Hardcover. Marg Foundation , 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Various expressions of art manifested through painting, sculpture, architecture, dance, and even drama, issues of nostalgia and modernity are juxtaposed to examine the art of Nepal from new viewpoints.The style of art we call Nepali is produced by the Newars, the original inhabitants of the Kathmandu Valley, who shaped it from ancient to modern times. The present volume celebrates various artistic expressions of the Newars as well as other ethnic groups that have contributed to the rich cultural heritage of the country. Various traditions, including the Kumari cult and street theater are illustrated along with contemporary art and architecture.
Softcover. New York , Watson-Guptill, 1st, 1999, Book: Very Good, Dust Jacket: None, Square 4to, stiff pictorial wrappers. 228 pages, over 400 color photographs and b/w plans and drawings.
Hardcover. Harrisburg PA, National Historical Society, reprint, 1987, Book: Very Good, Dust Jacket: None, Hardcover, glossy green pictorial boards. No DJ as issued. A like new copy, no marks. Volume 3 of the Architectural Treasures of Early America. From material originally published as White Pine Series of Architectural Monographs edited by Russell F. Whitehead and Frank Chouteau Brown. 248 page book with historic photographs and home plans. Clean copy.
Hardcover. New York , Watson-Guptill/Whitney, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 208 pages. Large Hardcover. Color photos. Text by Richard Lewis Rees. Near fine dust jacket. Bright, tight and clean. A variety of houses are explained and described in detail by the actual architects and interior designers. This is an extensively illustrated work with more than 350 full color photographs, construction plans, and architectural and distribution drawings displaying the diverse locations in a technical way.
hardcover. NY, Macmillan , 1st, 1909, Book: Very Good, Dust Jacket: None, Red cloth hardcover with gilt lettering, 424 pages. 98 Black & white and 25 color illustrations by Joseph Pennell. Color illustrated frontispiece with tissue-guard. Light edgewear to covers. Rear and front hinge cracked.
Hardcover. New York, McGraw-Hill Professional Publishing, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 245 pages, b&w and color photographs and illustrations. Light edgewear to dust jacket. Else a very clean, tight copy. The move to liveable communities--ideal ``small towns'' and neighborhoods where people work, live, play, and walk from place to place--is on. Profit from what a visionary group of architects leading this movement has learned about designing new ``small towns'' in Peter Katz's The New Urbanism. You'll discover the amazing potential for this kind of work as well as case studies, site plans, project analyses, and 180 beautiful photographs. This unique reference also tackles--and answers--the critical issues of crime, health, traffic, environmental degradation, and economic vitality and opens a startling window on the look and feel of future communities.
Hardcover. NY, powerHouse Books, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. An insightful and unbiased account of a much-maligned and rapidly growing culture around the world, taken in perhaps the one place in the world where all manifestations of religious adherents live and work: New York City. The book features photographs, essays, and interviews documenting the mosques that New York's Muslim communities have built at their center, revealing the ways these buildings reflect and create identities for Muslims within a dense and diverse urban fabric. "... Mr. Grazda's penetrating black-and-white photographs and Ms. Dodd's insightful commentaries reveal the range of the city's Islamic houses of worship and their ethnic congregations...."--The New York Times
Hardcover. New York, W. W. Norton & Company, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 223 pages, illustrated in color and b&w. What Pennsylvania Station was, is, and might be in the future, through knowledgeable text and excellent pictures and drawings. A good read for those who want a detailed look at one of New York City's most famous architectural treasures, how it was lost, and how it might be reborn once again. The section on its rebirth in the Farley Post Office building was written before work was delayed on the project. Clean copy.
Hardcover. NY, Brentano's, 1st, 1921, Book: Very Good, Dust Jacket: None, Hardcover, mustard cloth covers with black lettering, A collection of 26 magnificent charcoal drawings of New York City, made in the early 1920s by Marcus. All with accompanying descriptions, all tipped-in. An Introduction by J. Monroe Hewlett (President of the Architectural League of NY), describes the native-born Marcus as a painter, not an architect. His atmospheric depictions capture the spirit of the city at the time. Bright, clean copy.
Hardcover. New York, Rizzoli, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 228 pages. B&w and color illustrations throughout. Text and photos tells the stories behind the numerous homes and public buildings of Newport R.I. Brand new copy, still in original shrink wrapping. In mint condition.
Hardcover. Alexandria VA, Cypress Communications, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 295 pages. The charm and diversity of lighthouses are captured in this elegant pictorial history. W&w photos throughout. Clean copy.
Hardcover. Damiani, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 300 pages. This monograph, Signs, is dedicated to Nino Migliori, one of the old masters of photography who had a significant effect on the history of Italian imagery after World War II. Signs presents a broad range of his production which has always been marked by creativity, versatility, and innovation. Included here are Miglori's portraits, landscapes, architecture, street scenes, abstract imagery, and polaroids. DOMESTIC SHIPPING ONLY.
Hardcover. Prestel, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 566 pages. "Norman Foster Works 3" focuses on projects realised from the mid-1980s to the early 1990s, including Stansted Airport outside London, Bilbao's subway system, and the Millennium Tower in Tokyo. This volume examines each project in depth, featuring numerous photographs, original sketches and computer-generated drawings. From airports to underground transit stations, from museums to office towers, every building designed by Foster and Partners is a study in the synthesis of a structure's individual elements: its foundation and use, the quality of its materials, and its relation to the skyline or cityscape. Students of architecture, professionals in the field, and enthusiasts of Foster's work will find much to inspire and educate them in this substantial and attractive volume. DOMESTIC SHIPPING ONLY.
