Softcover. Berkeley, Print Mint, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover comic, 8.25 x 10.75", with 52 pages, including semi-glossy color wraps and b/w interior. An anthology comic. Cover art by Jay Lynch. Crybaby's Blues, script and art by Robert Crumb; the harshness of life. Comedia Dell' Zippy starring Zippy The Pinhead, script and art by Bill Griffith; Outlawed clowns put on a show. The Great Ajeeb, Chess Playing Automaton, script and art by Kim Deitch; fake chess playing machine. The Corpse Gobblin' Ogre of Columbite Mountain, script and art by S. Clay Wilson. A Modern Mystery starring Arnold Peck, script and art by Willy Murphy. Some Boxes for the Salvation Army, script and art by Art Spiegelman. The Calvin Coolidge Story, script by Jim Hoberman, art by Kim Deitch. Gotterdammerung, script and art by Spain Rodriguez.
Hardcover. US, Dark Horse Books, 1st thus, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 247 pages. Color illustrations throughout. Like new in publisher's shrink-wrap. You know Jughead as Archie's loyal sidekick, but wait until you see the trouble he can get up to on his own! Cheer as Jug matches wits with Archie's rival Reggie, gasp as he tests nutty experiments with his Uncle Herman, and marvel as he eats dozens upon dozens of burgers and shakes! With twice the mischief, twice the pranks, and twenty times the food, Jughead Archives takes you to the weirder side of Riverdale, in this uproarious volume illustrated by beloved Archie artists Samm Schwartz and George Frese! Collects Jughead #1#8 from 1949 to 1950.
Softcover. Seattle, Fantagraphics, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 120 pages. All cartoonists are geniuses, wrote John Updike, "but Arnold Roth especially so. He's an American original; irreverent, tireless, manicky, and secretly efficient... his work jumps with joy." You won't find better proof of this argument than this book, a generous, career-spanning collection of Roth's best cartoons and painted illustrations, originally created to serve as a catalog for a long-overdue gallery exhibition of this master cartoonist's work. From his early cartoons through his eye-popping and imaginative color illustrations for such magazines as Playboy, Esquire, TV Guide and Sports Illustrated, this book will delight any fan of superior cartooning. Color and black-and-white illustrations throughout
Softcover. Rockville ID, Rockville Republican, 1st, Book: Very Good, Dust Jacket: None, Softcover, stapled binding, a collection of b&w cartoons that ran in the Rockville Republican newspaper in Indiana depicting small town and rural life in the 1930s and 40s, much in the style of John McCutcheon. No date but last cartoon suggests it was 1943 and issued by the paper as a Christmas keepsake to it's readers. Clean.
Hardcover. San Francisco, Ten Speed Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color, b&w illustrations. THE ART OF S. CLAY WILSON is the long-awaited career retrospective of the most extreme of the Zap cartoonists of the late 1960s. A self-described "graphic agoraphobe," Wilson draws manically dense scenes of lurid mayhem that rank among the seminal works of underground, counterculture American art. It's all here, from the classic chronicles of the Checkered Demon to salacious stories about the pirates, prostitutes, and poets that inhabit Wilson's divinely depraved world.The definitive collection of the art of legendary Zap comic artist S. Clay Wilson.Features 200 full-color images, including new work and previously unpublished prints commissioned for private collections.Introduction by R. Crumb touts Wilson's role as one of the originators of underground comix."Wilson was the strongest, most original artist of my generation that I had yet met. . . . There was something very familiar about the drawings, yet something entirely new, never before seen! It looked like folk art, like old-time tattoos, like some high school hotrodder's notebook drawings. They were rough, crazy, coarse, deeply American."
Softcover. College Park MD, University of Maryland Art Gallery, 1st, 1971, Book: Very Good, Dust Jacket: None, 96 pages, oblong softcover. 43 b&w illustrations. Catalogue of 174 exhibits. Forewords by Alain de Leiris and Marchal E. Landgren; biographies of and notes on 116 American cartoonists, with bibliographical references for each; chronology of the American comic strip, 1846-1971. Light shelf wear.
Hardcover. New York, Harry N. Abrams, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 384 pages. Like new in publisher's shrink-wrap. In the 1940s Joe Simon and Jack Kirby started their partnership and created memorable characters such as Captain America and Sandman. This book includes artwork from Joe Simon's private archive, some of them have never been seen.
Softcover. San Francisco, Golden Gate Publishing, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, comic book. Standard Format and Size. First Printing (75 cent cover price). Color illustrated covers with black/white interior art. Without page numbers. All work by R Crumb.
Hardcover. Joliet IL, Volland, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, tan and beige pictorial boards with a brown cloth spine, 96 pages. Decorations and designs by Ellery Friend. Wilbur Dick Nesbit (1871-1927), also known by the pen name Josh Wink, was an American poet and humorist. Bright, clean copy.
Hardcover. New York, Harper and Brothers, 1st, 1914, Book: Very Good, Dust Jacket: None, 226 pages. Hardcover with no dust jacket. Previous owners bookplate on inside front cover. Light rubbing to corners. Clean, tight copy. Janvier"s last book, published shortly after his death in 1913, a humorous and affectionate look at a piece of the New York City he so loved. In the preface, Ripley Hitchcock describes the "Casa Napoleon" as a "very definite haven for wanderers of Latin origin which for several years opened hospitable doors upon a side-street near lower Fifth Avenue. Illustrated with a frontispiece and 7 black and white plates.
