Art History

Hardcover. Berkeley, University of California Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 390 pages, b&w illustrations. From the stony desolation of Jordan's desert, it is but a step through a doorway into the bath house of the Qusayr 'Amra hunting lodge. Inside, multicolored frescoes depict scenes from courtly life and the hunt, along with musicians, dancing girls, and naked bathing women. The traveler is transported to the luxurious and erotic world of a mid-eighth-century Muslim Arab prince. For scholars, though, Qusayr 'Amra, probably painted in the 730s or 740s, has proved a mirage, its concreteness dissolved by doubts about date, patron, and meaning. This is the first book-length contextualization of the mysterious monument through a compelling analysis of its iconography and of the literary sources for the Umayyad period. It illuminates not only the way of life of the early Muslim elite but also the long afterglow of late antique Syria. Clean copy.

Hardcover. New York, NYUP, 1st, 1970, Book: Very Good, Dust Jacket: Good, 303 pages. Hardcover. 246 black & white illustrations, 6 in color. Light wear to dust jacket at corners, edges. Clean, tight copy. Raphael (The Wrightsman Lectures, Delivered Under the Auspices of the New York University Institute of Fine Arts) [Oct 01, 1979].

Hardcover. New York, New York University Press, 1st Edition, 1970, Book: Very Good, Dust Jacket: Very Good, 303 pages. Hardcover. 246 illustrations in black & white. 6 full page, full color illustrations. Red cloth covers with gilt titles to spine. Bright dust jacket with tears to edges. Clean, unmarked copy.

Softcover. New York, Universe, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 143 pages, illustrated throughout in color. Clean, unmarked copy in excellent condition. The chapters cover: jeans & pants; T-shirts & hoodies; shirts & blouses; jackets; formal wear; dresses & skirts; footwear; accessories; hair, makeup & body art; David Bowie.

Softcover. Gloustershire UK, Tempus, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 120 pages illustrated in color and b&w. A collection of the British artist's drawings of archaeological sites as well as a sampling of his illustrations from the many historical books he has illustrated. Mild crease to book. Clean.

Hardcover. Berkeley, CA , University of California Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 283 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Black and white illustrations throughout. This richly detailed study reconceptualizes a striking but enigmatic moment in Rembrandt's art from the 1650s--one of the artist's most prolific and creative periods. Michael Zell identifies a significant theological shift in Rembrandt's use of religious imagery and interprets this shift in light of the unique religious and social conditions of seventeenth-century Amsterdam. Rembrandt's biblical art has generally been regarded as the embodiment of a Protestant aesthetic. By looking closely at the artist's relationship with his patron Rabbi Menasseh ben Israel and the ideas of a group of "philosemitic" Protestants with whom the rabbi was engaged in an apologetic dialogue, Zell deepens and complicates our understanding of Rembrandt's sacred art from this period.

Hardcover. New York, Clarkson Potter, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, 682 pages. Hardcover with dust jacket. Features over 750 illustrations, including 300 in full color. Light edgewear to dust jacket, faint foxing to top edge. Clean, tight copy.

Softcover. NY, Metropolitan Museum of Art, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcovers, complete in two volumes, housed in a glossy illustrated slipcase with light fading to top edge. Volume I: Paintings: Problems and Issues, 149 pages, index. Color and B&W plates. Volume II: Paintings, Drawings and Prints: Art-Historical Perspectives, 262 pages, index. B&W and color reproductions. This set is a two-volume catalogue of the Metropolitan Museum's paintings by Rembrandt as well as pictures once thought to be by the master but now recognised as the efforts of his pupils, contemporary followers, and the occasional later imitator. Bookplate on inside front covers. A heavy set. DOMESTIC SHIPPING ONLY.

Hardcover. London, National Gallery London, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 360 pages. Softcover with dust jacket. Slight soiling to dust jacket. An otherwise clean, unmarked copy with only minor edgewear. Color illustrations throughout.

Softcover. Washington DC, National Museum of American Art and National Portrait Gallery, Smithsonian Institution, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 408 pages, illustrated throughout in color and b&w. Light edgewear and rubbing to wrappers, else a clean, tight copy.

Hardcover. New York, Thames and Hudson, 3rd Revised, 1988, Book: Very Good, Dust Jacket: Very Good, 285 pages. Hardcover with dust jacket. Minor yellowing to dust jacket edges and spine. Previous owners inscription in pen to top edge of front flyleaf. An otherwise very clean, unmarked copy with only minor edgewear. 206 photographs, 16 in color. Follows the developments in the art and science of photography from the invention of the wet-collodion process through the evolution of dry plates.

