cats

Softcover. Hanover NH, Dartmouth College, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 24 pages illustrated with color and b&w photos. An overview of recent projects, both small scale and large architectural commissions. Clean, bright copy.

Softcover. Taos NM, Michael McCormick Gallery, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 20 pages, color and b&w plates. Essay by Frank Waters. Clean copy.

Hardcover. NY, Parents' Magazine Press, 1st, 1972, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, color illustrations by Kerr. The charming story of a cat who's always getting into trouble. He later redeems himself by helping to catch a burglar. Clean, bright copy.

Softcover. NY, The Bronx Museum of the Arts , 1st, 1983, Book: Very Good, Dust Jacket: None, Oblong softcover. 66 pages with 21 illustrations, commentary on 56 works. Exhibition catalog for a show that ran July 30 through September 25, 1983. Essays by Philip Verre and Julie Saul. Includes numerous illustrations. A very good copy in lightly worn wrappers.

Softcover. Site Santa Fe, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 75 pages. Color and b&w illustrations. Mona Hatoum is recognized as one of the most significant figures in contemporary art. Her work addresses political conflict, the physical body, and feminist issues in a surrealistic style and with a minimalist aesthetic. This thought-provoking artist uses diverse methods and works in various media, including installation, video, sculpture, and performance art. Clean copy.

Softcover. Chicago, Illinois, Mongerson Galleries, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 100 page catalog from October 1981 exhibition at The Mongerson Gallery. Numerous black and white prints and photographs. Brief artist biographies. Textured cover features color artwork and exhibits some wear, particularly along binding edge. Interior in near fine condition.

Hardcover. Geneve, Musee Barbier-Mueller, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 215 pages illustrated in color. FRENCH TEXT. Catalog of an exhibition held at the Musee Barbier-Muller, Geneva, February 11-October 30, 2016. Includes bibliographical references. The study conducted by Anne Vanderstraete on currencies and exchange objects selected from the collections of the Barbier-Mueller Museum explains not only the practices linked to the use of these items in their original context but also explores the aesthetic richness of this collection. Many works are revealed to the public for the first time. Clean copy.

Softcover. New York, David & Long , 1st, 1979, Book: Very Good, Dust Jacket: None, 148 pages, b&w and color illustrations. Light rubbing, soiling to wrappers. Spine slightly cocked. Else a clean, tight copy.

Softcover. New York, David & Long , 1st, 1979, Book: Very Good, Dust Jacket: None, 148 pages, b&w and color illustrations. Light rubbing, soiling to wrappers. Previous price sticker on back cover. Else a clean, tight copy.

Softcover. NY, Museum Of Modern Art , 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, Illustrated in color and black and white. 191 pages. Oblong 4to, stiff pictorial wrappers. Clean copy.

Hardcover. New York, Parents Magazine Press , 1st, 1969, Book: Good, Dust Jacket: None, Hardcover. Color illustrations by Charles Mikolaycak. Bottom corners slightly bumped. Light rubbing to corners, spine. Minor soiling to covers. Library binding. No dust jacket.

Hardcover. New York, Viking Press, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover. 64 pages. Black & white lithographs by Zhenya Gay. Covers with mild soil, rubbing. Clean copy.

Hardcover. New York, Viking Press, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover. 64 pages. Black & white lithographs by Zhenya Gay. Previous owner's signature, inscription on half title page. Soiling to end papers. Clear plastic protective cover, but no dust jacket. Spine faded.

Hardcover. London, Constable And Co., 1st, 1961, Book: Very Good, Dust Jacket: None, Non-paginanted. Hardcover with no dust jacket. Moderate wear to edges. Tight copy. lllustrated by Antony Maitland.

Softcover. New York, Independent Curators Inc, 1st, 1995, Book: Near Fine, Dust Jacket: None, Softcover, 80 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition. Exhibition catalog for a group show that ran January 21 through March 6, 1992 and then May 20 through June 30, 1992 at the Zabriskie Gallery in New York. Introduction by Klaus Ottmann. Essay by Leslie Tonkonow. Includes numerous black and white images from these photographers who were in the show: Robert Doisneau, Diane Arbus, Thomas Struth, Neal Slavin, William Klein, Walker Evans and many others.

Softcover. NY, Whitney Museum of American Art, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, many b&w illustrations, some in color. Issued in conjunction with a 1980 exhibition featuring geometric artwork by American artist Myron Stout (1908-1987). Catalogue lists 54 works. Selected bibliography. Includes selections from his journals, and an essay by Sanford Schwartz. Light tanning to top edge of wrappers, clean copy.

Softcover. Middlebury, VT, Middlebury College Museum of Art, 1st, 2015, Book: Very Good, Dust Jacket: None, 111 pages. Softcover with paper wrappers. Color pictures throughout. In 1899 Gustav Klimt's painting Nuda Veritas shook up the Austrian public with what many deem to be the painter's most political exploration of the nude female body. Klimt's provocative allegory challenged viewers to consider their own beliefs about the relationship between the nude (female) body and contemporary morality; this "naked truth" was shocking. Transcending accusations of pornography, Klimt's work paved the way for artistic examinations of the nude body as the site through which questions of freedom, desire, beauty, nature, culture, power, and their antonyms could be represented and negotiated. Taking these ideas as one critical point of departure, this volume and the accompanying exhibition feature selected prints, drawings, and watercolors by Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann and Kathe Kollwitz, among others. It explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, which changed the world's notions of flesh and blood forever.

Softcover. Middlebury, VT, Middlebury College Museum of Art, 1st, 2015, Book: Very Good, Dust Jacket: None, 116 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout.

Softcover. NY, Air Gallery, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 32 pages illustrated in color and b&w. Essay by Flavia Rando. Clean copy.

Softcover. Malmo, Sweden, Malmo Konsthall, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 48 pages, color illustrations. Text in English and Swedish. Essay by Susan Harris. This catalog was prepared to accompany the exhibition in Sweden at the Malmo Konsthall from September 3 to October 16, 1994. In this exhibition Nancy Spero printed her drawings directly on the walls to create the work.

Softcover. NY, PaceWildenstein, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 60 pages illustrated in color. Catalogue from the exhibit, Naum Gabo Pioneer of Abstract Sculpture November 4 - December 11, 1999. Essay by Graham Williams. Clean, bright copy.

Hardcover. NY, Farrar, Straus, Giroux, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Non-paginated. hardcover with dust jacket. Color illustrations by Babbitt. Dust jacket price clipped. Clean, tight copy.

Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. 60 pages, 15 color and 1 b&w illustration. Text in German and English. With a chronology. This is the hardbound catalogue published in conjunction with noted Leipzig-based artist Neo Rauch's 2004 exhibition of recent large scale works on paper held at Vienna's Albertina. Essay by Harald Kunde.