Hardcover. NY, Bobbs-Merrill , 1st, 1954, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket with faging to spine. Illustrations and jacket art by Al Hirschfeld. One woman's humorous take on life in New York City in the early 1950s. The author was married to NYT drama critic, Brooks Atkinson, but she could write too. Clean copy.
Hardcover. London, Faber and Faber, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Unpaginated. Hardcover no dusk jacket issued. Color boards with black and white comics throughout. Light rubbing to rear board.
Hardcover. London, Faber and Faber, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Unpaginated. Hardcover no dusk jacket issued. Color boards with black and white comics throughout. Light rubbing to rear board. Marble Season is the semiautobiographical novel by the acclaimed cartoonist Gilbert Hernandez, author of the epic masterpiece Palomar and cocreator, with his brothers, Jaime and Mario, of the groundbreaking Love and Rockets comic book series. Marble Season is his first book with Drawn & Quarterly, and one of the most anticipated books of 2013. It tells the untold stories from the early years of these American comics legends, but also portrays the reality of life in a large family in suburban 1960s California. Pop-culture references-TV shows, comic books, and music-saturate this evocative story of a young family navigating cultural and neighborhood norms set against the golden age of the American dream and the silver age of comics. Middle child Huey stages Captain America plays and treasures his older brother's comic book collection almost as much as his approval. Marble Season subtly and deftly details how the innocent, joyfully creative play that children engage in (shooting marbles, backyard performances, and organizing treasure hunts) changes as they grow older and encounter name-calling naysayers, abusive bullies, and the value judgments of other kids. An all-ages story, Marble Season masterfully explores the redemptive and timeless power of storytelling and role play in childhood, making it a coming-of-age story that is as resonant with the children of today as with the children of the sixties.
Hardcover. New Haven CT, Yale University Press, 1st, 2022, Book: Very Good, Hardcover, pictorial boards, Photographer Marcia Resnick (b. 1950) earned recognition as part of the legendary Downtown New York art scene of the 1970s and 1980s. Her portraits of the era's major cultural figures, such as Jean-Michel Basquiat, John Belushi, and Susan Sontag, have contributed to the scene's mythic status. Against this backdrop, Resnick also produced a significant body of work that engaged with the history of art, took a humorous approach to conceptual art and feminism, and proposed new ideas for what photography could be. Spanning the artist's career, this richly illustrated volume explores Resnick's early influences and education at Cooper Union and CalArts; discusses her series and photobooks such as See and Re-visions; and situates the artist's work within the history of contemporary art. An afterword by Laurie Anderson speaks to the very personal vision of Resnick's photography. Still in publisher's shrinkwrap.
Hardcover. Boston, Little, Brown and Company, BC Ed., 1975, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 40 pages illustrated by James Marshall. When an efficient duck who gives the time over the telephone gets sick, other animals, believing the job to be easy try to take her place. Book Club Edition. Clean copy.
Softcover. NY, HarperCollins, ARC, 1997, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers. An Advanced Reading Copy. B&w illustrations byJon Agee. A National Book Award Finalist. The overweight Hubble family and a pair of newlywed woodchucks have something in common; they are all being terrorized by a tyrannical toddler named Margaret. How it all turns out is the subject of this funny children's novel with witty b&w drawings. Clean.
Hardcover. New York, John Day Company, 1st, 1928, Book: Very Good, Dust Jacket: None, 177 pages. Boards illustrated with duotone illustration, black cloth binding, b&w illustrations by Covarrubias. Spine lightly cocked, light edgewear to covers, previous owner's signature to front endpaper, pages crisp and unmarked; overall, a very clean, tight copy.
Hardcover. NY, Harper Collins, 3rd, 1999, Book: Very Good, Dust Jacket: Very Good, Color illustrations by the author. Hardcover with dust jacket. non-paginated. Clean, tight copy.
Hardcover. NY, Harper Collins, 3rd, 1999, Book: Very Good, Dust Jacket: Very Good, Color illustrations by the author. Hardcover with dust jacket. non-paginated. Clean, tight copy.
