Softcover. Paris, Gimpel Fils , 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog in red stapled wrappers. 14 pages with 7 color plates. Clean copy.

Softcover. Los Angeles, Frederick S Wight Art Gallery, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. B&w and color illustrations. Issued in conjunction with several 1977-1978 exhibitions featuring the work of Italian artist Alberto Burri (1915-1995). The entire book is an illustrated essay by Gerald Nordland that serves as a good introduction to the man and his craft. Also includes a chronology and an expansive exhibition history. Faint crease to front cover, otherwise a clean, bright copy.

Hardcover. Waterville ME, Charta and Colby Museum of Art, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, bound in illustrated paper covered boards with titles present to the spine and front board. 128 pages, 60 color plates. Maine/New York surveys three decades of paintings by Alex Katz (born 1927). A quintessential New York artist, Katz is also a part-time resident of rural Maine, and the subject matter of his paintings accordingly shifts from landscape to cityscape, from rural vignette to Manhattan interior. In this volume, published for an exhibition at Colby College Museum of Art--where the largest public collection of Katz's resides--the pleasant haze of city afternoons is juxtaposed with the flickering greens of a rural path; the buzz of a fashionable social occasion with the dusk as it descends on a pond in the Maine woods. Along the way, we encounter the family members and friends who populate Katz's paintings, cast in his distinctive treatments of light and atmosphere. Clean copy.

Hardcover. GR, Hirmer/Mdm Salzburg Museum der Moderne, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 240 pages, color illustrations. Text in English and German. This catalogue is published on the occasion of the exhibitions 'Alex Katz. New York/Maine'. Clean, bright copy with minor bump to edges, corner.

Hardcover. Kansas City, Kemper Museum of Contemporary Art , 1st, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, exhibition catalog, unpaginated. New York artist Alex Katz is best known for his eye-catching, large-scale portraits, figures, and landscapes, but in the mid-1950s he painted intimate works, originating the style that would become the hallmark of his mature work. By the early 1960s, he established a procedure of making small sketches using oil paint on Masonite board, which he would enlarge and modify, then make into paper cartoons to transfer to the canvas. He produces one or more small sketches for every large painting. Although Katz considers the large works to be his major productions, small-scale paintings are the underpinning of his work, revealing his initial passion for a subject--a love at first sight before it has fully matured. While his big paintings are akin to a public performance, the small paintings are rehearsals that reveal not only how he works but more importantly why he is interested in a particular subject. This volume focuses on the achievement and significance of Katz's small paintings.

Hardcover. Washington DC, National Gallery of Art, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 367 pages 337 illustrations 267 in color. Foreword by Earl A. Powell III. Published on the occasion of the exhibition from the National Gallery of Art, Washington DC 29 March-12 July 1998. Exhibition History by Alexander S.C. Rower. Selected Bibliography by Alexander S.C. Rower.

Softcover. Washington DC, Corcoran Gallery of Art, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover, 96 pages illustrated in b&w, some color. Clean copy.

Softcover. Washington, D.C., National Collection of Fine Arts/Smithsonian, 1st, 1973, Book: Very Good, Dust Jacket: None, 167 pages. Softcover. Catalog for Exhibition February 23-May 13, 1973. Black & white illustrations. Light wear. Clean, tight copy.

Softcover. Indianapolis, Indianapolis Museum of Art, 1st, 1973, Book: Very Good, Dust Jacket: None, Exhibition catalogue of Alfred Thompson Bricher. Softcover, 103 pages; plates in black & white; chronology. Cover: "A Pensive Moment" (color). In very good condition.

Softcover. Tampa, FL, University of South Florida, Unknown, N. D., Book: Very Good, Dust Jacket: None, Softcover exhibition catalog. 54 pages, illustrated throughout in color and b&w. Green pictorial stiff wrappers. Light wear to covers and spine, front cover slightly sunned, else a very nice, tight, clean copy.

Softcover. Loyola CA, Loyola Marymount University, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 79 pages. Full-page illustrations, mostly b&w but many in color. Clean, bight copy.

Hardcover. NY, Robert Miller Gallery, 1st, 1997, Book: Near Fine, Dust Jacket: None, 92 pages, with roughly 60 color and 5 b&w illustrations. 4to, boards. This catalogue from the first and only exhibition of Alice Neel's Depression-era paintings places these early surrealist and expressionist influenced works in the context of quotations from the artist and an essay by Wayne Koestenbaum. No dust jacket issued.

