culture

Hardcover. Cambridge UK, Cambridge University Press , 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 221 pages, b&w illustrations. A study of the significance of names amongst the people of Avatip in the Sepik Region of Papua New Guinea in the formation and evolution of their very culture. Clean copy.

Softcover. Wooster, College of Wooster Art Museum, The, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 55 pages. Softcover. Minor wear to cover edges. Full page black & white photographs throughout. Clean unmarked text.

Hardcover. London, Chris Boot, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 95 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Monograph of color portraits shot with a 5x4 camera at the Folsom Street Fair in SF and Easter weekend in Berlin, about 70 nude and semi-nude fetish gear photos of gay men, near fine limited first edition of 1200 copies.

Hardcover. New York, NY, Bulfinch, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 271 pages. Hardcover. Color and B/w illustrations throughout. Dust jacket unclipped, excellent. Decorated cover boards, decorated endpapers. Binding tight, pages clean. Spine straight. In beautiful condition. A lavishly illustrated, fun, and informative look at more than 400 films of the decade of the 1970's. Features an interview with Peter Bogdanovich.

Softcover. Oakland CA, PM Press, 1st, 2019, Book: Very Good, Dust Jacket: None, Softcover, 336 pages. Sticking It to the Man tracks the ways in which the changing politics and culture of the 1950s, '60s, and '70s were reflected in pulp and popular fiction in the United States, the UK, and Australia. Featuring more than three hundred full-color covers, the book includes in-depth author interviews, illustrated biographies, articles, and reviews from more than two dozen popular culture critics and scholars. Among the works explored, celebrated, and analyzed are books by street-level hustlers turned best-selling black writers Iceberg Slim, Nathan Heard, and Donald Goines; crime heavyweights Chester Himes, Ernest Tidyman, and Brian Garfield; Yippies Anita Hoffman and Ed Sanders; best-selling authors such as Alice Walker, Patricia Nell Warren, and Rita Mae Brown; and a myriad of lesser-known novelists ripe for rediscovery.

Hardcover. London, Canongate, 1st UK, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 547 pages, b&w illustrations. The story of Jann Wenner, Rolling Stone's founder, editor, and publisher, and the pioneering era he helped curate, is told here for the first time in glittering, glorious detail. Joe Hagan provides readers with a backstage pass to storied concert venues and rock-star hotel rooms; he tells never before heard stories about the lives of rock stars and their handlers; he details the daring journalism (Tom Wolfe, Hunter S. Thompson, P.J. O'Rourke) and internecine office politics that accompanied the start-up; he animates the drug and sexual appetites of the era; and he reports on the politics of the last fifty years that were often chronicled in the pages of Rolling Stone magazine.

Hardcover. New York, Metropolitan Museum of Art, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover still in publisher's shrinkwrap. Binding strong. Dust jacket unmarked. Clean tight copy.

Hardcover. London, Smith, Elder and Co., Second Edition, 1858, Book: Very Good, Dust Jacket: None, Three hardcover volumes with blue leather covers featuring marbled endpapers, raised bands along brown spines with red title plates, gilt decoration. Second Edition. Black & white, and some color illustrations in all 3 volumes by John Ruskin. Volume 1 - "The Foundations". 400 pages. Top edge gilt. Light, faint pencil marginalia to a few pages. Minor abrasion to covers. Clean, tight copy. Volume 2 - "The Sea Stories". 394 pages. Top edge gilt. Faint foxing to some pages. a few moderate abrasions to rear cover. Clean, tight copy. Volume 3 - "The Fall". 362 pages. Top edge gilt. Light pencil marginalia scattered throughout. Faint foxing to some pages. Minor abrasions to covers. Clean, tight copy. A nice set.

Hardcover. Boston, Little Brown and Company, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages, b&w photos. Light edgewear to upper edge of dust jacket, else a clean, tight copy.

