Hardcover. Lexington KY, University Press of Kentucky, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. An Armenian national raised in Russia, Rouben Mamoulian (1897--1987) studied in the influential Stanislavski studio, renowned as the source of the "method" acting technique. Shortly after immigrating to New York in 1926, he created a sensation with an all-black production of Porgy (1927). He then went on to direct the debut Broadway productions of three of the most popular shows in the history of American musical theater: Porgy and Bess (1935), Oklahoma! (1943), and Carousel (1945). Mamoulian began working in film just as the sound revolution was dramatically changing the technical capabilities of the medium, and he quickly established himself as an innovator. Not only did many of his unusual camera techniques become standard, but he also invented a device that eliminated the background noises created by cameras and dollies. Seen as a rebel earlier in his career, Mamoulian gradually gained respect in Hollywood, and the Directors Guild of America awarded him the prestigious D. W. Griffith Award for Lifetime Achievement in 1983. In this meticulously researched biography, David Luhrssen paints the influential director as a socially conscious artist who sought to successfully combine art and commercial entertainment. Luhrssen not only reveals the fascinating personal story of an important yet neglected figure, but he also offers a tantalizing glimpse into the extraordinarily vibrant American film and theater industries during the twenties, thirties, and forties.
Hardcover. New Brunswick NJ, Rutgers University Press,, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 243 pages, b&w photos. In a bright dust jacket. A much needed biography of the father of quality, live theatrical productions for television in the "golden age of television" in the 1950s is finally here. Fred Coe won multiple awards during his career, including the Emmy and Tony awards, among many others.
Hardcover. New York, Random House, First Edition, 2008, Book: Very Good, Dust Jacket: Very Good, 354 pages. Hardcover. Black cloth boards with gilt titles to spine. Black & white illustrations throughout. Dust jacket with only light marginal wear. Clean & unmarked.
Hardcover. La Fabrica, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover, 391 pages, profusely illustrated. This excellent catalog contributes a wealth of new information, providing a valuable contribution to our understanding of Man Ray. The treasure trove of images and objects collected here is drawn from the large archives of the Man Ray Trust in Long Island, New York, and includes little known early works, documents and objects from his private life, working drawings and sketches for major works as well as innumerable familiar masterpieces.
Hardcover. New York , Funk & Wagnalls, Ltd. Ed., 1944, Book: Very Good, Dust Jacket: None, Hardcover, bright blue cloth stamped in gilt. Illustrated in b&w. One of a Collector's numbered limited edition, this copy #B133, inscribed on limitation page to Edward H. Mitchaw, Jr., SIGNED BY THE AUTHOR. Foreword by Eddie Rickenbacker. John P. V. Heinmuller (1892-1960), the Swiss president of Longines-Wittenauer Watch Company, was an aero-philatelist and historian of manned flight, a friend to zeppelin designers and captains and to Charles Lindbergh. "Man's Fight to Fly" was called "the foremost handbook of aviation records and aero-philatelic information."
Softcover. Chapel Hill, University of North Carolina Press, 1st pbk, 2002, Book: Very Good, Dust Jacket: None, Softcover, 411 pages, b&w illustrations. Tracing the erosion of white elite paternalism in Jim Crow Virginia, Douglas Smith reveals a surprising fluidity in southern racial politics in the decades between World War I and the Supreme Court's 1954 Brown v. Board of Education decision. Smith draws on official records, private correspondence, and letters to newspapers from otherwise anonymous Virginians to capture a wide and varied range of black and white voices. African Americans emerge as central characters in the narrative, as Smith chronicles their efforts to obtain access to public schools and libraries, protection under the law, and the equitable distribution of municipal resources. This acceleration of black resistance to white supremacy in the years before World War II precipitated a crisis of confidence among white Virginians, who, despite their overwhelming electoral dominance, felt increasingly insecure about their ability to manage the color line on their own terms. Exploring the everyday power struggles that accompanied the erosion of white authority in the political, economic, and educational arenas, Smith uncovers the seeds of white Virginians' resistance to civil rights activism in the second half of the twentieth century. Light marking to 10 pages, otherwise clean, very good.