Hardcover. New York , Robert Miller Gallery, 1st, 1997, Book: Near Fine, Dust Jacket: None, 92 pages, with roughly 60 color and 5 b&w illustrations. 4to, boards. This catalogue from the first and only exhibition of Alice Neel's Depression-era paintings places these early surrealist and expressionist influenced works in the context of quotations from the artist and an essay by Wayne Koestenbaum. No dust jacket issued.

Softcover. Guilford, CT, Lyons Press, 1st, 2012, Book: Very Good, Dust Jacket: None, 352 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout. With his life's work, and in All Told, LeRoy Neiman captured sports heroes, movie stars, presidents, dishwashers, jet-setters, jockeys, and more than a few Bunnies at the Playboy Mansion.

Hardcover. Giverney, France, Library of Congress/Musee d'Art Giverny, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages. Lovely copy. Minor wear to dust jacket, else like new. An exhibition held in Paris a century ago demonstrated the key role American women photographers played in the international pictorialist movement. Each of the 29 artists, including such well-known figures as Gertrude Kaesebier, Amelia van Buren and Zaida Ben-Yusuf, is represented in a selection of approximately 70 breathtaking color plates drawn from the Frances Benjamin Johnston Collection at the Library of Congress and the National Museum of American History. The photographs include landscapes, portraiture, genre scenes, and still-lifes, all of which are evocatively composed and delicately toned using a variety of photographic techniques.

Softcover. New York, Robert Miller Gallery , 1st, 2001, Book: Very Good, Dust Jacket: None, Non paginated. Softcover. Extensive color photographs throughout. Illustrated end papers and paste downs. Creasing to covers, otherwise clean, tight copy. An autobiographical and transitional work, American Family explores the various roles Renee Cox has assumed throughout her life: Catholic schoolgirl, wife, mother, woman who knows and shows her sexual pleasure, and black woman artist contesting an art history that has all but excluded her race. A cross between Diary of a Mad Housewife and The Sensual Woman, American Family is a veritable minefield of taboos, revealed by the miscegenated family album and the erotic display of the artist's own beautiful body. Compartmentalized into sections called Family Room, Erotica, and the Salon, American Family accompanied an exhibition which included a video projection, large scale Cibachrome prints mounted on aluminum, a series of smaller black-and-white diptychs and triptychs, as well as photographs culled from the artist's own family album.Essay by Jo Anna Isaak.

Softcover. Newark NJ, Newark Museum, 1st, 1931, Book: Very Good, Dust Jacket: None, Softcover, brick-red paper wraps. Exhibition catalogue featuring American folk sculpture, including wood carvings, decoys, and weather vanes. 108 pages with 24 black/white plates to accompany essays and catalogue entries. Near fine condition, some edge wear, small ink mark inside the cover.

Hardcover. Boston, Museum of Fine Arts Boston, 1st, 1965, Book: Very Good, Dust Jacket: None, 276 pages. Half cloth boards. Illustrated with black & white photographs of furniture in the collection of the Museum of Fine Arts, Boston, Mass. Slipcase slightly sunfaded. Bottom edge of case torn approx. 1" along seams. Otherwise clean, tight copy.

Softcover. Fort Lauderdale, FL, Richard Stuart Gallery, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 76 pages, b&w and color illustrations. Light rubbing, soiling to white wrappers. Else a very clean, tight copy.

Hardcover. New York, Abbeville Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 247 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. 163 color illustrations throughout.

Softcover. New York, The Metropolitan Museum of Art, 1st, 1991, Book: Near Fine, Dust Jacket: None, Softcover, 80 pages. b&w and color illustrations throughout. Gray pictorial paper covers. Very light wear to corners, otherwise like new.

Hardcover. New Haven CT, Yale University Press , 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 208 pages. 100+ color plates and figures. Issued in conjunction with a series of 2010-2011 exhibitions. Features eighty-five works, illustrated and with extensive annotations; Includes works by John Marin, Georgia O'Keeffe, Charles Demuth, Charles Burchfield, Rockwell Kent, Jackson Pollock, Morris Graves, and many more. Includes essays by Elizabeth Mankin Kornhauser, Erin Monroe, and Carol Troyen. Clean copy.

Softcover. Southampton, NY, The Parrish Art Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover. Tan covers with little wear; only a few minor scratches and marks. Spine is faded and creased. Clean and crisp pages with descriptions of artists along with reproductions of their work. Catalogue of a traveling exhibition, with 65 works by Chase, Duveneck, Ferris, Gifford, Monks, the Moran family, Parrish, Platt, Weir, Whistler, and many more artists. Extensively documented. 62 pages.