Softcover. London, Pluto Press] , 2nd pr., 2011, Book: Very Good, Dust Jacket: None, Softcover, 240 pages, b&w illustrations. Art is big business, with some artists able to command huge sums of money for their works, while the vast majority are ignored or dismissed by critics. This book shows that these marginalised artists, the 'dark matter' of the art world, are essential to the survival of the mainstream and that they frequently organize in opposition to it. Gregory Sholette, a politically engaged artist, argues that imagination and creativity in the art world originate thrive in the non-commercial sector shut off from prestigious galleries and champagne receptions. Clean copy.
UK, Cambridge University Press, 1st, 1980, Book: Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 233 pages. Anthropologists, in studying other cultures, are often tempted to offer their own explanations of strange customs when they feel that the people involved have not given a good enough reason for these customs. The question how the anthropologist can justify interpretations of customs which go beyond those offered by the people themselves runs through this book. The book focuses on the various interpretations that have been offered by anthropologists of ritual and symbolism. It offers a critical discussion of theories in this field in general, identifying their strengths and weaknesses when applied to the particular case of puberty rituals in a West Sepik village in Papua New Guinea. It then goes on to suggest an alternative approach, which draws on aesthetic as well as anthropological theory, and pays particular attention to the emotional and aesthetic experiences of people as they perform the rites. Pencil marking to about 25 pages, name on inside front cover.
Hardcover. London, The Grolier Society, 1st Thus, ND, Book: Very Good, Dust Jacket: None, 2 Hardcover Volumes. Edition de Luxe - Limited to One Thousand Copies for England and America - this being No. 746. Gray cloth covers. Top edges gilt. Fading to spine labels. Full color and black & white illustrations. Clean, tight copies.
Hardcover. Philadelphia, Running Press, 1st, 2008, Book: Very Good, Dust Jacket: None, 191 pages in binder format spiral binding. Include replicas of collectibles from DC comics. Clean, tight copy. very little wear.
Hardcover. Damiani, 1st, 2007, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. 200 pages. FunkyTown digs into British photographer Dean Freeman's archive--it goes way beyond Beckham--to gather published and unpublished portraiture, fashion and reportage spanning three decades of youth culture, from the 1980s to the present. His star portrait subjects include Liz Hurley, Sandra Bullock, Rachel Weisz, Dennis Hopper, Harold Pinter and Guy Ritchie. But beyond glamour and stardom, beyond Freeman's understanding of and comfort with the models, pop stars and writers for whom he has been a talent scout and icon-maker, he turns out to be a sensitive observer of people and landscapes in Africa, Asia and the Middle East. On his own time, he has chronicled a richly diverse world with great humanity and wit.
Hardcover. Damiani, 1st, 2007, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. 200 pages. FunkyTown digs into British photographer Dean Freeman's archive--it goes way beyond Beckham--to gather published and unpublished portraiture, fashion and reportage spanning three decades of youth culture, from the 1980s to the present. His star portrait subjects include Liz Hurley, Sandra Bullock, Rachel Weisz, Dennis Hopper, Harold Pinter and Guy Ritchie. But beyond glamour and stardom, beyond Freeman's understanding of and comfort with the models, pop stars and writers for whom he has been a talent scout and icon-maker, he turns out to be a sensitive observer of people and landscapes in Africa, Asia and the Middle East. On his own time, he has chronicled a richly diverse world with great humanity and wit.
Hardcover. The Hague, Martinus Nijhoff, 1st, 1966, Book: Very Good, Dust Jacket: None, Hardcover, red cloth cover with gilt lettering, 988 pages, 24 b&w plates, drawings in text, folded maps in rear pocket, all very good condition. Previous owner's signature on front fly leaf, otherwise a clean copy of a scarce volume.
Hardcover. London, George E. Eyre and William Spottiswoode, 1st, 1873, Book: Very Good, Dust Jacket: None, 699 pages. Hardcover. Beautifully rebound first edition. Blue cloth covers with title in gilt on black leather spine label. Features black & white illustrations and full color tipped-in plates. Clean, tight. A very nice copy.
Hardcover. Cambridge MA, Harvard University Press, 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover, 542 pages, tan cloth with gilt lettering on spine. Dust jacket has edgewear, chipping to corners. There is some light pencil marking to about 12 pages in the front of the book. Previous owner's signature on front fly leaf.
Hardcover. Boston, Little, Brown and Company, First Edition, 2000, Book: Very Good, Dust Jacket: Very Good, 266 pages. Hardcover. Black cloth boards with silver titles to spine. Black and white illustrations. Dust jacket in cream & white with photograph & only light marginal wear. Clean & unmarked. A biography of the controversial fighter follows Liston from the mean streets, where he was a petty criminal, to the heavyweight championship and his life as a pawn of organized crime. By the author of Power on Earth.
Softcover. New York, Aperture, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. Illustrated with black & white photographs by Diane Arbus. Arbus's commercial photography and articles are less well known than her other works. Her assignments for 'Esquire', 'Harper's Bazaar' and the 'Sunday Times Magazine' in London covered the leaders of theater, fashion, show business and literature. Here are over 100 portraits and feature profiles which originally accompanied them. Luminaries include Jayne Mansfield, Mae West, William Golding, Susan Sontag, Norman Mailer, and many others. Clean, tight copy.
Softcover. New York, Aperture, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. Illustrated with black & white photographs by Diane Arbus. Arbus's commercial photography and articles are less well known than her other works. Her assignments for 'Esquire', 'Harper's Bazaar' and the 'Sunday Times Magazine' in London covered the leaders of theater, fashion, show business and literature. Here are over 100 portraits and feature profiles which originally accompanied them. Remainder stamp to bottom edge, otherwise a clean, tight copy.
