term Architecture term

Hardcover. London, Paul Holberton Publishing, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 197 pages. Color and b&w plates throughout. This groundbreaking architectural history examines what people actually wanted in their institutional and private patronage over the last two centuries as opposed to what architects and theorists thought they should want - as seen through the prism of Oxford's principal building contractor and craft practitioner, Symm & Company. Clean, bright copy.

Softcover. NY, Rizzoli/Cornell University, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 209 pages, oblong format. B&w illustrations and line drawings. Pictorial card covers. Bright, clean copy.

Hardcover. NY, British Heritage Press, reprint, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 287 pages, 64 color plates by Helen Allingham. A nice reprint of a book first published in 1909 in the UK. Clean copy.

Hardcover. Minneapolis MN, The Country Press, 1st, Book: Good, Dust Jacket: Poor, Hardcover in marbled green boards with orange front label, in a worn, chipped dust jacket. 28 pages on outhouses and privies in a humorous vein. No date but probably the early 1930s.

Hardcover. University Park PA, Pennsylvania State University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 295 pages illustrated in b&w and color. Beginning in the 1730s, Heather Minor tells us, Rome "began to resemble one huge construction site," with a series of ambitious and expensive new building campaigns that transformed the face and substance of the city. From renovations of the Santa Maria Maggiore and San Giovanni in Laterano and the restoration of the Arch of Constantine to the creation of the Capitoline Museum and the establishment of the papacy's Calcografia, the push for reform not only renewed papal and Church identity but also revived Italian culture as a whole. Based on extensive archival research and full of fascinating stories about the often stormy theological and intellectual debates central to the attempts at reform, The Culture of Architecture in Enlightenment Rome brings to life the personalities of architects, theologians, and intellectuals and links the extensive architectural programs with powerful shifts in the intellectual climate of the time. Clean, bright copy.

Hardcover. NY, Princeton Architectural Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 224 pages. The Dakota is arguably the best-known residential address in the world, home to dozens of New York City's most famous artists, performers, and successful executives. The rare sale of an apartment there, usually at jaw-dropping prices, is newsworthy, as is the financial and architectural health of the building itself, a landmark in every sense of the word.The first true luxury apartment house built in New York City, more than 130 years ago, the Dakota is still the gold standard against which all other apartment buildings are weighed. Historian Andrew Alpern tells the fascinating story of how the Dakota came to be, how Singer sewing magnate Edward Clark dared to build an apartment building luxurious enough to coax the city's wealthy from their mansions downtown for ultra-modern living on what was then the swamplands of the Upper West Side. Redrawn plans of the entire building, published here for the first time, show how Clark created apartments glamorous enough that they made living under a shared roof as acceptable in Manhattan as it already was in Europe's grand capitals, forever revolutionizing apartment life in New York City.

Softcover. Notre Dame IN, Theatre Historical Society, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, stapled wrappers, 40 pages. Profusely illustrated in b&w. A visual history of the design and building of the Earle Theatre in Philadelphia. Some of the world's biggest stars performed there in it's heyday. Old price sticker on rear cover, otherwise clean, very good.

Softcover. Thousand Oaks CA, Sage Publications, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 182 pages, b&w illustrations. In 1960, Kevin Lynch wrote The Image of the City, which transformed the way design professionals and social scientists dealt with the urban form and design. The Evaluative Image of the City follows the work of Lynch and further explores the role of human evaluations of the cityscape. This book describes how to assess, plan, and design the appearance of cities to please inhabitants. It presents a series of studies on evaluative images, discusses methodologies, findings, and applications to design and planning at various stages. Urban designers and planners, architects, business people, and the general public will find this book a valuable guide for improving the image of their surroundings. Clean copy.

Hardcover. Newtown CT, Taunton , 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 218 pages in color. There are hundreds of books on the market about designing the interior of a home, but none for homeowners that focuses on the design of a home's exterior. And yet the exterior of the house is what we all see and remember- it's the "face" of home we fall in love with, whether we are looking for a new home or just taking in the sights during a Sunday afternoon drive. All of us can relate to a house's exterior, but few understand how they're put together, or how the outside and inside should work in harmony. When people describe the exterior of a house, they usually give a label or a style- Cape, Colonial, Ranch. But, in truth, what they are referring to are not only its exterior physical characteristic- the particular blend of roof-lines, siding, trim, windows, doors and porches, but also its emotional characteristics- inviting, austere, friendly. The author examines these physical and emotional characteristics, explores the concepts and applications of exterior design and how they can be successfully used to enhance the experience of home and provides a fresh, new language for describing, understanding, and shaping the face of home. Clean copy.

