Hardcover. Dover NH, John Mann, 1st, 1820, Book: Very Good, Dust Jacket: None, Two volumes in one, 194 and 181 pages. Leather bound with maroon spine label with gilt lettering. Page 9/10 with a partial tear, no paper loss. Bookplates on endpapers otherwise a clean, well preserved copy with light foxing to pages.
Hardcover. London, Folio Society, 1st thus, 1978, Book: Very Good, Dust Jacket: None, 362 pages, with illustrations throughout, edited and introduced by Christopher Hibbert. Gilt decorations and title on orange cloth boards with slipcase, spotless and bright copy.
Softcover. St. Johnsbury VT, Woman's Home Missionary Society, 1st, 1902, Book: Very Good, Dust Jacket: None, Softcover, 36 pages in gray paper wrappers, b&w illustrations. Clean, bright copy preserved in an archival gray cardboard folder with a hand-lettered sticker on front.
Hardcover. Boston, City of Boston, 1st, 1889, Book: Fair, Dust Jacket: None, Hardcover, 274 pages, b&w plates and illustrations. Brown end papers. Brown cloth coverings w/ gilt seal and lettering on spine. Wear and rubbing to covers, corners. Binding weak, several pages loose. Else pages clean and crisp.
Hardcover. Newport, VT, Civil War Enterprises, Reprint, Book: Very Good, Dust Jacket: None, 77 pages. Hardcover. Reprint, original publishing date 1868. In excellent shape, clean inside and out. Binding tight. From title page: "The Memorial Record of the Soldiers Who Enlisted from Greensboro, Vermont, to Aid in Subduing the Great Rebellion of 1861-5, Accompanied by a brief History of Each Regiment that Left the state."
Softcover. Lincoln VT, Lincoln Bi-Centennial Committee, reprint, 2007, Softcover. Fold-out map in rear of book. Many b&w photographs, made by new negatives and reprinted old photographs by David Brown. Section A "Memories of a Mountain Town," published 1976 / Section B: "Lincoln Vermont, 1780-1980 published 1980 / Section C: "Lincoln Entering the 21st Century," published 2007.
Hardcover. NY, Time Life, reprint, 1985, Book: Very Good, Dust Jacket: None, 336 pages. Hardcover with no dust jacket. Dark blue leather bound with gilt titles to front cover and spine. Embossed decoration on front cover. Gilt text block edges, red ribbon marker. Clean, tight copy.
Softcover. Shelburne VT, New England Press, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 323 pages, b&w illustrations. A selection of 52 interviews (from over 120) conducted 1938-1940 around Barre, Vermont. All of whom had a connection to the granite industry. Edited by Alfred Rosa and Mark Wanner. Name and address on front fly leaf, otherwise clean.
Hardcover. Carlton Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, illustrated throughout with numerous plates in color and b&w. Clean, unmarked copy with only minor wear to dust jacket.
Softcover. Lincoln NE, iUniverse, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 236 pages. "Forward! Double-Quick!" and away we all rushed toward the fort... capturing two brass field pieces, one of which the rebels left loaded." A true account of Vermont men of color in battle during the Civil War. A barely known fact is that the tiny state of Vermont provided over one hundred and fifty African American soldiers to fight for the Union and by doing so, free millions of their own race. This is their story. Derived from historical archives and through their own words. Clean copy. Hastily signed by the author on the half-title page.
Hardcover. London, Staples Press, 1st, 1952, Book: Very Good, Dust Jacket: Good, Hardcover, 152 pages, illustrated throughout. Dust jacket edge wear and fading. Minor spotting along fore edge and front and rear flyleaf. Publisher's mark on copyright page. Otherwise, clean pages and tight binding.
Hardcover. New York, Random House, reprint, 1986, Book: Very Good, Dust Jacket: Very Good, 339 pages. Hardcover with only minor wear to dust jacket. Black and white pictures throughout. Previous owner's embossed stamping on front-fly leaf and signature. Otherwise clean.
Softcover. Bowie MD, Heritage Books, reprint, 2001, Book: Very Good, Dust Jacket: None, Two softcover volumes 391 & 392 pages. Volumes 1 and 2 complete, a facsimile reprint of the 1897 edition by Lippincott. This two-volume series takes the reader on a journey through the colonies of Virginia, Massachusetts, Connecticut, Rhode Island, New Hampshire, Pennsylvania, New Jersey, New York, Maryland, Carolina, and Georgia. The charm of the journey is in its variety, as the reader passes through communities of such striking individuality that they assume the character of different nations. Each colony has a set of opinions and laws peculiar to itself, and it is not uncommon to find the laws of one in contradiction with the laws of another. This text explores the settlement and history of each colony prior to the American Revolution. Topics include development of the colonies' government, laws, religion, schools, boundaries, industries, layout of the cities, fashions, homes, social activities, slavery, architecture, interaction with the Indians, and customs. At least one prominent person from each colony is discussed, amongst them, William Penn of Pennsylvania, John Smith of Virginia, George Calvert of Maryland, and General Oglethorpe of Georgia. Light sunning ti spines.Clean copies.
