Business

Hardcover. Lyons Press, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 142 pages illustrated in color. For many children of the sixties, the gift of a Schwinn was a ticket to freedom, a chance to feel the wind on their face and the steady rotation of rubber at their feet. The Schwinn took many through their childhood adventures, with memories filled of after school, free-range bike rides around the neighborhood with friends, the late afternoon sun shining off of the gleaming painted frame and stainless steel fenders. The 1960s and 70s saw a boom of Schwinn Sting-Rays, which appealed to young riders who had to have the hottest 'muscle' bike in town, and sold like hotcakes to parents everywhere scrambling to get the best Christmas present ever for their kids. From its early years dominating the youth market with Sting-Rays to the teen-friendly Varsity and Continental models to its most recent parent-friendly iterations of the Easy-Steer and Roadster Trikes, the Schwinn weaves itself through 120 years of American history. Clean, bright copy.

Hardcover. London, Phaidon Press, 1st, 2003, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 272 pages. Color illustrations throughout, very clean and tight copy. American adman and image-maker George Lois (b. 1931) was a leader of the Creative Revolution of the 1960s and is the mind behind an astonishing array of branding campaigns and unforgettable magazine covers during his fifty-year career. Illustrated with the original ads and images, $ellebrity presents the stories behind the ads, explaining how each ad was conceived and produced, and the unexpected pitfalls, scuffles, and friendships that ensued.

Hardcover. NY, Crown Publishers, 1st US, 1972, Book: Very Good, Dust Jacket: None, Hardcover, red covers with gilt on spin, front cover, 232 pages. Salvatore Ferragamo traces his life's adventures from his origins as a village shoemaker to founding what would become a major global fashion brand. B&w photos. Clean copy, no dust jacket.

Hardcover. Chicago, University of Chicago Press, 2nd pr., 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 233 pages, b&w illustrations. From the minute it opened--on Christmas Day in 1865--it was Chicago's must-see tourist attraction, drawing more than half a million visitors each year. Families, visiting dignitaries, even school groups all made trips to the South Side to tour the Union Stock Yard. There they got a firsthand look at the city's industrial prowess as they witnessed cattle, hogs, and sheep disassembled with breathtaking efficiency. At their height, the kill floors employed 50,000 workers and processed six hundred animals an hour, an astonishing spectacle of industrialized death. Slaughterhouse tells the story of the Union Stock Yard, chronicling the rise and fall of an industrial district that, for better or worse, served as the public face of Chicago for decades. Dominic A. Pacyga is a guide like no other--he grew up in the shadow of the stockyards, spent summers in their hog house and cattle yards, and maintains a long-standing connection with the working-class neighborhoods around them. Pacyga takes readers through the packinghouses as only an insider can, covering the rough and toxic life inside the plants and their lasting effects on the world outside. He shows how the yards shaped the surrounding neighborhoods and controlled the livelihoods of thousands of families. He looks at the Union Stock Yard's political and economic power and its sometimes volatile role in the city's race and labor relations. And he traces its decades of mechanized innovations, which introduced millions of consumers across the country to an industrialized food system. Clean copy.

Hardcover. NY, Simon & Schuster, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages. Color photographic endpapers (soda pop bottles), 36 full-color photographs and 41 b&w photos. Here is the fascinating history of America's love affair with soda-pop - and particularly Coco-Cola - with clear examples of their developing range of popular memorabilia .. drink trays, press ads, bottles, drink dispensers, posters, transport vehicles, pendants, badges, and even lampshades!

Hardcover. Boston, Little Brown, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 162 pages, b&w photos. Biography of the producer who made four great movies: On the Waterfront; African Queen; Bridge on the River Kwai; and Lawrence of Arabia and lots of mediocrities. Most successful when he assembled talent and let them work, he became controlling and destructive. Very good in a bright dust jacket.

Hardcover. New Haven CT, Yale University Press, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 179 pages. From the prizewinning Jewish Lives series, a meditation on the deeply Jewish and surprisingly spiritual roots of Stan Lee and Marvel Comics Few artists have had as much of an impact on American popular culture as Stan Lee. The characters he created--Spider-Man and Iron Man, the X-Men and the Fantastic Four--occupy Hollywood's imagination and production schedules, generate billions at the box office, and come as close as anything we have to a shared American mythology. This illuminating biography focuses as much on Lee's ideas as it does on his unlikely rise to stardom. It surveys his cultural and religious upbringing and draws surprising connections between celebrated comic book heroes and the ancient tales of the Bible, the Talmud, and Jewish mysticism. Clean copy.

Hardcover. Boston, Little Brown and Company, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages, b&w photos. Light edgewear to upper edge of dust jacket, else a clean, tight copy.

