250 copies. Previous owner's bookplate on inside front cover, otherwise very good.

Hardcover. Hartford CT, Hurlbut, Scranton & Co., 1st, 1864, Book: Very Good, Dust Jacket: None, Hardcover, 763 pages, illustrated with many full-page plates, most hand-colored (including second title page). Leather bound with some splitting along spine edges. Black spine label with gilt lettering. Internally very good, minor foxing.

Hardcover. New York , Dodd Mead and Company, reprint, 1909, Book: Good, Dust Jacket: None, 447 pages. Red cloth, gilt lettering to front and spine, no dust jacket issued. Light sunning and small tears to edges of spine. Slight stain to front cover. Faint foxing to end papers and title page.

Hardcover. UK, Cambridge University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 334 pages. Spanning his renunciation of the Salon in 1834 until his large retrospective at the crucial 1855 Universal Exposition, this book examines the critical writing and journalistic reportage on Jean-Auguste-Dominque Ingres. It demonstrates how Ingres shaped his career in the rapidly evolving art world of mid-nineteenth century Paris. While enjoying the benefits of his affiliation with the Academy, the artist also pursued certain modes of presentation, most notably the single-artist exhibition and illustrated monograph, through which he distanced himself from the embattled world of artistic officialdom.

Hardcover. Penn State University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 328 pages illustrated in color. Jean-Auguste-Dominique Ingres has long been recognized as one of the great painters of the modern era and among the greatest portraitists of all time. Over a century and a half of scholarly writing on the artist has grappled with Ingres's singular identity, his relationship to past and future masters, and the idiosyncrasies of his art. Ingres and the Studio: Women, Painting, History makes a unique contribution to this literature by focusing on the importance of Ingres's training of students and the crucial role played by portraits-and their subjects-for Ingres's studio and its developing aesthetic project. Rather than understanding the portrait as merely a screen onto which the artist's desires were projected, the book insists on the importance of accounting for the active role of portrait sitters themselves. Through careful analysis of familiar and long-overlooked works, Ingres and the Studio traces a series of encounters between painters and portrait subjects in which women sitters-such as the artist Julie Mottez, art critic, salonniere, and historian Marie d'Agoult, and tragic actress Rachel-emerge as vital interlocutors in a shared aesthetic project. Still in publisher's shrinkwrap.

Softcover. NY, Abrams, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 120 pages. Introductions by Barbara Hitchcock and Deborah Klochko; essay Deborah Martin Kao. Mostly color Illustrated. Photos by Ansel Adams, Robert Frank, David Hockney, Robert Mapplethorpe and many more.

Softcover. Florence, Italy, Qua D'Arno, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 156 pages, bilingual texts in English and Spanish, b&w plates and text throughout. Illustrates and describes numerous torture devices including breast rippers, the ever popular rack and iron maiden, heretics fork and many more. Clean copy.

Hardcover. Boston, New England Historic Genealogical Society, reprint, 1995, Book: Very Good, Dust Jacket: None, Hardcover without dust jacket, 98 pages. Blue cloth covers very good. Gilt text to spine. Clean and tight copy, containing digitized publications of the Kings County Genealogical Club from 1882-1894. Clean copy.

Hardcover. London, Arthur Barker Ltd., 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 640 pages 16 plates (including portraits, facsimiles). Clean copy.

Hardcover. Phillipsburg NJ, P & R Publishing, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 724 pages. Vol. 2 only. Francis Turretin (1623-87) has been called "the best expounder of the doctrine of the Reformed Church" (Samuel Alexander), "a marvelous synthesizer" (Roger Nicole), and "a towering figure among the Genevan Reformers (Leon Morris). His Institutio Theologiae Elencticae, first published In 1679-85, was the fruit of some thirty years' teaching at the Academy of Geneva. A very insightful work for those seeking clarification on several theological issues such as free will, sanctification and good works, the person of Christ, and sin.Clean copy.

Hardcover. London, John Murray, 1st, 1957, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped with white lettering, decoration. Delightfully illustrated history of interior design and furniture. 48 pages, 2-color art throughout by the authors. Small library stamp on title page, otherwise clean.

Hardcover. New York, Publishers Company, 2nd edition, 1968, Book: Very Good, Dust Jacket: None, 5 volumes: 291, 291, 317, 304, and 306 pages. Light brown cloth covers, with silver and black titles, profusely illustrated with b&w plates. Slight rubbing to covers, small brown stain to spines of Theater and Civil War volumes, previous owner's embossed stamp to all title pages, ex-lib bookplates to all copyright pages, pages very crisp and unmarked, tight binding; overall, volumes are in clean, tight condition. NOTE: DUE TO WEIGHT AND SIZE, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Knopf, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. With the same piercing intelligence as the bestselling Say it Loud!, Interracial Intimacies hits a nerve at the center of American society: race relations and our most intimate ties to each other. Analyzing the tremendous changes in the history of America's racial dynamics, Randall Kennedy challenges us to examine how prejudices and biases still fuel fears and inform our sexual, marital, and family choices. He takes us from the injustices of the slave era up to present-day battles over race matching adoption policies, which seek to pair children with adults of the same race. He tackles such subjects as the presence of sex in racial politics, the historic role of legal institutions in policing racial boundaries, and the real and imagined pleasures that have attended interracial intimacy. Clean copy.

Hardcover. NY, Alfred A. Knopf, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 550 pages. A fascinating historical study using newly-declassified documents from the time the British were in Indochina through the end of the war. A detailed, specific history of the debacle. Clean copy.