Hardcover. NY, Museum of Modern Art, 1st, 1943, Book: Very Good, Dust Jacket: None, Hardcover, brick-red cloth, 143 pages, color frontis., b&w plates. A pioneering exhibition, with essay and catalogue by James Thrall Soby and Dorothy C. Miller. The exhibition checklist cites 213 works by 121 artists, and nearly all are names you would recognize. More than 100 pieces are pictured here. One of 7500 copies. Clean copy.

Softcover. New Jersey, Princeton University Press, 1st, 1982, Book: Very Good, Dust Jacket: None, 278 pages including plates. (INSCRIBED) Softcover. B/w illustrations throughout. Wrapper has a touch of age yellow, otherwise very good. A small bit of soil on bottom edge. In very good condition.

Softcover. NY, Pierpont Morgan Library,, 1979, Book: Very Good, Dust Jacket: None, Softcover, stiff paper wrappers. 298 pages. Catalogue of Rubens and Rembrandt drawings in the Pierpont Morgan Library, New York. Introduction, indexed by artists and former owners. 130 black and white plates. Index of artists. Illustrations of 57 watermarks.

Hardcover. Russia, Aurora Art Publishers, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 199 pages. Hardcover with dust jacket. Some foxing to textblock edges. Otherwise a very clean, unmarked copy with some minor dust jacket wear. Black & white and color illustrations throughout. A tight copy.

Hardcover. Germany, Steidl, 1st, 2014, Book: Very Good, Dust Jacket: None, When Sam Taylor-Johnson (born 1967) climbed the famous mirrored staircase of Chanel's headquarters at 31 rue Cambon, Paris, she did not quite know what to expect. Her destination was Coco Chanel's private apartment on the second floor; her mission, to photograph it.

Hardcover. Germany, Steidl, 1st, 2014, Book: Very Good, Dust Jacket: None, 76 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink wrap. When Sam Taylor-Johnson climbed the famous mirrored staircase of Chanel's headquarters at 31 rue Cambon, Paris, she did not quite know what to expect. Her destination was Coco Chanel's private apartment on the second floor; her mission, to photograph it.

Softcover. Santa Barbara CA, UCSB Art Museum, 2nd pr., 1979, Book: Very Good, Dust Jacket: None, Softcover, 105 pages illustrated with b&w photos and architectural drawings. Clean, crisp copy of this exhibition catalog.

Hardcover. Oxford, UK, Bodleian Library, University of Oxford, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. An introduction to Acland's entire body of work, this volume contains more than two hundred previously unpublished examples of her photographs, spanning portraiture, studies of Oxford architecture, and landscape and garden photographs captured in Madeira, Portugal.

Hardcover. Oxford, UK, Bodleian Library, University of Oxford, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. An introduction to Acland's entire body of work, this volume contains more than two hundred previously unpublished examples of her photographs, spanning portraiture, studies of Oxford architecture, and landscape and garden photographs captured in Madeira, Portugal.

Softcover. Saratoga Springs NY, Lyrical Ballad Book Store, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 183 pages. Conceiving of the City of Saratoga Springs as a museum in which the exteriors of buildings are the works of art, many key examples of architecture are carefully placed within the context of local and national history and of architectural style. Illustrated with many black and white photos. Clean copy

Hardcover. Ontario CA, John Wiley & Sons, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Who was the first goaltender to wear a mask in a game? Who was the last to go without one? When did goalies start painting their masks?These are just a few of the questions that are answered in this definitive book on goalie masks. Saving Face looks at the development of the mask from its earliest days as a rudimentary face-saving device to its current high-tech design, bullet-proof construction, and cutting-edge artwork.The book offers a visual journey, too. More than 150 historic and modern photos, including thirty-plus full-page shots of some of the most famous masks ever created, support a text that weaves the tale of the mask's development. Clean copy.

Softcover. Flammarion, 1st, 1995, Book: Very Good, Softcover, 223 pages, illustrated in color and b&w. Tracing the origins of Americanism back to the late nineteenth century, Scenes of the World to Come focuses on the European discovery of the American city--with its grand hotels, skyscrapers, and massive industrial plants, its new-found sense of efficiency and mobility, and its infatuation with domestic appliances and mechanization. The book analyzes the global structures and thematic strategies according to which American architectural forms and urban models migrated to Europe, bringing the promise of a new architecture and, along with it, the threat of a dissolution of European identity. Clean copy.

Hardcover. New York , Metropolitan Museum of Art, 1st, 2012, Book: Very Good, Dust Jacket: None, 324 pages, 175 color illustrations. Hardcover, like new in publishers shrink-wrap. This monograph was prepared to accompany the exhibition at the Metropolitan Museum in New York from May 10 to August 18, 2012.