Hardcover. NY, Charles Scribner's Sons, 1st, 1963, Book: Very Good, Dust Jacket: Fair, Hardcover in a rubbed and edgeworn dust jacket. 433 pages, b&w illustrations. McClure was the father of the muckraking movement and brought about a revolution in American journalism in the days of Theodore Roosevelt and Woodrow Wilson. His journalistic contributors included Lincoln Steffens and Ida Tarbell, and he introduced authors such as O. Henry, Booth Tarkington, Willa Cather, Stephen Crane and Jack London to the American public. Name on front fly leaf, otherwise clean.

Hardcover. Germany, PPVMedien, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 220 pages profusely illustrated in color. The story of Taylor Guitars from small San Diego company to a company producing over 70000 quality guitars a year. Showcases many rare guitars, including instruments made by Bob Taylor before the company's founding, standard production models and custom built instruments. Clean copy.

Softcover. NY, Bell System Telephone/AT&T, 1930, Book: Very Good, Dust Jacket: None, Softcover, 32 page booklet with green wrappers, promoting historical facts about the telephone. B&w line illustrations throughout, Stapled, 10 x 6.75".

Softcover. Motorbooks , 1st, Book: Very Good, Dust Jacket: None, Softcover, 156 pages illustrated in color and b&w. Ever since the automobile was made accessible to the masses, car dealerships have been special places where desires, sweaty palms, and that new-car smell are distilled into an intoxicating elixir of freedom and ownership. From Art Deco showrooms of the '30s to modern glass-walled superstores, this nostalgic road trip revisits the architecture, marketing, and business practices that have become inextricably associated with auto retailers. A fascinating text accompanies an equally compelling collection of archival photography recalling past and present car dealer phenomena like new model previews and grand openings (i.e., soaped showroom windows, veiled cars, search lights), promotions and giveaways (banners, literature, buttons, pens, pedal cars, ashtrays, and anything else dealers could use to help make a sale), business practices from early-century animal trade-ins to today's refreshing Saturn-style service, customer relations and service centers, and nontraditional automotive outlets like Sears-Roebuck and hardware stores. Sidebars highlight innovative dealerships and those that have been in business for decades. Bumpto bottom corner otherwise clean, very good.

Softcover. NY, American Telephone and Telegraph Company, 1938, Book: Very Good, Softcover, blue wraps, 6 3/4 x 10 inches, 22 pages of text + 24 pages of plates (photos). Account of the massive effort to restore telephone service after the devastating hurricane of September 21, 1938. Clean copy, mild musty odor.

Hardcover. NY, Lyle Stuart, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in dust jacket with a faded spine, 320 pages. b&w illustrations. Biography of the famous white-collar criminal who became a multi-millionaire by manipulating financial markets. Clean copy.

Hardcover. Boston, Houghton Mifflin, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 695 pages. A prolific and colorful period in American letters is reflected in this history of a great publishing firm. A cultural retrospective as well as a business history, b&w illustrations. Mild edge wear to the jacket, a clean copy.

Hardcover. Chicago, University of Chicago Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. "...identifies the many economic pressures exerted on the game today and measures their effects both on the field and in the ticket office. He presents a detailed and original analysis of traditional baseball performance statistics from slugging to fielding and draws on a wealth of previously unpublished data divulged in recent collusion suits. At the heart of the controversy are the disparate claims of owners, who say they are loosing money and stay on only out of love for the game, and players, who insist they are being exploited by owner reaping huge profits."

Hardcover. NY, Pegasus Books, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 338 pages, b&w illustrations. At the turn of the last century, the Guggenheim family ran the most powerful mining conglomerate on earth. Decades later came the Guggenheim museum, which became the hub of the world's most powerful art brand. In between, the Guggenheim name was uttered in every field from aviation to politics, from journalism to rocketry. But who was behind this epic sphere of influence? It took three generations of Guggenheims to build the wealth in its first era. Yet it was the singular force of Harry Guggenheim who would guide the family's next generation of businesses into modernity. Part angel investor, part entrepreneur, part technologist, Harry launched businesses whose impact on 20th century America went far beyond the Guggenheims' mines or museum. His visionary investments continue to profoundly influence our world and hold valuable business lessons for billionaire dynasty builders like Jeff Bezos and Elon Musk. A flawed but brilliant man, Harry Guggenheim was the confidante to five American presidents and a key financial force behind commercial aviation and space exploration, two innovations that catapulted the nation into the future. Clean copy.

Hardcover. Chicago, University of Chicago Press, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, 336 pages. In a world where nearly everyone has a cellphone camera capable of zapping countless instant photos, it can be a challenge to remember just how special and transformative Polaroid photography was in its day. And yet, theres still something magical for those of us who recall waiting for a Polaroid picture to develop. Writing in the context of two Polaroid Corporation bankruptcies, not to mention the obsolescence of its film, Peter Buse argues that Polaroid was, and is, distinguished by its processby the fact that, as the New York Times put it in 1947, the camera does the rest. Polaroid was often dismissed as a toy, but Buse takes it seriously, showing how it encouraged photographic play as well as new forms of artistic practice. Drawing on unprecedented access to the archives of the Polaroid Corporation, Buse reveals Polaroid as photography at its most intimate, where the photographer, photograph, and subject sit in close proximity in both time and spacemaking Polaroid not only the perfect party camera but also the tool for frankly salacious pictures taking. Along the way, Buse tells the story of the Polaroid Corporation and its ultimately doomed hard-copy wager against the rising tide of digital imaging technology. Still in publisher's shrinkwrap.