Hardcover. Trans Pacific Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover in glossy boards, 170 pages. Stratification in Cultural Contexts is a collection drawn from research results of the East Asian Division of the Center for the Study of Social Stratification and Inequality at Tohoku University. In this book, scholars who specialize in areas of East and Southeast Asia examine how the problem of stratification manifests itself in different cultural and historical contexts, discussing when and in what circumstances the problem of stratification has become more serious, and suggesting how the tension could be eased. The topics dealt with are diversified, from religion to economic concerns. The local wisdom of traditional societies is used to analyze inequality and stratification in cases such as the phenomenon of 'religious revival' following democratization in Mongolian society, the lives of 'slaves' under the Choson dynasty in Korea, and the role of warrior-class women in early-modern Japan. Clean, bright copy.

Hardcover. New York , Abrams, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. Illustrated in color throughout. A survey of the many murals in the (now rapidly gentrifying) Mission District, the barrio Latino of San Francisco, combining elements of Mexican mural painting, surrealism, pop art, urban punk, and graffiti.

Softcover. Mancheser, U.K., Manchester University, Reprint, 1995, Book: Very Good, Dust Jacket: Very Good, Softcover, 221 pages. Foreword by George Melly. Highlighting on two pages. B&W photos and illustrations. Street Noises combines the diverse materials of mass culture with literary and archival sources, to produce an innovative and critical re-reading of twentieth-century Paris as the city of the people and of cultural modernity. It concentrates on popular song and opera, cultural theory and records of police surveillance (such as the unpublished archives concerning the sexual mores of sailors in Toulon), sensational weekly magazines (including the weekly Detective Magazine with its remarkable photomontage) and writers of the Academie Goncourt. The author picks out their common realisation of the experience of the city, also showing how the faits divers and the entertainment industries frame the writing of a Benjamin, a Colette or a Genet. Rifkin reworks modern critical theory through these sources, reflecting on its relation to the production of mass cultures.

Hardcover. Washington, Prestel, 1st, 2016, Book: Very Good, Dust Jacket: None, 288 pages. Softcover. Very clean, like new in publishers shrink-wrap. This book pays tribute to the mature work of Stuart Davis, a distinctly American artist who adapted European modernism to reflect the sights, sounds, and rhythms of popular culture. Beginning in 1921, a series of creative breakthroughs led Davis away from figurative painting and toward a more abstract expression of the world he inhabited. Drawing upon his admiration for Cezanne, Leger, Picasso, and Seurat, Davis developed a style that would evolve over the next four decades to become a dominant force in postwar art. His visionary responses to modern life and culture both high and low remain relevant more than 50 years after his death. Focusing on the images and motifs that became hallmarks of his career, this book features approximately 100 works-from his paintings of tobacco packages of the early 1920s, the abstract Egg Beater series, and the WPA murals of the 1930s, to the majestic works of his last two decades. The authors take a critical approach to the development of Davis's art and theory, paying special attention to the impact his earlier work had upon his later masterpieces. They also discuss Davis's unique ability to assimilate the lessons of Cubism as well as the imagery of popular culture, the aesthetics of advertising, and the sounds and rhythms of jazz-his great musical passion. Informed by previously unpublished primary documents, the detailed chronology is, in effect, the first Davis biography. Together, these elements create a vital portrait of an artist whose works hum with intelligence and energy.

Softcover. Zach Feuer Gallery, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 70 pages. Priya Bhatnagar in Flash Art has written "Threatening to unravel pop culture's abstractions, Hawkins's images call into question the socially coded nature of its identities, icons, meanings and values while contesting its homogenization of beauty and fashion. Joel Sternfeld's foreword calls this survey of recent work "an achievement of the first magnitude." Inviting friends and strangers in Nepal to pose for the camera, Blue Eyes includes three photographic series and three video projects that reveal the ubiquity of American media culture while underscoring certain behaviors as they pertain to global capitalism and race. Each image investigates the experience of cultural imperialism as seen through the eyes of those living in the developing world. Hawkins highlights the visual dialogue that comprises consumer and popular culture and asks the viewer to consider a world of differences increasingly veiled by surface similarities.

