Softcover. Chapellier Gallery, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 125 pages, 71 plates, mostly color. Bibliography. Wrapper with light wear.

Softcover. Tokyo, Japan, A.D.A. Edita, 1st, 1986, Book: Very Good, Dust Jacket: None, 317 pages. Softcover with French flaps. (Japanese to English Text) Color and b/w illustrations throughout. Illustrations consist of photographs and drawings of completed buildings and relevant projects. A touch of age-yellowing throughout. Soil on bottom edge. Spine is slightly faded. Complete with no pages missing, binding still tight. Rare.

Softcover. Tokyo, Japan, A.D.A. Edita, 1st, 1989, Book: Very Good, Dust Jacket: None, 358 pages. Softcover with French flaps. (Japanese to English Text) Color and b/w illustrations throughout. Illustrations consist of photographs and drawings of completed buildings and relevant projects. A touch of age-yellowing throughout. Soil on bottom edge. Spine is slightly faded. Complete with no pages missing, binding still tight. Rare.

Softcover. Tokyo, Japan, A.D.A. Edita, 1st, 1988, Book: Very Good, Dust Jacket: None, 390 pages. Softcover with French flaps. (Japanese to English Text) Color and b/w illustrations throughout. Illustrations consist of photographs and drawings of completed buildings and relevant projects. A touch of age-yellowing throughout. Soil on bottom edge. Spine is slightly faded. Complete with no pages missing, binding still tight. Rare.

Hardcover. College Station, TX, Texas A&M University Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 148 pages. Collection of 61 full-page color plates of Frank Reaugh's work devoted to Texas. Introduction by Donald L. Weismann. Very good condition, very slight rubbing on the back of the dust jacket, ends of the spine have some wrinkling. The Texas landscape and the legendary longhorn are equally elegant in the beautiful impressionistic artwork of Frank Reaugh. This volume contains a large selection of impressionistic work by Reaugh, who began painting out on the prairies near Dallas in the late 1800s.

Softcover. NY, André Emmerich Gallery, 1st, 1990, Softcover with deckle fore-edge. Oblong format. 12 full page images in color printed on rectos only, captions on versos. Exhibition April 26 - May 19, 1990 of 14 works (two of which were not illustrated). Laid in is a price list with works sold. Clean copy.

Hardcover. Munich / New York, Prestel / Neue Galerie, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 207 pages. profusely illustrated in color and black & white throughout, including several full-page illustrations. Includes a preface by Ronald S. Lauder, a foreword by Renee Price and essays by Vivian Endicott Barnett, Erich Franz, Ursula Heiderich, Annegret Hoberg, Isabelle Jansen, and Olaf Peters. This generously illustrated volume focuses on the poignant friendship of Franz Marc and August Macke, two innovative members of the Blue Rider group. During the five years Franz Marc and August Macke knew each other, the two men carried on an artistic and personal friendship that had an immense impact of each of their careers. This book traces their relationship and features meticulously reproduced images that bring their paintings, and the bond they shared, to life. In addition to paintings, watercolors, and drawings from both artists, this book includes objects and documents that show their connection to one another. Clean copy.

Softcover. Hanover NH, Hood Museum of Art, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, French flaps, 75 pages with 36 figures and 12 color plates. Issued in conjunction with a 2005 exhibition / installation by American artist Fred Wilson (b. 1954). With essays by Barbara Thompson, Mary K. Coffey, and Jessica Hagedorn, and many fine views of the artist's creativity. Clean copy.

Softcover. US, Detroit Institute of Arts, 1st, 2017, Book: Very Good, Dust Jacket: None, 224 pages. Softcover with publisher's shrinkwrap. Like new. Frederic Church (1826-1900), one of the leading painters of 19th-century America and the Hudson River School, also journeyed around the globe to find fresh inspiration for his highly detailed compositions. Among Church's lesser-known masterpieces are his paintings of the Middle East, Italy, and Greece, produced in the late 1860s through late 1870s, which explore themes of human history and achievement.Taking a closer look at this geographical and thematic shift in Church's practice, this handsome book brings together the artist's major paintings of Athens, Rome, Jerusalem, and the surrounding region. The essays concentrate on a set of six major paintings of architectural and archaeological marvels; one essay also spotlights Olana, Church's home in New York State, which reflects the influence of Middle Eastern design. This impressive volume stands apart in its new approach to the artist's work and its quest to determine why and how this quintessentially American figure was drawn to scenery and themes from the other side of the globe.

