culture

Hardcover. New York, Assouline, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 3 volumes in slipcase. Very clean, like new in publishers shrink-wrap. For over a century Coca-Cola has been a touchstone of modern culture and a global icon. First sipped at an Atlanta soda fountain, the beverage has become an instantly recognizable symbol around the world, woven into people's lives and memories. This newest addition to Assouline's best-selling Memoire collection, Coca-Cola: Film, Music, Sports celebrates the iconic brand's broad-reaching influence in the domains of film, music, and athletics. With imagery of some of these industries' most revered names, and forewords penned by Ridley Scott, Quincy Jones, and LeBron James, these volumes explore the beverage's prominence in some of the greatest films of all time, its inspiration for legendary musicians of all genres, and its motivational support of athletes from the Olympics to professional sports.This slipcase set is a must-have accessory not only for collectors of Coca-Cola memorabilia but also for lovers of American culture everywhere.

Softcover. London/NY, Routledge, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 236 pages. "Colonial Desire is a controversial study that breaks new ground in analysing how concepts of culture get formed, and how racialized assumptions continue to pervade them." In this study, the author argues that today's theories on post-colonialism and ethnicity are disturbingly close to the colonial discourse of the 19th century. Clean copy.

Softcover. Cambridge UK, Cambridge University Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 196 pages. investigates the intersection between post-colonial and feminist criticism, via the Western fascination with veiled women of the Orient. Her original and compelling argument calls into question dualistic conceptions of identity and difference, West and East masculinist assumptions of Orientalism, and Western feminist discourses that seek to 'liberate' the veiled woman. Clean copy.

Hardcover. New York City, Blue Faun Publications, 1st, 1929, Book: Good, Dust Jacket: None, 203 pages. Hardcover. Illustrated pastedown on front cover designed by Mahlon Blaine. Illustrated endpapers by Heinrich Vogeler. "The entire edition of Colours is limited to 1950 copies; 1900 copies numbered and registered, for sale; and 50 copies, lettered A to XX, for review only. Type has been distributed, and Colours will not be reprinted. This copy is No. 386". Some foxing to front cover pastedown, and narrow chip missing from spine label. Spine slightly cocked. Clean, unmarked pages.

Hardcover. Jackson MS, University Press of Mississippi, reprint, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 364 pages, b&w illustrations. A reprint of the classic survey published in 1947. In a bright dust jacket, clean.

Hardcover. London, Oxford University Press, 1st, 1959, Book: Very Good, Dust Jacket: Good, Hardcover in a lightky worn and soiled dust jacket. 228 pages, b&w illustrations including several fold-out charts. Extends the study begun in her earlier 'Rituals Of Kinship Among The Nyakyusa' to include detailed accounts of traditions of origin, cosmology, and moral values. Contents: The Mythological Charter; The 'Divine Kings'; The Ritual of Chieftainship; Sacrifices at the Groves of Chiefs; Land & Power; Cleansing the Country; Rain-making & 'Sprinkling the Homesteads'; Kasitile the Priest; Medicines; Nyakyusa Cosmology; Pagan & Christian; Twenty Years' Change; Religion & Social Structure. Previous owner's signature inside front cover otherwise clean.

Hardcover. New York, Charles Scribner's Sons, 1st, 1915, Book: Very Good, Dust Jacket: None, Hardcover, dark blue cloth with gilt decoration. Illustrated historical volume on the city of Constantinople. 567 pp., includes 164 black/white illustrations, mostly reproduced photographs. Very good condition: gilt-edged pages, slight wear on the spine and corners of the cover. Previous owners' names and dates written inside the cover and on p. vii.

Softcover. NY, Semiotext(e)/MIT, 1st transl., 2008, Book: Very Good, Dust Jacket: None, Softcover, 400 pages. Letters by writer, filmmaker, and cultural revolutionary Guy Debord conjure a vivid picture of the dynamic first years of the Situationist International movement. Debord's letters-published here for the first time in English-provide a fascinating insider's view of just how this seemingly disorganized group drifting around a newly consumerized Paris became one of the most defining cultural movements of the twentieth century. Clean copy.

Softcover. NY, Cambridge University Press, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 216 pages. A collection of pathbreaking essays on Aztec and Maya culture in the sixteenth century. In the title work Inga Clendinnen reconstructs the sequence of experiences through which young Aztec warriors were brought to embrace their duty to their people, to their city, and to the forces that moved the world and the heavens. Subsequent essays explore the survival of Yucatec Maya culture in the face of Spanish conquest and colonisation, the insidious corruption of an austere ideology translated into dangerously novel circumstances, and the multiple paths to the sacred constructed by 'defeated' populations in sixteenth-century Mexico. The collection ends with Clendinnen's transition to the colonial history of her own country: a close and loving reading of the 1841 expedition journal of George Augustus Robinson. Clean copy.