Hardcover. Oxford UK, Bodleian Library, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover. pictorial boards, 112 pages. This book celebrates the Bodleian Library's acquisition of Tom Phillips's archive of over 50,000 photographic postcards dating from the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, 'ordinary' people could afford to own their portraits. Each title in this series is thematically assembled and designed by the artist, the covers featuring a linked painting specially created for each title from Tom Phillips's signature work, A Humument. With an illuminating foreword by Eric Musgrave, 'Menswear' presents postcards of men in all manner of outfits, whether formal, practical or casual, dating from around 1900 up to c. 1949. Most of the subjects are posing for portraits, displaying both their individual style and an interpretation of the fashions of the time. The rich variety of accessories on display includes ties, gloves, pocket squares, walking sticks, canes, boutonnieres and spats. Clean copy.
Hardcover. Taschen, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 392 pages, 684 illustrations, 664 in color. Text in English, German and French. Large volume, pictorial covers, no dust jacket issued. Menu Design is an omnibus showcasing the best examples of this graphic art. With nearly 800 examples, illustrated in vibrant color, this deluxe volume not only showcases this extraordinary collection of paper ephemera but serves as a history of restaurants and dining out in America. An introduction on the history of menu design by graphic design writer Steven Heller and extended captions by culinary historian John Mariani accompany the menus throughout the book.
Hardcover. NY, E.P. Dutton, 2nd pr., 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket illustrated by Charles Mikolaycak. 139 pages.
Hardcover. NY, E.P. Dutton, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket illustrated by Charles Mikolaycak. 139 pages.
Hardcover. NY, Simon & Schuster , 2nd pr., 1953, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dustjacket, Illustrated wth 12 b/w cartoons by George Price. A wry and witty history of the American motion picture by a giant of the industry. Postcard of Brown Derby Restaurant laid-in.
Hardcover. Chicago, University of Chicago Press, First Edition, 1998, Book: Very Good, Dust Jacket: Very Good, 464 pages. Hardcover. Ivory & light grey cloth boards with gilt titles to spine. Black & white illustrations throughout. Bright dust jacket with ligh wrinkles. Clean, unmarked copy.
Hardcover. Secaucus, N.J., Chartwell Books, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, color illustrations. Clean, tight copy. Discusses the main collecting areas, provides expert advice on how to avoid expensive mistakes, how to care for old toys, and how to spot the works of the masters.
Hardcover. New York , Nelson & Phillips, 1st, 1873, Book: Very Good, Dust Jacket: None, Hardcover, 309 pages. Terracota cloth with gilt titles and decor to front and spine. Light edgewear and rubbing to covers, previous owner's bookplate on front end paper, else a clean, tight copy.
Hardcover. Folkestone UK, Winterdown Books, reprint, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 248 pages. Sydenham's first book on the treatment of fevers, has been reprinted since the 2nd edition of 1668 and has never been translated as a whole until this book. Text is in both Latin and English. The Latin text of the 1666 and 1668 editions with English translation from R.G. Latham (1848). Introduction, notes and index by G.G. Meynell. Limited to 275 copies. Name on front fly leaf, otherwise clean.
Hardcover. Hatje Cantz, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. The years from 1945 to 1985 are often identified as the moment in which Los Angeles established itself as a leading cultural center in America. However, this conception of its history entirely excludes the very controversial presence of the Mexican muralists, as well as the work of other artists who were influenced by them and responded to their ideas. It is likewise often thought that Los Angeles' Mexican culture arrived full formed from outside it, when in fact that culture originated within the city--it was in Los Angeles and Southern California that Jose Vasconcelos, Ricardo Flores Magon, Octavio Paz and other intellectuals developed the iconography of modern Mexico, while Anglos and Chicanos were developing their own. David Alfaro Siqueiros, Clemente Orozco, Alfredo Ramos Martinez and Jean Charlot made some of their earliest murals in Los Angeles, influencing the Mexican, Mexican-American and Chicano artists of the 1970s and 80s. MEX/LA: Mexican Modernism(s) in Los Angeles 1930-1985 focuses on the construction of different notions of "Mexicanidad" within modernist and contemporary art created in Los Angeles. From the Olvera Street mural by Siqueiros, to the Golden Age of Mexican cinema and the Disney silver-screen productions, to the revitalization of the street mural, up to the performance art of Guillermo Gomez-Pena, MEX/LA explores the bi-national and hybrid forms of artistic practices, popular culture and mass-media arts that have so uniquely shaped Los Angeles' cultural panorama.