Softcover. NY, Dover Publicastions, 1st pbk, 1968, Book: Very Good, Dust Jacket: None, Softcover, 208 pages. Reprint; The 203 Plates & Text of His Architectura published in 1598. Late Renaissance and early Baroque architectural ornament. Clean copy.

Hardcover. NY, Simon & Schuster, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 303 pages. Eighty percent of everything ever built in America has been built since the end of World War II. This tragic landscape of highway strips, parking lots, housing tracts, mega-malls, junked cities, and ravaged countryside is not simply an expression of our economic predicament, but in large part a cause. It is the everyday environment where most Americans live and work, and it represents a gathering calamity whose effects we have hardly begun to measure. In The Geography of Nowhere, James Howard Kunstler traces America's evolution from a nation of Main Streets and coherent communities to a land where everyplace is like noplace in particular, where the city is a dead zone and the countryside a wasteland of cars and blacktop. Now that the great suburban build-out is over, Kunstler argues, we are stuck with the consequences: a national living arrangement that destroys civic life while imposing enormous social costs and economic burdens. Kunstler explains how our present zoning laws impoverish the life of our communities, and how all our efforts to make automobiles happy have resulted in making human beings miserable. Name on front fly leaf, otherwise like new.

Hardcover. Harrisburg PA, National Historical Society, reprint, 1988, Book: Very Good, Dust Jacket: None, Hardcover, glossy green pictorial boards. No DJ as issued. Volume 15 of the Architectural Treasures of Early America. From material originally published as the Georgian Period edited by Professor William Rotch Ware. 224 page book with historic photographs and home plans. Clean copy.

Hardcover. Baltimore, Johns Hopkins University, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket, 350 pages, b&w illustrations. This illustrated account of the impact of the English Gothic revival on American church architecture in the mid-nineteenth century finds that this fundamentally conservative movement provided the foundation for a new, influential aesthetic. Clean copy.

Softcover. New York, Brooklyn Museum, 1st, 1983, Book: Very Good, Dust Jacket: None, 180 pages, b&w and color photography. Very light edge wear, else a very clean, tight copy. Wonderful book on the great Brooklyn Bridge. Includes much historical material, chapters on the design of the bridge with several beautiful fold-outs, and many full color repros. of the many paintings and artwork that have been inspired by the beauty of one of the wonders of the modern world. Even includes a small filmog. of films that have used the Bridge as a background or a major location/set. Published on the 100th anniversary of the opening of the bridge and an exhibition celebrating it, held at The Brooklyn Museum.

Hardcover. NY, Rizzoli, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover. Dust jacket unclipped. Color and b/w illustrations throughout. A tour of the private domains of world-renowned architects. Previous owner initials in right upper corner of endpapers. In excellent condition, clean inside and out.

Softcover. Barcelona/NY, Actar, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover with pictorial wrappers, 251 pages, illustrated in color and b&w. Once the greatest American example of a modern city served by infrastructure, Los Angeles is now in crisis. Infrastructure has ceased to support architecture's plans for the city. This provocative collection looks at infrastructure as a way of mapping residents' place in the city, remaining optimistic about the role of architecture to affect change. Clean copy.

Hardcover. Princeton Architectural Press , 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. With photos taken in the mid 1980s the author takes us on a pictorial trip along the former Iron Curtain from the Baltic sea coast at Travemunde (West-East Germany) to the Adriatic sea coast at Trieste (Italy-Yugolsalvia [today Slovenia]); with a separate chapter on the Berlin Wall. They are superb photos full of (sad) atmosphere, poignancy and historical importance.

Hardcover. Cambridge MA, MIT Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 220 pages.

Hardcover. The McKernon Group. Inc., 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 114 pages. Jack McKernon has created an easy-to-read guide for those about to embark on the adventure of building or renovating homes of their own. Pulling together details from his own experiences and those of his colleagues at the design-build firm he founded in Brandon, Vermont, he takes the reader through the process of creating a home that evokes the past but lives in the present. Illustrated with over 290 color photographs, the book offers narrative advice on finding and working with the right design-build contractor, siting the home on the property, incorporating elements of the Vermont vernacular farmhouse, ensuring convenience and comfort in the home, building responsibly, and designing a space that incorporates one's personal desires.

