humor

Softcover. NY, Aperture, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 186 pages, b&w illustrations. A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Michael Schmidt, Ansel Adams, Dorothea Lange, and Eugene Atget. The book closes with two essays on "working conditions" in the nineteenth- and twentieth-century American West, and the essay "Two Landscapes." Name on front fly leaf otherwise clean.

Hardcover. NY, Atlantic Monthly Press , 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In 1911, famed cartoonist Winsor McCay debuted one of the first animated cartoons, based on his sophisticated newspaper strip "Little Nemo in Slumberland," itself inspired by Freud's recent research on dreams. McCay is largely forgotten today, but he unleashed an art form, and the creative energy of artists from Otto Messmer and Max Fleischer to Walt Disney and Warner Bros.' Chuck Jones. Their origin stories, rivalries, and sheer genius, as Reid Mitenbuler skillfully relates, were as colorful and subversive as their creations-from Felix the Cat to Bugs Bunny to feature films such as Fantasia-which became an integral part and reflection of American culture over the next five decades. Pre-television, animated cartoons were aimed squarely at adults; comic preludes to movies, they were often "little hand grenades of social and political satire." Early Betty Boop cartoons included nudity; Popeye stories contained sly references to the injustices of unchecked capitalism. "During its first half-century," Mitenbuler writes, "animation was an important part of the culture wars about free speech, censorship, the appropriate boundaries of humor, and the influence of art and media on society." During WWII it also played a significant role in propaganda. The Golden Age of animation ended with the advent of television, when cartoons were sanitized to appeal to children and help advertisers sell sugary breakfast cereals.

Softcover. San Francisco, Pomegranate Books, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 112 pages, color photos. "Art cars" are vehicles transformed by their creative owners into elaborately decorated statements of individual mobility. Blank, an independent filmmaker and art car aficionado, spent two years traveling the highways and byways of America in search of people who shared his unusual passion for artistically personalized transportation. The result was an independent documentary film (also entitled Wild Wheels ) and this book: a zany testament to the far reaches of the creative spirit enlivened by more than 100 color photographs and descriptions of 42 attention-grabbing autos with humorous names like the Beaded Bug, the Hippomobile, and the Grass Car. The book also contains brief stories about the artists who created them, providing insight into the ideas and emotions that sparked this novel pop art form.

Hardcover. Munich, Fr. Bassermann, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover, beige cloth with red-stamped spine and cover titles. 356 pages with b&w cartoon illustrations by the German artist's works. GERMAN TEXT. His picture stories are regarded as one of the main precursors of the modern comic strip. His celebrated best-seller, Max and Moritz, was an inspiration for the Katzenjammer Kids. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Viking, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated. Full color illustrations by Don Freeman. Tan cloth. Dust jacket with tape repaired chipping at top of spine. Clean, tight copy.

Hardcover. Seattle, Fantagraphics, 1st, 2013, Book: Very Good, Dust Jacket: None, 240 pages. Hardcover, no dust jacket. black and white illustrations and color illustrations. Clean, unmarked copy.

Hardcover. Boston, Houghton Mifflin, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket, 404 pages. Reed Whittemore vividly re-creates the complex mix of intensity, humor, anguish, modesty, pride, lustiness, and domesticity that was William Carlos Williams, and gives an admirably focused picture of the turbulent and creative era on which he had such a formative influence. This is a biography of unusual acuteness, energy, and warmth.

Softcover. NY, Abrams, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. Full page color photographs. William Wegman is an American artist best known for creating series of compositions involving dogs, primarily his own Weimaraners in various costumes and poses. See Fay in all the big shot designer clothes of the day in color. Folio sized. Clean.

Hardcover. NY, Abrams, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 175 pages in color. William Wegman's postcard paintings reflect a lifetime of engagement with narrative, perspective, art history, architecture, popular culture, humor, and philosophy in art. Starting with one or more vintage postcards, Wegman constructs scenes that range from intimate interiors to cosmic vistas, filling audaciously complex spaces with intriguing incident. Collected together, the paintings possess the universal, encyclopedic, and mysterious qualities of their source materials. In addition to Martin Filler's introduction, a stellar group of contributors responds to the work.

Hardcover. Seattle, Fantagraphics, 1st, 2008, Book: Very Good, Dust Jacket: None, Two hardcovers, 650 pages. The complete WWII cartoons of the greatest cartoonist of the Greatest Generation, in a beautiful, oversized, two-volume slipcased set. During WWII, the closest most Americans ever came to the war was through the cartoons of Bill Mauldin, the most beloved enlisted man in the U.S. Army. Fantagraphics Books brings together Mauldin's complete works from 1940 through the end of the war. This collection of over 600 cartoons, most never before reprinted, is more than the record of a great artist: it is an essential chronicle of America's citizen-soldiers from peace through war to victory. Bill Mauldin knew war because he was in it. He had created his characters, Willie and Joe, at age 18, before Pearl Harbor, while training with the 45th Infantry Division and cartooning part-time for the camp newspaper. His brilliant send-ups of officers were pure infantry, and the men loved it. With their heavy brush lines, detailed battlescapes, and pidgin of army slang and slum dialect, Mauldin's cartoons and captions recreated on paper the fully realized world of the American combat soldier. Their dark, often insubordinate humor sparked controversy among army brass and incensed General George S. Patton, Jr. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, Funk & Wagnalls, 1st, 1969, Book: Very Good, Dust Jacket: Good, 42 pages. Hardcover. Full color illustrations by Norman Rockwell. Dust jacket with rubbing, tape repaired tears along edges. Clean, tight copy.