Hardcover. New York, Macmillan Co., 1st, 1932, Book: Very Good, Dust Jacket: None, Hardcover, 311 pages, 2 b&w fold-out maps in rear. Maroon cloth covers w/ gilt lettering. Spine faded. Previous owner's signature on front fly leaf. Else a very clean, tight copy.
Softcover. NY, New York Telephone Company, 1935, Book: Good, Dust Jacket: None, Softcover, gray-green covers. a good- copy of this scarce Manhattan phone book, 1072 pages. Spine cocked, rear cover soiled. Ads scattered throughout and on inside covers. (Russian Tea Room: CO lumbus 5-0947, Sardi's: LA cawana 4-5785). Solid copy.
Softcover. NY, Henry Holt, Proof wraps, 1996, Book: Very Good, Dust Jacket: None, Softcover, red wrappers. Uncorrected Proof. SIGNED BY THE AUTHOR. The fifth book by the author of VARIOUS ANTIDOTES and EVERYBODY LOVES SOMEBODY, the story of a mansion which belonged to the "Henry Ford of Natural History." A finalist for the Pulitzer Prize.
Hardcover. Manila , Manila Polo Club , 1st, 1984 , Book: Very Good, Dust Jacket: Very Good, 152 pages. Hardcover with dust jacket. Extensive b&w and color photography throughout. Illustrated end papers and fly leaves. Blind stamp on front cover. Musty odor, otherwise clean, tight copy.
Hardcover. Boston, Houghton Mifflin, 1st, 1956, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket, 149 pages. Life of a Japanese, rescued from shipwreck by an American whaler, who spent his youth in New England, returned to Japan, and was important in the opening of Japan to the Occident in the 19th century. Clean copy.
Softcover. New York, Excelsior Publishing House, reprint, 1893, Book: Very Good, Dust Jacket: None, 79 pages plus publisher's ads in rear. Softcover with blue and red illustrated paper wrapper. Front cover states Ned Donnelly's Art of Boxing. 40 illustrations, Queensbury & London Prize Ring Rules with a Complete Manual on Training by John Golding. Copyright date inside says 1886, cover date states Dec. 15, 1893. Small strip of back cover gone at bottom. otherwise very good, clean.
Softcover. Cambridge MA, Harvard University Press, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, 426 pages plus 322 b&w plates in rear of book. Name on front fly leaf, otherwise clean and bright.
Hardcover. NY, Harper & Row, 1st, 1966, Book: Very Good, Dust Jacket: None, Hardcover, turquoise cloth with gilt lettering on the spine, 272 pages, b&w illustrations. Bibliography. Index. The author considers the paradoxical period between the social and political revolutions of 1848 and the death of optimisn in 1914. Besides presenting a revealing and fascinating account of great social contrasts, the author introduces the reader into other aspects of life during this period, the relaxations and dissipations of both the rich and poor, from the showboat and the music hall to the lavish spectacles of the Nineties and the beginnings of jazz. Clean copy. No dust jacket.
Hardcover. NY, Harper & Brothers, Revised Ed., 1887, Book: Very Good, Dust Jacket: None, Hardcover, dark blue cloth. Gilt lettering to spine and front board, as well as decorative silver gilt towards top of front board. Gilt edge to top of edge block. 487 pages plus publisher's ads. An attractive copy of this popular soup-to-nuts etiquette manual., first published in 1884. This is the enlarged, revised edition. Clean, bright copy.
Hardcover. New York, Joseph Shannon, 1st, 1869, Book: Very Good, Dust Jacket: None, Hardcover, 912 pages, rebound in green cloth with original leather cover affixed to front with a special presentation in gilt to Dr. C. Brailey/ compliments of Matthew T. Brennan (former NY State Assembly member who became city Police Commissioner in 1868). Valentine Manuals are considered the best source material on New York City History. They are abundantly illustrated with color plates maps and documents. First published by David Valentine in 1841, he continued to be the editor until 1867, when Joseph Shannon took over the job. This volume contains some great material and plates (27 plates, maps and related matter) including four color views of Central Park. Additionally, the large folding map of the city is present, as is the second large folding map of upper Manhattan. There is also a folding plate illustrating a birds eye view of New York. All edges gilt, light foxing, the cover pastedown shows rubbing, Overall clean.
