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Softcover. NY, Swann Auction Galleries, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover. with pictorial covers, unpaginated, Sale 2045, Lots 292-609. Fully illustrated with b/w halftones, some color. Clean copy.

Softcover. NY, Swann Galleries, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover. with pictorial covers, unpaginated, 598 lots, indexed. Fully illustrated with b/w halftones. Prices realized list laid in.

Softcover. Hong Kong, Christie's, 2005, Book: Very Good, Dust Jacket: None, Softcover, 260 pages, hundreds of lots illustrated in color.

Hardcover. Hong Kong, Christie's Inc., 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 272 pages, photographs throughout with English and Chinese text. Very slight corner and edge wear, otherwise, very clean and tight copy.

Softcover. NY, Sotheby's, 1989, Book: Very Good, Dust Jacket: None, Softcover, This 499 item catalogue is unpaginated,approximately 500 pages. Color photographs throughout. List of prices realized tucked in. Clean, bright copy.

Softcover. New York, Christie's , 1st, 1989, Book: Very Good, Dust Jacket: None, 155 lots, illustrated in color. Softcover with minor wear to covers and spine else in very good condition.

Softcover. Washington, DC, National Portrait Gallery, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover. Exhibiton catalog.176 pages. Over 175 B&W illustrations throughout. Black pictorial cover with very slight wear. Price tag on bottom right corner of back cover. Overall, a clean, tight copy.

Softcover. Canberra AU, National Gallery of Australia, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. From his studio in the heart of New York, Australian-born Anton Bruehl created inventive and perfectly realized color photographs for advertisements in top American magazines such as Vogue and the New Yorker. Seen by the millions of readers, his ads had a dedicated following eliciting bags of fan mail. As well as advertising, Bruehl produced evocative images of stars of stage and screen, other celebrities, seasonal child studies, and his personal photography in the classic documentary tradition including his award-winning photo book Mexico (1933) and Tropic patterns (1970). Essays cover the early lives of the Bruehl brothers in Australia; Anton's success in New York, including his most famous and whimsical advertising campaigns; and fascinating details on Bruehl-Bourges color process which gave Breuhl's photographs their distinctive look. Illustrated with Bruehl's photographs, magazine prints, and printers proofs, this book is a must for anyone interested in photography, advertising, and popular culture. In publisher's shrinkwrap.

Softcover. Yonkers NY, Fordham University Press , 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 175 pages illustrated in color. It was not until the first decade of the twentieth century, as artists like Robert Henri and John Sloan turned their attention to the urban scene, that American art shifted its focus from bucolic landscapes to the cities, the towns, the crowds, especially the raucous urban scene of Manhattan--by then the nation's most important metropolis. This movement away from painting the land to painting the life on the street is often seen as a clean break with the depiction of the landscape, and with landscape painting generally as a mainstay of American art in the face of European Modernism. However, artists continued to paint the Hudson River, as well as its tributaries, the Harlem and East rivers, and the great harbor of New York City into which they flowed. What was different was their approach. Having jettisoned the romantic ideals of their forebears, artists like Henri and Sloan, and later, Georgia O'Keeffe, George Ault, Edward Hopper, and Preston Dickinson, celebrated the changing way of life along the city's waterfront. As the century progressed, they did so with sharper focus and with ideals borrowed from the Machine Age. Instead of majestic mountain ranges, their subjects were the arching bridges, swinging cranes, and streamlined ocean liners resting in the harbor. These artists took the elements of the Sublime, combined them with Modernism's interest in structure and form, and applied them to the manmade industrial one--thereby creating a new visual vocabulary for the twentieth century: the Industrial Sublime. Clean copy.

Hardcover. New York, Abrams, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 288 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. A tight copy. Inge Morath: On Style reveals the vital forms of fashion and self-expression that blossomed into existence in England, France, and the United States in the postwar decades. The book follows the photojournalist Inge Morath (1923-2002) through intimate sessions with Ingrid Bergman and Audrey Hepburn; scenes of window-shopping on Fifth Avenue; American girls discovering Paris; the frenetic splendor of society balls; and working women--from actresses to seamstresses to writers--everywhere taking their place in the world. The photographs in On Style focus on an extraordinary period of Morath's creativity, from the early 1950s to mid- 1960s, with a coda of work from later years. Here are the fundamental humanism, joy, and unerring eye for life's brilliant theatricality that characterized her work and made her one of the most celebrated photographers of her time.

