humor

Hardcover. Boston, Houghton Mifflin , 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages illustrated in color by Rubel. Bright, unclipped dust jacket.

Hardcover. Seattle, Fantagraphics, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Clean, unmarked copy with only minor wear to dust jacket. Collects the top shelf of VIP's drink-themed artwork including well-known favorites, this new book is sure to delight even the most rigid teetotaler. Cartoons in b&w.

Hardcover. Middle Village, Jonathan David, 1st, 1978, Book: Very Good, Dust Jacket: Good, Hardcover, 438 pages. Black & white illustrations. Price clipped dust jacket with 2 tape repaired short tears on top edge. Clean, tight copy.

Hardcover. NY, Horn Book, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 359 pages. Using as a framework his two essays "Out on a Limb with the Critics" and "Coming to Terms with Criticism," Paul Heins has selected contributions which expand and elucidate "the invariable questions that beset the criticism of children's books: the classification, defense, and evaluation of children's literature." Included is the controversial exchange between Eleanor Cameron and Roald Dahl on the validity of the child as critic; Jane Langton's perceptive and original discussion of the fine distinction between fantasy and reality in literature; Alvin Schwartz's remarks on folklore and humor; Mary Orvig's consideration of Swedish books in translation; and treatments of individual titles such as Watership Down, Tom Sawyer, and A Wizard of Earthsea. Name and stamp on front fly leaf, otherwise clean.

Hardcover. Long Beach CA, Long Beach Museum of Art, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover with a nice dust jacket. Since 1970, Mizuno's work has evolved from functional dinnerware to abstract sculptural forms, from playful and humorous trompe l'oeil plates to richly layered sculpture informed by his evocative personal history, paralleling the development of the ceramics field itself in the late 20th century as it evolved from functional forms to a medium of full artistic expression. The exhibition is the first major museum exhibition to survey the work of this artist whose superbly crafted works, while firmly grounded in the traditions of the ceramic arts, extend to new forms in clay that defy traditional categories. This exhibition catalogue designed by Takaaki Matsumoto includes a forward, interview with the artist, a biography and exhibition history, and the exhibition checklist of 48 artworks. The exhibition and publication trace the work of this Japanese-born, Los Angeles-based ceramist from 1971 through 2003. Interview of the artist by Deborah McLeod, foreword by Museum Director Harold Nelson Format: hardcover Dimensions: 8-1/2 x 6-1/4 inches, 96 pages plus cover / 51 color plates. in conjunction with the exhibition of the same title at the Long Beach Museum of Art November 18, 2005 through January 15, 2006.

Hardcover. Long Beach CA, Long Beach Museum of Art, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 95 pages, illustrated with 45 color plates. Like new in publisher's shrinkwrap. Since 1970, Mizuno's work has evolved from functional dinnerware to abstract sculptural forms, from playful and humorous trompe l'oeil plates to richly layered sculpture informed by his evocative personal history, paralleling the development of the ceramics field itself in the late 20th century as it evolved from functional forms to a medium of full artistic expression. The exhibition is the first major museum exhibition to survey the work of this artist whose superbly crafted works, while firmly grounded in the traditions of the ceramic arts, extend to new forms in clay that defy traditional categories. This exhibition catalogue designed by Takaaki Matsumoto includes a forward, interview with the artist, a biography and exhibition history, and the exhibition checklist of 48 artworks. The exhibition and publication trace the work of this Japanese-born, Los Angeles-based ceramist from 1971 through 2003. ISBN 0-97127772-3-0 Published by the Long Beach Museum of Art Interview of the artist by Deborah McLeod, foreword by Museum Director Harold Nelson Format: hardcover Dimensions: 8-1/2 x 6-1/4 inches 96 page plus cover / 51 color plates.

Hardcover. New York, G. P. Putnam's Sons, 1st Thus, 1979, Book: Very Good, Dust Jacket: Good, 128 pages. Hardcover. Illustrated throughout with black & white photographs. Dust jacket with light wear is price clipped - now protected with clear plastic cover. Minor sun fade to top and bottom edges of covers. Clean, tight copy.

Hardcover. London, Gollancz, 1st UK, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 136 pages, illustrated throughout with Gorey's drawings. Clean, bright copy in similar unclipped dust jacket.

NY, Simon & Schuster, 1st, 1938, Book: Very Good, Dust Jacket: Good, Hardcover, 144 pages in a nice dust jacket. B&w illustrations by Gluyas Williams.

Hardcover. New York, Harper and Row, reprint, Book: Very Good, Dust Jacket: Very Good, 64 pages, glossy illustrated boards in a bright dust jacket with a flap price of $1.95. Last book listed on rear panel of dust jacket is Here Comes the Strikout, rear flap contains reviews for Little Bear.

Boston , Houghton Mifflin, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color illustrations by Debby Atwell. In a humorous rendition of a famous Norwegian folktale, Hans challenges his wife, Gertrude, to exchange chores with him and soon learns how difficult housework really is.

Hardcover. NY, Harper & Rone, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Joyce. Illustrated in the retro-modern style of a 50's sf pulp, A DAY WITH WILBUR ROBINSON is filled with fun things including an Ellington-Armstrong with frogs music band, an individual fly-able jet-pack, an anti-gravity machine, and is the fun story of the search for Grandfather Robinson's false teeth. An eye-catching color illustration faces every page of text. Clean copy.