Hardcover. New York, Aperture, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Illustrated with black & white photographs by Diane Arbus. Arbus's commercial photography and articles are less well known than her other works. Her assignments for 'Esquire', 'Harper's Bazaar' and the 'Sunday Times Magazine' in London covered the leaders of theater, fashion, show business and literature. Here are over 100 portraits and feature profiles which originally accompanied them. Bottom right corners of covers lightly bumped. Clean, tight copy.
Hardcover. NY, Abrams Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 439 pages. In the 1950s, comics meant POW!BAM! superheroes, family-friendly gags, and Sunday funnies, but in the 1960s, inspired by these strips and the satire of MAD magazine, a new generation of creators set out to subvert the medium, and with it, American culture. Their "comix"--spelled that way to distinguish the work from their dime-store contemporaries--presented tales of taboo sex, casual drug use, and a transgressive view of society. Embraced by hippies and legions of future creatives, this subgenre of comic books and strips often ran afoul of the law, but that would not stop them from casting cultural ripples for decades to come, eventually moving the entire comics form beyond the gutter and into fine-art galleries. Brian Doherty weaves together the stories of R. Crumb, Art Spiegelman, Trina Robbins, Spain Rodriguez, Harvey Pekar, and Howard Cruse, among many others, detailing the complete narrative history of this movement. Through dozens of new interviews and archival research, he chronicles the scenes that sprang up around the country in the 1960s and '70s, beginning with the artists' origin stories and following them through success and strife, and concluding with an examination of these creators' legacies. Dirty Pictures is the essential exploration of a truly American art form that recontextualized the way people thought about war, race, sex, gender, and expression.
Hardcover. NY, Abrams Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 439 pages. In the 1950s, comics meant POW!BAM! superheroes, family-friendly gags, and Sunday funnies, but in the 1960s, inspired by these strips and the satire of MAD magazine, a new generation of creators set out to subvert the medium, and with it, American culture. Their "comix"--spelled that way to distinguish the work from their dime-store contemporaries--presented tales of taboo sex, casual drug use, and a transgressive view of society. Embraced by hippies and legions of future creatives, this subgenre of comic books and strips often ran afoul of the law, but that would not stop them from casting cultural ripples for decades to come, eventually moving the entire comics form beyond the gutter and into fine-art galleries. Brian Doherty weaves together the stories of R. Crumb, Art Spiegelman, Trina Robbins, Spain Rodriguez, Harvey Pekar, and Howard Cruse, among many others, detailing the complete narrative history of this movement. Through dozens of new interviews and archival research, he chronicles the scenes that sprang up around the country in the 1960s and '70s, beginning with the artists' origin stories and following them through success and strife, and concluding with an examination of these creators' legacies. Dirty Pictures is the essential exploration of a truly American art form that recontextualized the way people thought about war, race, sex, gender, and expression.
Hardcover. NY, Abrams, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages, b&w illustrations. In a bright, unclipped dust jacket. The 1960s to early '70s was a pivotal time for American culture, and New York City was ground zero for seismic shifts in music, theater, art, and film-making. The Downtown Pop Underground takes a kaleidoscopic tour of Manhattan during this era and shows how deeply interconnected all the alternative worlds and personalities were that flourished in the basement theaters, dive bars, concert halls, and dingy tenements within one square mile of each other. Author Kembrew McLeod links the artists, writers, and performers who created change, and while some of them didn't become everyday names, others, like Patti Smith, Andy Warhol, and Debbie Harry, did become icons. Ambitious in scope and scale, the book is fueled by the actual voices of many of the key characters who broke down the entrenched divisions between high and low, gay and straight, and art and commerce -- and changed the cultural landscape of not just the city but the world.
Hardcover. Cleveland, Collins, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover, 96 pages. Illustrated with full color photographs and art by Tasha Tudor. Dust jacket worn with Short closed tears along edges - dust jacket now protected with clear plastic cover. Clean, tight copy.
Hardcover. New York, Seven Stories Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 127 pages, very clean and tight copy. With America ever under global scrutiny, Russell Banks contemplates the questions of our origins, values, heroes, conflicts, and contradictions. He writes with conversational ease and emotional insight, drawing on contemporary politics, literature, film, and his knowledge of American history.
Hardcover. Princeton NJ, Princeton University Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 268 pages. The question of what it takes "to be a man" comes under scrutiny in this sharp, often playful, cultural critique of the German duel--the deadliest type of one-on-one combat in fin-de-siecle Europe. At a time when dueling was generally restricted to swords or had been abolished altogether in other nations, the custom of fighting to the death with pistols flourished among Germany's upper-class males, who took perverse comfort in defying their country's weakly enforced laws. From initial provocation to final death agony, Kevin McAleer describes with ironic humor the complex protocol of the German duel, inviting his reader into the disturbing mindset of its practitioners and the society that valued this socially important but ultimately absurd pastime. Clean copy.
Hardcover. Montipelier, VT, Norbert J. Towne/H.J. Dodge, 1st Edition, 1954, Book: Very Good, Dust Jacket: None, 98 pages. Hardcover. B/w illustrations throughout including frontispiece and foldout map. Black cloth cover boards, gilt title on spine and front cover board. Previous owner's inscribed bookplate on front endpaper and ID stamp on front flyleaf.
Hardcover. Boston, MA, Beacon Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 276 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Foxing to top edge of dust jacket.
Hardcover. US, VH1 Press, 1st, 2006, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to boards.
Hardcover. Paris, Flammarion, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, 167 pages. Hardcover. Text in French only. Illustrated in full color and black & white. Dust jacket with wear to edges - jacket now protected with clear plastic cover. Clean, tight copy.
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