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Hardcover. Zurich, Scalo, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Over sized book, 12 inches in height, 391 pages, heavily illustrated with approximately 200 full color photographs, many from her movies, Contributions by Carsten Ahrens, Lynne Cooke, Doris von Drathen, Bruce W. Ferguson, Carl Haenlein and Katharina Schmidt. Includes a list of illustrations, biography, exhibition history, filmography and a bibliography. Rebecca Horn is a multi-talented artist whose kinetic sculptures, films and installations have contributed to her unique international reputation. Her surreal installations and objects work as metaphors; often playfully erotic, they arouse curiousity and childlike amazement, yet also subconsciously evoke fear and uncertainty Glance of Infinity is a comprehensive survey of Rebecca Horn's work from 1970 up to the present day, This full scale monograph includes an interview with the artist, and essays by Brace W. Ferguson, Lynne Cooke, Doris von Drahten and Rebecca Horn, as well as a comprehensive index. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. New York, Robert Miller Gallery, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Softcover with minimal wear to paper wrappers. 14 black and white plates. Exhibition catalog for a show that ran April 9 through May 4, 1996. Photographs of Strand's first wife, Rebecca Salisbury made between 1921 and 1932, and reproduced actual size from Strand's vintage platinum and silver prints. Edited and designed by John Cheim. Includes a total of 16 images with 14 internal plates and 2 images on the dust jacket. Tight copy with dust jacket wrapper.

Softcover. Berkeley CA, University of California Worth Ryder Art Gallery, 1st, 1964, Book: Very Good, Dust Jacket: None, Softcover, b&w pictorial wraps. exhibition catalog, April-May 1964 23 pages, B&W frontispiece photo of artist in his studio, and 5 full color reproductions of artworks: "Fantasia," "Effervescence," "Le Gilotin," "The Lark," and "Heraldic Call."

Softcover. Canberra AU, National Portrait Gallery, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, color plates. Percy Leason was one of Max Meldrum's followers who painted over 30 'full blood' aborigines for 'The Last of the Victorian Aborigines' exhibition which he held at the Athenaeum Gallery (Melb) as part of Victoria's centennary celebrations (1934). This book documents these portraits and the politics that produced them. Clean copy.

Softcover. South Hadley MA, Mount Holyoke College, 1st, 1984, Book: Very Good, Softcover, 56 pages. Many black and white photos, exhibition checklist, glossary, index, notes, bibliography. Published in conjunction with an exhibition of copper jewelry, sculptures, vessels, musical instruments, stools and other African decorative arts. Mild rubbing to wrappers, clean copy.

Softcover. NY, Marlborough Callery, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 40 pages. Catalog for an exhibit held April 6-May 1, 1984. Color and b&w plates. Clean copy.

Hardcover. Washington DC, Smithsonian Institution Scholarly Press , 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. At least since the Renaissance, artists have created wonderful images of themselves. Some self-portraits are the equivalent of a painter's "signature," while others were inspired by the need to establish social status or gain a commission. In the twentieth century, however, self-representation turned inward, becoming a means by which artists sought to navigate passageways of the mind. In Reflections/Refractions, some of the greatest modern artists--including Andy Warhol, Edward Hopper, Grant Wood, Jasper Johns, Robert Rauschenberg, Jacob Lawrence, Louise Bourgeois, David Hockney, Alexander Calder, and Alex Katz--use sinuous line and gorgeous color to trace the intricacies of their personalities, whether dark and gloomy or bright and fanciful. The book is at once a catalog of twentieth-century self-portraits in the collection of the National Portrait Gallery, Smithsonian Institution, and an exploration of how modern artists view themselves and the world. Eighty color illustrations--drawings and paintings--are accompanied by lively and informative captions, making this volume an endlessly fascinating book. Clean copy.

Softcover. Hong Kong, Christie's Inc., 1st, 2007, Book: Very Good, Dust Jacket: None, 113 pages, photographs throughout with English and Chinese text. Very slight corner and edge wear, otherwise, very clean and tight copy.

Hardcover. London, Tate Publishing, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, pictorial boards with an acetate dust wrapper, 304 pages. Warhol brought to the art world a unique awareness of the relationship that art might have with popular consumer culture and tabloid news, with celebrity, and with sexuality. Each of these themes is explored through visual dialogues between warhol and some sixty artists, among them John Baldessari, Vija Celmins, Gilbert & George, Felix Gonzalez-Torres, Robert Gober, Nan Goldin, Damien Hirst, Alfredo Jaar, Deborah Kass, Alex Katz, Jeff Koons, Barbara Kruger, Glenn Ligon, Robert Mapplethorpe, Vik Muniz, Takashi Murakami, Bruce Nauman, Cady Noland, Elizabeth Peyton, Sigmar Polke, Richard Prince, Gerhard Richter, Ed Ruscha, Cindy Sherman and Luc Tuymans. Clean copy. DOMESTIC SHIPPING ONLY.

Softcover. New York, Metropolitan Museum of Art, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 304 pages, color and b&w illustrations. Includes interviews, conducted by Marla Prather, with Polly Apfelbaum, John baldessari, Vija Celmins, Chuck Close, Robert Gober, Hans Haacke, Alfredo Jaar, Deborah Kass, Alex Katz, Jeff Koons, Julian Schnabel, Ryan Trecartin, and Luc Tuymans. Beginning essay, Dialogues with Warhol, by Mark Rosenthal. Clean, bright copy.