Hardcover. New York, Farrar, Straus & Giroux, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, 177 pages. Black cloth, silver lettering to spine. Top edge cosmetic stain. Slight wear and small tears to dust jacket, minor foxing to top edge, else a very nice, tight copy. At the open we have 22 people, some Biblical while some are clearly not even representative, literally dragging God, not quite dead, through various roads, countryside, and towns in order to reach the plot in which He will be buried. Of course, it does not matter that He is dead when they reach their destination. The novel is one of Barthelme's more powerful tales and, as always, full of humor. One cannot read this without thinking that the Monty Python crew was somewhat influenced by this work, philosophically as well as from a creative standpoint. The one surprising footnote to this work is that it is a rather easy read,

Hardcover. London, Titan Comics, 1st, 2015, Book: Very Good, Dust Jacket: None, 208 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor rubbing to boards. A tight copy. Before Marilyn and Madonna, Betty booped and wriggled her way into hearts worldwide with her unique mix of wide-eyed innocence and powerful cartoon sensuality. Although she made her film debut as a curvaceous canine cabaret singer in the Max Fleischer short Dizzy Dishes on August 9, 1930, Betty Boop remains animation's first leading lady and a glamorous international icon. This beautiful volume collects Betty's adventures as they appeared in the funny pages of daily newspapers in the 1930's, capturing all the cheeky fun embodied by the character.

Hardcover. NY, Thames and Hudson, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages. 226 illustrations, 50 in color, "Nudes comprised more than 20 percent of Degas' subject matter. His typical unclothed female is a slightly plump middle-class lady at her bath. Yet the French artist explored nudity in many guises. The symbolic figures of his Medieval War Scene and David and Goliath suggest vulnerable, naked humanity. Then there are the prostitutes of his brothel pictures, salaciously or humorously observed. There are women in meditative poses, asleep, dancing and, infrequently, making love to other women. There is a bit of the voyeur in Degas' images, but as British art historian Thomson shows, the painter transcended his own conventional categories of 'nice' bourgeois women and 'fallen' lower-class whores. His explorations of the nude in charcoal, pastel, oil and sculpture exude empathy, even nobility." Clean copy.

Hardcover. NY, Henry Holt & Co., 1952, Book: Very Good, Dust Jacket: None, Hardcover, glazed pictorial boards, contains about 50 one-panel cartoons from the syndicated newspaper strip. The first Dennis collection. Light foxing/spotting to covers, clean copy otherwise.

Hardcover. Germany, Taschen, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 3-vol set in slip case. Hardcovers. Like new in publisher's shrink-wrap. Editor Dian Hanson traces the fascinating development of the genre from 1900 to 1969 in three compact, informative volumes. In Volume 1 you'll learn about the first magazines that appeared around 1900 in France, Germany, and the U.S., and follow the development of the genre through the First and Second World Wars. Covered are men's magazines masquerading as movie magazines, humor magazines, art magazines, nudist magazines, and "spicy" fiction. Volume 2 documents the proliferation of pin-up magazines following World War II, most notably a little item called Playboy that debuted in December 1953 and spawned dozens of imitators. This volume also charts the emergence of English men's magazines, fetish magazines, and the top five covergirls of the 1950s. Volume 3 begins with an explosion of new American pin-up magazines following the loosening of U.S. obscenity laws, and continues with French titles in decline, England going pervy; nudists going hippy, and Germany going pervy, hippy and political.

Hardcover. NY, Simon & Schuster , 1st, 1990, Book: Very Good, Dust Jacket: None, Hardcover. Color cartoon illustrations by Lorenz. In glossy boards with mild spine fade. No dust jacket. Tight copy.

Hardcover. New York, Henry Holt, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover. Extensive color illustrations by Kyrsten Brooker throughout. Illustrated endpapers and paste downs. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Seattle, WA, Fantagraphics, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. The Secret Origins of King Kong, and the Urge to Destroy New York. Color pictures throughout. This comic strip by cartooning pioneer Winsor McCay, titled simply Dino, opens a surprising new window into McCay's life and work and showcases his exquisitely beautiful and delicate delineations (exactingly reproduced from the original art). Merkl explores the influences McCay brought to the strip-including McCay's own Gertie the Dinosaur animated shorts, the animation in 1933's King Kong, and the growth of New York City from the Holland Tunnel to the Empire State Building-and traces our love of dinosaurs and monster movies down through the decades. Oversized. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Scholastic Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a pristine dust jacket. Non-paginated. SIGNED BY ILLUSTRATOR BRIAN SELZNICK ON TITLE PAGE. Full color illustrations. Clean, bright copy.

Hardcover. San Diego, Harcourt Brace & Company, 3rd pr., 1998, Book: Very Good, Dust Jacket: Very Good, Color illustrations by David Diaz. Really nice, new-looking condition. Hardbound, dust jacket. Pulitzer Prize-winning poet Richard Wilbur turns his sharp eye to the noble alphabet and imagines what life would be like without these twenty-six little--but powerful--letters. Packed with humor and subtle wit, the verse in this captivating picture book is splendidly matched by Caldecott Medal winner David Diaz's hilariously clever illustrations.

Hardcover. San Diego, CA, IDW Publishing, 1st, 2014, Book: Very Good, Dust Jacket: None, 108 pages. Hardcover, no dust jacket. Color illustrations. Stamped decorative covers. Clean, unmarked copy. Ditko's Shorts is a fun and incredibly fascinating compilation of short comics one, two and three pages in length. Only a brilliant master could tell a dramatic, compelling tale in such compact form. You'll thrill as Ditko walks this exciting high-wire act without a net! The many stories contained in this hardcover are fast-paced and sport terrific, compelling artwork as only Steve Ditko can draw it! The genres show the artist's great range. There's horror, fantasy, science fiction, western, and even humorous stories. Taken from rare comic books from a who's who of publishers, all the comics are meticulously restored and printed in a beautiful, large-format book.

Hardcover. New York, Quill William Morrow, 1st, 1990, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover with paper wrappers. Black and white drawings by Callahan throughout. Tight copy.