Hardcover. NY, HarperCollins, 1st, 1998, Hardcover in a bright, unclipped dust jacket. Meet Walter.And better yet, turn the pages and --meet his staff. The Gum Guy, who archives his chewed-up gum. His Homework Helper who does...well, you know. A complete Dream Team, to do his sleeping for him...And thats only the beginning!This laugh-out-loud picture book is a dream come true for any kid who has ever wanted someone else to kiss Aunt Winnie or eat their lima beans. Author Patricia Marx and illustrator Roz Chast prove with hilarity that anyone can have the staff they need, if they have enough imagination. Clean copy.
Hardcover. New York, Balzer + Bray, an imprint of HarperCollinsPublishers, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages. SIGNED BY BOTH AUTHOR AND ILLUSTRATOR on title page. Clean, unmarked copy with only minor wear to dust jacket. Meet the Dullards is a clever and irreverent picture book about a comically boring family, from bestselling author Sara Pennypacker and illustrator Daniel Salmieri. Their home is boring. Their food is plain. Their lives are monotonous. And Mr. and Mrs. Dullard like it that way.But their children--Blanda, Borely, and Little Dud--have other ideas. . . .Never has dullness been so hilarious than in this deadpan, subversive tale.
Hardcover. New York, NY, Balzer + Bray, HarperCollins, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Non paginated. Hardcover with dust jacket. Extensive color illustrations throughout. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. NY, Abbeville, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Hank Ketcham, the self-styled "Merchant of Dennis," passed away in 2001 at the age of 81, but not before writing this engaging memoir. In this volume, the Dennis the Menace creator charmingly tells his own colorful story, starting when he was about "five-ana-half" and first picked up the "magic pencil." A child of the Great Depression from Seattle, Ketcham abandoned college for Hollywood, to pursue a dream of making drawings for Walt Disney films. Initially rebuffed at Disney, he persisted in huffing and puffing at the Mouse Factory door (all the while drawing "Andy Pandas, rabbits, squirrels, and monkeys" at Walter Lantz studio) until finally he was let inside to labor happily on Pinocchio, Bambi, Fantasia and a host of Donald Duck shorts. World War II intervened, but Photographer's Mate Ketcham was, nevertheless, able to resume his artistic career in the Navy, where, in Washington, D.C., he created cartoons for the War Bond program. Following the war, Ketcham developed into a successful freelancer, placing cartoons in The New Yorker, Saturday Evening Post and Collier's.Then one fateful day, his harried wife screamed at him that his son Dennis was a menace! That, of course, sparked an idea that subsequently was sold to a newspaper syndicate in the fall of 1950. Within a year, Dennis the Menace was up to a hundred daily subscribers-a figure that climbed steadily.The Merchant of Dennis the Menace not only traces the humorous adventures of Hank Ketcham-with copious illustrations of his artistic development from a kid with an early knack for copying cartoon characters to a mature and masterful artist of everyday life in the Mitchell and Wilson households-it also offers a special insight into the life and times of the half-pint "Menace." In one unique section, Ketcham takes us behind the scenes of Dennis and provides complete backgrounds for all the major characters, including their genealogies. We are also treated to official model sheets, in-depth analysis of each character's personality and motivations, and an exclusive peek at the private sketches that Ketcham referred to of rooms in the Wilson and Mitchell homes, their backyards, and the neighborhood. To top it all off, the book includes a dozen of Ketcham's hand-picked, all-time favorite strips.
Hardcover. Washington DC, Smithsonian Institution Press , 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 257 pages, index, bibliography, notes, glossary, b&w illustrations. In precolonial Rwandan culture, the body and the organization of the universe were thought of in terms of the flow and blockage of fluids. Operating in a "gift economy," the king and ritual specialists regulated these fluids--milk, honey, rain, blood--thereby ensuring the health of the people and the fertility of their land and cattle. Today, much of same imagery suffuses popular healing, and many sicknesses are depicted as perturbations in the flow of bodily humors. However, not all healers adhere to the precolonial symbolic forms.Identifying a primary image schema in Rwandan popular concepts of the body and cosmology, Milk, Honey, and Money explains how specifically Rwandan forms have been affected by the culture's capitalist transformation. Clean copy.
