term Architecture term

Softcover. Tokyo, Japan, A.D.A. Edita, 1st, 1989, Book: Very Good, Dust Jacket: None, 358 pages. Softcover with French flaps. (Japanese to English Text) Color and b/w illustrations throughout. Illustrations consist of photographs and drawings of completed buildings and relevant projects. A touch of age-yellowing throughout. Soil on bottom edge. Spine is slightly faded. Complete with no pages missing, binding still tight. Rare.

Softcover. Tokyo, Japan, A.D.A. Edita, 1st, 1988, Book: Very Good, Dust Jacket: None, 390 pages. Softcover with French flaps. (Japanese to English Text) Color and b/w illustrations throughout. Illustrations consist of photographs and drawings of completed buildings and relevant projects. A touch of age-yellowing throughout. Soil on bottom edge. Spine is slightly faded. Complete with no pages missing, binding still tight. Rare.

Hardcover. NY, Duell, Sloan And Pearce, 1st, 1941, Book: Very Good, Dust Jacket: None, Hardcover, 8.5 inch square hardback in brick red cloth, 275 pages including bibliography and index. Contains speeches and lectures as well as articles from the Architectural Record, Architectural Forum, and Architect's Journal. Clean copy.

Hardcover. Chicago, University Of Chicago Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 397 pages, illustrated throughout in b&w. Slight crease to dust jacket front flap, slight dent to rear cover upper corner, else a clean, unmarked copy in excellent condition.

Hardcover. NY, Duell, Sloan & Pearce, 1st, 1943, Book: Very Good, Dust Jacket: None, Hardcover, 561 pages. Red cloth hard cover with silver titles. Copyright page states first edition but actually the Second Edition, revised. There was a 1933 printing with b&w photographs. Name on inside front cover, otherwise clean.

Hardcover. New York, Rizzoli, 1st Edition, 1993, Book: Very Good, Dust Jacket: Very Good, 312 pages. Hardcover. Color illustrations throughout including interiors and exteriors of projects, as well as blue prints. Red endpapers. Cover boards bound in charcoal cloth, gilt title on spine, all excellent. Dust jacket unclipped, very good. Pages clean and unmarked. Top edge has some light soil. Binding tight, spine straight. In beautiful condition. This extraordinary book presents thirty-eight of the most renowned and significant buildings of America's premier architect, from his early Prairie work in Oak Park, IL, in the 1890's to his daring creations of the 1940's and 1950's.

Hardcover. New York, Abrams/Guggenheim Museum, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 209 pages, illustrated in color and b&w. Still in publisher's shrinkwrap. An account of the design and contruction of the Guggenheim Museum in Bilbao, Spain. Prefaces by Thomas Krens and Juan Ignacio Vidarte. Color illustrations throughout. 211+ 1 pages.

Hardcover. New York, Monacelli, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 616 pages, profusely illustrated in color and b&w. In a bright, unclipped dust jacket. 10.2 x 2 inches. Profusely illustrated with stunning photos, plans, sketches, models of his complete works and projects, project register, biography, exhaustive bibliography, and illustration credits. This first major monograph on Gehry's work contains more than 250 buildings and projects designed throughout his 40-year career.

Hardcover. New York, G.P. Putnam's Sons, 1st, 1922, Book: Very Good, Dust Jacket: Very Good, 131 pages. Hardcover with scarce dust jacket. Light edgewear to covers, and pages. Light foxing throughout. Tight copy.

Softcover. Denver/Boulder CO, Johnson Books, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 272 pages, illustrated in color and b&w. Chanzit explores Herbert Bayer's stunning artistic legacy, which includes painting, photography, typography, sculpture, architecture, exhibition design, and graphic design.

Softcover. NY, The Monacelli Press , 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Softcover with plain white card covers covered in a pictorial dust jacket on heavy paper stock, 224 pages, b/w & color illustratios, large distinctive paperback with internal spire spine. Part experimental laboratory, part alternative institution, the Southern California Institute of Architecture (SCI-Arc) is one of the world's most vital and innovative schools. Known for its cutting-edge working methods and pioneering use of materials, SCI-Arc continues to revolutionize architecture, urbanism, design, research, and teaching through its remarkable work. This inventively designed and beautifully produced book brings together for the first time both built and theoretical projects -- previously unpublished recent work -- by SCI-Arc's celebrated faculty. Its members are a dynamic mix of architects, designers, theoreticians, and critics, echoing the rich environmental and cultural diversity of the surrounding Southern California region. Reflecting SCI-Arc's rigorous dedication to a working methodology, each project presented here reveals the ever-evolving design process itself. This analytical visual vocabulary combines sketches, study models, paintings, computer renderings, prototypes, and construction documents with explanatory illustrated texts by past and present faculty members. Mild wear to top of dj spine. Clean copy. DOMESTIC SHIPPING ONLY.

Softcover. Italy, Instituto E Museo Di Storia Della Scienza, 1st, 1970, Book: Good, Dust Jacket: None, 54 pages. Softcover. Color and b/w illustrations throughout. Foxing on edges and preliminary/back pages. Does not affect text or illustrations. Wrapper in good condition.