Softcover. U. S. Department of the Interior, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, horizontal format, 264 pages with b&w illustrations plus 14 pages of vintage packaging labels in rear. Chronicles the world's greatest concentration of salmon and canneries and their influence on Native and non-Native people in southwestern Alaska. This book documents long abandoned canneries, and those still in use, during the hey-day in the late nineteenth and early twentieth centuries with maps, historic photographs, and first hand accounts that give the reader an impression of the unique Bristol Bay way of life. Also offers a view of life upriver, during the winter, along the length and breadth of the three great salmon rivers in the Bay, The Nushagak, the Kvichak, and the Naknek. Historic photographs document a variety of cabins, houses, caches, and some of the people who built them and relied on them for shelter and storage. NOTE: front cover is missing so title page serves as cover, otherwise a clean, tight copy of this scarce regional history.

Hardcover. Cambridge MA, The MIT Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket In this book, 380 pages, illustrated in color. The award-winning historian Regina Lee Blaszczyk traces the relationship of color and commerce, from haute couture to automobile showrooms to interior design, describing the often unrecognized role of the color profession in consumer culture. Blaszczyk examines the evolution of the color progression from 1850 to 1970, telling the stories of innovators who managed the color cornucopia that modern artificial dyes and pigments made possible. These color stylists, color forecasters, and color engineers helped corporations understand the art of illusion and the psychology of color. Clean copy.

Hardcover. NY, Harper Business , 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 432 pages. B&w and color illustrations. Small remainder line on bottom edge. In his much-anticipated memoir, The Company I Keep: My Life in Beauty, Chairman Emeritus and former CEO of The Estee Lauder Companies Leonard A. Lauder shares the business and life lessons he learned as well as the adventures he had while helping transform the mom-and-pop business his mother founded in 1946 in the family kitchen into the beloved brand and ultimately into the iconic global prestige beauty company it is today. In its infancy in the 1940s and 50s, the company comprised a handful of products, sold under a single brand in just a few prestigious department stores across the United States. Today, The Estee Lauder Companies constitutes one of the world's leading manufacturers and marketers of prestige skin care, makeup, fragrance and hair care products. It comprises more than 25 brands, whose products are sold in over 150 countries and territories. This growth and success was led by Leonard A. Lauder, Estee Lauder's oldest son, who envisioned and effected this expansion during a remarkable 60-year tenure, including leading the company as CEO and Chairman.

Hardcover. NY, W.W. Norton , 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. 318 pages, A veteran producer provides an inside view of television, combining anecdotal discussions of agents, performers, and sponsors with detailed information on network organization and business activities. A good overview of the TV broadcasting business in the 1970s. No markings.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Two volume set. Matching gold cloth boards with titles in gold on spine, in bright dust jackets. Transcribed and with Introduction by Lilian M.C. Randall. B&w illustrations of the sculptures, paintings, drawings and etchings that Lucas dealt with while in Europe. Double-column English text. Provides an extraordinary archive for historians and dealers. Provides a hugely empirical database for prices paid and commissions issued to artists, dealers, and craftsmen. George A. Lucas's acquaintances include Daumier, Cassatt, Whistler and Barye, among many, many others. Volume Two is given over wholly to Lucas's daily diary, which ran for an extraordinary length of time. Volume 1: xv [2], 3-148 pages.; Volume 2: iv [ii], 3-965 pages. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Chicago, Chicago Review Press, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 322 pages, b&w photos. An essential piece of Disney history has been largely unreported for eighty years. Soon after the birth of Mickey Mouse, one animator raised the Disney Studio far beyond Walt's expectations. That animator also led a union war that almost destroyed it. Art Babbitt animated for the Disney studio throughout the 1930s and through 1941, years in which he and Walt were jointly driven to elevate animation as an art form, up through Snow White, Pinocchio, and Fantasia. But as America prepared for World War II, labor unions spread across Hollywood. Disney fought the unions while Babbitt embraced them. Soon, angry Disney cartoon characters graced picket signs as hundreds of animation artists went out on strike. Adding fuel to the fire was Willie Bioff, one of Al Capone's wiseguys who was seizing control of Hollywood workers and vied for the animators' union. Using never-before-seen research from previously lost records, including conversation transcriptions from within the studio walls, author and historian Jake S. Friedman reveals the details behind the labor dispute that changed animation and Hollywood forever. Clean copy.