Hardcover. NY, Abrams, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 265 pages, two-color comics throughout. Comics artist Archie Bongiovanni explores queerness in this shockingly frank and funny adult graphic novel. Best friends Chris, Jo, Elise, and Alex work hard to keep themselves afloat. Their regular brunches hold them together even as the rest of their lives threaten to fall completely apart. In an effort to avoid being the oldest gays at the party (like they are at every other queer event in Minneapolis), the crew decides to put on a new party called Grind!, a queer gathering specifically for folks in or over their dirty-thirties. Clean copy.
Hardcover. NY, Simon & Schuster , 11th pr., 1958, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. Alexander King, one of the first editors of Life magazine, a collaborator on plays with Clare Booth Luce, and a book illustrator, tells, among other things, of undergoing four "cures" for drug addiction in a ten-year period. Dedicated nonconformist King describes his life and those around him with irony and humor. Paper tanning, clean copy.
Hardcover. NY, Simon and Schuster , 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 256 pages, b&w photos. This is the book that launched Phil Berger's career. Controversial upon its publication 30 years ago, it freezes in time that great Knicks team. Willis Reed in his glory, Holzman at his best, Bradley struggling with his own popularity. The nerdy young Phil Jackson envious of that popularity. There's enough wry humor, revelation and wisdom to qualify "Miracle" as a treasure. Clean copy.
NY, Knopf, 1st, 1994, Book: Very Good, Dust Jacket: None, Hardcover, pictorial glossy boards. Color illustrations by Reynold Ruffins. No dust jacket. From Angola to Zanzibar, this treasury is as varied and bountiful as Africa itself! Master storyteller Verna Aardema retells 12 tales of justice and revenge, greed and generosity, sly trickery, and off-the-wall silliness with her trademark humor and flair. Nearly 50 illustrations vibrantly reflect the spirit of these read-aloud delights, while a map of Africa, story source information, and a personal note from the author make this a rich volume for folk-tale lovers of all ages.
Hardcover. New York, Harper & Row, 1st, 1972, Book: Very Good, Dust Jacket: Good, Non-Paginated. Hardcover. 'An I CAN READ BOOK'. Features full color illustrations by Mamoru Funai. Stated first edition. Price clipped dust jacket shows light wear. Clean, tight copy.
Hardcover. New York, Greenwillow, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated. BOOKPLATE ON FRONT ENDPAPER SIGNED BY AUTHOR JACK PRELUTSKY AND ILLUSTRATOR PETER SIS. Full color illustrations. Bright, clean copy. Once again the collaborators of The Dragons Are Singing Tonight have combined their extraordinary talents to concoct an irresistible collection of trolls, wizards, witches, giants, ogres (and a solitary yeti). "Jack Prelutsky is up to his usual hilarious no good in this new collection of witchy, wizardly, ogreish poems....Among the subjects of these briskly amusing poems is a wizard who rashly makes himself disappear, a seven-century-old apprentice witch....and a family-type ogre....Prelutsky's skill with catchy rhymes and delightfully fiendish subject matter is complemented by Peter Sis's humorously foreboding and cheerfully nonchalant illustrations."
Hardcover. London, Dennis Dobson, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, 76 pages, hardcover. Illustrated in color by Ronald Searle. Very good condition. Dust jacket lightly age tanned on spine, around edges of front and back. Light soiling to small part of dust jacket front, looks cleanable.
Hardcover. Montreal, Drawn and Quarterly, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover with pictorial boards. No dj issued. In the second volume of Tove Jansson's humorous yet melancholic Moomin comic strip, we get four new stories about jealousy, competition, child rearing, and self-reinvention. The Moomins try to hibernate in the fashion of their ancestors but insomnia places them smack-dab into a winter carnival with the winter-sports-loving Mr. Brisk. The fickle and eternally lovestruck Mymble and Snorkmaiden find themselves in competition over a thrilling new man. Moominmamma meets her new neighbor, the Fillyjonk, causing her to hire the depressed and secretive Misabel as her new maid. Mymble's mother arrives on the Moomin family's doorstep with her seventeen new children. Finally, a prophet arrives on the scene declaring that the happy Moomins are in fact not happy at all and need to get back to nature and be free. Moomin, of course, becomes more and more miserable the freer he gets.