Hardcover. New York, Funk & Wagnalls, 1st, 1969, Book: Very Good, Dust Jacket: Good, 42 pages. Hardcover. Full color illustrations by Norman Rockwell. Dust jacket with rubbing, tape repaired tears along edges. Clean, tight copy.

Hardcover. New York, Golden Press, 1st, 1976, Book: Very Good, Dust Jacket: None, Hardcover, pictoriak boards. Full color illustrations by Ben F. Stahl. Light wear. Clean, tight copy.

Hardcover. Montreal , Drawn and Quarterly , 1st, 2010, Book: Very Good, Dust Jacket: None, Non paginated. Hardcover without dust jacket. Extensive color illustration on every page. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. NY, Viking, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Like new. Ellie and Ben Haskell, along with their employee Mrs. Malloy, travel to Cragstone House in Yorkshire after Ariel Hopkins, daughter of Ben's cousin, Tom, asks for Ellie's help in investigating the strange, somewhat ghostly goings-on at the gothic manor. Tom and his wife, Betty, recently purchased the manor from the financially strapped Lady Fiona after they won the lottery. Betty is convinced Lady Fiona murdered her husband, who has disappeared. With the cook laid up with an injured ankle, Ben takes over the cooking, and Ellie handles the investigating. Ellie's life becomes more complicated when Ben meets up with an old girlfriend, and it seems the flame has been rekindled. Humor, quirky characters, and gothic underpinnings. The 12th Ellie Haskell mystery.

Hardcover. New York, Doubleday Doran, 1st, 1940, Book: Good, Dust Jacket: None, Hardcover, 844 pages, green cloth covers with dark green design, lettering. Cover shows wear, light soil. Internally clean, very good. Lacks dust jacket.

Hardcover. New York, United Publishers, 1st, 1945, Book: Very Good, Dust Jacket: None, Non-paginated. Hardcover with no dust jacket. Cartoon illustrations in black and white. Previous owner's name on front fly leaf, otherwise clean, tight copy with moderate fraying to cover edges.

Hardcover. NY, Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 208 pages, color and b&w illustrations. Hardcover with dust jacket. Like new in publisher's shrink-wrap. A collection of rarely seen black-and-white photographs taken of women in the 1950s and 1960s, captured by the renowned New York City fashion photographer and filmmaker. Designed by Ruth Ansel, this elegantly produced volume captures the romance and glamour of women in the 1950s and 1960s. A mix of fashion and portraiture, it includes intimate and striking portraits of Nico, Faye Dunaway, Edie Sedgwick, Sharon Tate, and Catherine Deneuve. Jerry Schatzberg's moody snapshots of a more innocent and whimsical New York on the brink of the important societal changes of the sixties form a compellingly nostalgic portrait of a stylish moment. Images of jetsetters at an airport terminal, lovers embracing in Central Park, and a woman waltzing in the street in the Financial District portray a time as well as a style. A New York City native, Schatzberg documented the period with the insider's sensibility of Woody Allen or Martin Scorsese, but with the high-fashion style of Irving Penn and Richard Avedon. With a keen eye for the magic of the in-between moment, Schatzberg stealthily captured the elegance and beauty of a woman as her role was redefined in the sixties, while at the same time retaining an element of humor and surprise.

Softcover. NY, Ecco, reprint, Book: Very Good, Dust Jacket: None, Softcover, 291 pages. "Summary: Low-life writer and unrepentant alcoholic Henry Chinaski was born to survive. After decades of slacking off at low-paying dead-end jobs, blowing his cash on booze and women, and scrimping by in flea-bitten apartments, Chinaski sees his poetic star rising at last. Now, at fifty, he is reveling in his sudden rock-star life, running three hundred hangovers a year, and maintaining a sex life that would cripple Casanova. With all of Bukowski's trademark humor and gritty, dark honesty, this 1978 follow-up to Post Office and Factotum is an uncompromising account of life on the edge." Clean copy.

Softcover. Los Angeles, Deborah Caplan & Associates, 1st, 1985, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover. Black and white comics by Matt Groening. True first edition - stated first printing December 1985 0n copyright page. Measures 12" X 12". Bright, clean copy.

Hardcover. New York, Harry N. Abrams, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover, 233 pages. Profusely illustrated with 189 drawings, including 32 in color. Red, black, and white illustrated dust jacket with clear plastic guard. Introduction by Lloyd Goodrich (of New York's Whitney Museum). Dust jacket spine with light fading, previous owner's inscription on half-title page. Otherwise clean.

Hardcover. NY, Farrar Straus and Young, 1st, 1958, Book: Very Good, Dust Jacket: None, Hardcover. Introduction by John Steinbeck. 175 pages of some of Capp's classic comic strips. Some edge wear to front cover, otherwise clean, tight copy.

Hardcover. New York, Gallery Books , reprint, 1989, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Extensive b&w illustrations throughout. Gilt titles on spine. Light edge wear to bottom edge. Faint foxing to top edge, otherwise a clean, tight copy. Whether producing strips, social comment in magazines like Punch or Lilliput, savage caricature of allies and enemies, or a daily chronicle of events at home or abroad, little escaped the cartoonists pen during World War II and they encapsulated the great dramas in a way impossible in prose. This book is divided into chapters covering the war year-by-year, each chapter prefaced with a concise introduction that provides a historical framework for the cartoons of that year. Altogether some 300 cartoons, in color and black and white, have been skillfully blended to produce a unique record of World War II.

Softcover. Hanover NH, Steerforth Press, 1st, 2004, Book: Very Good, Dust Jacket: None, 384 pages. Softcover. Light edgewear to wrappers.