Softcover. Zach Feuer Gallery, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 70 pages. Priya Bhatnagar in Flash Art has written "Threatening to unravel pop culture's abstractions, Hawkins's images call into question the socially coded nature of its identities, icons, meanings and values while contesting its homogenization of beauty and fashion. Joel Sternfeld's foreword calls this survey of recent work "an achievement of the first magnitude." Inviting friends and strangers in Nepal to pose for the camera, Blue Eyes includes three photographic series and three video projects that reveal the ubiquity of American media culture while underscoring certain behaviors as they pertain to global capitalism and race. Each image investigates the experience of cultural imperialism as seen through the eyes of those living in the developing world. Hawkins highlights the visual dialogue that comprises consumer and popular culture and asks the viewer to consider a world of differences increasingly veiled by surface similarities.

Hardcover. NY, Academic Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 428 pages, endpaper maps. An examination of the ecology of man's environment, man's use and perception of biological resources, & the physiology and health of the human organism, from Papua New Guinea to the atolls of the South West Pacific. Clean copy.

Softcover. Sanbornton, Sant Bani Press, First Edition, 1984, Book: Very Good, Dust Jacket: None, 333 pages. Softcover. Full page, full color illustrations and a few in bw. Interviews & reflections with Kirpal Singh, Baba Sawan & Sant Ajaib. Light wear to spine edges, light sunfading to lower spine. Discolored smudge to top edge. Previous owner's signature to preliminary pages. Otherwise, clean & unmarked copy.

Hardcover. Santa Barbara CA, T. Adler Books, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 128 pages, Like new in publishers shrink-wrap. 127 b&w and 100 duotone illustrations. Designed by Tom Adler. Ron Church"s images of surfing's first organized contests-at once mundane and heroic-caught the sport in a time of change.

Hardcover. London, M Q Publications, 1st, 2006, Book: Near Fine, Dust Jacket: Near Fine, Clean, unmarked copy with only minor wear to dust jacket. Like new. An exclusive collection of drawings that reveal the tender side of R. Crumb. Evocative haunting images of people and places such as Aline, his daughter Sophie, scenes from the village and region he lives in the South of France, Jesse Crumb, his first wife Dana and their son Jesse and of course the Blues musicians he treasures from his 78rpm record collection. Unpaginated, but about 120 pages.

Hardcover. New York, Cambridge University Press, 1st US, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 190 pages. Illustrated with black & white photographs. Clean, tight copy. The documentary style that dominates American photography had its origins in the social reform publicity campaigns of the turn of the century. This book traces the history of this genre and its main participants, including Jacob Riis, Lewis Hine, Walker Evans, Dorothea Lange, Ben Shahn, and Russell Lee. Clean copy.

Hardcover. New Jersey, Princeton University Press, 1st, 1999, Book: Very Good, Dust Jacket: None, 302 pages. Hardcover. B/w illustrations throughout. Red endpapers. Decorated cover boards, black quarter cloth, gilt title on spine. An innovative exploration of the place of the erotic in Renaissance art and culture, focusing on a notorious set of images created by the young Italian master Giulio Romano. Clean copy.

Hardcover. Philadelphia, PA, Carey, Lea & Carey, Second series, 1829, Book: Very Good, Dust Jacket: None, Vol 1: 296 pages. Vol 2: 286 pagesHardcovers. Brown boards, paste down title on spine in black. Original owner inscription on front flyleaf of both books, original owner's signature on back pages. Pages untrimmed, rough edged, tanning and foxing to pages. Binding very good, spine straight. Agewear throughout, in very good condition for its age. Good solid volumes of Sir Walter Scott's tales as told to his grandson.

Hardcover. New York, Bloomsbury , 1st US, 2004-07-02, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages. Clean, unmarked copy with only minor wear to dust jacket.