Softcover. US, ILR Press, 1st, 2009-08-06, Book: Very Good, Dust Jacket: None, Softcover, 142 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers. Since 2001, Candacy A. Taylor (a former waitress herself) has traveled more than 26,000 miles throughout the United States collecting stories of these "lifers," as many waitresses aged fifty or over playfully call themselves. She interviewed fifty-seven waitresses in thirty-eight towns and cities. Their compelling stories are complemented and enhanced by Taylor's striking color photographs of the waitresses at work.Taylor expected that the waitresses she'd meet would feel overworked and underappreciated, but was surprised and delighted to find that the opposite was true. The proud, capable waitresses Taylor interviewed loved their jobs and, even if given the opportunity, "wouldn't do anything else." Nearly all the waitresses said that the physical labor of waitressing helped them to age more gracefully and that the daily contact with customers and coworkers kept them socially engaged. Lifers generally make more money from serving regular customers with whom they forge bonds over decades and their seniority earns them respect from their coworkers and managers. Taylor's sensitive and respectful portrayal of career waitresses who have turned their jobs into a rewarding lifetime pursuit turns Counter Culture into an invaluable portrait of the continued importance of community in our changing society.

Hardcover. London, Henry Colburn, 1st, 1848, Book: Good, Dust Jacket: None, Two volumes. 1/2 leather bindings with gold marbled covers and end papers. Gilt top edges. Volume 1 - 476 pages plus 16 pages of ads. Raised bands on spine. Rubbing to edges. Clean, unmarked text. Volume 2 - 510 pages. Raised bands on spine. Rubbing to edges. Clean, unmarked text.

Hardcover. Hoboken, John Wiley & Sons, Inc., First Edition, 2006, Book: Very Good, Dust Jacket: Very Good, 272 pages. Hardcover. Black cloth covered boards with red printed titles to spine. Dust jacket in very good condition. Illustrations in bw throughout. Clean & unmarked copy.

Hardcover. London/NY, Collins Living, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 271 pages, fully illustrated with color reproductions of photographs. Features articles and cover art from October 1969 through December 1987 issues. Fine in original pictorial paper-covered boards and fine pictorial dust jacket.

Softcover. New York University Press, 5th pr., 2003, Book: Very Good, Dust Jacket: None, Softcover, 262 pages. "An Introduction from Vodou and Santeria to Obeah and Espiritismo." Creolization--the coming together of diverse beliefs and practices to form new beliefs and practices-is one of the most significant phenomena in Caribbean religious history. Brought together in the crucible of the sugar plantation, Caribbean peoples drew on the variants of Christianity brought by European colonizers, as well as on African religious and healing traditions and the remnants of Amerindian practices, to fashion new systems of belief. Creole Religions of the Caribbean offers a comprehensive introduction to the syncretic religions that have developed in the region. From Vodou, Santer a, Regla de Palo, the Abaku Secret Society, and Obeah to Quimbois and Espiritismo, the volume traces the historical-cultural origins of the major Creole religions, as well as the newer traditions such as Pocomania and Rastafarianism. Chapters devoted to specific traditions trace their history, their pantheons and major rituals, and their current-day expressions in the Caribbean and in the diaspora. The volume also provides a general historical background of the Caribbean region. Light shelf wear, clean copy.

Hardcover. Ithaca NY, Cornell University Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 191 pages. Matthews Hamabata got off to an unpromising start when he first arrived in Japan to study influential business families. An unmarried, third-generation Japanese-American graduate student, he was there to learn about business executives in their roles as male principals and heads of households. In this engaging and personal narrative, we watch Hamabata in the first disappointing six months of his fieldwork as he attempts to map the boundaries of culture, class, and sexuality. "I became my own biggest fieldwork problem," he writes. "Was I inside or out? When I thought I was in, I was actually out, but when I acknowledged the fact that I was out, I was let in." He soon recognized the importance of marital and filial relations in transmitting power in the business world, and he began to direct his study to examining the social and emotional lives of all members of the Japanese ie (household) and the way they affect business activity and ownership. He takes us behind the scenes of the family enterprise to see how the multiple "layers of reality"-biological, social, religious, emotional, and symbolic-relate and cause dilemmas for ie members. (Names, locations, and other details have been altered for the sake of anonymity.) Clean copy.

Hardcover. Chicago, Poole Brothers, 1st, 1894, Book: Good, Dust Jacket: None, 125 pages. Hardcover. Title and decoration in silver on cloth cover - darkening to edges. Illustrated with Sepia photographs. All edges gilt. Front hinge tender. Clean, unmarked copy.