Hardcover. The McKernon Group. Inc., 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 114 pages. Jack McKernon has created an easy-to-read guide for those about to embark on the adventure of building or renovating homes of their own. Pulling together details from his own experiences and those of his colleagues at the design-build firm he founded in Brandon, Vermont, he takes the reader through the process of creating a home that evokes the past but lives in the present. Illustrated with over 290 color photographs, the book offers narrative advice on finding and working with the right design-build contractor, siting the home on the property, incorporating elements of the Vermont vernacular farmhouse, ensuring convenience and comfort in the home, building responsibly, and designing a space that incorporates one's personal desires.

Softcover. NY, Thames & Hudson, 1st pbk., 1988, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 304 pages. Profusely illustrated in b&w. Piranesi has a powerful appeal for our time. His brilliance as a graphic artist, his transformation of the European vision of Classical antiquity, and his themes of fantasy have been the focus of considerable study in recent years. But though these aspects are important for an appreciation of Piranesi's visual significance, they have tended to obscure other factors essential for a complete understanding of his unique achievement. In this copiously illustrated study, John Wilton-Ely - one of the world's foremost authorities on Piranesi - offers a full reappraisal of the complex personality of an astonishingly versatile artist. His book covers every aspect of Piranesi's life and work, emphasizing especially his importance as a pioneer of Roman archaeology, the high quality of his technical illustrations, and his role in the great Graeco-Roman debate of the 1760s. The author brings to life the Enlightenment world of the artist's ideas - fundamentally bound up with the birth of Neo-Classicism - and the search for an appropriately modern form of expression; and he shows the practical and influential form taken by these ideas in Piranesi's architectural projects, his designs for furniture and decorative schemes and his imaginative restoration of antiquities. Clean copy.

Hardcover. Princeton Architectural Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Daring, bold, dramatic, towering, impossibly glamorous: this is how we imagine New York in its golden age, and this is how Samuel H. Gottscho, the preeminent architectural photographer of his generation, captured it. Through his lens, New York of the 1930s became the quintessential modern metropolis, a round-the-clock city in which night was as charismatic as day. Rigorously editing out the Depression-weary city's more seamy aspects--its tenement slums, breadlines, and soup kitchens--Gottscho presented a dreamlike Gotham of skyscrapers and penthouse luxury that literally and figuratively glowed with glamour's sheen. His gimlet eye focused on the bold interplay of sun and shadow, dramatizing the chiseled forms of Manhattan's signature skyline and bridges. The Empire State and Chrysler buildings, Rockefeller Center, the Plaza, the George Washington Bridge--Gottscho brought them all to sparkling life. In this beautifully produced, landmark book, historian Donald Albrecht presents 175 of Gottscho's extraordinary images of the city, from the Battery to Harlem. An introductory essay tells the story of this legendary photographer, describing his working methods and philosophy, while placing his work in the broader context of photographic history.

Hardcover. London, The Architectual Press, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, lightly edgeworn dust jacket. First edition of Reyner Banham's foundational disquisition on Brutalist architecture presenting, per the liner notes, a scholarly history of the documentable facts on Brutalism, an eye-witness account of the period and personalities that produced it, and a comparative critique of numerous buildings regarded rightly or wrongly as examples of Brutalist architecture. Explores texts and buildings by an international roster of architects including Le Corbusier, Mies van der Rohe, James Stirling, Sir Owen Williams, Louis Kahn, Johannes van den Broke, Vladimir Bodiansky, William G. Howell, Richard Llewelyn-Davies, Denys Lasdun, Sir Basil Spence, Peter Moro, Andre Wogenscky, Atelier 5, Walter Forderer, Sverre Fehn, Oswald Mathias Ungers, Sir Leslie Martin, Vittorio Vigano, Aldo van Eyck, Paul Rudolph, Kiyonori Kikutake, Kunio Mayekawa, and not least, the architects regarded by Banham as the founders of the New Brutalism, Peter and Alison Smithson. 196 pages, illustrated throughout in black-and-white. Clean copy.

Hardcover. Periplus Editions, 1st, Hardcover in a bright, lightly worn dust jacket. 224 pages illustrated in color. The New Malaysian House is a collection of 25 contemporary houses that demonstrate a remarkable flowering of Malaysian design talent that has been germinating since the mid- 1980s. The houses range from luxury detached bungalows set in extensive tropical gardens to weekend retreats in the forest, from the gated communities springing up throughout Malaysia to extended family homes. All are distinguished by a singular quality of innovative design as the architects sought to explore new approaches for designing with the climate and in the cultural context of Malaysia. Clean copy.