Softcover. Cambridge University Press, reprint, 1991, Book: Very Good, Dust Jacket: None, Softcover, 434 pages with b&w illustrations. Unique in its comprehensive coverage, this book describes the major vegetation types from the arctic tundra of Alaska and Canada to the tropical forest of Central America. This original detailed summary provides the reader with a sense of the species composition, architecture and environment of each ecosystem. Each chapter opens with a map of North America that delineates the specific geographic area discussed within the following text. Some basic topics covered include paleobotany, autecological behaviour, nutrient cycling, and productivity. In addition to the basic biology of the ecosystems, environmental issues and management problems are addressed. Notes on areas for future research conclude each chapter. Comprehensive bibliographies provide references to additional details published in the technical literature. Mild crease to front cover and first 5 pages, otherwise very good, clean copy.
Hardcover. Gibbs Smith, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Off the Grid confronts the ecological and cultural problems associated with the way we get and use energy, and explains how it is possible to live in a beautifully designed home using much less--no matter where your home is located. Our homes are connected by a nearly invisible grid of infrastructure that binds us together. It is a system of electrical poles, wire, substations, hydroelectric dams, telecommunication towers, and water extraction and sewage systems. From within this system we work, play, and raise families. We have also created one of the greatest environmental challenges known to modern civilization. The signs of our impact upon the world can be recognized in the reports of environmental changes occurring across the earth, and they can also be seen in the growing failures of the energy grids across the world as the current system is stressed beyond its capacity. Off the Grid beautifully illustrates that this is not just a concept for rural living; examples of homes that are "off the grid" to varying degrees are found in New York City; Ontario, Canada; Stuttgart, Germany; Belmont, California; Pipe Creek, Texas; Clyde Park, Montana; Twin Lakes, Minnesota; Laytonville, California; Venice, California; and New South Wales, Australia.
NY, The Press of the American Institute of Architects., 1st, 1925, Book: Good, Dust Jacket: None, Hardcover. Complete with 24 watercolor prints and 44 plates. Loosely bound in case with cloth ties which has cracking along spine. Interior very good. Number 677 of 1000. Elephant folio 23" tall. "A Series of Historical Examples from Roman Times to the End of the XVIIIth Century." An appreciation of historic French infrastructure that survived WWI. Beautiful large color reproductions of original watercolors of bridges by Pierre Vignal; 35 black and white drawings by Louis C. Rosenberg & Samuel Chamberlain; 44 measured drawings, photographs, diagrams, and maps. DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.
Softcover. Leopard Publishing Ventures, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, 60 pages, illustrated. Built in the cottage orne style from a plan by the Regency architect John Nash (1752-1835), Old Came Rectory is the historic home of the poet philologist, William Barnes (1801-1886), Thomas Hardy's mentor. Amid gatherings of poets, writers and historical figures, how many discussions around the fire of this homely home have gone on to shape the world we know today? INSCRIBED BY AUTHOR on Dedication page.
Hardcover. New York , F.A. Stokes , 1st US, Book: Good, Dust Jacket: None, Hardcover, boards with cloth spine. Color frontispiece, b&w Illustrations. Spine darkened, light foxing to a few pages otherwise clean. Hinge weak at title page. A descriptive and historical account of the more important old English towns.
Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. "Vacationers of today," writes C. John Sullivan, "can only dream of what this seaside resort was like for those who visited in the early 1900s." With Old Ocean City, Sullivan brings back those long-ago summers through the words and photographs of the Walker family of Washington, D.C. Avid photographers as well as sports enthusiasts, the Walkers preserved their Ocean City summers in hundreds of snapshots. And the Walkers' son, Robert, kept a detailed record of those days in a small leather-bound journal, titled My Vacation, in which he wrote almost daily from 1912 to 1916. In Old Ocean City, Sullivan mixes his own commentary and explanatory captions with excerpts from Robert Walker's journal and more than one hundred family photographs (discovered in 1994, Sullivan notes, in a sweltering attic in Berlin, Maryland). Views of handsome beach architecture and grass-covered dunes suggest an Ocean City almost unimaginable today. Rare photographs and accounts of shorebird hunting (banned in 1918 to protect sandpipers, plover, herons, and other species) are an arresting contrast to more familiar scenes of boating, fishing, and beachcombing. We see the Walker children growing up-and Ocean City growing up around them. The result is a surprising look at a place "far different than our memories would recall." Sullivan includes a time line of Ocean City history and Walker family visits, starting with the formation of the Atlantic Hotel Company in 1868 (the company's stockholders chose the name Ocean City at their 1875 meeting in Salisbury) and ending with the Walkers' sale of their beloved cottage in 1950.
Hardcover. New Haven CT, Yale University Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, 156 pages, no dj issued. An insightful new look at two renowned photographers, their interconnected legacies, and the vital documents of urban transformation that they created. In this comprehensive study, Kevin Moore examines the relationship between Eugene Atget (1857-1927) and Berenice Abbott (1898-1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city--old Paris--as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project Changing New York.
Hardcover. New Haven CT, Yale University Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, 156 pages, no dj issued. An insightful new look at two renowned photographers, their interconnected legacies, and the vital documents of urban transformation that they created. In this comprehensive study, Kevin Moore examines the relationship between Eugene Atget (1857-1927) and Berenice Abbott (1898-1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city--old Paris--as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project Changing New York.
Hardcover. NY, Quadrangle/ NY Times, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 206 pages. Purple top-stain. An interesting account of what it's like to work erecting multi-story high rise buildings in a city like New York. Clean copy.