Hardcover. New Haven, Yale University Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Two volume set. Hardcovers in very clean slipcase. Very clean, unmarked copies. Dertailed study of fifty-one paintings by Rembrandt. This is followed by sections for his pupils in which paintings once given to Rembrandt are reatributed to memebers of his workshop. This also serves as a catalogue of the exhibition organized by curators from Berlin, Amsterdam and London - galleries which have three of the finest collections of Rembrandts.

Hardcover. London, National Gallery London, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 360 pages. Softcover with dust jacket. Slight soiling to dust jacket. An otherwise clean, unmarked copy with only minor edgewear. Color illustrations throughout.

Softcover. Shelburne, Shelburne Museum, 1st, 2015, Book: Very Good, 180 pages. Softcover exhibition catalog. Features full color photographs and information related to furniture manufactured in the state of Vermont up to 1850. Light wear to covers. Clean, unmarked text. A nice copy.

Hardcover. San Francisco, CA, Fraenkel Gallery, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 32 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. A tight copy. In the early 2000s, Richard Misrach (born 1949) began a series titled On the Beach, a body of work that traveled extensively and has been highly influential. These color photographs deal with the human figure seen at a distance, on an unspecified beach or in the water, observed from an unsettling and difficult-to-identify point of view located high above. Misrach has continued this work, while vast changes in photographic technology over the intervening decade have caused a shift in approach, both conceptually and technically. Untitled is an artist book based on two photographs: the one made by Misrach and the other made concurrently, at the time of exposure, by the subjects of his photograph. The extreme detail explored in this work concisely summates both the artist's concerns and the ubiquity of digital technology as we are portrayed and portray ourselves.

Softcover. NY, Allan Stone Gallery, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 20 pages, illustrated with b&w photos. Essay by Suzi Gablik. Clean copy.

Hardcover. Individual photographers, Fraenkel Gallery/Matthew Marks Gallery. , 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 234 pages; 164 duo-toned b&w plates; 9.75 x 12 inches. A Photographic Journal of Re-Exploration is published to coincide with the bicentennial of the Lewis and Clark Expedition. Beautiful copy still in shrinkwrap. Like new.

Softcover. Racine/Lannoo, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 239 pages, b&w and color plates. Text in English and French. Featuring the most well-known photos from Robert Doisneau since the beginning of his career. This retrospective also gives an insight in the lives of famous artists such as Picasso and Niki de Saint Phalle. The book is themed by three subjects: the main characteristics of his work and his importance for 20th century photography, the notion of the poetry of realism and 164 photos, which are also themed: daily beauty, Palm Springs, artists' studios. Published to accompany an exhibition in Musee Ixelles (Brussels) from 19 October 2017 until 4 February 2018. Clean, bright copy.

Softcover. London, Tauris Parke Books, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 126 pages. 107 b&w plates. A retrospective for exhibition at Museum of Modern Art, Oxford. Clean, bright copy.

Hardcover. New York, Pantheon Books, 1st US, 1989, Book: Very Good, Dust Jacket: Fair, 200 pages. Hardcover with translucent dust jacket. This retrospective study of the work and life of Robert Frank demonstrates the artistry, innovations, and magnificent images of the distinguished photographer in more than 350 photographs. The book was originally published by Yugensha in Tokyo in 1972. Remainder mark to top edge, dust jacket edgeworn, chipped. No marking, clean.

Hardcover. New York, Pantheon Books, 1st US, 1989, Book: Very Good, Dust Jacket: Fair, 200 pages. Hardcover with dust jacket. Chipping and age toning to dust jacket edges. Foxing to textblock fore edge. Inside clean and unmarked. This retrospective study of the work and life of Robert Frank demonstrates the artistry, innovations, and magnificent images of the distinguished photographer in more than 350 photographs.

Hardcover. New York, Scalo Publishers, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 320 pages, profusely illustrated in b&w, some color. A hardcover exhibition catalog for a show that opened at the National Gallery of Art in Washington, DC. This comprehensive volume presents the works of the Swedish photographer, and includes five essays which analyze different aspects of Frank's photographs, films and videos.

Hardcover. New York, Scalo Publishers, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 320 pages, profusely illustrated in b&w, some color. A hardcover exhibition catalog for a show that opened at the National Gallery of Art in Washington, DC. This comprehensive volume presents the works of the Swedish photographer, and includes five essays which analyze different aspects of Frank's photographs, films and videos. DOMESTIC SHIPPING ONLY.

Softcover. Delaware, Delaware Art Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Pictorial green wrappers, full-cover color painting on front cover. 174 pages, profusely illustrated in b/w, some color. Back cover slightly scratched and spine slightly worn, otherwise, tight, clean copy. Essay by Helen Farr Sloan, catalogue and prologue by Bennard B. Perlman. Chronology, bibliography, list of exhibitions. Catalogue lists 100 works.

Softcover. Munich, Schirmer/Mosel, reprint, 1996, Book: Very Good, Dust Jacket: None, Glossy white pictorial wraps. Unpaginated (152 pp.), 6 color plates + over 60 full page duotone photographs. A superbly preserved copy of this major retrospective catalogue, based upon the 1988 Stedelijk Museum show in Amsterdam, mounted just prior to Mapplthorpe's untimely death. With text in English and German.