Hardcover. New York, Harry N Abrams Inc, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 271 pages. Hardcover with dust jacket. Very clean copy with only minor edgewear. Some slight soiling to dust jacket edges. More than 150 illustrations, including reproductions of masterworks spanning the artist's entire career, accompany five critical essays that reveal Remington's complexity and brilliance.

Softcover. New York, Strawberry Hill Book, 1st, 1973, Book: Very Good, Dust Jacket: None, 255 pages. Softcover. Black & white drawings and photographs. Light wear along spine, cover edges. This is the softcover edition. Clean, unmarked pages.

Hardcover. New York, Harper & Row, 1st, 1962, Book: Very Good, Dust Jacket: Good, 118 pages. Hardcover with dust jacket. B/w illustrations by Tomi Ungerer. Ex-lib with minor stamping, envelope residue on rear end paper.

Hardcover. London, Jonathan Cape, 2nd Printing, 2006, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. 125 full color plates. A rare insight into the mind of the greatest painter of our time. Usually reluctant to speak about his work, Freud has agreed to enter into a conversation on painting with writer Sebastian Smee. Photographs taken by Bruce Bernard and David Dawson.

Hardcover. NY, Neue Galerie, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Foreword by Ronald S. Lauder. More than 160 works illustrated in color. 123 pages. Short closed tear to dust jacket in rear. Otherwise a clean, bright copy.

Hardcover. NY, Neue Galerie, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Foreword by Ronald S. Lauder. More than 160 works illustrated in color. 123 pages. Clean, bright copy.

Hardcover. NY, The Museum of Modern Art, 1st, 1961, Book: Very Good, Dust Jacket: Very Good, 154 pages, hardcover with dust jacket. The works and writings of the Futurist artists in their most creative period, 1910-1916. 141 Illustrations (22 in color). Tanning to wraps, light edgewear. Mild foxing to top edge text block. Unmarked. A clean and tight copy.

Hardcover. New York, Simon & Schuster, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 143 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket. Yellowing and wear to dust jacket edges. A collection of ghoulish cartoons conducts an irreverent tour of such American institutions as teenage dating, Las Vegas, automobiles, New England Calvinism, and witchcraft by Gahan Wilson.

Softcover. New York, Forge, 1st, 1996, Book: Very Good, Dust Jacket: None, 237 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Nearly 150 Gahan Wilson cartoons appear for the very first time anywhere in Gahan Wilson's Even Weirder. An additional 90 cartoons make their debut in book form, after initial publication in The New Yorker, Playboy and other magazines.

Hardcover. NY, Walker & Co., 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Virginia's famous father, Galileo, sleeps during the day and studies the sky at night. While he is sleeping, Virginia discovers a box on his desk with five objects inside - four pieces of glass and a feather - that reveal the world to her in new and wonderful ways.Using the rich colors and lush textures of the Renaissance, Catherine Brighton recreates Galileo's world. This child's-eye-view gives young readers an enchanting introduction to the accomplishments of Galileo, and delightfully celebrates the magic of science.An introduction by Dava Sobel, author of the best-selling adult book Galileo's Daughter, further illuminates the life experience of Galileo's daughter, Virginia. Clean copy.

Softcover. NY/San Francisco, Vorpal Gallery, 1st, Book: Very Good, Dust Jacket: None, Softcover, 40 pages with 14 color plates of the artist's paintings. Clean copy.

Hardcover. Philadelphia , Westminster Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a nice, unclipped dust jacket. 48 pages illustrated in 2-colors by Howard N. Watson. Clean copy.

Softcover. Bennington VT, Bennington Museum, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 64 pages, color and b&w illustrations. Includes selected writings by the artist. Clean copy.

Softcover. Berlin GR, Walther Konig/Contemporary Fine Arts, Berlin, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 56 pages, color and b&w illustrations. Collection of new works on paper by the German neo-Expressionist Georg Baselitz is beautifully printed on deluxe paper and includes a tipped in centerfold on glossy paper. Here Baselitz revisits and remixes early works in fresh new ways. Bright, clean copy. English and German text.

Softcover. West Palm Beach, Norton Museum of Art, 1st, 1997, Book: Very Good, Dust Jacket: None, 120 pages. 26 color plates, 60 b&w illustrations. Softcover with light edgewear on wrappers. Published in conjunction with a major retrospective exhibition (opening at National Gallery of Art, Washington, in June 2012, then travelling to The Metropolitan Museum of Art, New York, in November 2012, before moving to Royal Academy of Arts.