Softcover. Hong Kong, Bonhams, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 111 pages illustrated in color. Auction catalogue for Bonhams Hong Kong 29 May 2023 Sale 28699, Lots 101 - 183. Text in English/Chinese. Printed in Hong Kong. Clean copy.

Softcover. Memphis, TN, The Dixon Gallery and Gardens, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 206 pages. With newspaper clipping slipped in. Illustrated in B&W and color. overall tight and clean copy. The narrative essays chart the routes taken by the American painters as they progressed from their experience at French communities to the re-establishment of their careers on native soil. Also included with the essays are the vivid artwork of these painters.

Hardcover. Philadelphia, University of Pennsylvania, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, 177 pages of text followed by black & white examples of the illustration work of Isaac Cruikshank. Dust jacket worn with small tears along edges. Clean, tight copy.

Softcover. Gainesville FL, Samuel P. Harn Museum of Art, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 175 pages, about 40 b&w and color plates. Showcases pieces from the collection of Jeffrey E. Horvitz. With opening remarks by Linda Wolk-Simon. The annotated and illustrated catalogue presents 38 specific drawings. Includes extensive bibliography. Clean copy.

Softcover. NY, Harry N Abrams, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, large format, 64 pages. A catalog for an exhibition at The Corcoran Gallery of Art showcasing works that blend mundane, found materials with sophisticated graphic design. The collection highlights, with text by Dore Ashton, how Chermayeff repurposed, for example, office scraps, envelopes, and paper, creating complex, often whimsical, portraiture. Clean, bright copy.

Softcover. Reunion des Musees Nationaux, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 287 pages. FRENCH TEXT. Illustrated in b&w, some color. Clean, bright copy.

Hardcover. Secaucus NJ, Poplar Books, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, blue cloth covers in a bright dust jacket. Thick, heavy book, 527 pages, 1580 illustrations including 60 in color, bibliography, concordances, index and list of owners. This book contains complete title-catalog of all paintings and the most comprehensive catalog of the watercolors ever published including over 1500 items in public and private collections. Catalog Raisonne. NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. NY, Andre Emmerich Gallery, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog, 12 color plates. February 7 - March 9, 1991. Introduction by Elizabeth Frank. Plates, biography, bibliography. Clean copy.

Softcover. New York, Museum of Modern Art, 1st, 1998, Book: Very Good, Dust Jacket: None, 336 pages. Soft cover. French flaps. Color and b/w illustrations throughout. Published to accompany exhibition at The Museum of Modern Art, New York. Only slightly yellowed edges due to age. In good shape, clean inside. From front French flap: ",,,includes over 200 color reproductions of paintings, drawings, and prints, including life-sized details and foldouts of major paintings. An illustrated chronology tells the story of the artist's life."

Softcover. Seattle WA, Seattle Art Museum, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 235 pages, b&w and color illustrations. Red end papers. Marking on copyright page. Light edge wear to wrappers. Very light foxing to top edge. Else a clean, tight copy.

Hardcover. Los Angeles, CA, St. Ann's Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 175 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Limited to 200 copies. Presented here are the many black and white photographs of American icons and imagery that are thematically connected by Fee's obsession with the decline and destruction of the America that he knew as a young man: we see his series of New York imagery, including the Chrysler building and the Brooklyn Bridge; pictures of the crumbling Penn State penitentiary; Beat inspired series of photographs of the American road; a distinctive and unique series of nude imagery; as well as his innovative collaborations with multimedia artist George Herms.

Hardcover. Washington, DC, National Gallery of Art, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Exhibition catalog. Hardcover, 331 pages, illustrated throughout in color and b&w. Remainder mark on bottom edge, otherwise like new.

Softcover. Washington, DC, National Gallery of Art, 2nd, 1995, Book: Very Good, Dust Jacket: None, Exhibition catalog. 331 pages, illustrated throughout in color and b&w. Pictorial stiff wrappers. Minimal wear to covers, else like new.

Softcover. NY, Whitney Museum of American Art, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 135 pages, b&w illustrations, some color. Published on the occasion of the exhibition held from April 12-May 29, 1972. With an essay by Marcia Tucker, a chronology with exhibitions history, and a bibliography. The exhibition checklist cites 44 graphic works and 13 posters, and most if not all are pictured here. Mild tanning to wrappers. Clean copy.