Hardcover. New York, Joseph Shannon, 1st, 1870, Book: Very Good, Dust Jacket: None, Hardcover, 896 pages, rebound in green cloth with original leather cover affixed to front with a special presentation in gilt to Dr. C. Brailey/ compliments of Matthew T. Brennan (former NY State Assembly member who became city Police Commissioner in 1868). This 1869 edition the "Manual of the Corporation of the City of New York" was one of the two manuals published by the New York City Common Council to be issued by Joseph Shannon, clerk of the council in 1868 and 1869. The "Manuals of the Corporation" were directories of extensive historical and contemporary records of New York first compiled by D.T. Valentine. These books include detailed information on the meetings of the Aldermen Council, ordinances passed, public officials, the city"s debts, directories of hospitals, alms houses and schools, ferry schedules, lists of public porters, demographics and census information, and descriptions of historic buildings and streets. Folding maps are present. There is a folding color map frontispiece of the plan of the city of New York 1869, also there are color folding illustrations of the city of Harlem, Central Park, the Battery and Merchants Exchange and other fold out plates. The Harlem plate is damaged by paper sticking to the folding plate, resulting in some loss to image. All edges gilt, light foxing, the cover pastedown with light rubbing, Overall clean.
Hardcover. Steidl, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. In 1935, when the influential New York collector Julien Levy conceived the exhibition Documentary and Anti-Graphic Photographs by Cartier-Bresson, Walker Evans & Alvarez Bravo, no one could imagine the eminent place this trio would come to occupy in the avant garde of their time, nor the immense influence they would have on future generations of photographers. Collected here for the first time since the famous 1935 exhibition, this treasure of images by three great masters of twentieth-century photography places us face to face with the history of the medium in the making. The show was one of the first exhibitions Henri Cartier-Bresson ever had, and this book is the last project he considered before his death in 2004.
Hardcover. NY, Argosy-Antiquarian, reprint, 1964, Book: Very Good, Dust Jacket: None, Ltd to 750 w/ new material edited by Abraham Nasatir, 1st pub in 1911 by the Missouri Historical Society, b&w Illustrations 207 pages. Hardcover with no dust jacket. Clean, tight copy with only minor wear to boards. Decorative staining to top edge. Previous owner's signature on end paper (in pencil).
Hardcover. NY, Simon & Schuster, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 432 pages. "Am I happy enough?": This has been a pivotal question since America's inception. Am I not happy enough because I am depressed? is a more recent version. Greenberg shows how depression has been manufactured--not as an illness, but as an idea about our suffering, its source, and its relief. He challenges us to look at depression in a new way. "Greenberg['s] bouts of deep depressions [are] smartly conveyed here, including [his] participation in a clinical trial for an antidepressant...the author engages in extended, illuminating discussions of a host of therapeutic techniques, the confounding power of the placebo effect, the evolution of psychopharmacology and the ways in which expectations shape response. A humanistic, witty exploration of the human response to depression." --Kirkus. Clean copy.
Hardcover. NY, Knopf, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white illustrations by Leo and Diane Dillon. A history of slavery in America, written for children, and focusing on those who escaped slavery and on the Underground Railroad. Includes stories of Harriet Tubman, Frederick Douglass, Josiah Henson, and others.
Hardcover. Cambridge MA, The MIT Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. An informative and beautiful exploration of the life and history of a city through its maps. The book includes both historical maps of the city and maps showing the gradual emergence of the New England region from the imaginations of explorers to a form that we would recognize today. Each map is accompanied by a full description and by a short essay offering an insight into its context. The topics of these essays by Anne Mackin include people both familiar and unknown, landmarks, and events that were significant in shaping the landscape or life of the city. Clean copy. This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.