Hardcover. NY, Clarkson Potter, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 223 pages in b&w. In honor of the magazine's 100th birthday, this celebratory collection captures the brilliantly quirky personalities behind some of The New Yorker's most iconic cartoons. Filled with striking portraits by world-renowned photographer Alen MacWeeney, captivating profiles by long-time New Yorker contributor Michael Maslin, and a sampling of each artist's work, these pages offer an exclusive peek inside the creative brains of over fifty prominent cartoonists, both seasoned and newly minted. From legends like Roz Chast and Jack Ziegler to contemporaries like Liana Finck and Jeremy Nguyen, this landmark volume is a beautiful homage to the artists who have long brought joy, humor, and satire to our lives. Clean copy.
Hatje Cantz, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages. Celebrating the kind of childhood play that signals a search for identity, Who Am I, What Am I, Where Am I? is a series of 70 photographs by New York- and Berlin-based artist Aura Rosenberg. For each picture, a child and an artist were paired up to create an idiosyncratic portrait of the child--each of whom was given access to masks and costumes. Among the collaborating artists are John Baldessari, Coco Fusco, Skuta Helgason, Louise Lawler, Allan McCollum, John Miller, Vik Muniz, Tony Oursler, Jim Shaw, James Siena, Laurie Simmons, Kiki Smith and Haim Steinbach. Rosenberg's contribution to the collaboration is her technically playful style--the photographs are often digitally manipulated to create an array of surreal and humorous effects. This volume draws a compelling parallel between childhood play and the work of the adult artists. Also included are texts by artists Dan Graham, Mike Kelley and Nicolas Guagnini.
Hardcover. New York, Thomas Y. Crowell & Co., 1st, 1905, Book: Good, Dust Jacket: None, B&w illustrations with comments pertaining to automobiles from Life magazine. Corner and edge wear and fade, otherwise, spotless and tight copy.
Hardcover. Berkeley CA, University of California Press, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 736 pages. The year 2010 marked the 100th anniversary of Mark Twain's death. In celebration of this important milestone, Twain's uncensored autobiography is available in its entirety and exactly as he left it. This major literary event brings to readers, admirers, and scholars the first of three volumes and presents Mark Twain's authentic and unsupressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave as he intended. Volume 1 ONLY ( of a planned 3 volume set). Clean copy. DOMESTIC SHIPPING ONLY.
Hardcover. NY, Greenwillow, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 40 pages, color illustrations by Paul Zelinsky. SIGNED BY BOTH AUTHOR AND ILLUSTRATOR. The huge but rather childlike character featured in Prelutsky and Zelinsky's Awful Ogre's Awful Day (2001) returns in a new volume of light verse accomplanied by full-page and double-page illustrations. Taking place during the one-eyed ogre's summer vacation, the first-person poems run the gamut from somewhat gross ("Awful Ogre Has Insomnia") to droll ("Awful Ogre Attends a Concert") to tenderhearted ("Awful Ogre Pays a Visit") to sublime ("Awful Ogre Goes Dragon-Watching"). Prelutsky shows his sure sense of rhythm and rhyme as well as his child-pleasing sense of humor in this series of 17 clearly written poems. Most appear on double-page spreads, accompanied by large ink-and-watercolor illustrations that reflect the tone of the verse. Highlighting the barely controlled chaos of this amiable ogre's world, the pictures create a visually imaginative setting where anything can happen and, in the fun-to-discover details, something often does.
Hardcover. New York, Greenwillow, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 40 pages. Hardcover. SIGNED BY PRELUTSKY AND ZELINSKY ON TITLE PAGE. Bright, clean copy.
Hardcover. New York, Macmillan, 1st, 1956, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards with a red cloth spine. 140 pages illustrated with b&w cartoons by the Berenstains. Minor wear to covers otherwise clean, very good. No dust jacket.
Hardcover. NY, Simon And Schuster, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 253 pages. Thirty-two essays by the New Yorker magazine humorist. Clean copy.
Philadelphia, Muhlenberg Press, 1st , 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Black & white woodcut illustrations by the author. 108 pages, a collection of humorous animal stories from the Old Testament. Clean copy.
Hardcover. NY, Nan A. Talese, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 440 pages, in a bright, unclipped dust jacket. The legendary cartoonist's candid, self-deprecating, and beautifully written memoir describes his childhood in the Bronx, evolution from "smart-ass kid into an enraged satirist" (with inspiration from a stint in the Army) and his later successes as a pioneer of the graphic novel and a collaborator with the likes of film greats Robert Altman, Mike Nichols and Jack Nicholson. SIGNED by Feiffer on title page.
Hardcover. New Milford, Roaring Brook Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Full color illustrations by Ross MacDonald. Clean, bright hardcover in a dust jacket. Jack was having another perfect day. In fact, you could say that his whole life was perfect, except that he wanted someone to share it with. That someone arrives in the form of a new baby sister who keeps growing...and growing...until she's about ten stories tall, wreaking havoc with every step she takes. Of course, Jack gets the blame. Full of the sly, raucous humor that marked Ross MacDonald's previous books, this is the ultimate book about sibling rivalry.
Hardcover. San Francisco, Paul Elder, 1st , 1907, Book: Good, Dust Jacket: Fair, 79 pages. Hardcover. Color illustrations by Merle Johnson. Paper on spine chipped. Light lettering on spine. Some wear to front cover. All pages clean and legible. Gutter cracked.