Softcover. London, Phaidon Press, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, about 72 pages, unpaginated. The Gamble House, also known as the David B. Gamble House, is an iconic American Craftsman home in Pasadena, California, designed by the architectural firm Greene and Greene. Constructed in 1908 09 as a home for David B. Gamble, son of the Procter & Gamble founder James Gamble, Blueprints, renderings, photos vintage and modern. Clean copy.

Hardcover. Los Angeles, Getty Museum, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 448 pages, many b&w and color plates. This book celebrates the athletes, the games the sanctuaries, the cities and, above all the inspiring spirit of the ancient Greeks. Bright, clean copy in a similar dust jacket.

Hardcover. London/NY, Hamlyn, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, black cloth with silver lettering, 96 pages, Illustrated profusely with 59 black-and-white and 40 color illustrations. Clean copy.

Softcover. Richmond VA, Allen & Ginter, 1890, Book: Very Good, Dust Jacket: None, Softcover, stiff cardboard covers illustrated in color, string bound. 12 leaves, color lithographs on one side only. Oblong 9 1/2 x 6".

Hardcover. London, Sir Isaac Pitman & Sons, Ltd., 1st, 1955, Book: Good, Dust Jacket: Good, Hardcover, 233 pages, illustrated throughout in b&w. Minor dust jacket edgewear and foxing. Otherwise, a very clean and tight copy.

Hardcover. Greenwich CT, New York Graphic Society, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket with short, closed tears, 516 pages. 623 black and white illustrations, 42 color plates. "By 'German Art' we mean here 'Art in Germany,' the art that developed on German soil, even if it was created by a Swiss (Obrist), an Austrian (Kokoschka), a Russian (Kandinsky) or a Hungarian (Moholy). This definition should not be interpreted as nationalistic presumption, for cultural environment is more significant than the birth certificate." DOMESTIC SHIPPING ONLY.

Hardcover. Cambridge, Mass, The MIT Press, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Illustrated throughout, traces the evolution of greenhouse construction. Minor rubbing and edge wear on dust jacket, otherwise, in very good condition.

Hardcover. New York, Collins Design, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 189 pages, profusely illustrated throughout in color. Spotless and tight copy.

Softcover. Albuquerque NM, University of New Mexico Press, 1st, 2002, Book: Near Fine, Dust Jacket: None, 178 pages, 70 color plates by Fitch of deserted buildings and locations in the Great Plains. Soft cover edition, published simultaneously with the hardcover. In publisher's shrink wrap.

Hardcover. NY, Pantheon, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Grand Avenues tells the riveting story of Pierre Charles L'Enfant and the creation of Washington D.C.--from the seeds of his inspiration to the fulfillment of his extraordinary vision.L'Enfant's story is one of consuming passion, high emotion, artistic genius, and human frailty. As a boy he studied drawing at the most prestigious art institute in the world. As a young man he left his home in Paris to volunteer in the army of the American colonies, where he served under George Washington. There he would also meet many of the people who would have a profound impact on his life, including Alexander Hamilton and James Monroe. And it was Washington himself who, in 1791, entrusted L'Enfant with the planning of the nation's capital--and reluctantly allowed him to be dismissed from the project eleven months later. The plan for the city was published under another name, and for the remainder of his life L'Enfant fought for recognition of his achievement. But he would not live to see that day, and a century would pass before L'Enfant would be given credit for his brilliant design. Scott W. Berg recounts this tale, richly evocative of time and place, with the narrative verve of a novel and with a cast of characters that ranges from Thomas Jefferson and the other Founding Fathers to the surveyor who took credit for L'Enfant's plans, the assistant who spent a week in jail for his loyalty to L'Enfant, and the men who finally restored L'Enfant's reputation at the beginning of the twentienth century.

Hardcover. Princeton Architectural Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. The Breakers, the Waldorf, the Biltmore, the Sherry, the Pierre--these landmark hotels are synonymous with grand luxury and style. When they were built, in the 1920s, their refined elegance and grandeur set the bar for hotels and resorts the world over. Responsible for creating these and countless other hotels throughout the United States, were the partners of a single architectural firm: Schultze & Weaver. Together, this duo--an architect and an engineer--virtually invented the glamorous lifestyle made famous in films like Grand Hotel. Catering to the social elite of which they were themselves a part, Schultze & Weaver synthesized the Old World style of Renaissance Italy, Moorish Spain, and Georgian England with all of the modern amenities that made hotel living luxurious. This book presents portfolios of fifteen of the firm's most spectacular hotels, culminating in the Art Moderne masterpiece of the Waldorf-Astoria. Over two hundred period photographs and hand-colored architectural renderings chart the ascent of the American hotel in all its glory and glamour, before the Great Depression forever changed the lifestyles of America's rich and famous. Essays address the cultural and technological developments that underpin the creation of resort and residential hotels, including the elemental role played by Schultze & Weaver.

Hardcover. Harrisburg PA, National Historical Society, reprint, 1988, Book: Very Good, Dust Jacket: None, Hardcover, glossy green pictorial boards. No DJ as issued. A like new copy, no marks. Volume 14 of the Architectural Treasures of Early America. From material originally published as the Georgian Period edited by Professor William Rotch Ware. 223 page book with historic photographs and home plans. Clean copy.