Hardcover. NY, Scribner, 1st, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 458 pages. Robert Crumb is often credited with single-handedly transforming the comics medium into a place for adult expression, in the process pioneering the underground comic book industry, and transforming the vernacular language of 20th-century America into an instantly recognizable and popular aesthetic. Now, for the first time, Dan Nadel, delivers a "gripping and essential account" (The Boston Globe) of how this complicated artist survived childhood abuse, fame in his twenties, more fame, and came out the other side intact. Braiding biography with "cultural history and criticism...that honors the complexity of [its] subject, even, perhaps particularly, when it gets ugly" (Los Angeles Times), Crumb is the story of a richly complex life at the forefront of both the underground and popular cultures of post-war America. Including forty-five stunning black-and-white images throughout and a sixteen-page color insert featuring images both iconic and obscure. Clean copy.

Hardcover. NY, Scribner, 2nd pr., 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 458 pages. Robert Crumb is often credited with single-handedly transforming the comics medium into a place for adult expression, in the process pioneering the underground comic book industry, and transforming the vernacular language of 20th-Century America into an instantly recognizable and popular aesthetic. Now, for the first time, Dan Nadel, delivers a "gripping and essential account" (The Boston Globe) of how this complicated artist survived childhood abuse, fame in his twenties, more fame, and came out the other side intact. Braiding biography with "cultural history and criticism...that honors the complexity of [its] subject, even, perhaps particularly, when it gets ugly" (Los Angeles Times), Crumb is the story of a richly complex life at the forefront of both the underground and popular cultures of post-war America. Including forty-five stunning black-and-white images throughout and a sixteen-page color insert featuring images both iconic and obscure. Clean copy.

Hardcover. Washington, D. C., Smithsonian, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 58 pages. Illustrated with full color photographs. Clean, bright copy.

Hardcover. London ; New York, Routledge, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 270 pages. Light foxing to top edge. Previous owner's signature on front fly leaf. Minor wear to dust jacket. Else a clean, tight copy.

Hardcover. Los Angeles, Vidal Sassoon Inc., 1st, 1978, Book: Very Good, Dust Jacket: None, 169 pages. Hardcover. Illustrated with black & white photographs. Original receipt from Vidal Sassoon Shop in London, England laid-in. Book has damp odor. Light foxing to edges. Light wear.

Softcover. Chapel Hill NC, University of North Carolina Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 235 pages, b&w illustrations. Focusing on the porkpacking industry in Iowa, Fink investigates the experience of the rural working class and highlights its significance in shaping the state's economic, political, and social contours. Fink draws both on interviews and on her own firsthand experience working on the production floor of a pork-processing plant. She weaves a fascinating account of the meatpacking industry's history in Iowa--a history, she notes, that has been experienced differently by male and female, immigrant and native-born, white and black workers. Like new.

Softcover. Durham NC, Duke University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 416 pages. Open from 1942 until 1945, the Hollywood Canteen was the most famous of the patriotic home front nightclubs where civilian hostesses jitterbugged with enlisted men of the Allied Nations. Since the opening night, when the crowds were so thick that Bette Davis had to enter through the bathroom window to give her welcome speech, the storied dance floor where movie stars danced with soldiers has been the subject of much U.S. nostalgia about the 'Greatest Generation.' Drawing from oral histories with civilian volunteers and military guests who danced at the wartime nightclub, Sherrie Tucker explores how jitterbugging swing culture has come to represent the war in U.S. national memory. Yet her interviewees' varied experiences and recollections belie the possibility of any singular historical narrative. Some recall racism, sexism, and inequality on the nightclub's dance floor and in Los Angeles neighborhoods, dynamics at odds with the U.S. democratic, egalitarian ideals associated with the Hollywood Canteen and the 'Good War' in popular culture narratives. Clean copy in publisher's shrinkwrap.

Softcover. Durham NC, Duke University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 416 pages. Open from 1942 until 1945, the Hollywood Canteen was the most famous of the patriotic home front nightclubs where civilian hostesses jitterbugged with enlisted men of the Allied Nations. Since the opening night, when the crowds were so thick that Bette Davis had to enter through the bathroom window to give her welcome speech, the storied dance floor where movie stars danced with soldiers has been the subject of much U.S. nostalgia about the 'Greatest Generation.' Drawing from oral histories with civilian volunteers and military guests who danced at the wartime nightclub, Sherrie Tucker explores how jitterbugging swing culture has come to represent the war in U.S. national memory. Yet her interviewees' varied experiences and recollections belie the possibility of any singular historical narrative. Some recall racism, sexism, and inequality on the nightclub's dance floor and in Los Angeles neighborhoods, dynamics at odds with the U.S. democratic, egalitarian ideals associated with the Hollywood Canteen and the 'Good War' in popular culture narratives. Clean copy in publisher's shrinkwrap.